Colonial Williamsburg Foundation Library Research Report Series - 0036
Colonial Williamsburg Foundation Library
Williamsburg, Virginia
1990
Reconstructed under the direction of Perry, Shaw and Hepburn, architects for the Williamsburg Holding Corporation between October, 1931 and January, 1934. For a detailed listing of the organizations and persons who participated in the work on the Capitol, see the Appendix of the report.
Part 1 of the report introduces the subject of the Capitol by reviewing possible English antecedents of this exceptional structure and by pointing to subsequent buildings in Virginia and the neighboring colonies the design of which, in one respect or another, was influenced by it. It outlines the history of the first and second buildings, down to 1928 when the site was presented to Colonial Williamsburg, Inc. by the Association for the Preservation of Virginia Antiquities. The report then reviews certain puzzling questions concerning the original building which arose when the documentary and archaeological data were studied, in preparation for the reconstruction of the structure. The body of the report lists, detail for detail, the precedent followed in the design of the various features of the building, the exterior being treated in Part 1 and the interior in Parts 2 and 3.
The chief sources consulted in the writing of this report were the following:
This report was written by Howard Dearstyne for the Architects' Office of Colonial Williamsburg. Part 1 was completed in draft form in October, 1954. This was reviewed by Singleton P. Moorehead and Orin M. Bullock, corrected and typed in final form in November-December, 1954. It was bound December 8.
[Eagle emblem]
Ever will the thought of this reconstructed Capitol move us profoundly, for here as Councilor or Burgess sat nearly every great Virginian of the 18th century; here were spoken words that will never die; here plans were laid and actions taken of untold moment in the building of this nation. What a temptation to sit in silence and let the past speak to us of those great patriots whose voices once resounded in these halls and whose far-seeing wisdom, high courage and unselfish devotion to the common good will ever be an inspiration to noble living. To their memory the rebirth of this building is forever dedicated. Well may we say to ourselves in the words which the Captain of the Lord's host spoke unto Joshua:
"Loose thy shoe from off thy foot, for the place whereon thou standest is holy."
From address or John D. Rockefeller, Jr., delivered on February 24, 1934 at a special session of the General Assembly of Virginia held in the House of Burgesses Chamber to signalize the completion of the reconstruction or the Capitol.
The eagle on the previous page was taken from the title page of The Works of Colonel John Trumball / Artist of the American Revolution by Theodore Sizer, New Haven, 1950. A note in the book explains that the eagle appeared originally at the top of a music sheet entitled Hail! Columbia, Death or Liberty, A. Favorite New Federal Song, which was published in Boston in 1798.
DEFINITIONS OF CERTAIN TERMS USED IN THIS REPORT | v |
ENGLISH PREDECESSORS AND VIRGINIAN DISCIPLES | 1-22 |
PROBLEMS ENCOUNTERED IN RECONSTRUCTION OF CAPITOL | 23-63 |
ARCHITECTURAL DETAILS OF THE CAPITOL AND THE PRECEDENT ON WHICH THEY WERE BASED | 65-147 |
METHOD OF TREATMENT OF FEATURES OF A FACADE | 67, 68 |
NOTES CONCERNING CONSTRUCTION OF PRESENT BUILDING | 68-73 |
SOUTH ELEVATION | 76-114 |
WEST ELEVATION | 116-129 |
NORTH ELEVATION | 130-134 |
EAST ELEVATION | 136-138 |
COURT ELEVATIONS | 140-147 |
INDEX | 148 |
Several words used frequently in the report are given specific or specialized meanings and this glossary is included here to obviate the danger of their being misinterpreted.
The word existing is used to designate features of the building which were in existence prior to its reconstruction by Colonial Williamsburg.
The phrase not in existence means "not in existence at the time of reconstruction."
The word modern is used as a synonym of recent and is intended to designate any existing eighteenth-century building which is a replacement of what was there originally and which is of so late a date that it could not properly be retained in an authentic restoration or reconstruction of the building, or be used as precedent in the restoration or reconstruction of another building.
The word old is used to indicate anything on or in a building that cannot be defined with certainty as being original but which is believed, nevertheless, to stem from the eighteenth century.
The term restoration is applied to the reconditioning of an existing building in which the walls, roof and many of the architectural details are original but in the case of which decayed parts have been replaced with new ones patterned after the old and missing elements have been supplied in the form either of old parts from other eighteenth-century buildings or of new ones of authentic eighteenth-century design.
The term reconstruction is applied to a building which has been wholly rebuilt in the position of the old foundations on the basis of archaeological and documentary evidence as to the nature of the original structure.
Length signifies the greatest dimension of a building or building part measured from end to end.
Width and breadth are used in this report to mean the dimension of a building or building part measured at right angles to the length.
Depth, in addition to meaning extent or distance downward, is also used in the sense of extent or distance inward or backward, so that we may, on occasion, speak of "the depth," of a lot, a building or of a room,
JAMESTOWN STATEHOUSE BURNS AND A CAPITOL BUILDING IS PROJECTED FOR MIDDLE PLANTATION
When the statehouse in Jamestown was burned in 1698 the government of the Virginia colony was moved to middle Plantation which was thereafter called Williamsburg. A new statehouse, to be known as the Capitol, was ordered to be built there and until it was completed Governor Francis Nicholson, the councilmen and the burgesses carried on the affairs of government in the Wren Building of the Collage of William and Mary, a structure which had been built some years before.
LEGISLATIVE ACTS GIVE SPECIFICATIONS FOR ERECTION OF CAPITOL; THESE BASED ON EXISTING PLAN; BLAND SHOWS BUILDING ON LAYOUT FOR NEW CITY
Two acts passed by the legislature (June, 1699 and August, 1701)* gave explicit directions for the building of the city of Williamsburg and the Capitol. The directions for building the Capitol are so exact and so complete that we are forced to the conclusion that they are the verbal interpretation of previously-existent, exactly-executed drawings made for the structure. This theory becomes for us a matter of fact when we read the following in the record of the proceedings of the House of Burgesses for May 25, 1699:**
Upon further Consideration of the State house to be built being referred to this day and againe debated, The House agreed as followeth
That the House be built according to the forme and Dimentions of the Plott or Draught laid before the House.
It was doubtless this "Plott or Draught" upon which Theodorick 2 Bland draw when, having been commissioned in 1699 to survey the site for the new town, he made a layout for the latter and included therein a plan of the projected Capitol {see plate, p. 3). This plan gives the form of the building essentially as it was later built, except that both of ends of each wing are squared off whereas the Act of 1699 specifies that one end of each is to be made semi-circular. Since his plan for the new city and its two water approaches is of the utmost simplicity and includes buildings (Bruton Church and the Wren Building are also shown), without doubt, only to give their locations. Bland did not hesitate to schematize his indication of the Capitol and to square off all four ends.
UNCERTAINTY AS TO WHETHER CAPITOL WAS DESIGNED IN ENGLAND; POSSIBILITY THAT WREN WAS THE ARCHITECT
We have no way of demonstrating the validity of the supposition that the Capitol was erected from plans drawn in England. It seems reasonable to assume this since we know it to have been the case with the Wren Building of the College of William and Mary, the construction of which was started in 1694, a very few years before the beginning of the Capitol (1699). Of the Wren Building, Hugh Jones was for some years a professor of mathematics at the College and chaplain to the General Assembly, says, in his The Present State of Virginia, London, 1724, that it was "first modelled by Sir Christopher Wren, adapted to the nature of the country by the Gentlemen there…" Jones, in the same book, describes the Capitol and, although he makes no statement as to the designer of this, he says of the House of Burgesses that it "is not unlike the House of Commons." We are uncertain whether he was comparing the architecture of the two legislative bodies or likening the one to the other on the basis of function and procedure. This subject is
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4
treated at some length on p. 56, in the caption to a picture of the House of Commons. The question therein raised as to whether Sir Christopher Wren, as surveyor general to the crown, m.y have had a hand in the design of the Capitol cannot, in the present state of our knowledge as to the origins of the building, be answered satisfactorily. Since it has a possible bearing on the matter, it seems appropriate to quote here a statement made by Nathaniel Lloyd on p. 115 of his A History of the English House, London, 1931. Lloyd speaks of "Wren's practice of furnishing designs, with or without detail drawings, for provincial buildings and leaving the execution of the work to others…." There is considerable probability that this is what he did in the case of the
Wren Building and he may well have done the same thing for the Capitol.
LIKELIHOOD THAT CAPITOL DEVELOPED OUT OF A BUILDING TYPE EXISTING IN ENGLAND
Even if one saw fit to reject the thesis that the Capitol was designed in England, he would still have to look to the mother country for the forerunners of the building form. It is seldom that a new building type springs full blown from the mind of some gifted creator; such innovations represent, rather, advances upon or alterations of older forms. Since it was customary for the Virginia colonists at this period to turn to England for architectural guidance, we may expect to discover among buildings which existed there at the time structures with characteristics which relate them to the Capitol. We should find, therefore, buildings having H plans, others with arcades and still others in the designs of which cylindrical or half-cylindrical forms have been incorporated, to mention only the most striking features of the first Capitol.
U, H, AND "HOLLOW SQUARE" PLANS POPULAR IN ENGLAND; TWO HOUSE WITH H PLANS
It should be remarked here that plan types in vogue in England in the seventeenth and eighteenth centuries included, among others, 5 the simple rectangle; the U-shaped plan, obtained by adding, at the ends of the rectangle, two wings at right angles; the "hollow square" plan (projected for the Wren Building but never completed), which results when two U's are joined at the ends of the wings, and the H plan which is formed, theoretically, when two U's are placed "back to back." We have no difficulty tracing the English origin of the H plan of the Capitol since, according to Nathaniel Lloyd; the Elizabethan house generally took that form (p. 212, A History of the English House). Elizabeth reigned from 1558 to 1603 so that this plan form became well-established a century before the Capitol was built and it continued in frequent use into the eighteenth century. For the plans of two English Houses having the H form, which were erected about the same time as the Capitol see our plate, p. 7.
ADVANTAGES OF H PLAN AND OTHER RELATED PLAN TYPES
The H-shaped plan, the U-shaped plan and the hollow square plan were all planning devices used to avoid unlighted and unventilated interior spaces by giving each room at least one and often two or three outside walls in which windows could be located. In his The Mansions of Virginia, Chapel Hill, 1946, Thomas T. Waterman says (p. 85) of the H plan and its related forms:
As has been pointed out elsewhere, fanciful plans were much in style in England during the seventeenth century, and in provincial areas in the early eighteenth century as well. H, E, U, and T plans were frequently used, the first of which was used in the Capitol in Williamsburg (1699) and was illustrated in Stephen Primatt's The City and Country Purchaser and Builder, published in 1667. The virtues of such a plan were also extolled by Blome in his The Gentleman's Recreation, printed in London in 1709. He observes that "in building of houses long, the use of some rooms will be lost, in that more room must be allowed for Entries and Passages and it requires more doors; and if a building consists of a geometrical square, if the house be large, the middle rooms will want light, and many therefore commend the form of the Capitol Romman H, which, they say, makes it stand firm against the winds, and lets in both light and air and disposes every room nearer to one another."6
TUCKAHOE AND STRATFORD ARE EXAMPLES OF H PLAN IN VIRGINIA; FORMER HAS ENTRANCE IN LONG SIDE OF ONE OF WINGS
The various "alphabetic" plan forms discussed above are all represented in the eighteenth century buildings of Virginia, as well as the hollow square (orig1nal plan for Wren Building) and, of course, the rectangular plan, of which there are many examples. Our previously-consulted plate, p. 7, shows two well-known examples of the H plan, Tuckahoe in Goochland County and Stratford in Westmoreland County. Tuckahoe, a wood dwelling commenced after 1712 and enlarged to the H form shown in the plan sometime after 1730, consists of two typical Virginian two-room-and-central-hall plans, joined by a large central room or salon. It is interesting to note that one of the wings rather than the central hall faces the approach. This is mentioned here because it recalls one of the questions much-debated during the reconstruction of the Capitol, i.e., whether the main entrance to the latter was via the central loggia or the west doorway facing Duke of Gloucester Street. This subject will be treated more at length farther on in the report; suffice it here to note that Tuckahoe, probably in consequence of its piecemeal development; has, like the second Capitol building and perhaps, like the first in its latter days, its main entrance in the long face of one of the wings.
TUCKAHOE PLAN BELIEVED TO HAVE BEEN INSPIRED BY THAT OF CAPITOL; INFLUENCE OF LATTER ON VIRGINIAN ARCHITECTURE
Although the plan of Tuckahoe, like that of the Capitol, could have been inspired by some English example of the H plan, it is more likely that it represents an instance of the influence of the Capitol plan on the architecture of Virginia. Waterman, on p. 86 The Mansions of Virginia, subscribes to this opinion on the basis of the fact that Thomas Randolph, the builder, frequented the Capitol at Williamsburg and was, therefore, well-acquainted with
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FAWLEY COURT (LEFT) BUILT BY SIR CHRISTOPHER WREN BETWEEN 1684 AND 1688 AND CLAREMONT ESHER, BUILT BY SIR JOHN VANBRUGH FOR HIMSELF IN 1711. THESE HOUSES ARE SHOWN HERE CHIEFLY TO INDICATE THAT THE H PLAN WAS IN USE IN ENGLAND DURING THE PERIOD THE CAPITOL WAS BUILT WHICH STRONGLY SUGGESTS THAT THE DERIVATION OF THE PLAN OF THE LATTER WAS ENGLISH.
TUCKAHOE, GOOCHLAND COUNTY (LEFT), WAS BEGUN SHORTLY AFTER 1712 AND ENLARGED TO ITS PRESENT FORM AFTER 1730. STRATFORD, WESTMORELAND COUNTY, WAS ERECTED ABOUT 1725. IT SEEMS VERY LIKELY THAT THE H PLANS OF BOTH OF THESE HOUSES WERE INSPIRED BY THAT OF THE CAPITOL.
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its form. It is possible that he recognized in this building type the answer to the problem of ventilation which the hot and humid climate of eastern Virginia poses. That buildings of the size and importance of the Governor's Palace and the Capitol should have exerted an influence on the architecture of a land as yet all too scantily provided with impressive structures is not surprising. A documented case in which the Capitol served as a model for emulation is found in an entry of November 18, 1719 in the Vestry Book of St. Peter's Parish in New Kent County (pp. 126, 127). The entry is a specification for the building of a brick courtyard wall about St. Peter's Church. Among other things, it requires "The s'd wall to be in all Respects as well Done as the Capitol wall in Williamsburg."
PLAN OF STRATFORD SIMILAR TO THAT OF TUCKAHOE, BUT MAIN ENTRANCE IS IN CENTRAL CONNECTING ELEMENT
The second Virginia example of an H plan shown on our plate, p. 7 is that of Stratford, a brick mansion built about 1725 by Thomas Lee. The plan, like that of Tuckahoe, is composed of two central hall plans linked by a central salon, but the central-halled wings, in this case, are two rooms deep. It should be noted that, unlike the arrangement at Tuckahoe, the main entrance of Stratford is a doorway in the center of the middle element. From the standpoint of ease of circulation this was the logical place to locate the main entrance and we are, likewise, convinced that the original planner of the Capitol looked upon the central approach, via the loggia, as the most reasonable one in the case of that building. Stratford was built in a single continuous operation, so that the builder was able to place the main entrance in the moat feasible position. In his treatment of Stratford in 9 The Mansions of Virginia (pp. 92-95) Waterman notes the influence on the structure of the baroque work of Sir John Vanbrugh (see house plan, p. 7 of this report) and Nicholas Hawksmoor and suggests that the design of the bui1ding may have resulted from a combination of influences. i.e. literary sources (builders' handbooks) and, as in the case of Tuckahoe, the Capitol at Williamsburg.
ENGLISH ANTECEDENTS OF CAPITOL ARCADE WILL BE INVESTIGATED
Returning to our investigation of the English antecedents of certain of the main features of the Capitol, we will consider the use in English architecture of the loggia or arcade in the period preceding the design and erection of the Williamsburg statehouse. Our purpose in this is to determine, if possible, the source or sources from which the arcade connecting the two wings of the Capitol and bearing enclosed and usable space above it, may have been derived.
CAPITOL ARCADE PRECEDED BY THAT OF WREN BUILDING
We should not fail, at the outset, to mention the fact that the Capitol was not the first building in Virginia in which the arcade was employed, The Wren Building with its arcaded west porch, having been started in 1695 and substantially completed by 1698, preceded it in the use of this feature. A difference of some consequence between the arcades of the two buildings should, however, be pointed out. In the Wren Building a single line of arches and piers forms the outside support of a porch having a rear wall which is unbroken except for a central doorway and, carrying two, full stories above it. In the Capitol three lines of arches support a story-and-a-half super-structure forming a bridge between the two wings of the building and having an open loggia beneath it.
10WHETHER BASED ON ENGLISH MODELS OR ON WREN EXAMPLE ARCADE DERIVED ULTIMATELY FROM ENGLAND
If we believe that the Capitol was designed in England we are led to seek the precedent for its arcaded loggia there rather than in Virginia even though the arcade existed in Williamsburg at the time the Capitol was built. Even if, on the other hand, we were to conclude that the Capitol arcade was derived from that of its near neighbor, the Wren Building, the difference would not be important since, in that case, its ultimate English origin would be but one step removed.
HOUSE SCHEME BY JOHN THORPE HAS BASIC PLAN ARRANGEMENT LIKE THAT OF CAPITOL
Although our search cannot be considered to have been exhaustive, we have succeeded in locating only one example, an architectural design which was never executed, in which the two parallel wings of an H-shaped or, actually, I-T-shaped building (a so-called monogram house in which the architect, John Thorpe, used his own initials), are tied together by a portico (see p. 11}. The portico of this projected Elizabethan house, as in the case of the Capitol loggia, serves as the main approach to the two wings and here, as in the Capitol, there are also secondary entrances. Unlike that of the Capitol, however, this portico is but one bay deep and carries above it a balustraded walk but no enclosed rooms. It is furthermore, of course, constructed of columns rather than arches and piers. However much this house design may differ in character and detailing from the original Capitol, its plan type and scheme for circulation, nevertheless, are similar, basically, to those of the Capitol.
ENGLISH BUILDING TYPES WHICH MAY HAVE INFLUENCED DESIGN OF CENTRAL PART OF CAPITOL
Arcades supporting enclosed spaces above them were plentiful in England at the time the Capitol was being erected. The arcade is a Roman invention so that it was probably first introduced into England in ancient times. It continued to be used there, as elsewhere, in medieval Romanesque and Gothic ecclesiastical
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SCHEME FOR A HOUSE BY JOHN THORPE, ENGLISH ARCHITECT ACTIVE AROUND 1600. THE HOUSE HAS THE PLAN OF THE CAPITOL AND A CENTRAL CONNECTING MEMBER SERVING AS THE APPROACH TO BOTH WINGS. (FROM HISTORY OF THE ENGLISH HOUSE BY NATHANIEL LLOYD, LONDON, 1931.)
BELOW RIGHT: THE TOWN HALL AT ABINGDON, ENGLAND, BUILT IN 1677. (FROM ENGLISH HOMES PERIOD IV--VOL. I BY H. AVRAY TIPPING, LONDON, 1920.)
BELOW LEFT: THE TOWN HALL AMERSHAM, ENGLAND, BUILT IN 1682. (FROM ENGLISH DOMESTIC ARCHITECTURE OF THE XVII AND XVIII CENTURIES BY HORACE FIELD AND MICHAEL BUNNEY, CLEVELAND, 1928.) BOTH BUILDINGS HAVE AN OPEN ARCADED LOGGIA WHICH, LIKE THAT OF THE CAPITOL, CARRIES AN ENCLOSED ROOM ABOVE IT. BOTH ALSO HAVE CUPOLAS SERVING AS BELL TOWERS.
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ABOVE: BIRD'S-EYE VIEW OF LAWNS AND RANGES, DRAWN BY THOMAS JEFFERSON FOR HIS PROJECTED UNIVERSITY AT CHARLOTTESVILLE, CONSTRUCTION OF WHICH WAS BEGUN IN 1817. THIS PERSISTENCE OF THE ARCADE IN VIRGINIA ARCHITECTURE IS EXPLAINED, PROBABLY, BY THE FACT THAT IT WAS RECOGNIZED AS BEING VERY USEFUL IN THE "SUNNY SOUTH." (DRAWING REPRODUCED FROM THOMAS JEFFERSON / ARCHITECT AND BUILDER BY I. T. FRARY, RICHMOND, 1939.)
RIGHT: PLAN AND FRONT ELEVATION OF KING WILLIAM COURT HOUSE, ERECTED EARLY IN THE EIGHTEENTH CENTURY. A NUMBER OF
OTHER COURTHOUSES WITH ARCADED FRONTS WERE BUILT IN VIRGINIA, AMONG WHICH THE HANOVER COURTHOUSE (1735) IS NOTEWORTHY. LIKE THOSE OF THE WREN BUILDING AND THE CAPITOL, THESE ARCADES DERIVED FROM ENGLISH ANTECEDENTS. (ELEVATION DRAWING REPRODUCED FROM ORIGINAL IN ARCHITECTURAL SKETCHBOOK OF SINGLETON P. MOOREHEAD.)
THE PLAN OF THE KING WILLIAM COURT-HOUSE (FROM A MEASURED DRAWING BY GEORGE S. CAMPBELL ) IS MORE OR LESS TYPICAL OF VIRGINIA COURTHOUSE PLANS SINCE SIMILAR FUNCTIONS ARE PERFORMED IN ALL OF THESE BUILDINGS. IN THE ISLE OF WIGHT COURT-HOUSE AND THE CHOWAN COUNTY COURTHOUSE, EDENTON, NORTH CAROLINA (ILLS., PP. 18, 19) THE COURT ROOMS, ESSENTIALLY THE SAME IN FORM AND USE AS THE GENERAL COURT ROOM OF THE CAPITOL, WERE GIVEN, LIKE THE LATTER, SEMI-CIRCULAR ENDS.
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architecture. With the introduction into England by Inigo Jones and others of the form vocabulary of the Italian Renaissance, the arcade again became a frequently-used feature. Our plate, p. 11, shows two English town halls built only a few years before the Capitol. In these buildings, as in the Capitol, open arcades carry enclosed spaces above them and these were used, no doubt, for much the same purpose as the Conference Room of the Capitol which occupies the space over its arcade. To be sure, the town halls have no flanking wings, but they do bear a close resemblance to the central element of the Capitol, even to the possession of cupolas over their centers. In detailing, of course, the pilastered Renaissance facades of the Abingdon town hall are far more ornate than the restrained faces of the Capitol but the Amersham structure, on the other hand, despite its stone trim, has a simplicity which links it, in feeling, with the Capitol. We have reason to suspect that buildings of this type exercised an influence on the design of the Capitol.
USEFULNESS OF ARCADED PORCH IN VIRGINIA
A few words should be said about the appropriateness of the use in Virginia of the arcaded porch. This feature which, as we have said, originated in Italy, a land of arched and collonaded porticoes, was there eminently practical as well as highly ornamental, since it furnished pedestrians protection not only from the rain but also, in that southern climate, from the intense heat of the sun. Though less necessary for the latter reason in England, it was once more, in Virginia, very useful since it provided shade which in the summer heat of that country is very welcome.
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THE SEMI-CYLINDRICAL SOUTH ENDS OF THE RECONSTRUCTED CAPITOL
15
In using it in public meeting places like courthouses, the main building of the College and the Capitol, in all of which numbers of people were likely to pause for conversation or to discuss business, the colonists adapted their buildings to the climate of the land. These loggias continued to be used, indeed, long after the colonial period ended, a notable example of this use being the arcaded covered ways of the east and west ranges of Thomas Jefferson's University of Virginia (see drawing, p. 12).
CURVED ENDS OF CAPITOL, ITS MOST STRIKING FEATURES, HAD NO COUNTERPARTS IN VIRGINIA; EXAMPLES OF CIRCULAR BUILDINGS IN COLONY
By all odds the most striking features of the Capitol were the half-cylindrical south ends of its wings which had no counterparts in the architecture of Virginia at the time of their erection. Roughly-cylindrical tower windmills and some cylindrical plantation outbuildings, such as the ice houses at Rosewell and Toddsbury (Gloucester County) and Westover (Charles City County); the quite exceptional slave quarter at Keswick (Powhatan County) and the dovecotes at Westover and Shirley (Charles City County), were, in fact, almost the only buildings erected during the colonial period in Virginia which were not straight-sided. Again we must turn to the mother country to find the basis for the curved ends of the Capitol wings and for these other cylindrical structures.
CYLINDRICAL STRUCTURES NOT UNCOMMON IN ENGLAND AND CAPITOL ARCHITECT COULD HAVE DERIVED INSPIRATION FROM THEM
We find upon investigation that cylindrical and semi-cylindrical buildings were not rare in the architecture of England. On the two illustration plates which follow (pp. 16 and 17) we present a few selections from many extant English examples of buildings in which the cylindrical form plays an important role. These suggest the rounded ends of the Capitol sufficiently to justify us in venturing the assertion that had the Capitol been erected in England it would scarcely have aroused wonder or curiosity because of the unfamiliarity of its shape.
16THE BUILDING OF STONE CASTLES BEGAN IN ENGLAND AFTER THE NORMAN CONQUEST, THE EARLIEST OF THEM, THE TOWER OF LONDON, HAVING BEEN COMPLETED BEFORE 1087. TOWERS OR TURRETS ERECTED AT SALIENT POINTS OF THE ENCLOSING WALLS ENABLED BOWMEN TO SHOOT AT ATTACKING FORCES. THESE TURRETS WERE SOMETIMES SQUARE IN SECTION AND SOMETIMES ROUND. THE LATTER TYPE WAS FREQUENTLY USED SINCE IT ENABLED DEFENDERS TO OBSERVE AND TO SHOOT THROUGH CROSS-SLITS PLACED AT SEVERAL POINTS IN THE CYLINDER'S CIRCUMFERENCE. BODIAM CASTLE (TOP PICTURE, TAKEN FROM NATHANIEL LLOYD'S A HISTORY OF THE ENGLISH WAS SURROUNDED BY A MOAT AND ENTERED THROUGH A FORTIFIED GATE-HOUSE APPROACHED VIA A DRAWBRIDGE. WOULD-BE INVADERS WERE SUBJECT TO FLANK ATTACK FROM THE CYLINDRICAL TOWERS.
BY THE TIME THE GATEHOUSE OF WOLFETON, A LARGE TUDOR MANOR HOUSE IN DORSET (MIDDLE AND LOWEST PICTURES, TAKEN FROM COUNTRY LIFE, AUGUST 6, 1953) WAS BUILT IN 1534, THE NEED FOR DEFENSIVE TOWERS HAD LARGELY PASSED, SO THAT IT HAS BEEN SUGGESTED THAT THESE MAY BE EARLIER FEATURES INCORPORATED INTO THE TUDOR STRUCTURE. THE UPPER PARTS OF THE TOWERS WERE ONCE DOVECOTES AND AN OLD ENGRAVING SHOWS THAT THEIR CONICAL ROOFS WERE FORMERLY STEEPER.
WITH THE END OF CASTLE BUILDING IN ENGLAND THE CYLINDRICAL AND HALF-CYLINDRICAL FORMS CONTINUED TO BE USED AS ARCHITECTURAL FEATURES HAVING NO DEFENSIVE PURPOSE AND WE FIND THEM LATER IN WORKS BY ENGLISH RENAISSANCE ARCHITECTS SUCH AS JONES, WREN, VANBRUGH AND OTHERS. THEY WERE ALSO OFTEN EMPLOYED IN MORE PURELY FUNCTIONAL STRUCTURES LIKE FARM BUILDINGS OF VARIOUS SORTS (SEE PICTURES ON OPPOSITE PAGE). IT BECOMES EVIDENT THAT CYLINDRICAL AND SEMI-CYLINDRICAL SHAPES HAD BEEN FAMILIAR ONES IN ENGLISH ARCHITECTURE FOR CENTURIES BEFORE THE CAPITOL WAS BUILT. IT IS NOT SURPRISING, THEREFORE, THAT THE ARCHITECT OF THAT BUILDING SHOULD HAVE MADE USE OF HALF CYLINDERS IN ITS DESIGN.
17[Sketches]
LEFT: GRANITE BARN AT SOUTH COOMBES HEAD, CORNWALL, ENGLAND. (FROM REGIONAL ARCHITECTURE OF THE WEST OF ENGLAND BY A. E. RICHARDSON AND C. LOVETT GILL, LONDON, 1924.) THE AUTHORS SPEAK 0F THIS AS "ONE OF THE FINEST EXAMPLES OF EARLY EIGHTEENTH CENTURY MASONRY IN THE PROVINCES." THE BARN HAS TWO OF THE MAIN FEATURES OF THE CAPITOL, THE ARCADE AND THE HIP-ROOFED APSIDAL END. THOUGH BUILT LATER THAN THE CAPITOL, IT IS UNQUESTIONABLY COMPOSED OF TRADITIONAL FORMS.
THE PICTURE IMMEDIATELY BELOW, OF TWO OAST-HOUSES (HOP DRYING KILNS ) NEAR COWBEECH IN SUSSEX, ENGLAND WAS REPRODUCED FROM ROWLAND C. HUNTER'S OLD HOUSES IN ENGLAND, 1930. THESE BUILDINGS, WHICH THE AUTHOR DOES NOT DATE, PROBABLY STEM FROM THE NINETEENTH CENTURY, WHEN MANY KILNS OF THIS TYPE WERE BUILT, THOUGH OAST-HOUSES EXISTED BEFORE THAT. THE BRICKWORK OF THESE BUILDINGS WAS LAID UP IN FLEMISH BOND, ACCENTED BY GLAZED HEADERS. THE STRUCTURES SHOWN HERE NO LONGER SERVE THEIR INTENDED USE AND HAVE LOST THE FUNNEL SHAPED VENTS IN WHICH THE ROOFS ONCE TERMINATED. THE WALLS, FURTHERMORE, WERE ORIGINALLY WITHOUT OPENINGS, THE WINDOWS HERE BEING A MODERN INSTALLATION.
THE TWO LOWER PICTURES AT THE RIGHT, FROM THE NOVEMBER 26, 1953 ISSUE OF COUNTRY LIFE, SHOW TWO OF SOME HUNDREDS OF CIRCULAR STONE DOVECOTES WHICH STILL EXIST IN SCOTLAND. THE LEFT HAND EXAMPLE IS AT DIRLETON CASTLE IN EAST LOTHIAN WHILE THE OTHER IS AT PITTENCRIEFF PARK, DUNFERMLINE, FIFE. THREE OR FOUR HUNDRED YEARS AGO PIGEONS WERE, IN SCOTLAND, ALMOST THE ONLY SOURCE OF FRESH MEAT IN WINTER, SO THAT EVERY CASTLE, MONASTERY OR GREAT MANOR HOUSE THERE HAD A DOVECOTE TO SUPPLY IT WITH THE BIRDS.
18A MORE STRIKING EXAMPLE OF THE INFLUENCE OF THE CAPITOL ON (THE SUBSEQUENT ARCHITECTURE OF VIRGINIA COULD SCARCELY BE FOUND, PROBABLY, THAN THAT REVEALED IN THE FORM OF THE COURT ROOM WING OF THE OLD ISLE OF WIGHT COURTHOUSE IN SMITHFIELD, WHICH STEMS FROM THE MIDDLE OF THE EIGHTEENTH CENTURY. THIS BUILDING HAS THE T PLAN CHARACTERISTIC OF VIRGINIA COURT HOUSES BUT, QUITE UNTYPICALLY, THE COURT ROOM END HAS BEEN MADE SEMI-CIRCULAR IN IMITATION OF THE ROUNDED SOUTH ENDS OF THE TWO WINGS OF THE CAPITOL. THE HALF-CONICAL HIPPED ROOF OF THE END HAS NEARLY THE SAME PITCH (SLIGHTLY MORE THAN 45°) AS THE ROOF OF THE CAPITOL; THE MODILLION CORNICES OF THE TWO BUILDINGS ARE VERY SIMILAR TO EACH OTHER AND THE BRICKWORK OF BOTH, ABOVE THEIR WATERTABLES, IS LAID IN FLEMISH BOND. IT SHOULD BE ADDED THAT THE UPPER WINDOWS OF THE CURVED END OF THE COURT HOUSE HAVE THE SAME NUMBER OF LIGHTS AS THE SECOND STORY WINDOWS OF THE CAPITOL. THE CORRESPONDENCE OF THESE ORIGINAL FEATURES OF THE COURT-HOUSE WITH THE RECONSTRUCTED DETAILS OF THE CAPITOL SERVES FURTHER TO DEMONSTRATE THE AUTHENTICITY OF THE LATTER.
THE LOWER PICTURE SHOWS THE STRUCTURE WITH NINETEENTH CENTURY ACCRETIONS WHILE THE UPPER ONE SHOWS IT AS IT IS AT PRESENT, WITH THESE ADDITIONS REMOVED. THE BUILDING IS NO LONGER A COURT HOUSE. THE FRONT PORTION BEING USED FOR OFFICES AND THE COURT ROOM REMAINING UNOCCUPIED. THE ILLUSTRATIONS ARE FROM THE H.A.B.S. COLLECTION OF PHOTOGRAPHS, LIBRARY OF CONGRESS.
19[Interior photograph - Chowan Courthouse]
ANOTHER EIGHTEENTH CENTURY COURTHOUSE WHICH DEMONSTRATES UNMISTAKABLY THE INFLUENCE OF THE CAPITOL ON THE SUBSEQUENT DESIGN OF STRUCTURES DEVOTED TO GOVERNMENTAL USES IS THE CHOWAN COUNTY COURTHOUSE IN EDENTON, NORTH CAROLINA. THE PHOTOGRAPH (FROM THE H.A.B.S. COLLECTION) IS AN INTERIOR VIEW OF THE APSIDAL TERMINATION OF THE COURT ROOM SHOWN IN THE PLAN BELOW. THE LATTER WAS TAKEN FROM THE EARLY ARCHITECTURE OF NORTH CAROLINA BY FRANCES B. JOHNSTON AND THOMAS T. WATERMAN, CHAPEL HILL, 1941.
[Plan]
WE CAN D0 NO BETTER, PROBABLY, THAN QUOTE WATERMAN ON THE SUBJECT OF THIS COURT HOUSE AND ITS DESIGN DERIVATION SINCE, HAVING WORKED ON THE PLANS FOR THE RECONSTRUCTION OF THE CAPITOL, HE WAS INTIMATELY ACQUAINTED WITH THE LATTER. OF THE COURT HOUSE HE SAYS: "IT WAS BUILT IN 1767, AND IS ATTRIBUTED TO GILBERT LEIGH, A RESIDENT OF EDENTON, SAID TO HAVE COME FROM WILLIAMSBURG, VIRGINIA. THE GENERAL PLAN, WITH CENTRAL COURT ROOM AND FLANKING OFFICES, IS TYPICAL OF TIDEWATER VIRGINIA. AN EXACT PARALLEL IN PLAN…IS THE FORMER ISLE OF WIGHT COURT HOUSE AT SMITHFIELD, VIRGINIA… THE ORIGIN OF BOTH BUILDINGS CAN CERTAINLY BE FOUND IN THE CAPITOL AT WILLIAMSBURG, WITH ITS APSIDAL GENERAL COURT ROOM AND HOUSE OF BURGESSES. EVEN THE JUDGE'S CHAIR AND PANELED WAINSCOT AT EDENTON ARE PARALLEL TO THESE FEATURES OF THE WILLIAMSBURG CAPITOL. … THIS WOULD MEAN THAT LEIGH KNEW THE CAPITOL BEFORE THE FIRE OF 1747, AS ALL OF THIS DETAIL PERISHED THEN."
20THE TWO EIGHTEENTH CENTURY CHURCHES SHOWN HERE, TRINITY CHURCH, DORCHESTER COUNTY, MARYLAND (ABOVE) AND ST. PAUL'S CHURCH, EDENTON, NORTH CAROLINA BOTH HAVE SEMI-CIRCULAR APSES RESEMBLING THOSE OF THE CAPITOL. ACCORDING TO SWEPSON EARLE, FROM WHOSE BOOK, THE CHESAPEAKE BAY COUNTRY, BALTIMORE, 1938, OUR PHOTOGRAPH WAS TAKEN, "OLD TRINITY" DATES BACK TO ABOUT 1680 WHILE THOMAS T. WATERMAN TELLS US IN THE ARCHITECTURE OF NORTH CAROLINA (FRANCES B. JOHNSTON AND THOMAS T. WATERMAN, CHAPEL HILL, 1941) THAT ST. PAUL'S CHURCH WAS STARTED IN 1736 AND ITS SHELL AND ROOF COMPLETED BY 1745.
THE DESIGN OF TRINITY COULD NOT WELL HAVE BEEN INFLUENCED BY THE CAPITOL, IF EARLE IS CORRECT IN HIS DATING OF IT, BECAUSE IT WAS ERECTED ALMOST A QUARTER CENTURY BEFORE THE BUILDING OF THE FIRST CAPITOL. OF ST. PAUL'S, WATERMAN SAYS: "ITS FORM IS UNUSUAL IN AN AREA OF COUNTY CHURCHES WHERE … CUSTOM AVOIDED A CHANCEL APSE. NO APSE IS KNOWN EVEN ON SEVENTEENTH-CENTURY CHURCHES IN VIRGINIA, AND THE ONLY REFERENCE TO ONE THERE IS IN A DRAWING IN THE FULHAM PALACE ARCHIVES … IT WOULD SEEM QUITE POSSIBLE THAT THE PLANS FOR ST. PAUL'S CAME FROM ENGLAND… ."
THE SEMI-CIRCULAR APSE, OF COURSE, WAS A COMMON FEATURE IN THE CHURCH ARCHITECTURE OF EUROPE FROM THE DAYS OF THE EARLY CHRISTIAN BASILICA ONWARD THROUGH THE ROMANESQUE AND GOTHIC PERIODS TO THE TIME OF THE BUILDING OF THE TWO CHURCHES ILLUSTRATED HERE. IT IS LIKELY, THEREFORE, THAT THEY STEM FROM THIS LONG-ESTABLISHED CHURCH FORM RATHER THAN FROM THE EXAMPLE OF THE CAPITOL, WHICH MAY ITSELF, HAVE BEEN INFLUENCED BY THIS TRADITIONAL USE OF THE APSE FORM.
21OLD ENGLISH COURT ROOM MAY HAVE BEEN ACTUAL MODEL FOR APSES OF CAPITOL
Thus far, in our illustrations and text, we have considered possible English antecedents of the half-cylindrical south ends of the Capitol from the standpoint of the external resemblance between the latter and the former. In addition, an English interior has come to light which so strongly resembles the apsidal end of the Capitol Court Room as to lead us to believe that it may have been the actual model after which the original Court Room, with its half-cylindrical end, may have been designed. The example in question is the court room of the Doctors' Commons in London. Two drawings of this are reproduced on pp. 277 and 278 of Part 2 of this report.
APSIDAL SHAPE OF SOUTH ENDS OF WINGS OF CAPITOL WAS FOLLOWED IN THREE COURTHOUSES BUT OTHERWISE NOT IMITATED
However great the prestige of the first Capitol may have been, it cannot be said that its most striking features, the half-cylindrical ends, were widely copied in the colonies, possibly because curved forms are not so readily executed in brickwork as rectangular ones. Nevertheless, two courthouse buildings still exist in which the imitation of these features of the Capitol is very apparent and we have the original specification for a third one, which has since disappeared. In the structure in Smithfield which served from l750 to 1800 as the Isle of Wight CourthoUse {see photos and discussion, p. 18) the resemblance of the curved end to those of the Capitol is so close as to remove all doubt as to its provenance. It is evident, likewise, that the County Courthouse in Edenton, North Carolina (p. 19) was designed under the direct influence of the Capitol and here the imitation of the interior treatment of the apsidal end of the Chamber of the House of Burgesses is readily discernible. The specification mentioned above stems from 1740 and lists the dimensions and various features of a courthouse to be erected in Lancaster County. It provides, among other things, that the building shall have "one compas End." Since only circles or parts of circles can be drawn 22 with a compass, this "compas End" must have been semi-circular.*
As for the curved apses of the two churches shown on p. 20, it is probable that these are lineal descendants of countless examples of this feature which have been used on churches since the early days of the Christian church. The most one might say is that the existence of the shape on the Capitol influenced the builders to choose a form long characteristic of European church architecture but which was rarely used in the South in colonial times.
OCTAGONAL STRUCTURES BECAME MORE NUMEROUS IN VIRGINIA THAN CIRCULAR
It should be pointed out that while circular shapes, except in minor details, were not numerous in the buildings of Virginia (see p. 15), the octagon and half-octagon were used fairly frequently. The octagon could be looked upon as a straight-sided first cousin of the circle since, like the latter, it is concentric and symmetrical and possesses much of the feeling of the circle. It is, of course, far simpler to build, a consideration which probably accounts for the fact that it was more often employed. The Magazine in Williamsburg, built in 1715, has this form. I twas used in garden houses and other smaller outbuildings (the reconstructed structure in the service court of the Governor's Palace which, for want of a more specific title, is designated as the "Hexagonal" is, of course, six-sided). The shape was later a favorite one with Thomas Jefferson who made numerous building designs utilizing the full or half octagon. It should be remarked, in concluding this discussion of circular and quasi-circular structure in Virginia, that Jefferson's great cylindrical building, the Rotunda of his University at Charlottesville, was based on neither Virginian nor English models but, rather, on the form of the ancient Pantheon in Rome.
BRIEF REVIEW OF HISTORY OF CAPITOL; FIRE OF 1747 AND ERECTION OF SECOND BUILDING; REMOVAL OF SEAT OF GOVERNMENT TO RICHMOND
It will be an aid to the understanding or some of the questions to be discussed in this section and in the report generally if we are in possession of a few facts on the history of the Capitol or, rather, the Capitols subsequent to the completion of the first building in 1704. This building was burned in 1747 but parts of its walls, we believe, remained standing and were utilized in the construction of the second building. This was begun in 1751 and completed in 1753. The second Capitol, the scene of many significant events, remained in use as a statehouse until 1779, when the seat of government was removed to Richmond.
USES SERVED BY SECOND CAPITOL DOWN TO 1832, WHEN ITS REMAINING HALF BURNED
"During the fifty years which followed, the Capitol served variously as a meeting place of the Court of Admiralty and of the District Chancery Court, as a law school; a military hospital, and as a grammar school. In 1793 an act of the Assembly authorized the sale of the east wing to raise funds for the repair of the west wing. In 1832 the remaining portion of the Capitol was destroyed by fire.
SITE ACQUIRED BY A.P.V.A. WHICH PRESENTS IT TO COLONIAL WILLIAMSBURG INC. IN 1928
"In 1839 a 'female academy' was erected on the Capitol site. In 1881 the last traces of this building were removed. In 1897 the site was presented by the Old Dominion Land Company to the Association for the Preservation of Virginia Antiquities. This association protected and preserved the old foundations of the Capitol until July 16, 1928, when it presented the land to Colonial Williamsburg, Incorporated.
STUDY OF SITE
"In 1928 the old foundations were excavated and archaeological investigation undertaken. Following an extensive research campaign, 26 the Capitol was rebuilt upon its original foundations."*
REASONS FOR CHOICE OF FIRST CAPITOL AS THE ONE TO BE REBUILT; MORE DETAILED INFORMATION CONCERNING IT EXISTED THAN IN CASE OF SECOND
It should be stated at the outset that the first Capitol building was chosen for reconstruction rather than the second, in which so many events occurred which contributed to the outbreak of the War for Independence, for several reasons. Chief among these was the fact that, thanks to the availability of the acts and other measures of the General Assembly giving directions for the building of the Capitol (p. 1), a great deal was known about the first building. Nothing at all comparable in the way of detailed information existed concerning the second building, so that a reconstruction of that structure of the degree of authenticity of the present one, could never have been made.
FIRST BUILDING A "PURER' AND MORE UNIFIED STRUCTURE THAN THE SECOND
A further consideration which carried weight in arriving at the decision to rebuild the original edifice had to do with the relative architectural merit of the two structures. The first Capitol building was built in one operation and was a unified structure, as well as being a unique one. The second, though built upon the ruins of its predecessor, was a much altered version of this and may well be said to have been a transitional or a nondescript building. Stylistically, then, the first building was much superior to the second.
FIRST CAPITOL A TRAINING GROUND IN THE CONDUCT OF DEMOCRATIC LEGISLATIVE ASSEMBLIES
Returning to the relative significance which the two buildings had, politically, and, admitting the importance and dramatic character of the events which took place in the second one, it 27 behooves us to point out, as does Stanley M. Pargellis in his informative article, "The Procedure of the Virginia House of Burgesses" (William and Mary Quarterly, Second Series, Vol. VII, April and July, 1927) that the activities which, took place in the first building also merit our attention. We should not forget that it was in this building, as well as in the statehouses at Jamestown, that the colonists gained experience in democratic parliamentary procedures, laid the groundwork for the conduct of future representative assemblies in America and, for the matter, acquired the political maturity and acumen which enabled them, when the final culminating crisis in the relations of the dominion with the mother country came, to act with wisdom and decision.
DESPITE THE EXISTENCE OF SPECIFICATIONS FOR ERECTION OF CAPITOL, CERTAIN POINTS IN ITS DESIGN REMAINED IN DOUBT WHEN RECONSTRUCTION WAS UNDERTAKEN
Despite the fact that the legislative acts of 1699 and 1701 specified the type of plan the Capitol was to have and the dimensions of each of its three parts; the thickness of its walls; the interior divisions and many of the exterior and interior details (see Appendix for a verbatim transcript of these acts), the architects in charge of the reconstruction of the building were nonetheless confronted by a number of puzzling questions when they undertook their investigation into the nature of the original structure, preparatory to the making of the working drawings. We will outline here the chief points which were in doubt and the decisions which were reached respecting them.*
28DETERMINATION OF WHICH FACE WAS FRONT OF CAPITOL NECESSARY IN WORKING OUT CERTAIN POINTS IN ITS DESIGN; I.E. LOCATION OF QUEEN'S ARMS
A matter which was the subject of considerable study and debate was the question as to which of the building's four facades had been looked upon as the front in the eighteenth century. This was a consideration of importance for a number of reasons. On it hinged the decision as to which of the faces of the cupola was to receive the Queen's Arms since, according to an entry on p. 217 of the Journals of the House of Burgesses of Virginia, 1702-1712, it was ordered on June 7, 1706 "… That the Queens arms be painted upon the front of the Cupolo of the Capitol" Since the cupola was hexagonal, only two sides could be made parallel with either of the two main axes of the building. Therefore, it was important to determine which face of the building had been the front in order to know how to turn the faces of the cupola. If, for example, either the north or south face were found to be the front, the cupola would be placed so that two of its faces paralleled the east-west axis.
LOCATION OF BRICK SHIELD DEPENDED ON INDENTIFICATION OF MAIN FRONT
This information was also needed to enable the architects to locate the carved brick shield of which Governor Francis Nicholson speaks in a communication of March 3, 1705, now in the Public Record Office, London (C05-#1314):
… he [James Blair] had the Assurance (to give it no worse name) to reflect upon what I had ordered to be put upon the Capitoll which was done in cutt bricks, & first showed on the day that (according to my duty) I proclaimed her Maty [Majesty], at top there was cut the Sun, Moon, and the planet Jupiter, and underneath thus HER MAJESTY QUEEN ANNE HER ROYALL CAPITOLL…It seems very likely that this device would have been placed, originally, on the facade which was looked upon as the front of the building. 29
SMOOTH FUNCTIONING OF BUILDING DICTATED USE OF "PIAZZA" AS MEANS OF APPROACH TO TWO WINGS OF CAPITOL
Ease of use would surely, in the beginning, at least, have dictated that the building be entered via the "piazza" connecting the two wings and we have every reason to believe that the arcade was intended, originally, as such a focal point from which the two parts of the building could be reached directly. It would have required only a rudimentary sense of sound planning on the Part of the builders of the Capitol to cause them to decide against the designation of either the east or west doorway as the main entrance for the reason that, if one of these were so chosen, the ground floor room of that wing, either the hall of the House of Burgesses or the General Courtroom, would have become a passageway for persons having business to transact in the other wing. Such use would also, of necessity, have led to some modification of the internal arrangements of one or the other of these two important chambers.
ACCEPTING THIS REASONING, THE ARCHITECTS HAD TO DECIDE WHETHER NORTH OR SOUTH FRONT HAD BEEN THE MAIN APPROACH; EVIDENCE POINTED TO LATTER AS FRONT FACADE
Thus, the architects were bound to conclude that the building had originally been approached from either the north or the south, the two sides, that is, from which the central arcade could most easily be reached. The question then remained as to which of these two sides had been looked upon as the main approach; They believed, at first that the north side had served as the front, inasmuch as the engraver of the Bodleian plate had chosen to depict that side of the building. It was argued that, since he had shown the fronts of the Wren Building and the Palace, he would, in all likelihood, also have shown the main facade of the Capitol. Documentary evidence, nevertheless, militated against the acceptance of the north facade as the de facto front of the building. A deed given by Claude Revierre and wife, executors of Joseph Chermoson, to David Cunningham, dated
The Bodleian copper plate from which the above representation of the Capitol was taken, carries on it, also, views of the buildings of the College of William and Mary of its flora and fauna. It has never been possible to date the engraving exactly. The plate, or, more accurately, perhaps, the sketches from which the engraver who made the plate worked, it seems, must have been made between 1733, the completion date of the President's House of the College, which is shown on the plate, and 1747 when the first Capitol burned. This Bodleian plate representation of the Capitol proved to be an invaluable aid to the architects in the determination of the general character of the building and of a number of its details.
The presence in the engraving of the two chimneys, not shown on our drawing of the north elevation, p. 131, requires a few words of explanation. For reasons of fire safety chimneys were omitted from the reconstructed Capitol. By 1723 the danger of the destruction of the records by dampness came so far to outweigh the fear of fire that the House of Burgesses, complying with the recommendation of the Governor and Council, resolved "to build stacks of Chimneys with two Fire places in each Chimney at the North end of the Capitol… ." (Journals of the House of Burgesses, 1712-1726, p. 390). The two foundations indicated in green on the archaeological plan, p. 41 are presumably the remains of these stacks, although they are indicated as being later in period than the squared-off south ends of the second Capitol.
31
May 8, 1712,* was discovered, which runs, in part, as follows:
… All those two lots of land with dwelling house and outhouses which was the testators at the time of his death, lying and being in the City of Williamsburg, on the back side [italics ours] of ye Capitol near ye Public Gaol, designed in the plot of the said city by the figures 279; 280…We know that the Gaol was located north of the Capitol so that as early as 1712 the north side, evidently, was looked upon as the rear of the building and, of course, the side opposite the rear must have been considered the front. So the architects, with good reason, fixed upon the south face as having been the front of the building during the period to which the structure was being reconstructed.
A RESOLUTION ORDERED THE CLOSING OF THE NORTH ARCHES; WAS THIS EVER CARRIED OUT?
This conclusion was further reinforced by a resolution of November 5, 1720 which is recorded in the Journal of the House of Burgesses of Virginia, 1712-1726, p. 255:
Resolved That Mr. Speaker and Mr. Clayton who are Impowered by Act of Assembly to repair and amend the Capitol, be desired Immediately to Imploy the workmen to Close up North Arches in the Piassa of the Capitol.The architects assumed that this resolution was carried into execution although a certain circumstance conflicts with that conclusion, viz., that the Bodleian plate view of the Capitol shows the arches still open. We know that the Bodleian plate must have been made after the erection of the President's House of the College in 1732-33 because that building is depicted on it. It was probably also made before l747 when the first Capitol was destroyed by fire. Evidently, unless the artist and the engraver chose to show an early condition of the Capitol, the closing of the north arches was never carried 32 out in the first building.
EVIDENCE THAT ARCHWAYS WERE CLOSED IN SECOND CAPITOL, IS, HOWEVER, POSITIVE
There is, on the other hand plenty or evidence to prove that both the north and south arches were closed in the second building, probably, however, by means of doors rather than by the bricking up or the arches, as was contemplated in the order of 1720, but, we believe, never carried out. In this building, as we have remarked, the west side was forced into serving as the principal facade by the application to the front of a two-tiered portico and the closing of the external arches of the central porch was doubtless intended, by discouraging their use as a means of entry, further to consolidate the position of the west front as the main entrance side.
EVIDENCE IS BOTH LITERARY AND PICTORIAL; STATEMENTS BY TRAVELLERS
The evidence which indicates that the outside arches of the central cross gallery or "piazza" were closed and that this space became, in effect, a room is both literary and pictorial. As to the first, we have in the journal kept by Ebenezer Hazard, a traveller who paid Williamsburg a visit in 1777,* the following reference to the one-time open porch:
Upon entering the Capitol you get into a Room in which the Courts of Justice are held; it is large & conveniant… Opposite to the Door by which you enter this Room (in another Apartment, which is a Kind of Hall)** is an elegant white marble pedestrian Statue of Lord Botetourt in his Robes….33
DRAWING BY BENJAMIN LATROBE SHOWING CONDITION OF "PIAZZA IN 1796.
In addition to this, Johann Schoepf described the Capitol in 1783 and made note of the statue which stood "in one of its lower rooms ." Finally, Isaac Weld visited the Capitol in 1796 and stated that "In the Hall of the capitol stands a maimed statue of lord Botetourt."
PICTORIAL EVIDENCE; DRAWING BY LATROBE
Pictorial evidence pointing to the closing off of the arches is contained in a drawing of the "piazza" made by the celebrated architect-engineer, Benjamin Latrobe when, on a mission in this vicinity in 1796 to revamp the seventeenth century former 34 gubernatorial residence, Greenspring, he visited Williamsburg.* Latrobe's drawing (reproduction on preceding page) shows what is evidently the southern half of the arcade since it was there that the Botetourt statue is believed to have stood (see plan of second building, Diagram A, p. 46). The drawing clearly indicates that the space in question was plastered and the transom in the archway at the left suggests that doors had been used to close it off from the outside. The jambs of the arches at the right, half plastered and half showing brickwork, reinforce this hypothesis; the door frames, evidently, had served to divide the interior plaster from the exterior brick-work of the piers. The fact that the piers, both right and left, are half plastered and half brickwork suggests two possibilities, i.e., that only the southern half of the former "piazza" was enclosed or in the second building the middle line of arches had been eliminated.
MEANING OF STATEMENT CONCERNING DIMENSIONS OF CROSS GALLERY NEVER COMPLETELY CLARIFIED
Before leaving the subject of the central arcade or cross gallery it should be mentioned that the building Act of 1699 (see Appendix) stipulated that "the two parts of the building shall be joyned by a Cross Gallery of thirty foot long and fifteen foot wide each way… raised upon Piazzas and built as high as the other parts of the building." The expression, "fifteen foot wide each way" puzzled the architects and they never did attain to absolute certainty as to its meaning. Since, however, the height of the first story of the structure is specified in the act as fifteen feet it is likely that the prase was intended to mean that the arcade should be made fifteen feet wide (north-south dimensions) and fifteen feet high.
35GALLERY WIDTH DOUBLED BEFORE CONSTRUCTION OF ORIGINAL BUILDING WAS BEGUN
Plan I of Diagram A, p. 46 purports to show the main floor of the building as originally specified. The arcade or cross gallery is represented as being one bay wide. We know that the arcade was never built this way since, before the erection of the structure was begun, the Act of 1701 was passed by the General Assembly (Appendix) and this contained certain additions and amendments to the original one. One of the changes specified was "that the cross building betwixt the two main buildings be of the same breadth with the maine buildings…" The building, evidently, as originally built, had a two-bay, ca. 30-foot-wide cross gallery and the architects reconstructed it that way. This state of the cross gallery is shown on plan II of Diagram A, which represents the main floor of the building as it was originally built.
WHY DID THE BUILDERS OF THE CAPITOL TURN THE "ARCHITECTURAL FRONT" TOWARD THE NORTH AND THEREBY NEGATE THE PROBABLE INTENTION OF THE ARCHITECT?
The theory has been advanced that the north facade of the Capitol which the maker of the Bodleian plate depicted and therefore evidently, looked upon as the main front, was likewise intended by its designer in England as the "architectural front" (chief facade) of the building. It may well have been his intention for this elevation of the building to face westward toward the Wren Building and this is particularly likely to have been the case if the Wren Building and the Capitol were the work of the same architect, i.e., Sir Christopher Wren (p. 2), for the latter would surely have considered carefully the relationship of his two structures. Otherwise, one may ask if the fronts of the two buildings were not intended to face each other, why should the two have been placed at either end of this major Duke of Gloucester Street axis? The form of the building, i.e. , two equal wings joined by an open arcade, was, furthermore, such that 36 had the so-called architectural front been placed toward the west, it would have permitted the main street, in effect, to continue through to Waller Street without interruption, as we know from Theodorick Bland's survey map (p. 3) it was intended to.* Finally it would have made the approach to the building from York Road, at that time by afar the most heavily-trafficked route entering Williamsburg, most convenient.
REASON ADVANCED TO EXPLAIN ORIENTATION OF CAPITOL, VIZ., THE WISH TO GIVE MAIN MEETING ROOMS THE MAXIMUM SUNLIGHT
The builders of the Capitol, then, muSt have had some weighty reason for sacrificing these various advantages in turning the intended architectural front of the building toward the north where the ground fell off, making the approach from that direction much less feasible than from the other three, and causing what is obviously a side of the structure to face the main street. The theory proposed to explain this is based upon the circumstance that it was originally decided for reasons of fire prevention, to omit from the building the only means of heating then available, fireplaces, and this omission would have made the building cold and uncomfortable 37 in winter. In order to compensate as much as possible for this lack of heating, the rooms of chief importance, which were located in the curved ends of the wings, were turned south to give them the maximum benefit from the sun's heat. Any other orientation of the rounded ends would have cast one or the other of the two wings in shadow and thus deprived it of this warmth.
BUILDERS IGNORED DUKE OF GLOUCESTER STREET, IN TURNING SIDE OF CAPITOL TOWARD IT, BECAUSE IT WAS THEN AN UNIMPORTANT ROADWAY; CONSEQUENCE OF THIS LACK OF FORESIGHT
To the above explanation should be added, in partial justification of the turning of a side rather than the front of the building toward the Duke of Gloucester Street, the consideration that that particular avenue, regardless of the major role the planners of the town quite evidently envisioned for it, was, at the time the first Capitol was built, a very unimportant roadway. Apparently, those in charge of the building of the structure could not foresee the significance that this would take on when, in time, the intention inherent in the city plan would come to be fulfilled. Because of this irremediable decision to face the Capitol away from the prospective main street, a later generation recognizing the anomaly in the fact that a side rather than the front of the building faced the, by that time, major approach, was forced, by way of amending this situation somewhat in the structure rebuilt after the fire of 1747, to apply a two-tiered portico to the west facade and to designate the doorway in it as the main entrance to the building.
RELATIONSHIPS OF CENTERS OF CERTAIN ESSENTIAL BUILDING ELEMENTS HAD TO BE DETERMINED BEFORE EAST AND WEST FACADES COULD BE DESIGNED
Another question which was given careful study before the actual restoration of the building was begun had to do with the relation of the east-west axis through the center of the cupola to the center line of the west doorway and the center line of a 38 semi-circular foundation discovered adjacent to the west wall beneath the doorway and the relation of all of these to the axis of Duke of Gloucester Street. The establishment of these relationships was of essential importance in the determination of the number and spacing of the openings in the east and west walls, since neither the legislative acts directing the building of the first Capitol nor any other available documents gave this information.
ARCHAEOLOGICAL REMAINS TO BE DISCUSSED HERE BRIEFLY BECAUSE FOUNDATIONS HAD BEARING ON DESIGN OF SIDE FACADES
It would be well, before exploring the subject touched upon above to say a few words about the archaeological remains which were uncovered on the Capitol site, since these were involved in the decisions which were made respecting the form of the two side facades. 'The discussion of these will be brief since the archaeological drawing on p. 41 and photograph on p. 42 show and explain pretty completely what was found on the site.
ARCHITECTURAL HISTORY OF CAPITOL CAN BE READ IN FOUNDATION REMAINS
Much of the architectural history of the Capitol can be read in the foundation remains. The extent and plan character of the first and second buildings are clearly evident from the archaeological drawing, which is to say that the layout of the original structure and the modifications made in this building when it was rebuilt after the fire of 1747 are discernible.
SEMI-CIRCULAR FOUNDATION, WHEN UNCOVERED, APPEARED TO HAVE BRICKWORK OF TWO PERIODS
The archaeological feature which concerns us most at the moment, since it played an important part in the investigations into the nature of the west facade, is the semi-circular foundation adjacent to the foundation of the west wall. This foundation, like those of the main walls, had previously, for its preservation, been capped with concrete by the Association for the Preservation of Virginia Antiquities (A.P.V.A.) which owned the Capitol site at the time, 39 When the concrete cap of the semi-circular foundation was removed and the brickwork beneath it studied the latter was found to contain, at different levels, bricks which were believed to be of both the first and second periods, laid up for the most part with an oyster shell mortar containing more sand than that in the foundation walls of the original building. Little or no evidence was found of the bonding of the semi-circular foundation with the brickwork of the west wall.
COMMITTEE OF A.P.V.A. BELIEVED SEMI-CIRCULAR FOUNDATION TO BE THAT OF ORIGINAL WEST PORCH
The actual period of the brickwork of the semi-circular foundation was so difficult to determine with certainty that two quite different conclusions were reached concerning it. The members of the A.P.V.A. Capitol Committee (see Appendix for a listing of the membership of this) were of the opinion that the foundation was that of the semi-circular porch specified in the building act of 1699 (see Appendix). Had this view been accepted the eventual appearance of the reconstructed Capitol would have been considerably different from what it is, since the center line of the semi-circular foundation virtually coincides with the east-west center line of the cupola and, of course, the west entrance would have been on this center line.
ARCHITECTS DECIDED THAT ORIGINAL PORCH AND DOORWAY HAD BEEN MOVED AND THAT POSITION OF SEMI-CIRCULAR FOUNDATION WAS THAT OF SECOND PORCH
The lack of evidence of the bonding in of the brickwork of the semi-circular foundation with that of the main west wall, the heterogenous character of the brick work of the foundation and also, evidence of the disturbance, at some time in the past, of the brickwork of the west wall of the building convinced the architects that this was not the foundation of the original west entrance porch. They decided that the original doorway had been farther north and 40 had lined up with the first position which had been fixed for the cupola but never carried into execution {see plan I of Diagram A, p. 46. This had been closed up at some time before 1747 and a new doorway and porch had been built to line up with the position of the cupola as actually built. The semi-circular foundation, they maintained, was that of this altered entrance porch. The fact that no foundations of the original porch were discovered was not remarkable, they argued, since, in accordance with a stipulation in the act of 1701 {see Appendix) the first semi-circular porch had been supported on cedar columns and these would long since have disintegrated. The reasoning of the architects prevailed and, since the structure was to be restored to its original condition, the semi-circular foundation was ignored and the doorway was placed some 6'-9 ½" north of the center line of the semi-circular foundation, in the position which it had taken in consequence of its having been made to line up with the cupola as first planned.
RECTANGULAR FOUNDATION ADJACENT TO WEST WALL AS THAT OF TWO-STORY PORCH OF SECOND CAPITOL
In concluding this brief treatment of the Capitol foundations, the attention of the reader should be called to the large rectangular foundation which is seen, in the archaeological plan, p. 41 and in the photograph, p. 42, to abut the west wall. This, without question, was the foundation wall of the two-tiered west porch of the second building, both because it corresponded in size and shape with this porch and because its brickwork was similar to that of the foundation walls of the squared-off south ends which we know belonged to the second building.
41ARCHAEOLOGICAL SURVEY OF CAPITOL [Image unavailable - Oversized]
42OLD CAPITOL FOUNDATIONS, LOOKING SOUTHEAST
WITH ENTRANCE CENTER LINE DETERMINED, WINDOW SIZED AND SPACING COULD BE WORKED OUT WITH AID OF BODLEIAN PLATE DRAWING OF NORTH FACADE
Once the architects and the A.P.V.A. building committee had come to agreement on the location of the west doorway they had the key to the positions of the window openings in the west facade, as well as in the identical east facade. They assumed, on the basis of the prevailing architectural usage of that day and this, that the window sizes, types and spacing would have been the same on the east and west facades as on the north, the windows of which were clearly indicated on the Bodleian plate drawing. (See p. 30). These sizes and types (round-arched below and straight-headed above) and the spacing when applied to the east and west facades, resulted in a relationship of openings to wall in those facades which was architecturally correct and satisfying. This was strong presumptive evidence that these window sizes and types and their spacing were a close approximation of the original window condition and, consequently, the architects developed the straight facades of the building on this basis. In doing this, they used, of course, the plan and elevation dimensions fixed by the original building act of 1699 (see Appendix) and confirmed by the foundations and, preserving a constant distance from the centers of the end windows in any facade to their adjacent building corners, they found that a difference in the center-to-center spacing of the openings in the east and west facades and those of the north ends of only 11" resulted. Since there is no possibility of a direct and close comparison, because the facades stand at right angles to each other, this difference is insufficient to become apparent to the eye, so that these adjacent facades seem to the observer to be harmoniously related to each other.
44A. H. HEPBURN'S CAPITOL NOTES; FOUR DIAGRAMS ACCOMPANYING THESE ARE INCLUDED IN THIS REPORT
In order to explain the major problems encountered by the architects in the reconstruction of the Capitol and the conclusions they reached concerning them, Andrew H. Hepburn of the firm in charge of the work compiled an informative paper entitled Capitol Notes, copies of which are available in the Architectural Records Office. This paper should be consulted by those desiring additional data on the matters which have been discussed in present chapter of this report. Mr. Hepburn supplements his commentary on the reconstruction of the Capitol with several diagrams which show, in plan and elevation, the various eighteenth-century states of the building. We are including, on the four succeeding illustration pages, reproductions of these very helpful drawings. These will be found to consist (in the order in which they appear here) of the following:
TWO ITEMS ON DIAGRAM A SEEM TO BE OF DOUBTFUL ACCURACY
Attention should be called to two items shown on Diagram A concerning the accuracy of which the author believes there is considerable doubt. On plan III is the note, "Arches closed 1720." These arches were probably never closed in the first building, as has been pointed out on p. 31. Secondly, on plan IV, the same arches are indicated as closed on the north side by masonry and the corresponding arches on the south side are shown open. From descriptions of the condition of the one-time "piazza" which have been left by contemporary travellers who saw it and from the drawing made of it by Benjamin Latrobe, it seems likely that the arches of two sides of either one-half of the space, or the whole of it, were enclosed in the second building and that the enclosure was effected by placing doors in the archways, not by bricking them up (pp. 32-34).
DIAGRAMS SHOWING DIFFERENT STATES OF PLAN AND WEST ELEVATION OF CAPITOL
46OTHER PROBLEMS REQUIRING SOLUTION WERE LESS BASIC IN NATURE THAN DETERMINATION OF APPROACH SIDE OF CAPITOL AND LOCATION OF DOORWAY IN WEST FACADE
The problem, hitherto discussed, as to which of the four facades of the Capitol was the so-called "architectural front" and which became, through use, the actual front or main approach side and that of determining the location of the doorway in the west facade, which, once this was solved, enabled tho architects to design the west and east facades of the structure, were, probably, the most basic and, furthermore, the most perplexing questions with which the architects had to cope in the reconstruction of the building. When these questions were answered to the satisfaction of the "client " (the Williamsburg Holding Corporation); the A.P.V.A. Capitol Committee, which held a veto power over the decisions of the architects (see Appendix, p.648), and the architects, themselves, the problems which remained, though sufficiently numerous and sometimes difficult, were chiefly matters of detail and, consequently, of less fundamental and far-reaching importance. These "lesser" problems had mostly to do with the interior design and furnishing of certain of the rooms of the Capitol. As in the case of the exterior of the building, the architects had, to aid them, a bill or resolution passed on April 9, 1703 by the General Assembly. This specified with great exactness many features of the interior treatment and furnishing but, just as in the case of 52 the building Acts of 1699 and 1701, a number of necessary matters were omitted or insufficiently described and, furthermore, certain statements in the bill were unclear to the architects (see Appendix for the text of this resolution).
INCOMPLETE DATA, IN CASE OF COURT ROOM, OCCASIONED PROTRACTED INVESTIGATION INTO COLONIAL COURT PROCEDURE: ROOM LAYOUT BELIEVED TO BE AUTHENTIC
The interior design and furnishing of the General Court Room, for example {see plan, Part II, p. 153 and photographs in section on General Court), required much investigation before a solution generally satisfactory to all concerned could be agreed upon. The architects consulted old prints showing comparable contemporary English courts, as well as old books and other documents describing English and Virginian legal procedure of the seventeenth and eighteenth centuries and, since these were insufficient, they also acquainted themselves with present-day Virginian legal procedure, on the assumption that, due to the well-known conservatism of legal practices, many court usages which obtain today in the commonwealth represent survivals of court procedure of the eighteenth century. The nature of the interior fittings and furnishings of the present Court Room and the layout of the latter which are the result of these rather protracted investigations are not, beyond peradventure, positively representative, in every detail of the original state of the Capitol Court Room but they are as close an approximation as could be made under the circumstance that information concerning certain aspects or the court procedure in colonial Virginia was lacking.
Of the ambiguities in the resolution of 1703 mentioned above, the points which caused the greatest difficulty were the following:
That the ffootsteps of the General Court house be rais'd two feet from the ffloor, and the seats of benches Whereon the Court is to sit rais'd a convenient hight above that.53
AMBIGUITIES IN RESOLUTION OF 1703 WHICH GAVE ARCHITECTS MOST DIFFICULTY IN DESIGN OF COURT ROOM; MANNER IN WHICH THESE POINTS WERE INTERPRETED
The architects decided that the "ffootsteps" referred to the semi-circular platform in the apse on which the judges sat. (See Part II, General Court Room, Floor for discussion of manner in which architects worked out architectural features of apse in conformity with provisions of resolution of 1703.)
"Seats of benches" was interpreted to mean separate seats and not seats fastened together as a bench. (Letter of R. c. Dean to Dr. E. G. Swem, June 10, 1930, Colonial Williamsburg Archives.)
That the Circular part thereof be rais'd from the seat up to the windows.This sentence was practically meaningless to the architects. If it signified raising the floor of the apse to the window level so little height would remain that it would be impossible for the governor (the presiding judge) to stand erect on it. Common sense was therefore followed and the platform on which the governor's chair stands was raised approximately to the level of the bottom of the chair rail which continues across the base of the window openings to form the Window apron. {Letters of T. T Waterman to R. C. Dean, April 7, 1930 and A. H. Hepburn to Mary F. Goodwin, April 30, 1930, ibid.)
That there be two Galeries made one at the Lower end of the Room, and the other on the East side.The architects found, in actuality, nothing ambiguous in this statement but the execution of the order caused them considerable difficulty. They decided that two separate stairways from the floor of the Court Room to the two galleries would interfere with the use of the doorways in the north part of the room so they made the galleries approachable from above. An entrance to the gallery on the north wall of the Court Room was placed in the south wall of the main stair landing intermediate between the first and second floors. An approach to the east gallery was arranged via a small stair reached from the lobby of the Council Chamber above the Court Room. This stair was placed in the "dead" space between the east half of the semicircular wall at the north end of the Chamber and the walls of the main stair hall and the conference room (see first and second floor plans).
[Possible view of St. Stephens Chapel with House of Commons in Session]
Oliver Cromwell Dismissing the Long Parliament, April 20, 1653.
This picture, from a contemporary Dutch engraving, appears in The House of Commons by Martin Lindsay, London, 1947.
"… the old satirical Dutch print showing Oliver Cromwell dissolving the Long Parliament is of great value to us in interpreting the documents concerning the House of Burgesses." (Excerpt from letter of William G. Perry to Dr. W. A. R. Goodwin, April 12, 1930.) Other references in the correspondence relating to the Capitol in the Colonial Williamsburg files attest the important role which this drawing played in the design of the interior of the House of Burgesses.
The drawing shows the House of Commons (St. Stephen's Chapel) in its gothic state, before its remodeling by Sir Christopher Wren (see Pugin-Rowlandson drawing, next page). A comparison of the two pictures of the earlier and later conditions of the House reveals that though Wren made substantial changes in the architectural character of the interior, the furniture arrangement (i.e., speaker' s chair, clerk's table and members' benches) remained unaltered.
The above picture shows the bar or barrier (lower left) which divided the public area from the "working" part of the House. It is quite likely that this bar actually ran entirely across the room and that the right half was omitted in the engraving for compositional reasons (to permit showing the figures on the lower right side).
The picture on the opposite page has not been identified with certainty, although the architects believed it to be another view of St. Stephens Chapel with the House of Commons in session. The bar is again shown here and its function, in this case, is quite evident. Since no gate is visible at the center where it surely would have been had it existed, the architects assumed that access to the "sacred precincts of the house" was made possible by raising a hinged part of the railing in the manner indicated in the sketch, by Mr. Perry below the, picture. This reasoning was the basis for the design of the similar device in the reconstructed House of Burgesses.
56[House of Commons]
The above picture shows the English HOUSE OF COMMONS as it existed from the time of Queen Anne (1665-1714; reigned from 1702-1714) to the fire of 1834. The. hand-colored aquatint from which our reproduction was made, was drawn jointly by Augustus Charles and Thomas Rowlandson for The Microcosm of London a work which, issued in parts, began to appear in 1808. For the 100 colored views of London contained in the book, Pugin drew the architectural backgrounds and Rowlandson the figures. The plate we believe, gives an accurate view of the House of Commons since John Summerson, commenting on Pugin's work, speaks of "his photographic accuracy." The accuracy of the drawing is further substantiated by an oil painting by K. A. Hickel, 1793, of a part of the same room showing the windows, the speaker's chair and other details (see The House of Commons by Martin Lindsay, London, 1947, for a reproduction of this picture). The details in the Hickel painting correspond closely with those in present drawing.
A comparison of the Pugin-Rowlandson picture with our photograph of the Burgesses chamber reveals a close similarity in the arrangement of the furniture in the two halls—the speaker's chair on center with the clerk's table on which rested the mace, symbol of authority, in front of it and, on either side, paralleling the long walls, the rows of benches for the members. This was to be expected, if we accept the, statement made by Stanley M. Pargellis in his informative article, "The Procedure of Virginia House of Burgesses" {William and Mary Quarterly, second series, Vol. VII), that "…the house of commons was copied in nearly every important detail by the house of burgesses…" Pargellis is referring primarily to parliamentary procedure and it is possible that this is also true of Hugh Jones, who for some years was chaplain to the General Assembly, when, in his The Present State of Virginia, London, 1724, he says that the House of Burgesses "is not unlike the House of Commons," although Jones, at the time, was discussing the Architecture of the Capitol.
A further matter of interest should be mentioned, viz., that, according to John Summerson, it was Sir Christopher Wren (1632-1723) who remodeled the gothic St. Stephen's Chapel at Westminster, applying the wainscoting, erecting the galleries and giving it the form shown in the Pugin-Rowlandson drawing. In the light of his having done this we are justified in speculating about the possibility that, as surveyor general, he had a hand in the design of the Capitol. Although the acts containing the specifications for the erection of the Capitol were passed by the General Assembly, the specifications may have incorporated the features of a design made in England.
56aAbove drawing of House of Commons, taken from catalogue issued in 1950 by Parker Gallery, picture dealers of London, to commemorate their bi-centenary, is dated 1755. It is almost identical with one reproduced in The Architectural Review for September, 1950 which is said to show House session of 1741, except that it is evidently a reversed version of it and was doubtless made by tracing over earlier picture . Both versions correspond, in architectural detail, very closely with Pugin-Rowlands on drawing on opposite page, proving that few if any changes were made to House interior between 1741 and 1808, approximate date of Pugin-Rowlandson picture.
56bAll three pictures show St. Stephen's Chapel as it was remodeled by Sir Christopher Wren. What Wren did to St. Stephen's is summarized as follows by Maurice Hastings in his article, The House of Commons in issue of The Architectural Review mentioned above: "Perennial attempts were made to adapt a building [St. Stephen's Chapel], built for an entirely different purpose, to the needs of the Commons. The roof had to be taken lower and lower until Wren drastically removed the whole clerestory of the Chapel (some time between 1690 and 1707)… It can be presumed that Wren first built the gallery to accommodate the extra members at the union with Scotland [March 6, 1707]. He gave the whole Chamber a firmly classical superficies, inserting an interior shell of wooden panelling. The gallery was supported on Corinthian columns, and three round-headed windows replaced whatever had remained before of the old east window."
Since no more exact date for Wren's remodeling of St. Stephen's Chapel than between 1690 and 1707 can be given, we have no way of knowing whether it was Gothic House of Commons (see pp. 54 and 55) or Wren's revision of this which influenced design of original House of Burgesses. Architects of reconstructed Capitol evidently decided that it was Gothic St. Stephen's which existed in 1699 when first act for building of Capitol was passed because they followed, in design of bar railing, balustrade type shown in pictures on pp. 54 and 55 rather than panelled type which appears in above drawing, It is, of course, possible that they were not acquainted with this drawing and did not know that Wren's House of Commons had had a closed bar railing.
57DESIGN OF INTERIOR OF HOUSE OF BURGESSES LESS DIFFICULT THAN THAT OF COURT ROOM; FURNITURE ARRANGEMENT BASED ON THAT OF HOUSE OF COMMONS
The design of the interior of the House of Burgesses presented no problems as difficult of solution as those encountered in the design of the General Court Room. The furnishings required by the function of the room were less complex and the specifications covering them in the resolution of 1703 were clear enough. The remark by Hugh Jones in his The Present State of Virginia to the effect that the House of Burgesses "is not unlike the House of Commons"* and the statement by Stanley M. Pargellis, an authority on the history of the procedure of the Virginia House of Burgesses, that the House of Commons was copied "in nearly every important detail" by the House of Burgesses* were taken at their face value, so that the procedure of the English lower house was studied, with the aid of old prints which showed the architectural details and the location of the various articles of furniture in the room.
BAR OR BARRIER RAILING WAS INCLUDED IN EQUIPMENT OF ROOM, ITS DESIGN BEING DERIVED FROM BARS SHOWN IN OLD PICTURE
The bill of 1703 refers to a "Barr" in the House of Burgesses and considerable research was necessary to determine how this should be designed. Mr. Pargellis, who was consulted on this, 58 pointed out that, though today there is no actual physical bar in the House of Commons, such a tangible barrier railing had existed there in the eighteenth century and, undoubtedly, also in the Virginia House of Burgesses for the purpose of separating the space to which the public was admitted from the "sacred precincts of the house itself." This bar necessarily had an opening in it to permit individuals to pass into the house proper, but this would have been kept closed, for the most part, to protect the reserved area within from intrusion by persons who had no business to be there.* The architects found old prints of the House of Commons helpful in the design of the bar as of other features of the room. Such a bar is shown, for example, on the two engravings of the House reproduced on pp. 54 and 55.
THE MAJOR PROBLEMS ENCOUNTERED BY ARCHITECTS IN REBUILDING CAPITOL HAVING BEEN DISCUSSED, TREATMENT OF THIS SUBJECT WILL BE ENDED
The matters we have thus far discussed under the chapter heading, Problems Encountered in Reconstruction of Capitol, are by no means the only questions which arose in the course of the work on the project which were subject to various interpretations and which, consequently, demanded careful study and analysis or in the case of which needed information was missing at the outset and had to be acquired through research. The problems which have been treated, however, represent the major ones with which the architects and their associates, the officers of the Williamsburg Holding Corporation and the members of the A. P. V. A. Capitol Committee, had to cope and, therefore, we will terminate the consideration of the subject at this point.
59PORTION OF FRENCHMAN'S MAP SHOWING CAPITOL AND CORRESPONDING PART OF MODERN MAP PRESENTED FOR PURPOSES OF COMPARISON
Before beginning the systematic treatment of the architectural details of the Capitol it seems desirable to consider briefly the representation of the building and the area surrounding it which is found on the Frenchman's Map.* A reproduction of a portion of this map showing the area in question is given on p. 62 while, on the page opposite that has been placed the corresponding part of Colonial Williamsburg's map of the city which shows the buildings in existence today.
FRENCHMAN SHOWS SECOND CAPITOL; DID HE INTEND TO REPRESENT MAIN STREET AS CONTINUING EASTWARD TO WALLER STREET?
As one would expect, in the light of its date, the Frenchman's Map shows the second Capitol building, with its squared-off south ends. One might judge, from the two parallel lines which run through the Capitol square and continue eastward, that the cartographer intended to show Duke of Gloucester Street connecting with Waller Street (vertical street on right hand side), but an examination of the complete Frenchman's Map throws some doubt on this. The above-mentioned parallel lines are seen to run entirely across the map as if the engineer had started his work by drawing two construction lines representing the width of the Duke of Gloucester Street roadway and had neglected to remove the unused portions of the lines when he finished the map. So we are at a loss to say whether the parts of these two parallel lines east of the Capitol are intended to represent a continuation of the main street or not, though, as we have already seen (p. 36), the evidence points strongly to the fact that the street did continue through to Waller Street.
60COMPARISON OF TWO MAPS REVEALS CARE COLONIAL WILLIAMSBURG HAS TAKEN TO FOLLOW BUILDING INDICATIONS ON OLD MAP
A comparison of the eighteenth century map of the Capitol area with the modern map, incidentally, reveals with what fidelity the structures indicated on the Frenchman's Map have been rebuilt by Colonial Williamsburg. A few buildings are shown on the old map which have not yet been reconstructed and certain buildings or parts of buildings, such as the west wing of the Public Records Office (building #12 northwest of the Capitol), which are post-eighteenth-century, still appear on the modern map since life tenancies or other considerations have delayed their removal. Certain other buildings also appear on the modern map which were reconstructed on the basis of foundations not indicated on the Frenchman's Map. The French engineer showed, presumably, most of the buildings which existed on the lots at the time he made the map but a considerable number of structures, outbuildings chiefly, had disappeared by his day. The foundations of these buildings however, still remained for the most part and these were discovered by the architects by means of cross-trenching. It should be remarked to the French engineer's credit, that in almost all cases where he indicated a building either an actual building still stood or the foundations of one were uncovered; although certain smaller buildings were not located with complete accuracy. It should also be noted that in certain cases, for example, that of the Capitol Necessary House (#11-D); the engineer had shown by pin pricks only where a building had once existed, suggesting that he intended to connect these by lines but had not gotten around to doing this.
PART OF FRENCHMAN'S MAP SHOWING CAPITOL AND SURROUNDING AREA.
PART OF REPORT WHICH FOLLOWS WILL LIST ARCHITECTURAL FEATURES AND GIVE THEIR PRECEDENT
This section of the report will be devoted to the recording of the precedent followed in the design of the various exterior and interior details of the reconstructed Capitol. The exterior details will be treated first, facade by facade, and these will be followed by the interior features, taken room by room. No attempt will be made to describe the various parts——they will be listed only and their precedent will be given. To aid the reader to visualize the details thus listed; photostats of the plan and elevation drawings followed in the reconstruction of the building will be included and at least one photograph of each of the more important rooms open to the public. Those who desire further information as to the features under consideration may consult the detailed working drawings and the progress photographs in the Colonial Williamsburg files or, better still, examine the particular details at the building itself.
METHOD OF TREATING THE FEATURES OF A FACADE, VIZ., BY MOVING FROM THE BASE OF THE BUILDING UPWARD
In covering the parts of a facade we will start at the base and move upward, terminating with the roof. In doing this, the walls will be treated first, with any breaks in them, such as the watertable and the string course. The openings in the walls (archways, doors and windows) will be covered next, followed by any features, such as the carved brick shield on the south side, which are attached to the walls. The cornice will then be handled and, after this, the roof and features located on the roof, such as the dormers and the tower. Steps and paving with any other accessories, such as brick gutters, which are located on the ground 68 and which are related to the building but not actually part of it, will be the last to be covered. A feature, present on one or more of the facades, but missing on the others, will be omitted entirely from the discussion of those latter facades. For the sake of brevity, the information will be given in "telegraph" style, with all non-essential words omitted.
TREATMENT WILL START WITH SOUTH ELEVATION
We will begin the coverage of the exterior with the treatment of the South Elevation, since this was, apparently, the de facto main approach of the building during the life of the original structure (pp. 28, 29, 31). From this we will proceed around the building in a clockwise direction, taking each facade in its turn. The east elevation of the west wing and the west elevation of the east wing (the so-called "court" elevations) will be treated after the "external" elevations have been dealt with.
STRUCTURE OF PRESENT BUILDING, BEING HIDDEN FROM VIEW, WAS MADE MODERN
Before beginning the detailed treatment of the exterior of the present building, a few words should be said about its construction. Where this was to be completely hidden from the eye of the observer it was not considered necessary for it to conform with eighteenth century building practices; on the contrary, advantage was taken of the latest technical advances to make the structure both fire-proof and durable.
ORIGINAL BUILDING HAD HAD SOLID BRICK WALLS AND WOOD FLOOR AND ROOF CONSTRUCTION
The original building had had solid brick bearing walls which went down approximately 4'-6" below the present grade to form the foundations of the structure. The thickness of the walls below ground was such ("four Bricks thick up to or near the surface of the ground…," as the Act of 1699 specified it, or about 3'-0" by actual measurement of the old foundations that no footings had 69 been necessary. The building had had no basement so, naturally, there had been no exterior or interior basement stairways. The floors had necessarily been carried by wood beams resting on the brick walls since this was the only type of floor construction known in the eighteenth century, other than masonry vaulting and of this no evidence remained at the site and no mention is made in the detailed and explicit acts and resolutions regulating the construction of the original building. The roof, likewise, must have had its framework of timbers, the only type of roof construction attempted in colonial Virginia.
STEEL AND REINFORCED CONCRETE USED IN NEW CONSTRUCTION; OLD WALLS WERE LEFT IN PLACE AND NEW ONES SUSPENDED ABOVE THEM
In the reconstruction of the building both steel and reinforced concrete members were used in lieu of the timber floor and roof structure employed in the original building. It was decided to preserve with scrupulous care the foundations of the first building (see archaeological plan, p. 41). These were much too weakened to bear the weight of the new building so the engineers had to cope with the difficult problem of suspending the walls of the latter directly above them without allowing these walls to bear upon the old brickwork. Of several possible methods of doing this it was decided that the most feasible was to use steel girders to carry the exterior walls (see section, basement plan drawing p. 595) and to rest the girders on reinforced concrete piers. The latter were carried down through the old brickwork (see basement plan and foundation plan, p. 72) to a point some 8'-6" below grade where reinforced concrete spread footings were provided to support them. The engineers saw to it that only the most necessary cutting of brickwork was done in running these piers through the old walls. Where the old foundations 70 no longer existed continuous concrete foundation walls were poured to sustain the new walls. In a few instances where disconnected fragments of old brickwork still remained in place the new walls were carried above these by cantilever construction (see foundation plan) .
PRESENT FLOOR CONSTRUCTION UTILIZES STEEL AND REINFORCED CONCRETE; ROOF FRAMED IN STEEL
The present floor construction of the first floor is a flat reinforced concrete slab supported on the peripheral walls of the building and on steel beams spanning between these. The floor between the first and second stories consists of reinforced concrete ribs formed by the "metal pan" system, carrying a reinforced concrete slab. The peripheral walls and steel beams, again, support these concrete ribs. Steel and reinforced concrete also form the floor between the second and third (attic) stories, while the third floor ceiling and the roof of the building are framed in steel. The steel framework of the roof supports gypsum tile or slabs and the latter, in turn , carry the Ludowici tile shingles. The cupola frame is steel.
NATURE OF EXTERIOR AND INTERIOR WALLS OF NEW BUILDING; TREATMENT OF PLASTERING AND FLOORING
The external walls of the building have been made, from floor to floor, of widths which correspond as closely as possible with those specified in the Act of 1699. The plans of the building (see Part 2 of the report) show the manner in which these have been constructed. Handmade new brick, in imitation of the old, form the exterior surface of these walls and are backed up with common brick. The air space shown in the plans acts as an insulator and accommodates the ducts of the hot air heating system. The inside shell of these walls is formed of hollow terra cotta tile. The cross walls of the building are solid and are of brick or terra cotta tile on the first
TWO PHOTOGRAPHS SHOWING RECONSTRUCTION OF CAPITOL IN PROGRESS. UPPER PICTURE, LOOKING NORTHWEST, INCLUDES PUBLIC RECORDS OFFICE IN BACKGROUND, RIGHT. ENGLISH BOND BELOW WATERTABLE AND FLEMISH ABOVE ARE CLEARLY VISIBLE. WATERTABLE IS PROTECTED AGAINST DAMAGE, TEMPORARILY, BY WOOD HOUSING (ARROW). LOWER PICTURE LOOKING SOUTH-WEST, SHOWS CONCRETE SHELF (SEE SECTION, BASEMENT PLAN, PART 3, P. 595) SUPPORTING NEW BRICKWORK ABOVE OLD FOUNDATION AT NORTHEAST CORNER OF BUILDING (ARROW).
NEW FOUNDATION PLAN
73
and second floors and of terra cotta or gypsum block on the third (see plans). The plastering is done directly on these walls while
the ceiling plaster is applied to metal lath hung from the floor construction. The finished flooring is laid over 2" bevelled wood
sleepers clipped to the concrete slabs. Wood subflooring is used only in the case of raised platforms built up over the concrete
structural floors.
WOOD FRAMES EXPOSED TO VIEW HAVE PEGGED MORTISE AND TENON JOINTS
All wood frames exposed to view, such as window and door frames, sash, doors, the stiles and rails of panelling, panelled soffits of balconies, etc., are held together by mortise and tenon joints through which hardwood pegs have been driven, since this was universal practice in eighteenth century Virginia. It may also he stated that, without question, since this was also general practice, the joints of the timber framework of the original building were constructed in a similar manner.
BUILDING MATERIALS AND FURNISHINGS OF CAPITOL ARE LARGELY NEW
It should be noted that the building materials and furnishings used in the reconstruction and fitting out of the Capitol are, with a few exceptions, new. The exceptions will he specifically pointed out as they occur in the detailed treatment of the building.
ELEMENTS INCLUDED IN FACADE
This elevation will be considered to include the south front of the arcaded central unit with the attic story above this and the tower, together with the curved ends of the wings, in their entirety. The approach steps to the arcade platform, the platform itself and the base and railing for the Botetourt statue on the platform will likewise be treated in connection with this elevation.
IMPORTANCE OF BODLEIAN PLATE, ACT OF 1699 AND FOUNDATION MEASUREMENTS IN DESIGN ON SOUTH FACADE
As a preface to the detailed treatment of this elevation, it should be pointed out that the plan dimensions of its parts, as well as the dimensions and character of most of its features in elevation were based upon pretty exact and complete data. The aid which the Bodleian plate, the Act of 1699 and the old foundations furnished in the working out of the sizes and design of the west and east facades (p. 43) should be reviewed here since these sources of information were also of fundamental importance in the determination of the dimensions and design of the south elevation. The role these played in the design of individual features of the facade will be indicated in the course of the detailed treatment of these features which follows.
FEATURE | PRECEDENT |
---|---|
BRICKWORK | |
Exterior walls from a point about 9" below grade up to watertable, laid up in English bond | Existing old foundations, preserved below grade |
77 | |
Exterior walls above watertable, laid up in Flemish bond, using glazed headers. | Walls of Bruton Church, Wren Building |
Rubbed brick window jambs and sills and building corners. | Wren Building, Brafferton Hall. |
Gauged brick flat window arches. | Wren Building, Brafferton Hall |
Rubbed brick watertable. | Wilton, formerly Henrico Co.; rebuilt in Richmond; Stratford, Westmoreland Co. |
Rubbed brick string course. | Wren Building, Brafferton Hall. |
Gauged brick arches and key blocks. | Wren Building arcade. |
Rubbed brick arch imposts. | Ditto. |
Brick size, 8 ¾"-9" x 2 ½"-2 5/8" x 4 1/8"-4 3/8. | Approximate size of brick in existing original foundations. |
Brick color, salmon. | Brick in existing foundations. |
Glazed headers. | Old brickwork of Bruton Parish Church and of Wren Building. |
Mortar type, oyster shell. | Brickwork of old Capitol foundations. |
Mortar color. | Old brickwork of Wren Building. |
Tooling of joints | Old brickwork of Wren Building. |
Wall height | Derived from Act of 1699 which gives floor heights (see Appendix). |
Wall thickness. | Specified in Act of 1699 (see Appendix). |
CAPITOL, VIEWED FROM SOUTHWEST
Grand Union Flag of the Colonies Waves Over Williamsburg
Each May 15, America's first national flag rises above colonial Virginia's Capitol to commemorate its defiant hoisting in 1776 by the Virginia Convention of Delegates. A pre-Revolutionary British Grand Union flag (upper right) normally flutters over this city restored to 18th-century grace and dignity through the generosity of John D. Rockefeller, Jr.
Costumed students from the near-by College of William and Mary escort friends past the Capitol. Boy at left serves as a cabinetmaker's apprentice; the other waits on table at the King's Arms Tavern.
DRAWINGS OF THE CAPITOL AND OTHER WILLIAMSBURG BUILDINGS MADE BY THE SWISS TRAVELLER, FRANCIS LOUIS MICHEL, WHO VISITED THE TOWN IN 1702. THE FOLLOWING KEY TO THE BUILDINGS IS A TRANSLATION OF MICHEL'S HANDWRITTEN GERMAN TITLES: (A) THE NEW COUNCIL HOUSE WHICH THEY BEGAN BUILDING THIS YEAR 1702; (B) HOME OF MERCHANT; (C) FOUNDATION (GROUND PLAN) OF STATEHOUSE; (D) FARMER'S HOUSE; (E) THE CHURCH WHICH STANDS AT WILLIAMSBURG.
FEATURE | PRECEDENT |
---|---|
SEMI-CIRCULAR ENDS (see pp. 15-22) | |
Evidence of existence.* | Original Capitol building Act of 1699 which stipulates that "one end of each pt [part] or side … Shall be semicircular" (see Appendix). |
Resolution of 1703 which, speaking of the General Court Room, specifies "That the Circular part thereof be rais'd from the Seat up to the Windows." (See Appendix for resolution.) | |
Michel's sketch of Capitol (p. 79). Original foundations (see archaeological plan, p. 41). | |
Size of | Stipulation of size of wings, Act of 1699. |
Original foundations (plan, p. 41). | |
Treatment of | Old Isle of Wight Courthouse, Smithfield (pp. 18, 21). |
ARCADE (see pp. 9-15) | |
Evidence of existence. | Resolution "to Close up North Arches in the Piassa of Capitol …" |
81 | |
Entry of Nov. 5, 1720 in Journals of the House of Burgesses of Virginia,* 1712-1726, p. 255 (see pp. 29-32, this report) | |
Bodleian Plate (p. 30) | |
Basis for detailing. | Arcaded porch of Wren Building; arcade of King William Courthouse (ills., p. 12). |
WINDOWS | |
Circular and oval. | |
Evidence of existence. | Recommendation of Governor Nicholson, recorded under date of May 3, 1704 in Journals of the House, 1702-1712, p. 64, that Burgesses "send for … the Armes of Virginia for One of the Ovall windowes …"; resolution of House of same date, ibid, p. 65, "That it is not convenient to send for … any Ornaments for the Oval windowes in the said [Burgesses] Room." |
Michel's sketch of Capitol (p. 79). | |
82 | |
Basis for detailing. | |
Brick openings | Wren Building; circular windows of east ends of Chapel and Great Hall; oval wir1dow openings of tower of St. Luke's Church, Isle of Wight County and of Christ Church, Lancaster County. |
Sash | Bruton Church; old derelict circular sash. (See architectural sketch-book of Singleton P. Moorehead, p. 50). |
Larkfield, Kent, England, oval window of (see ill., p, 339, A History of the English House by Nathaniel Lloyd, London, 1931) . | |
Hampton Court Palace, England, ca. 1690, by Sir Christopher Wren: band of circular windows, muntins of which, however, form a horizontal-vertical grid (ibid., figs. 180, 181, pp. 228, 229). | |
83 | |
Removal of, in 1730. | Though it does not affect validity of use of oval and circular windows in reconstructed Capitol, since latter represents original state of first structure it is of interest to note that rectangular sash were, apparently, by orders passed by House and Council in 1730, substituted for curved windows: "Order'd That the small Windows in the end of the Chamber of the House of Burgesses and those in the General Court be altered and made into sash windows uniform to the rest…" (Journals of the House, 1727-1740, p. 65.) |
It is, to be sure, not completely certain that by "small Windows in the end" order is referring to the circular and oval ones. Of two ends of each chamber, however, only curved, south end could possibly have had windows, since north end had no outside wall. It is hardly conceivable that any of windows of east and west facades is intended since even rudimentary feeling for design would have dictated in beginning that these windows be made same size. One final possibility is that single window in each room facing court, just south of arcade (see plan Part 2, p. 153), had originally been made smaller than windows of east and west facades and that it was now to be made uniform with them. It would require, however, a loose construction of word, to say that these two windows were in "ends" of Burgesses Chamber and General Court Room. | |
84 | |
Second floor, square headed, 18 lights | |
Evidence of existence and general shape | Bodleian plate drawing of Capitol (p. 30) |
Basis for detailing. | Bruton Church windows. |
Basis for number of lights. | Stratford Hall, Westmoreland Col, windows of main story. |
Window glass: English crown glass. | |
Evidence of existence. | Old documents on Capitol do not specify glass type but crown glass was only type used generally in eighteenth century, due to fact that rolled glass was very expensive. |
85 | |
Source and mode of manufacture. | Made in same manner as in eighteenth century and earlier by Chance Brothers & Company, Ltd., Smetwick, England. |
Window weights, absence of (lower sash, only, of rectangular windows operate and when open, are sustained by screens). | Order of June 12, 1723, recorded on p. 387, Journals of the House, 1712-1726, "That Mr. John Holloway and Mr. John Clayton who have the care of Repairing the Capitol do cause all the windows in the Chambers upon the first and second floor of the Capitol to be made to run with Leads…" This order indicates that original building had no sash weights. Since reconstructed Capitol is intended to represent original building, sash weights were not installed. |
86 | |
Window screens | |
Type and reason for their installation | Rectangular windows are equipped with window screens about one-third height of lower sash so that when latter is raised and screen inserted uppermost row of lights of this sash coincides with lowest row of 1ights of fixed upper sash. As was remarked above, in absence of sash weights, screen sustains raised sash. |
Since Capitol is not air-conditioned it is necessary to open windows for ventilation in warm weather. Screens are essential, therefore, as protection against insects. They have been made as inconspicuous as possible, with narrow metal frames to hold the woven wire screening and they are removed when windows are closed. | |
Evidence of existence | No mention of window screens appears in old documents relating to Capitol. It is possible that fly and mosquito screens were used, however, in eighteenth-century Virginia since insect curtains were hung about beds. An item of 1770, p. 119 of John Norton & Sons Merchants of London & Virginia runs as follows: "Shall be glad you will see to the buying the … stuff for Musketo Curtains." |
87 | |
CARVED BRICK SHIELD over central arch | |
Evidence of existence and basis for design | Description in following quotation from memorandum (dated March 3, 1705) which was sent by Governor Nicholson to Council of Trade and Plantations: "…he [James Blair] had the Assurance … to reflect upon what I had ordered to be put upon the Capitol which was done in cutt bricks & first showed on the day that … I proclaimed her Maty, at top there was cut the Sun, Moon and the planet Jupiter, and underneath this HER MAJESTY QUEEN ANNE HER ROYALL CAPITOLL."* (Public Record Office, London: C05-#1314). |
In designing shield, architects incorporated in it elements listed in Nicholson's memorandum, following, for character of design, form and treatment of seals and shields of period, especially seal of College of William and Mary, granted by King William and Queen Mary in 1693. | |
88 | |
CORNICE (modillion type) | |
Justification for use. | The two major buildings existing in Williamsburg at time Capitol was erected (Wren Building and Bruton Church) had modillion cornices, as did two built a few years later (Brafferton Hall, President's House). In connection with cornice of Wren Building, it should be noted that present cornice is new and was copied with care after one shown in only known photograph of second building. This Photograph, a daguerreotype, was made in 1850's before fire of 1859 and it is believed that cornice shown in it was of eighteenth century origin. Original of daguerreotype is in possession of College of William and Mary; a copy may be seen on p. 11 of The Architectural History of the Wren Building, Architectural Records Office, Colonial Williamsburg. |
89 | |
Basis for detailing. | Cornice of Brafferton Hall (modified). |
ROOF (A roof with hipped north ends, half-conical south ends). | |
Evidence for existence. | Specified in Act of 1699 (see Appendix). |
Shown on Bodleian Plate drawing of Capitol (p. 30). | |
Inclination, ca. 50°. | Typical roof pitch in Virginia in early part of the eighteenth century (see comparison of slopes of A roofs of early Williamsburg houses, Architectural Report, King's Arms Tavern-Alexander Purdie House, Vol. I, p. 30). |
Treatment of half-conical ends. | Old Isle of Wight Courthouse in Smithfield (pp. 18). |
Roof covering. | |
Evidence of existence of wood shingles. | Act of 1699 (Appendix) states "that roofe shall be a hip roof … well shingled with Cypress shingles …" |
90 | |
In resolution passed by General Assembly on May 10, 1705, (Journals of the House, 1702-1712, p. 117) it was ordered "That the Roofs of the Capitol & prison be Tarred again This Summer as often as the Overseer of the Building Shall Think ffitt." Only other roofing material known to have been used in eighteenth-century Williamsburg was slate (on Palace and Palace Advance Buildings) and no instance of tarring of slate has come to light. Roofing material actually used, therefore, was, without question, wood shingles. | |
Two descriptions of fire of 1747 mention shingles: "Soon after some of the Shingles began to kindle on Fire from within…" (Pennsylvania Gazette, February 5, 1747); "But when you have considered that the first Emission of the Smoke through the Singles, was from an upper retired Room without Chimney …" (Remarks of Governor Gooch to Council and House of Burgesses, March 30, 1747, recorded in Journals of the House, 1742-1749, p. 236). | |
91 | |
Reasons for use of vitrified tile in reconstructed building. | It has been a policy of Restoration from beginning to use fireproof clay or asbestos cement shingles for reasons of fire safety and permanence, in lieu of wood shingles on all but very minor restored and reconstructed buildings known to have been covered with wood shingles in colonial times. In this instance Ludowici-Celadon Co.'s vitrified tile, made in imitation of cypress shingles, was material chosen. These are very durable and closely resemble wood shingles. |
DORMERS AND DORMER WINDOWS | |
Evidence of existence. | Building Act of 1699 (Appendix) specifies "that roofe shall be a hip roof with Dormand windows." |
92 | |
In a "Report of the Gentlemen Appointed to inspect the Building of the Capitol," made July 20, 1703, its authors state, concerning the "Middle Building," that it "wants onley ye Cupolow to be finnished ye Dorment windows to be Closed on ye sides Glased & painted…" (Document in Public Record Office, London--C05 #1313. | |
Bodleian Plate drawing (p. 30). | |
Dormer type, pedimented. | |
Evidence of existence. | Bodleian Plate drawing of Capitol. |
Basis for detailing | Old pedimented dormers of Moody and Barraud Houses. |
Roof slope, same as main roof (ca. 50°). | Customary building practice in colonial Virginia, examples, old dormers of President's House of College and of the Brush-Everard House. |
Roof Covering, Ludowici-Celadon vitrified tile, as on main roof. | See discussion f roof covering of main roof |
Fifteen-light dormer windows | |
Evidence for existence | Number of lights conjectural; derived from requirements of harmonious design. |
93 | |
Authority for use and design basis. | Old dormer windows of Barraud House; old dormer sash found in basement of Brush-Everard House. |
CUPOLA | |
Evidence of existence. | Act of 1699 (Appendix): "…the two parts of the building shall be joyned by a Cross Gallery… and in the Middle thereof a Cupola to surmount the rest of the building Wch shall have a Clock placed in it and on the top of the sd [said] Cupola shall be put a flag upon occasion…" |
See, also, quotation from Report of July 20, 1703, p. 92. | |
General form, hexagonal plan, etc. | Bodleian Plate drawing (p. 30) |
Details | |
Unbeaded vertical sheathing of base. | Conjectural. Design basis, similar sheathing shown on cupola of Wren Building in daguerreotype of 1850's (original in Library of College of William and Mary, copies in Colonial Williamsburg photo files). |
94 | |
Arms of Queen Anne,* painted on south side of base | |
Evidence of existence | Resolutions passed by House of Burgesses on June 7, 1706 and by Council on June 8, 1706: "That the Queens arms be painted upon the front of the Cupola of the Capitol" and "That the Queens arms be painted in the same place, where Collo Nicholson's armes are now painted." (Journals of the House, 1702-1712, pp. 217, 219). |
Basis for design | Copied from original color plate of arms of Queen Anne, obtained from College of Heralds in London. |
Rusticated siding of middle part | Conjectural. Design basis, old rusticated siding of Merchant House in Dumfries, Prince William County (see discussion of rusticated siding and view of Merchant House, Architectural Report, Kings Arms Tavern-Alexander Purdie House, Vol. I, pp. 137-140). |
Eighteen-light windows | General proportions suggested on Bodleian Plate drawing (p. 30). Number of lights and size conjectural but based on the requirements of harmonious design. |
95 | |
Similar in number of lights and detail to dormer windows and follow same precedent (pp. 92, 93). | |
Clock | |
Evidence of existence | Act of 1699 (Appendix). "…a Cupola … Wch shall have a Clock placed in it …" (See more complete quotation on p. 93). |
Design of numerals and hands | After clock of Town Hall, Guildford, England (see measured drawing designated as Plate 95 of Vol. 2 in the Architectural Reprint from Belcher and Macartney). |
Clockworks | Old colonial clock works obtained from Bruton Parish Church and reconditioned. According to belief of Dr. Lyon G. Tyler and others, these works had come originally from the Capitol tower (see letter of Dr. W. A. R. Goodwin to Kenneth Chorley Apr. 6, 1931. Colonial Williamsburg Archives). |
96 | |
Bell | |
Evidence of existence. | Entry of November 15, 1718 in Journal of the House, 1712-1726: "John Broadnax … informed the House that … the Bell belonging to the Clock was removed …"Ordered That the bell be forthwith returned." |
By the time of fire of 1747 (January 30), another bell had apparently been added for a story about destruction of Capitol published in February 5, 1747 issue of Pennsylvania Gazette contains following: "The Cupola was soon burnt, the two Bells that were in it were melted, and, together with the Clock, fell down, and were destroyed…" | |
Since intention was to restore Capitol to its earliest condition, architects installed only one bell in cupola. | |
Source of present bell. | Old bell obtained from E. Howard Clock Company of Waltham, Mass. |
97 | |
Louvered openings. | |
Evidence of existence and basis for design. | Rectangular openings of uncertain character shown on Bodleian Plate drawing (p. 30). Use of louvers suggested by those shown on cupola of Wren Building in daguerreotype of 1850's. Wren Building louvers also served as basis for detailing of louvers of Capitol cupola. |
Balustrade. | |
Evidence of existence and basis for design. | Shown, but without detail, on Bodleian plate drawing (p. 30). Follows, in principle, though not in detail, balustrade of bell tower of Town Hall, Guildford, England (Architectural Reprint from Belcher and Macartney, Plate 95 of Vol. 2). |
Turned balusters. | Similar to, though not exact duplicates of, turned balusters of a pulpit stair of Abingdon Church in Gloucester Co. See measured drawing in personal (leather-covered) detail book of Singleton P. Moorehead. |
98 | |
Balustrade rail. | Similar in general character, though not identical in sequence of moldings, to old chair rails in Captain Orr's Dwelling and the Carter-Saunders House. Profile almost exactly same as that of column of rear porch of Miles Bott House, Richmond (see architectural sketchbook of Singleton P. Moorehead, p. 105). |
Balustrade finials. | Similar to finial of stair newel at Wantwater, a house near Harmony Hall, Maryland (see architectural sketchbook of Singleton P. Moorehead, p. 126, for this detail). |
Oval window, top stage of cupola. | Conjectural. Similar in character to, though smaller and simpler than, old oval window of Bradbourne, Larkfield, Kent, England (ill., p. 339, A History of the English House, by Nathaniel Lloyd, London, 1931). |
99 | |
Paneling of upper parts of sides, top stage. | Panel mold similar to that of pew paneling, Christ Church, Lancaster Co. (architectural sketchbook of Singleton P. Moorehead, p. 56); door panel of Towle's Point, Lancaster Co. {ibid., p. 26); dado paneling of Wantwater (ibid., p. 57). |
Unbeaded vertical sheathing below paneling, top stage. | Same as for sheathing of cupola base. |
Ogee-curved roof. | |
Evidence of existence. | Shown on Bodleian Plate drawing (p. 30). |
Basis for detailing. | Similar cupola roof shown on daguerreotype made of Wren Building in 1850's. |
Roof finial. | Similar in principle to many old Virginia roof finials; form like that of balustrade finials and has same precedent. (see above). |
Flagstaff, flag* and weathervane. | |
Basis for existence and general form. | Bodleian Plate drawing of Capitol (p. 30). |
STONE PAVING. | |
North-south approach walks. | |
Evidence of existence. | Resolution passed by Burgesses on May 10, 1705 and concurred in by Council on following day, that, among other things, "Twelve hundred ffoot of fflag Stone to pave the walks that Leads to the Capitol be Sent for to England." |
100 | |
Shown in Bodleian Plate drawing (p. 30). | |
Types of stone. | Assumed to be same as that used on "piazza" platform, the evidence for which is given under Portico platform, below. |
Portico platform. | |
Evidence of existence. | Authors of above-mentioned (p. 92) "Report of the Gentlemen Appointed to inspect the Building of the Capitol" (July 20, 1703) state that "The Middle building is covered & ye lower floor paved and ye steps made …" (Public Record Office, London--C05 #1313). |
Order of House of Burgesses of June 21, 1706, concurred in on same day by Council, "That the said Henry Cary do cause the pavements in the Piazzas to be taken up, and new Laid… " (Journals of the House, 1702-1712 entry of June 21, 1706, p. 232.) | |
101 | |
Suggested in Bodleian Plate drawing of Capitol (p. 30). | |
Basis for types and sizes of stones. | It was assumed by the architects that platform surface material was of same type in second building as in first because they believed it likely that many materials were salvaged from fire of 1747 and re-used in their original locations. This belief was supported by fact that enough of walls remained after fire to justify Assembly in ordering building to be rebuilt on old foundations {see "An Act for rebuilding the Capitol in the City of Williamsburg," passed by October, 1748 session--Hening, Statutes at Large, Vol. VI, pp. 197, 198). They, therefore, looked upon references to stone types mentioned in Virginia Gazette (Hunter) "ad" of Aug. 27, 1756 as valid for first building as well as second, the structure with which the notice actually deals: "WANTED / ABOUT 280 Feet of Purbeck, and 80 Feet of blue Shrosberry Stone, for completing the Piazzas of the Capitol in Williamsburg … The size of Stone that will best answer is 18 Inches Square." |
102 | |
Pieces of old Purbeck stone were found in Williamsburg and these were believed to have come from floor of Capitol portico. A number of these re-used in platform of reconstructed building. New stone used is Purbeck Freestone and Blue Forest of Dean Stone in alternate slabs. These were imported from England and are similar to stones mentioned in "Want Ad" above. | |
Stone type of border. | Whitbed Portla1d stone, imported from England, This is similar to Purbeck Stone and is often substituted for latter in England today. |
103 | |
STONE STEPS from walk to Portico platform. | |
Evidence of existence. | Mentioned in "Report of the Gentlemen Appointed to inspect the Building of the Capitol." (See quotation under Portico platform, p. 100. |
Shown on Bodleian Plate drawing of Capitol (p. 30). | |
"…The first stone of the grand stairs of the portico was set today, on wch I stood when but 2 more laid wthout cramps." (From Diary of John Blair, Sr., jotted down on an almanac for 1751, preserved in Virginia Historical Society, Richmond. Quotation refers to second Capitol but, as in case of portico paving (see p. 101), it was assumed that portico steps of second building were a reproduction of those of first). | |
104 | |
Basis for design | |
General form | Bodleian Plate drawing (p. 30). |
Curved splay of steps | Old stone exterior steps of Tuckahoe, Goochland Co. |
Swirl at ends of bottom step | Ditto. |
Derelict step found on Capitol site. | |
Nosing of steps and edge of portico paving | Steps of Miles Brewton House, Charleston, S. C. |
Old step of north stoop of Benjamin Waller House. | |
Derelict step found on Capitol site. | |
Stone type | Similar to that of border of portico platform. See p. 102. |
METALWORK | |
Handrailing on steps | |
Evidence of existence | There was no basis for railing on either north or south side of arcade. It was installed as security measure after Capitol was completed and in use since several visitors to Capitol had fallen on steps . |
Basis for design | Similar to, though not identical with, old wrought iron stair railing of north porch of President's House of College of William and Mary. |
105 | |
Chains hung between piers of side bays of outside arch rows. | |
Evidence of existence. | None. These, like railings (above) were installed to prevent people from falling off platform of arcade. Barbed links used to discourage children and others from sitting on chain. |
Basis of design | Based on old wrought iron chain with barbed links found and photographed in Englad by Arthur A. Shurcliff. |
Wrought iron hooks holding chains similar to old ne found in Nicholson Shop (part of former Lee House). See Colonial Williamsburg Hardware Folder, plate 31. | |
LANTERN suspended from ceiling of arcade. | |
Evidence of existence. | No mention is made of this fixture in old documents. Architects assumed that artificial light source would have existed here, considering importance of arcade as central circulation point of building. |
106 | |
Basis of design | Authentic copy of an old lantern manufactured in Paris by Baguès Inc. of New York and Paris, along with other lighting fixtures used in Capitol. In respect to authenticity of these reproductions, Baguès wrote William G. Perry on July 15, 1932 as follows: "We also want to guarantee that all the fixtures proposed to you … are exact copies of existing antique fixtures, or of antique documents in our possession. The models are part of our collection of sixteenth and seventeenth century original documents at our Paris galleries, 107 rue la Boetie." |
BRICK GROUND-LEVEL GUTTERS (For location, see first floor plan, Part 2, p. 153.) | |
Evidence of existence and basis for design | Evidence was presumptive since brick gutters are not mentioned in eighteenth-century documents relating to Capitol and no remains of these were discovered in excavating at site. Since, however, remains of such gutters were found beside Wren Building, at site of Governor's Palace and adjacent to Barraud House in Williamsburg, it was assumed that use of these gutters (or brick drips, as case might be) was general at time Capitol was built. They were, therefore, installed, design being based upon that of old brick gutters mentioned above. |
107 | |
WOOD TYPES used in exterior woodwork. | |
Woods known to have been used in original building and some which might have been used. | We have two references to wood types used in first Capitol. First is in a report of September 6, 1700 of committee appointed to inspect "Act directing the building the Capitol" and to examine proceedings of committee in charge of construction: "Mr. Henry Cary was desired by the Comtee to get fit scantlins sawd of high land white Oak for the Capitol doors Cases and windowe froames so as the same might be in a readiness to be wrought up the next summer, and also to provide pine plank Inch thick for scaffolding and Inch and quarter thick for floors…" (Public Record Office, London - C05 #1312) |
108 | |
Second reference to pine is found in an order of House of Burgesses of May 21, 1726, over 20 years after completion of first Capitol (Journals of the House, 1712-1726. p. 409): "Ordered That no pine Timber or plank be hereafter made use of for Repairing the said building Except so much as shall be necessary for repairing the ffloors." It appears from a petition f Henry Cary, builder of Capitol, which immediately precedes order, that Cary had been "Emploied by the Supervisors of the Capitol to make new Posts and Gates for the Capitol yard which are ready to be set up and hath by their directions made several other repairs about the building…" | |
Above-quoted references indicate that oak and pine, among other wood types, probably, were used for wood parts of original building. Architects, as we shall see below, made extensive use of pine but employed no oak, no doubt, because latter is difficult to work and would be, in any case, either covered up or painted, so that its character would not be readily distinguishable from that of pine. | |
109 | |
It seems reasonable to suppose that repairs executed by Cary, aside from replacement of fence posts, were, for most part, made to exposed wood parts of building subject to decay such as cupola, balconies, etc. Interior woodwork, except for floors, would not, probably have been affected by House order banning use of pine since this was, in all likelihood, still largely intact. | |
It is of interest to note, in connection with renewal of Capitol fence posts, that Colonial Williamsburg has, in its turn, discovered that yellow pine, inserted into ground, deteriorates quickly so that it has substituted cypress for it as material out of which to build posts in restored area of too city. | |
110 | |
Architects, on basis of passages quoted above and of wood types found in use in many old buildings examined by them, believed that original trim, doors (except, probably, bi-valve doors) and woodwork of cupola and dormers of first Capitol had probably been of yellow pine or poplar or a combination of these. Roof shingles, in all likelihood, would have been of cypress. | |
Woods used in reconstruction of Capitol | |
Structural lumber | B and Better Dense Yellow Pine. |
Finish, including cornice, exterior and interior door and window trim, dormer and cupola sheathing, etc. | B and Better Heart Yellow Pine. |
PAINT COLOR, all outside woodwork | Cream gray ("stone color"), #271 of Colonial Williamsburg Paint Shop color file, with egg-shell gloss finish. |
Evidence of existence and basis for use | No record was found of exterior paint color of original building, so architects followed old exterior woodwork color of Bruton Parish Church. This color was widely used in colonial times and went by name of "stone color," being employed to give exterior woodwork appearance of stone. The Oxford English Dictionary defines it as "the (usual) colour of stone, a yellowish or brownish grey." In having this color mixed, architects instructed painters to approach as closely as possible color of Portland stone. |
FEATURES OF THIS FACADE FOR WHICH PRECEDENT WAS CITED IN TREATMENT OF SOUTH ELEVATION
Since the semi-circular ends of the two wings have been considered on p. 80, in connection with the South Elevation, the south, curved end of the west wing will not be included in the treatment of the West Elevation. The latter, for present purposes, will be thought of as comprising only the straight part of the facade. Since many of the elements of this face of the building are identical with features of the South Elevation which have been covered in the preceding section devoted to that elevation, the listing of the precedent for these features will not be repeated here. These building features which have already been treated under their respective headings in the foregoing section are as follows: BRICKWORK (except the gauged brick arches of the entrance door and of the first floor windows); 18-LIGHT SECOND FLOOR WINDOWS: WINDOW SCREENS; CORNICE; ROOF; DORMERS AND DORMER WINDOWS; CUPOLA; WOODS USED and PAINT COLOR. Those elements which are present in the West Elevation and not in the South will be covered here in the same outline manner followed in the case of the South Elevation.
FEATURE | PRECEDENT |
---|---|
BRICKWORK | |
Gauged brick arch and rubbed brick jambs of door | |
Evidence of existence | Building act of 1701 (Appendix) specifies "… that all the great doors be arched…" |
119 | |
Arched doorway shown in east facade of Capitol in Michel's drawing (ill., p. 79). That west door was similar to east door is evident from fact that specifications for east and west facades are same in Act of 1699. | |
Basis for design | Similar to arches of portico, South Elevation and have same precedent (pp. 80-81). |
Gauged brick arches and rubbed brick jambs of first floor windows | |
Evidence of existence and general form | Act of 1701 (Appendix) specifies "That the windows in the lower story be arched…" |
Shown in Bodleian Plate drawing of Capitol (p. 30) | |
Shown in Michel drawing of Capitol (p. 79). | |
Basis for Design | Old brick window arches and jambs of Bruton Church and of Chapel and Great Hall of Wren Building. |
Rubbed brick sills of first and second floor windows | Precedent same as for brick sills of South Elevation (p. 77). |
FEATURE | PRECEDENT |
---|---|
Gauged brick flat arch and rubbed brick jambs of balcony "window-door" | Same precedent as for corresponding features of second floor windows of this and South Elevation (p. 77). |
BI-VALVE DOOR, TYMPANUM AND TRIM | |
Evidence of existence | Building act of 1701 (see Appendix) specifies "…that all the great doors be arched…" |
Building act of 1699 (Appendix) provides "…that the midle of the front on each side of the sd building shall have a Circular Porch with an Iron Balcony upon the first floor over it…" It is logical to assume that "the great door" in west wall would have been placed on center axis of porch, which, as we have just seen, was in "the midle of the front." | |
Door in east facade shown in Michel's drawing (ill., p. 79). There is every reason to believe, from above statement in act of 1699, that door in west wall was same as that in east. | |
Basis for design | Drawing of Benjamin Latrobe of "piazza," 1796 (ill., p. 33). This gave general form of "great door" leading from portico to, we believe, House of Burgesses, in second building. Architects assumed, on bases similar to those discussed under Portico platform, p. 101, that this door in second building was a reconstruction of same door in first Capitol and, furthermore, that all the great doors were alike, i.e., doors in east and west facades and those from House of Burgesses and Court Room to portico. |
123 | |
Details of paneling, tympanum and trim of door copied from old bi-valve door which once existed between tower and nave of Bruton Church (see photo and drawing of door in Architectural Report, Bruton Parish Church). Present Church doors follow design of this old one and are similar to Capitol doors. | |
Construction: mortise and tenon joints secured by hardwood dowels driven through them | Old door, above, of Bruton Parish Church. See, also, statement concerning joinery, p. 73. |
Wood type: American walnut | Architects believed that original builders would have sought both a durable and decorative wood (interior faces left natural) for these important main entrance doors. Walnut was plentiful at time first Capitol was build and probably as cheap as pine. They had as precedent to follow in Williamsburg walnut doors of Tazewell Hall (formerly on South England Street) and part of doors, sash, interior trim and panelling of Peyton-Randolph House. |
124 | |
Door Hardware (door #109) | |
Two pairs of 18" wrought iron HL hinges, with leather washers. One pair of 18" wrought iron H hinges, with leather washers. Two vertical wrought iron door bolts, 1/18" and 1/12". | Copied after eighteenth-century hinges by J.R. Jump Forge at Lightfoot, near Williamsburg.* Very common type of 18th century hinge in Virginia. Old examples found in Benjamin Waller, Tayloe and Palmer Houses. |
Made by J. R. Jump, Lightfoot, after eighteenth-century originals. These bolts similar to old pair of gate bolts found at Bruton Parish Church and to old door bolt found on basement door of Alexander Craig House. See Colonial Williamsburg Hardware Folder, Plates 17 and 8, respectively, for these bolts. | |
One W. C. Vaughan Co.* brass rim lock, 1-½: x 7" x 12"; one pair brass knobs and ne brass escutcheon. | Patterned after old brass rim locks, such as those on front and rear entrance door of Tayloe House (see photo, p. 101, architectural report on that house). |
125 | |
WINDOW SASH AND FRAMES | |
Round-headed, first floor | |
Manner of division into lights | Many three-light-wide round-headed window sash, with semi-circular head part divided in manner of Capitol windows, are found in English buildings. In these, number of vertical divisions varies according to height of window. Following English houses, illustrated in Nathaniel Lloyd's A History of the English House, London, 1931, have sash with divisions of character just mentioned: Kew Palace, London, ca. 1631 (Lloyd, p. 215); Chicheley Hall, Buckinghamshire, ca. 1701 (ibid., p. 234) and Finchcocks, Goudhurst, Kent, ca. 1725 (ibid., p. 246). |
Muntin profile | Muntins of old sash parts found at Bruton Parish Church. |
Window frames | Old window frames found in place at Bruton Parish Church. |
Window glass: new English crown glass | See pp. 84, 85 under this subject |
Sash weights, absence of (nine-light lower sash, only, operates and, when open, is sustained by a screen). | Discussed on p. 85. |
Window screens | Discussion of this subject on p. 86 is also valid here. |
125a | |
"Window-door" to balcony | |
Evidence of existence | None. Installation of balconies on east and west sides of building (see below) necessitated, also, provision of some means of reaching them from interior. Eighteenth-century documents, however, do not tell us how these two door openings were treated in original building. They might have been fitted with either solid or glazed, single or two-valve doors or "window-doors" like present detail, consisting of window sash resting on bi-valve doors of approximate height of wainscot of rooms served by openings. In choosing to use latter detail in lieu of either solid or glazed doors, architects sought to give these openings appearance of windows, thus relating them more closely in character to other second floor windows and reducing their individuality. Doors in this location, immediately above bivalve doors of first story, particularly if these were solid doors, would have competed with doors below and lessened their effectiveness as central accents in these side facades. Architects felt justified in choosing treatment which they considered would contribute most to harmony of facades, believing that considerations which had recommended this decision would also have carried weight with original builders. |
125b | |
Basis for use of sash with door | Used as a means of exit from dining room to garden in Hammond-Harwood House in Annapolis, Maryland. For several illustrations showing this window-door, see The White Pine Series of Monographs, Vol, XV, Nos. 4 and 5, New York, 1929. |
Detailing | |
Sash | |
Basis for number and arrangement of lights | First and second story windows of Shirley, Charles City County which are four lights wide and six high, like sash under discussion. For illustrations showing these windows, see Thomas T. Waterman, The Mansions of Virginia, Chapel Hill, 1946, pp. 348, 351 and 355. |
Muntin profile: window frame profile; window glass and sash weights (absence of). | Similar to these features of 18-light second floor windows (see pp. 84 and 85) and of round-headed first floor windows (p. 125). |
125c | |
Bi-valve door beneath sash | |
Treatment of two leaves of door | Exterior face follows detailing of similar feature of Hammond-Harwood House, Annapolis, Maryland (see above). |
Hardware | See Part 3, p. 452 for treatment of this. |
Wood sill | An unmolded, square-cut sill of character of this one is found on Tayloe Smokehouse, an eighteenth-century building in large part original. |
BALCONY | |
Evidence of existence | Provided for in building act of 1699: "…that the midle of the front on each side of the sd building shall have a Circular Porch with an Iron Balcony upon the first floor over it…" |
That balcony was actually built is indicated in "Report of the Gentlemen Appointed to inspect the Building of the Capitol" of July 20, 1703 (Public Record Office, London, C05 #1313): "That parte yt ye [that the] Corte sitts in is Compleatly finnished on ye outside except ye balcony over ye Grate doore Commin in on ye west side…" | |
126 | |
Basis for design of ironwork | Adapted, with modifications, from iron railings used before ground floor windows of Hampton Court Palace, England which were designed ca. 1690 by Sir Christopher Wren (see fig. 526, p. 338, A History of the English House by Nathaniel Lloyd, London, 1931. |
Basis for use of cantilevered wood beams as supports | Balcony over east entrance to Wren Building, shown in portrait of James Blair painted between 1735 and 1740, is cantilevered, though beams are not in evidence. See original portrait, Blue Room of Wren Building, or detail photograph of building made from portrait, p. 14a, Architectural History of the Wren Building, Architectural Records Office, Colonial Williamsburg. |
Many old porch hoods in Virginia supported by cantilevered wood beams, for example, those at Tuckahoe, Goochland Co. (ills., pp. 84, 87, The Mansions of Virginia by Thomas T. Waterman.) | |
Outbuildings in Virginia, such as dairies, have overhanging roofs supported by projecting wood beams, for example Archibald Blair Dairy (see architectural report on that property). | |
127 | |
Cornice members of projecting pediments supported by cantilevered wood beams. See photo of old beams used to support horizontal part of pediment of Archibald Blair Storehouse, p. 85, Large Photo Book, Colonial Williamsburg Drafting room. Also, same book, p. 43, two photos of projecting pediment members of old stable of Catlett place, Port Royal, Caroline County. | |
Basis for design of woodwork | |
Beams (brackets), profile of applied cyma reversa along top edge; same mold cut from bottom edge) | Projecting members, like beams, modillion blocks, etc. frequently had cyma moldings as transition between soffit and face of member. Old summer beams having such moldings can be seen at Bacon's Castle, Surry County and Mansfield, near Petersburg; modillion blocks having them are found in cornices of Tayloe and Charlton Houses and of Archibald Blair Smokehouse. |
Lower edges of exposed beams were usually molded, to avoid sharp edges and for decorative reasons. Old summer beams having beaded lower edges are found at Christ's Cross, New Kent County (see Singleton P. Moorehead's architectural sketchbook, p. 21) and Bel Air, Charles City County (see measured drawing, architectural records files). | |
128 | |
Soffit panelling | Balcony soffit similar in nature to exposed soffits of stair landings and runs. Latter were frequently panelled in eighteenth century Virginia. Old examples found at Ampthill, formerly Chesterfield County, now city of Richmond (see photo, Thomas T. Waterman, The Mansions of Virginia, p. 217) and Perrin Place (Little England), Gloucester County (photo, ibid., p. 327). Panel profile similar to that of wainscot in House of Burgesses (for precedent, see Part 2 p. 168, this report). |
Edges of balcony floor | Similar in nature to edges of stair landings and wells, which were usually given facia boards and top and bottom moldings. The precedent for crown molding used on balcony edge was similar molding of an architrave of Nelson House, Yorktown (see ill., Thomas T. Waterman, The Mansions of Virginia, p. 401). |
SEMI-CIRCULAR STONE PLATFORM AND STEPS | |
129 | |
Evidence of existence | Specified in Act of 1699 (Appendix): "…the midle of the front on each side of the sd building shall have a circular porch…" |
Building act passed by General Assembly in 1701 (Appendix) provides "That the porches of the said Capitoll be built circular fifteen foot in breadth from outside…" (Hening, Statutes at Large, Vol. III, p. 213). | |
Archaeological findings at Capitol site (see discussion of semi-circular foundation, pp. 38-40, this report). | |
Basis for design | |
Stone type | Whitbed Portland stone, same as that used in border of portico platform (see p. 102). Architects assumed that same stone type would have been used here as was employed for the portico platform and steps. |
Diameter of platform and steps | Given above under "Evidence of existence." |
Design of step profile | Same as that of portico steps (see p. 104). |
DESIGN BASED ON BODLEIAN ENGRAVING OF CAPITOL & FOUNDATION MEASUREMENTS
The design of this elevation was based upon the Bodleian Plate representation of the north facade of the Capitol (p. 30), though some adjustments were necessary to make the floor heights in the elevation conform with those specified in the Act of 1699. The horizontal measurements were derived both from those given in the Act and the actual measurements made of the old foundations (see discussion of facade design, p. 43). The usefulness of the Bodleian Plate in the working out of the design of the North Elevation is made clear in the following quotation from the minutes of a meeting of the Capitol Committee* held on May 10, 1930:
The remarkable accuracy in plan of the perspective drawing in the old plate was pointed out, as well as the inaccuracy of the floor heights, which are definitely given in the records of the building. The character of the building, however is clearly shown, and there can hardly be very much question about its appearance.
FEATURES FOR WHICH PRECEDENT HAS ALREADY BEEN GIVEN ELSEWHERE
The precedent for the various features of this elevation has already been cited in connection with the discussion of similar features of the South and West Elevation. The following subjects have been treated under their respective headings in the section on the South Elevation: BRICKWORK (except the gauged brick arches and other brickwork of the first floor windows ); SECOND FLOOR WINDOWS; WINDOW SCREENS CORNICE; ROOF; DORMERS AND DORMER WINDOWS; CUPOLA; METALWORK; LANTERN; WOODS USED and PAINT COLOR.
The following details which occur on the North Elevation have been treated in the section on the West Elevations BRICKWORK OF FIRST FLOOR WINDOWS and ROUND-HEADED SASH OF FIRST FLOOR WINDOWS .
QUESTION AS TO WHICH ELEVATION WAS MAIN APPROACH FRONT OF BUILDING DISCUSSED EARLIER IN THIS REPORT
The puzzling question as to whether or not the North Elevation was considered, in eighteenth-century Williamsburg, to be the main approach facade of the building had to be decided by the architects before this elevation could be completely designed. The presence, or absence on the elevation of features such as the carved brick shield and the queen's arms depended on this, since these would logically have existed on the main facade. The architects decided, on the basis of facts contained in eighteenth-century documents, that it was the South Elevation rather than the North which had become the main approach side; however much the designer of the building, probably a London architect, may have looked upon the latter as the entrance front and in spite of the fact that the maker of the Bodleian plate chose the North Elevation for representation. This subject is discussed at some length on pp. 28-31 of this report.
EAST AND WEST FACADES CORRESPOND EXACTLY, SO BOTH HAVE SAME DESIGN PRECEDENT
This elevation matches the West Elevation precisely, detail for detail so that the precedent cited tor the various features of that elevation applies to the corresponding elements of this one. Though no eighteenth-century document specifically declares that the two elevations, in their total design, were or were to be made exactly alike, the building Acts of 1699 and 1701 (Appendix), in prescribing the dimensions for the structure and specifying the details for the east and west facades, treat the two, with no exceptions, uniformly. The architects were justified, therefore, in assuming that the building, like most monumental structures of the period, was, in all respects, bilaterally symmetrical.
EAST ELEVATION OF WEST WING WITH SECTION THROUGH CENTRAL LINK ELEMENT
TWO COURT ELEVATIONS ARE ALIKE; ELEMENTS OF THESE FACADES FOR WHICH PRECEDENT HAS ALREADY BEEN GIVEN; THOSE WHICH REMAIN TO BE TREATED
These two elevation are exactly alike and they were made alike for the reasons set forth in the immediately foregoing discussion of the bases for giving the "external" elevations of the wings identically the same form (see East Elevation). The precedent for all of the features of these elevations, except for the two Stairhall doors with their roundarched half windows above; the stone steps leading up to the doors and the footscrapers beside the steps, has bean given in either the section on the South Elevation or that on the West Elevation. Thus, the following features are covered in the treatment of the South Elevation: BRICKWORK, except the gauged arches of the doors and of the first floor windows; SECOND FLOOR WINDOWS; WINDOW SCREENS; CORNICE; ROOF; DORMERS AND DORMER WINDOWS; WOODS USED and PAINT COLOR. Likewise, the following elements are treated in the Section on the West Elevation: GAUGED BRICK ARCHES OF DOORS AND FIRST FLOOR WINDOWS; RUBBED BRICK SILLS OF WINDOWS; BI-VALVE DOORS (similar to west entrance door); ROUND-HEADED FIRST FLOOR WINDOW SASH.
FEATURE | PRECEDENT |
---|---|
ENTRANCE DOORS TO STAIRHALLS(#103 and #106) | |
Evidence of existence | A round-headed doorway, rising to height of adjacent window, is visible in each court elevation of Capitol in the Bodleian Plate drawing of latter (p. 30). These doors are evidently alike and face each other across court. In reconstructed building two doors as nearly as possible like these were placed in approximately the positions shown in the drawing. |
No mention is made of these doors in any old document which has come to light. The building Act of 1701 specifies "That all the great doors be arched, and that it be left to the comite…to direct what other doors shall be made therein…" In light of above provision, absence of specific mention of court doors in acts in no wise implies that they did not exist. It would have been unusual, furthermore, exterior doors affording direct access to the stairhalls had not existed. | |
Basis for design | General form of opening given in Bodleian Plate drawing. |
144 | |
Specific form: panelled wood door with window or transom above composed of two-light-high rectangle topped by glazed transoms were common in eighteenth-century Virginia. Architectural Records Office has listed over twenty old buildings in Williamsburg, alone, which has them — all square-headed, however. Photographs or three old buildings with solid wood entrance doors and glazed semi-circular transoms may be seen in Large Photo Book in Colonial Williamsburg Drafting Room. These transoms, it should be noted, lack the "stilting" element (glazed rectangle between door and glazed semi-circle). The buildings are as follows: Court House at Warsaw, Richmond Co. (glazing has nineteenth-century divisions); Orangery at Mount Airy, Richmond County and Gloucester County Court House. | |
Pattern of door paneling | Similar to old main entrance doors of Brush-Everard and George Wythe Houses. |
Profiles of door paneling and trim | Similar in design to those of bi-valve doors. |
For precedent, see p. 123. | |
Mitreing of head piece of door architrave with stiles thus interrupting continuity of stiles with those of transom architrave. | Trim of main entrance doors or George Wythe and Lightfoot Houses. |
145 | |
Construction | Same as that of bi-valve doors (p. 123). |
See also general note on joinery, p. 73. | |
Wood type: Solid clear heart white pine. | Architects substituted this for yellow pine since today it is superior to yellow pine available and a durable wood was needed for doors . |
Door hardware, each door. One pair of 14" wrought iron HL hinges, with leather washers. | Maker and precedent same as for hinges of bi-valve doors. See p. 124. |
One W. C. Vaughan Co. brass rim lock 1" x 4¼ x 7 ¾"; one pair brass knobs and one brass excutcheon. | Precedent same as for locks of bi-valve doors. See p. 124. |
Transom sash details. | Similar to those of first floor windows. |
For precedent, see p. 125. | |
Transom trim | Identical with door trim. See above. |
Brickwork of jambs and head of openings. | Similar to that of round-headed windows. |
See p. 119. | |
146 | |
Louvered screen doors, solid below, with paneling on outside only; louvered above with screening applied over louvers on inside face of door. | No evidence that these existed; they are purely utilitarian. Only that at east entrance has been used in recent years, though pintles for west door remain in place. Detailed in authentic manner, after old louvered doors in Alexandria, Virginia and New Castle, Delaware. |
STONE STEPS AT STAIRHALL ENTRANCE DOORS | |
Evidence of existence | Shown in Bodleian Plate drawing of Capitol (p. 30). |
Basis for design | Similar in details of design, though not same in dimensions, to stone steps leading from north and south courts to portico platform. See p. 104 for precedent. |
Stone type | Similar to that of portico platform border and steps from court to portico. See pp. 102-104. |
FOOTSCRAPERS BESIDE STEPS | |
Evidence for existence | No record of their existence at Capitol has been found. It was assumed, however, that they would have been present since many examples of colonial footscrapers have been discovered in Virginia and elsewhere. Unpaved condition of Williamsburg streets, making them muddy in wet weather, would have made footscrapers much more necessary than today. |
Basis for design | Old footscrapers illustrated in plates 260-277 of Albert H. Sonn's Early American Wrought Iron, Vol. III, New York, 1928 were followed in design of these, especially one from birthplace of J. Fenimore Cooper in Burlington, New Jersey, shown on p. 119. |
NOTE: It is understood that architectural features appearing in this index, unless otherwise designated, are features of the Capitol. When a page number is underline, the subject on that page is illustrated by a photograph or drawing.
MANNER IN WHICH INTERIOR WILL BE TREATED | 150-151 |
FIRST FLOOR PLAN (WORKING DRAWING) | 153 |
EAST WING | 154-269 |
HOUSE OF BURGESSES CHAMBER | 154-222 |
STAIRHALL | 224-255 |
OFFICE OF CLERK OF HOUSE OF BURGESSES | 256-269 |
WEST WING | 270-408 |
GENERAL COURT ROOM | 270-362 |
STAIRHALL | 364-385 |
OFFICE OF SECRETARY OF STATE | 386-408 |
INDEX | 408a |
The pagination of this part of the report is continuous with that of Part 1. References in Part 2 to matter in Part 1 will be located by page numbers, preceded by the volume number, i. e. , "Part 1, p. 31." Absence of volume number indicates that page referred to is in Part 2.
This report was written by Howard Dearstyne for the Architects' Office of Colonial Williamsburg. It was reviewed in its draft form by Orin M. Bullock, Jr. and Singleton P. Moorehead. Changes suggested by them were made by Howard Dearstyne and the report was typed in final form, being completed on July 15, 1956.
SEQUENCE TO BE FOLLOWED IN TREATMENT OF FOUR FLOORS OF BUILDING
The four floors of the building will be treated in the order of what is likely to have been their relative importance in the eighteenth century. Thus, the main floor will be discussed first, followed by the second floor and the at-present-unoccupied third floor The latter and the basement, which will be handled last, will be treated more briefly since neither of these is, at this writing, at least, open to the general public.
MAIN FLOOR OF EAST WING TO BE COVERED FIRST; REASONS FOR THIS; ROUTE TO BE TAKEN THROUGH REMAINDER OF BUILDING
In respect to the treatment of the rooms of the first floor, it may appear, at first sight, to be of little consequence whether we Begin with the east or the west wing. There are reasons, however which make it seem fitting to start our examination, as do visitors to the building, with the east wing. In the first place, when one ascends via the south steps to the portico platform, the way the majority of people must have approached the capitol during the lifetime of the first building, if we are correct in our conclusion that the south side of this structure was the main approach side (see Part 1, p.28 et seq.), it seems natural to turn right and enter through the large doorway opening into the House of Burgesses. Secondly, the presence in the east wing of the House of Burgesses the oldest representative law-making body in America, in which momentous political events took place during the working existence of the first and second Capitols, gives the east wing especial significance for us, so that we would naturally choose to view this 151 first. We will be guided by this reasoning, therefore, and, pretending that we are actually touring the building, enter the Burgesses Chamber first. After covering this and the adjacent spaces of the first floor of the east wing we will cross the portico and enter the General Court Room. From this we will proceed to the Stair Hall and Secretary's Office and then ascend to the Second Floor. Being in the west wing, we will, logically, treat the second floor rooms of that wing first, moving, thereafter, to the Conference Room and thence to the east wing. From there we will mount to the third floor and, having examined this, will descend three flights to the basement.
DETAILED TREATMENT OF EACH ROOM TO BE PRECEDED BY OUTLINE OF USES OF ROOM AND ITS FURNISHINGS
We will introduce the treatment of the details of each room with a brief discussion of the uses which the room served in the eighteenth century since these determined and explain many of the architectural features of the room, as well as its furnishings. The basis for the furniture arrangement will be mentioned here but the pieces will be discussed in detail only when they are built-in and quasi-architectural.
SEQUENCE IN WHICH FEATURES OF ROOM WILL BE TREATED; EVIDENCE TO BE PLACED UNDER TWO MAIN HEADINGS
In the detailed treatment of the interior architecture of any room the various features (or facts) will be handled in the following sequence: location and dimensions; floor; walls and wall covering; base, chair rail and cornice; doors and windows; special features applied to wall or hung from it; ceiling; wood types used; paint colors and lighting fixtures. In covering any detail, as was done in the case of the various exterior features, the evidence for its authenticity will be placed, wherever possible, under two main headings, viz., Evidence of existence (in first Capitol) and Basis for design.
HOUSE OF BURGESSES CHAMBER, LOOKING SOUTHWEST
Color Photograph Published in The National Geographic Magazine for October, 1954
PROBLEMS ENCOUNTERED IN DESIGN OF CHAMBER DISCUSSED EARLIER IN THIS REPORT; SOURCES OF INFORMATION CONSULTED BY ARCHITECTS IN DESIGN OF THE ROOM
The reader who has not already read them should turn to pp. 54-58 of Part 1 where certain problems encountered in working out the design for the reconstruction of the Burgesses Chamber are treated. Included and discussed on these pages, also, are three pictures of the English House of Commons which is said to have been the model after which the House of Burgesses was patterned. These pictures; archaeological evidence obtained through excavations made at the site and the information concerning the first building contained in the Journals of the House of Burgesses and other contemporary documents enabled the architects, aided by their wide knowledge of eighteenth-century English and Virginian buildings, to recreate the Burgesses Chamber with what we believe to be a high degree of fidelity to the original room.
PARGELLIS' DESCRIPTION OF CHAMBER AND OFFICIALS WHO USED IT
In fulfillment of the intention stated on p. 151 of describing what took place in each room as an aid to understanding the basis for its appointments, we will introduce here a discussion of the Burgesses Chamber and its occupants by Stanley M. Pargellis, an expert on the history and functioning of the Virginia House of Burgesses*:
It is fortunate that the records are complete enough to permit the reconstruction of the room in which the burgesses sat during the eighteenth century. The most striking feature is that their seats, as in St. Stephen's Chapel [House of Commons, Part 1, pp. 54-56], were parallel to the side walls, so that the house was divided into two sections that faced one another. Whether that arrangement was consciously copied from England, or whether 155 it was a reverent adherence to the form which necessity imposed in the shape of the "quire stalls" of the wooden church at Jamestown in 1619, is uncertain; it is not known whether the seventeenth century meetings in ale-houses and private dwellings, as well as in the state-houses, built at Jamestown, followed the same plan…. Directly across the hall ran the "barr of the burgesses," and within the bar were on either side of the house two rows of seats, one on a raised platform along the wall, the other on the floor itself, with an opening next the bar, and with a "gangway" in the center. One end of the hall was semi-circular in shape, and in this end was a raised platform, containing likewise seats or benches, as well as the Speaker's chair. In the center stood the clerk's table, covered with green "carpet"; the benches themselves were stuffed with hair, and covered with green serge fastened down with crimson tape. On the walls hung both the Queen's and the Virginia arms.* To complete the picture one must imagine the Speaker gowned; the clerk and clerk-assistant also gowned before him at the eight-foot table, upon which lay the emblem of the authority of the house, the mace, a gift from Governor Nicholson. At the doors stood the four doorkeepers, dressed in clothes provided by the assembly, and wearing the badges of their office; at the bar was the sergeant-at-arms. The members themselves, who sat covered** wore their ordinary attire, and presented, especially at the close of the period, a motley array, from the correct habits of the Blands and the Harrisons to the rough garments of the members from the Valley-counties. Not until 1766 was any provision made for the admission of visitors; in that year a gallery was erected across the hall, but only members of the council or persons introduced by members of the house could gain entrance to it.
NUMBER OF BURGESSES INCREASED TOWARD END OF LIFE OF FIRST CAPITOL, NECESSITATING ENLARGEMENT OF SEATING AREA
It may be well to add to this description these facts: that the burgesses at the time of the 1705 session numbered about 50 whereas
in the session of 1734-40 the House membership had risen to about 70, new counties having been created in the colony in the meantime.*** It was this increase in membership, no doubt, which occasioned the order passed by the burgesses in 1736 "That the speaker of this House employ workmen to enlarge the Chamber of the Burgesses, and to make the same more
commodious, before the next session of Assembly." (Journals of the House 1727-1740, p. 315). That the changes were made is evident from this item
156
APSIDAL (SOUTH) END OF HOUSE OF BURGESSES
Sketch at left is photostat of original made by Ebenezer Hazard on his visit to Capitol in 1777 (see p. 32).
of November 29, 1738 in the Journals of the House, 1727-1740 (p. 356): "A Petition of John Steele was presented to the House and read; setting forth, That the Treasurer has only paid him part of his Account, for enlarging the Chamber of the Burgesses, and making the same more commodious…" We are forced to the conclusion that this "enlargement" of the Chamber must have consisted in merely adding more benches for the members since the Stair Hall could not well have been encroached upon and since, so far as we know, the total area of the east wing of the Capitol was not increased by any addition to it. Exactly where the additional seats were placed is a matter of conjecture.
FEATURE | PRECEDENT |
---|---|
LOCATION | We know from Act of 1699 (Appendix) that Burgesses Chamber occupied south part of first floor of one of wings: "… the great roomes below of each building [wing] shall be laid with flag stone one part or side of which building shall be and is hereby appropriated to the use of the Generall Court & Councill … and the several offices thereto belonging the other part or side of the sd building shall be and is hereby appropriated to the use of the house of Burgesses and the offices thereof…." Above passage does not stipulate which wing was to be occupied by General Court and which by House of Burgesses. This however, is made quite definite in resolution of August 26, 1702 [Journals of the House, 1695-1702, pp. 394-395 - see Appendix] which fixes uses to which parts of Capitol are to be put: |
"That the building to the Westward next the College be appropriated to the use of the genll Court and offices thereto belonging… "That the building to the Eastward be appropriated to the use of the house of Burgesses and the offices thereto belonging to wit | |
"The great Roome below for the house of Burgesses to Sit in | |
"The other part of the building below for the Stair case and the Clerk of the house of Burgesses office" | |
We do not learn from above whether House and Court Room occupied north or south ends of their respective wings. This is given, however, in Act of 1699, from which a passage was quoted on p. 158. Part which appertains here stipulates that "one end of each pt [part] or side of wch [the building] Shall be semicircular and the lower rooms at the sd [said] end fifty foot long and shall be parted by a wall from the rest of the building …" Only rooms which could have been fifty feet long were, of course, "great Roomes." |
HOUSE OF BURGESSES, LOOKING NORTHEAST
(See footnote, p. 184)
FEATURE | PRECEDENT |
---|---|
DIMENSIONS | Act of 1699 (Appendix) specified that "the length of each side or parte of wch building [Capitol] shall be seventy five foot from inside to inside the breadth thereof twenty five foot from inside to inside and the first story or [of] each pt or side shall be fifteen foot pitch [in height]… and the lower rooms at the sd end fifty foot long…." Computing width of room from old foundations (Part 1, pp. 41, 42) by adding to dimensions measured from inside to inside of walls the average length of a Capitol brick (ca. 9") on either side (foundation wall specified in Act of 1699 as "four Bricks thick up to or near the surface of the ground…and from the water table to the top of the first story three bricks thick") gave an interior room width of almost exactly the 25'-0" stipulated in Act. Obtainig room length in similar manner produced figure somewhat over specified 50'-0". It was evident that room as built had approximately dimensions specified, so that architects followed latter in reconstructing it. |
163 | |
FLOOR, level prevailing on main floor: Whitbed Portland stone Evidence of existence | Act of 1699 (Appendix) specifies "that the great roomes below of each building shall be laid with flag stone…" |
Resolution of 1703 (Appendix) specifies exact floor area in Burgesses Chamber to be covered with stone: "That that part of the ffloor without the Barr and from the ffootsteps wthin be pav'd with Stone, and from the Barr to the Setting off of the Circle…." | |
That stone for Capitol floors was bought and, probably, laid is clear from a copy of list of disbursements made in construction of Capitol, set down by William Randolph, clerk of House of Burgesses on Dec. 2, 1701. Among items in this list (document C05 #1312, 323, Public Record Office, London) is following: "To Stone to lay the floors … 100:00:0." | |
Basis for stone type | Architects were confident that stone used on interior floors of Capitol was same as on portico platform. In letter of July 2, 1934 to Kenneth Chorley, William G. Perry says, "There are many flag stones in Williamsburg which must have come both from the piazza and interior of the Capitol. Such stones can be found at Bruton Parish Church, Mayor Coleman's [St. George Tucker House], Miss Elizabeth Coleman's [Tayloe House], etc." These stones were identified, in part, as Purbeck stone (Part 1, pp. 101, 102). As in case of new stone used for border of portico platform, Whitbed Portland stone was used on floor of House of Burgesses to represent Purbeck stone. |
Basis for stone size | Stones used are 18" square as in case of those of portico platform. Architects assumed that stone size, like stone type, would be same in both portico platform and floor of Burgesses Chamber. For basis of stone size of portico paving, see Part 1, p. 102. |
FLOOR, raised platforms: wood | |
165 | |
Evidence of existence | Resolution of 1703 (Appendix), after designating floor area to be covered with stone, specifies raised wood platforms for remainder, to wit, "on each side of the House a platform a foot from the ffloor four foot and a half broad…. That the Circular end be raised one step-above the outward ffloor and laid with plank," Architects provided two steps (i.e., two 6" risers) as means of approach from stone floor to apsidal platform, as well as side platforms, assuming that all three, being continuous with each other, would have been on same level. Since height of side platforms above main floor was specified as 1'-0", it was concluded that single step referred to in case of apsidal platform was a one-foot-high one and this would have been hazardous in present-day use. |
Wood variety, old edge-grained yellow pine boards, 4" to 8", wide | |
Evidence of use of pine | We have already seen two references to use of pine for wood floors in Capitol (see item dated September 6, 1700 in Part 1, p. 110 and that of May 21, 1726 on p. 111. |
Floor boards throughout first and second floors of Capitol and in corridors of third floor are old material, taken from eighteenth-century Virginia houses.* | |
166 | |
Manner of laying: tongue and groove joints; surface nailing with new nails having hand-hammered heads. | Yellow pine was wood type most commonly for flooring in Virginia in eighteenth century and range of board widths used at Capitol was typical of period here. Colonial floor boards were set together with tongue and grooved, splined and dowelled joints and sometimes without any such connecting elements (butted). All nails were hand-made until late in eighteenth century, when machine-cut nails were first made in New England. |
Houses in Williamsburg having old yellow pine floors which were found and left in place, after necessary patching had been done, are those of Barraud House (boards 4 ½" to 7 ½" wide, tongue and grooved joints); Carter-Saunders House (boards 3 ¼" to 8" wide, tongue and grooved joints); Brush-Everard House (boards 5" to 11 ¾" wide, held together with dowels) and Tayloe House (boards 3 ¼" to 8" wide, butted). In all cases boards are surface nailed with old handmade nails. | |
Finish, wax | Though positive proof is lacking, floors in Virginia are believed to have been waxed to make them more resistant to wear in eighteenth century. |
167 | |
Step nosings | Similar to those of old staircase of Brush-Everard House (see drawing p. 60a of architectural report on that house). |
WALLS AND WALL COVERING | |
Panelled wainscot | |
Evidence of existence | Resolution of April 9, 1703 (Appendix) provides for "the Wall to be wainscotted three feet above that" [above seats against wall on side platforms] and that "the back part of the Seat within the Circle be wainscotted three foot high on the wall above the Seat, and the lower Seat without the Circle [be wainscotted] two foot above that," |
Architects followed above eighteenth-century directive exactly in installing wainscot on walls adjacent to platforms. Assuming a feasible height (1'-4") for benches and since height of platforms above stone floor had been specified as 1'-0" resultant height of top of wainscot railing above main floor became 5'-4". Although there was no documentary evidence to support the action, architects continued wainscot around remainder of room at same height above stone floor since they believed, on basis of customary practice, that this would have been done in eighteenth century. | |
168 | |
Panel Profile, except beneath benches | Several old panelled doors of Brush-Everard House have panel profile similar to this. Some of these have molded profile on one side only, as does this panelling, since it is applied to wall. |
Old bi-valve door between tower and nave of Bruton Church has molded profile on both sides of same shape as that of Burgesses panelling. | |
Panel profile, beneath benches | Old panelling of spandrel (triangular side) of staircase of Powell-Hallam House. |
Panel base | Adapted, with a change in sequence of curves, from old base in dining room of Carter-Saunders House. See, also, Base, p. 204. |
Panel rail | Bolection molding similar in profile to those of chair railings found in Bush-Everard, Carter-Saunders and Powell-Hallam Houses and Bassett Hall. |
169 | |
Plaster above wainscot | |
Evidence of existence | We know that plaster was used at Capitol since following items appear in a list of disbursements, dated Dec. 2, 1701, which is in Public Record Office, London (document C05 #13l2, 323): "The Capitol is…Dr.…To Lime and hair more than wts already paid for ---- 300:00:0 |
To plastering more than the workmen's allowed for ----50:00:0". | |
Resolution of April 9, 1703 which specifies interior furnishings of Capitol mentions plastering in one place only: "That the room over the Burgesses room be divided by a partition wall to be studded lathed and plaister'd." | |
There is, in available documents relating to Capitol, no mention of plastering of walls of House of Burgesses. Architects felt justified, nevertheless, in assuming that wall area above wainscot was finished in this way, since most eighteenth-century Virginia Houses and public buildings had walls covered either with panelling or plaster or a combination of the two, as here. Specific designation of height of wainscot in Resolution of 1703, left but one alternative typical treatment to use in wall area above this, viz., plastering. | |
170 | |
Type of plaster used and its treatment | Plaster used by architects in Capitol contains hair, an item mentioned in list of disbursements of 1701, above. Ingredients of modern manufacture were used otherwise, however, in two under coats (scratch and brown) since these are not visible. Oyster shell lime similar to that used in eighteenth century was employed in final (skim) coat. This was worked to a slightly uneven texture to make it resemble old plaster work found in George Wythe and Brush-Everard Houses and many other buildings of this period. It should also be noted that plaster was applied after installation of panelling and trim, following practice universal in Virginia in eighteenth century but contrary to modern practice, in which woodwork is installed after plastering is done. Plaster treated in this old manner was found in above-mentioned two houses and many others. |
171 | |
CORNICE, modillion type | |
Evidence of existence | There is no mention in any old documents relating to Capitol of a cornice in Burgesses Chamber. Since, however, it was customary in eighteenth century to use cornices in all but very minor rooms, architects felt certain there was one in this room. They believed, in addition, that a relatively prominent and enriched type with dentils or modillion blocks would have been used in a room of this size and pretension. They decided, finally, that height of room demanded, for reasons of scale, type with larger blocks and greater projection so they chose modillion cornice. |
Basis for design | Cornice is very similar to old, repaired, cornice of dining room of Carter-Saunders House which, it seems reasonable to believe, was model for it, although Thomas T. Waterman in his architectural report of 1932 on Capitol states that basis of design was a drawing of William Pain. Drawing in question appears to be one on p. 55 of that author's The Builder's Companion, second edition, London, 1765. Of four cornice drawings shown on this page, second from right is almost identical in sequence of parts to Carter-Saunders and Burgesses examples. |
172 | |
DOORS, DOOR TRIM AND HARDWARE | |
Splayed jambs | |
Bi-valve doors to Arcade and East Porch, #104, #100. (See Part 1, pp. 122-125 for treatment of door #109, its exterior trim and hardware; present doors are similar | |
Evidence for existence | Neither documents nor archaeology indicated whether or not door and window jambs had been splayed or right-angular in first Capitol. Brick buildings of this period with splayed jambs and others with right-angular jambs remained in Virginia so that precedent existed for either condition. Among Williamsburg buildings, for example, Bruton Parish Church has right-angular window and door jambs; George Wythe House has both of these splayed; Palace, judging by Jefferson's plan drawing of 1777-79, had splayed window jambs and right-angular door jambs, while opposite may have obtained in case of second Wren Building, in which masonry window openings are right-angular whereas jamb brickwork of east and west doors of main Lobby is splayed. Splayed window jambs were also found at Shirley and Westover, Charles City County; the Sheild House, Yorktown; Rosewell, Gloucester County and elsewhere. Abingdon Church, Gloucester County, on other hand, has right-angled jambs. |
173 | |
The issue, "to splay or not to splay" was decided first in case of windows. For discussion of "debate" for and against splaying of window jambs, in which architects, taking positive side, prevailed, see under Windows…splayed jambs, p. 185 et seq. Though light admission, which played important role in case of windows, could not be a factor in case of solid wood doors, it was considered likely that, for reasons both aesthetic and practical, original builders would have treated window and door jambs alike. In respect to utilitarian aspect of matter, it seemed reasonable to use splayed door jambs to increase the amplitude of these door openings where large numbers of people were passing in and out. The door jambs were, accordingly, splayed toward the room side. | |
174 | |
Panelling of jambs | |
Evidence of existence and basis of design | |
There was no documentary or archaeological evidence for existence of such panelling. Its use was justified by presence of such panelling in jambs of entrance doors of old Virginia buildings such as Ampthill, formerly Chesterfield County, now removed to city of Richmond (see photos, Virginia Houses, Book 1, Colonial Williamsburg architectural library); Brooke's Bank, Essex County (see photos, same book); Carter's Grove, James City County (see photos, Virginia Houses, Book 2) and others. In case of doors of first two houses mentioned, jambs are splayed; at Carter's Grove they are right-angular. |
Sketch made by Robert C. Dean in 1930
FEATURE | PRECEDENT |
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Panel profile | Similar to that of wainscot and has same precedent (see p. 168). |
Architrave (trim) of round-headed opening. | |
General shape and treatment (continuous, i.e., uninterrupted by imposts). | Old arch trim of cabinets of drawing room of Marmion, King George County. See photos, Thomas T. Waterman, The Mansions of Virginia, p. 78. This room now in Metropolitan Museum. |
Architrave (stone) of niche in south loggia of Mount Airy, Richmond County. Ibid., p, 256. | |
Old arch trim in porch chamber of Cedar Hill, Calvert County, Maryland (see architectural sketchbook of Singleton P. Moorehead, p, 124). | |
177 | |
Profile | Double-molded trim similar to architrave of entablature of southwest first floor room of Wilton-on-James (formerly Henrico County; now removed to Richmond and rebuilt). For this detail, see measured drawing by Singleton P. Moorehead, in his possession. |
Key block | Key block in arch of stair hall at Sabine Hall, near Warsaw, Richmond County |
Keystones of doors and windows of Christ Church, Lancaster County. | |
Beaded vertical strips enframing stiles of architrave and extending upward to cornice. These act as plaster stops. | Similar beaded strips enclosing door architrave and over-door panelling of door opening in south stair hall of Tuckahoe, Goochland County. Strip performs same function in each case, though door opening of Tuckahoe is square-headed. See ill., p. 93, The Mansions of Virginia by Thomas T. Waterman. |
Spandrel panelling | |
Shape | Similar to spandrel panelling above arched window recesses at Wilton-on-James (see above); Toddsbury,Gloucester County and Chelsea, King William County. See measured drawings by Singleton P. Moorehead, in his possession. |
178 | |
Profile | Similar to that of wainscot and has same precedent (see p.168). |
North door, #101 | |
Evidence of existence | There is no documentary or archaeological evidence which proves that this door once existed. There is, however, little question that it did since direct access from Burgesses Chamber to Stair Hall and, with this, to offices appertaining to House, would have been needed for smooth functioning of building. That Stair Hall was adjacent to north wall of Burgesses Chamber becomes evident from specifications in Act of 1699 (Appendix). Act stipulates that two rooms, fifty feet long shall occupy two semi-circular ends of building. These rooms "shall be parted by a wall from the rest of the building on each side or part wch other part shall be divided into four divisions* whereof one to be for a large and handsome staire Case…" |
179 | |
Reasonable design would have dictated that Stair Halls intervene between Burgesses Chamber and General Court Room, on one hand, and offices on other, rather than that these avenues of circulation be placed in north ends of wings. Furthermore, Bodleian plate drawing, Part 1, p. 30, strongly suggests that Stair Halls lay between offices and two great rooms since it shows an entrance door, on either side, adjacent to arcade and this door must have opened, in each case upon Stair Hall. | |
Basis for design | |
Panelling arrangement of door (6 panels, molded both sides). | Two old first floor interior doors (#104, #110) of Brush-Everard House. |
Front entrance door of Dr. Barraud House, removed to that house from old Chiswell House, now demolished. | |
Profile of door panelling. | Same molding, sequence as in panelling of bi-valve doors, though dimensions are different. See Part 1, p. 123 for precedent. |
180 | |
Hardware | |
One pair of 14" wrought iron HL hinges, with leather washers. | See Door hardware, Part 1, p. 124, precedent column. |
One 14" wrought iron H hinge, with leather washers. | |
One W. C. Vaughan Co. brass rim lock, 1" x 4¼" x 7-¾"; one pair brass knobs and one brass escutcheon. | See Door hardware, Part 1, p. 124, precedent column. |
Jamb panelling | |
Evidence of existence | See p. 174, precedent column opposite Splayed jambs; panelling. |
Profile | Similar panel section found in old front entrance door of Brush-Everard House and certain of its interior doors. |
Architrave (trim), House of Burgesses side. | Similar to that of bi-valve doors and has same precedent. See p. 176, under Architrave; profile, precedent column. |
Entablature, including headpiece of architrave | |
Evidence of existence | None. Scale and character or room and importance of door seemed, to architects, to demand decorative emphasis at this point. |
181 | |
Basis for design | Similar, except for minor deviations, to following: entablature of Ampthill, formerly Chesterfield County, now city of Richmond (see Virginia Houses, Book #1, Colonial Williamsburg architectural library); entablature in library and stair hall of Sabine Hall, Richmond County (see H.A.B.S measured drawing folder on this house) and entablature of a mantel of Kittewan, Charles City County (see measured drawing by Singleton P. Moorehead, in his possession). |
COAT OF ARMS OF VIRGINIA | |
Evidence of existence | One of resolutions passed by House of Burgesses on May 3, 1704 (Appendix) provides "That the Virginia Armes be sent for, and that they be sett up in the room where the House of Burgesses Sitt--" Council concurred in this resolution on May 10, 1704. |
182 | |
Location in room | It should be noted that Governor Nicholson had recommended that both Queen's arms (Queen Anne) and Virginia arms be executed in glass and that these be placed, respectively, in center (round) window and one or other of flanking oval windows of House of Burgesses. This recommendation was, however, vetoed and resolution quoted above passed in its stead. see Journals of House 1702-1712, pp. 64-65. |
There is, in available records, no further directive relative to placing Queen's arms in Burgesses Chamber, although resolution of 1703 specifies them for General Court Room (Appendix) . Apparently, therefore, Virginia arms were only coat of arms placed in Burgesses Chamber. Location of arms not having been noted in any old documents architects assumed they would have been put on main axis of room of rigidly symmetrical character of Burgesses Chamber. Further, of two ends of this axis, north end seemed more feasible than south because of presence of round window on center of that end. So they were located against plastered wall over north doorway. | |
183 | |
In general Court Room, as we shall see, Queen's arms were, nevertheless, attached to main judge's seat, back of which rises in front of circular, central window. This was done because resolution of 1703 (Appendix) had specified this location. It is possible that location was chosen originally because presence of balcony across north end made this appear undesirable as a place for arms. In light of this, architects' choice of location for Virginia arms remains valid. | |
Basis for design | Designed by architects from existing eighteenth century examples of Virginia coat of arms, no one of them being sole model for it. They were assisted and advised in this by two experts in heraldry, Dr. Harold Bowditch of Boston and J. D. Heaton-Armstrong, Chester Herald of College of Arms, London. Dr. Bowditch aided in preliminary study by supplying report entitled The Arms of Virginia. This report, dated July 26, 1934, is now in Colonial Williamsburg Research Department. Bowditch checked design as it progressed, suggesting changes in sketches submitted to him until these met with his approval.* |
185 | |
WINDOWS, WINDOW TRIM AND SHUTTERS | |
Round-headed openings with sliding sash | See Part 1, p. 119 for treatment of arched openings of first floor windows of west facade and Part 1, p. 125 for treatment of sash. House of Burgesses windows are similar to these. |
Splayed jambs | |
Evidence of existence | See pp. 172-174 under heading Bi-valve doors, Splayed jambs, precedent column. As was remarked on p. 173, decision to splay or not to splay was made first in case of windows and door jambs were thereafter made to conform with window jambs. Architects maintained that window jambs would have been splayed in original Capitol building. Where, as in Bruton Church and Great Hall and Chapel of Wren Building, window area in relation to size of room to be lighted is large, they reasoned, right-angular jambs were used because additional light was not needed. Where on other hand, window opening, as in Burgesses Chamber and Court Room of Capitol, are relatively small in relation to the room size, splays would have been used to admit as much light as possible. |
186 | |
A.P.V.A. Capitol Committee contended, on other hand, splaying jambs of a window opening did not increase light admission through opening. Architects argued that though this would be true if all light admitted came from a single source, it is actually not so since light is diffused, being reflected from sky, clouds, ground and adjacent objects. This being case, splayed windows would, indeed, admit more light than those with rectangular jambs. Architects strengthened their case that maximum light obtainable was needed in Burgesses Chamber and General Court Room by reference to an order passed by Burgesses and Council in 1730 (Journals of House, p. 65) "That the small Windows in the end of the Chamber of the House of Burgesses and those in the General Court be altered and made into sash Windows uniform to the rest…." (See Part 1, pp. 82-84) | |
187 | |
Panelled jamb shutters | |
Evidence of existence | No reference has been found to shutters in first Capitol but they are mentioned in a voucher of May 4, 1777, which lists work done at second Capitol (Virginia State Auditor's Papers #184, Virginia State Library Archives): "To new hanging 2 pr Window Shutters…2:6" It may be assumed, if shutters existed in second Capitol, that they had probably also existed in first, on principle that changes in architectural usage take place slowly and that architectural features tend to persist. In addition to this, shutters were generally, though not always, used on buildings of all types in eighteenth-century Virginia. When walls were thick enough, as in case of large brick buildings, [preference seemed to be for inside shutters which swung against jambs when not in use. Since these shutters were always panelled, when resting against jamb they produced effect of jamb panelling. |
188 | |
Most two-story (i.e., more pretentious) brick structures in Tidewater Virginia had jamb shutters until architectural mode toward end of century began to favor outside shutters, even for brick houses. An old brick building in Williamsburg which has original panelled jamb shutters is George Wythe House. In this house ratio of wall thickness to window opening width is not as great as in case of Capitol and it was necessary to divide each shutter and hinge parts together so that they could fold into jamb pocket provided. Greater thickness of Capitol walls made division of shutters unnecessary.* It should be pointed out that folding shutters would also have been required in case of Capitol windows had jambs not been splayed, since jamb-thickness measured perpendicular to wall faces would have been considerably less than that of diagonal jambs. This lends additional support to thesis that jambs were splayed originally. | |
Basis of design | Old shutters of George Wythe House in Williamsburg; of Wilton-on-Piankatank (see measured drawing by Singleton P. Moorehead, in his possession);Westover, Charles City County (see ill., Thomas T. Waterman's The Mansions of Virginia, p. 158); Sheild House, Yorktown (see H.A.B.S. measured drawing set on that house) and of other old houses |
189 | |
Panel Profile | Similar to that of jamb panelling of bi-valve doors. See p. l76 for precedent for this. |
Panelling of soffits of window arches. | Similar treatment of window soffits of houses mentioned immediately above which are, however, square-headed rather than round-arched. Panelling of a curved soffit may be observed at Sabine Hall, Richmond County where oval archway of stair hall is treated in this manner. See photos, Thomas T. Waterman's The Mansions of Virginia, pp. 129 and 134. |
Architrave (trim), interior | Similar to that of bi-valve doors (pp. 176, 177) except that it is interrupted by undecorated impost blocks at spring of arch, on either side, and, also, it lacks base blocks of door architrave. |
Key block | Similar, except in height, to those of bi-valve doors (see p. 177). |
190 | |
Impost blocks | Similar to "key-impost" blocks of round windows shown by Batty Langley on Plate LIV {dated 1739) of his The City and Country Builder's and Workman's Treasury of Design. |
Window Stool | Similar to those of George Wythe House. |
Profile, stool and molding beneath | Similar to two stair-nosings illustrated on beneath p. 196 of Early Architecture of Delaware by George Bennett. |
Elongated panels beneath stool | Similar to those of windows of George Wythe House. |
Profile | Same as that of wainscot (p. 168). |
Circular and oval | |
Sash | Discussed in Part 1, p. 82 |
Architraves (trim), interior within reveal | Profile similar to that of interior trim of first floor windows on west side of Brush-Everard House. |
Plastered jambs | Plastered jambs of old circular windows in west wall of Great Hall of Wren Building. Fragments of old plaster were found on jambs of these windows and of other windows in building so that windows throughout, except those in Blue Room, have been restored with plastered jambs. See architectural report on Wren Building by Thomas T. Waterman. |
191 | |
Plastered jambs of old oval windows of Christ Church, Lancaster County. | |
PILASTERS AT CORNERS BETWEEN STRAIGHT AND SEMI-CIRCULAR WALLS | |
Evidence of existence | None. Architects believed that offsets or breaks caused by circumstance that semi-circular wall is not a continuation of longitudinal walls of room (see archaeological plan, Part 1, p. 41) required decorative treatment, which would convert what might otherwise have been two awkward corners into positive assets, i.e., accents "announcing" beginning of apsidal wall. To this end and in keeping with usage of period, they applied wood pilasters, mounted on wood back boards acting as plaster stops, to walls on either side of corners. Use of pilasters was recommended by fact that these "vestigial" (structurally non-functioning) columns were used widely, in more sumptuous buildings in eighteenth century Virginia, to accentuate breaks in wall surfaces, such as at chimney breasts and at door and window openings. |
192 | |
A number of photographs of rooms having pilasters used in this way are shown in Thomas T. Waterman's The Mansions of Virginia: at Marmion, King George County, Waterman, p. 76; Tuckahoe, Goochland County, ibid. p. 89; Stratford , Westmoreland County, ibid ., p. 99; Sabine Hall, Richmond County, ibid., p. 129; Carter's Grove, James City County, ibid., p, 190; Wilton-on-James, Henrico County, ibid., p. 208 and Gunston Hall, Fairfax County, ibid., p. 228. | |
Basis of design | Pilasters of Palladian Room, Gunston Hall, Fairfax County, with modifications to adjust motif to different room height and changed situation. See photographs, ibid., p. 228. |
BENCHES, against walls and freestanding | |
Evidence of existence | Resolution (Appendix) passed by Council and concurred in by House of Burgesses on April 9, 1703, provided seating, as follows, for Burgesses Chamber: "…from the Barr to the setting off of the Circle on each side of the House a platform a foot from the ffloor four foot and a half broad with a seat next the Wall of a Suteable highth, and the Wall to be wainscotted three foot above that, an done other seat within the Barr round the room of a Suitable hight above the ffloor, and that a break to pass through next the barr, and in the middle of the Lower Side Seats, be left open… |
193 | |
"That the back part of the seat within the Circle be wainscotted three foot high on the wall above the Seat, and the lower Seat without the Circle two foot above that." (Journals of the House, 1702-1712, pp. 29-30}. | |
It is evident from following order passed by House of Burgesses and submitted to Council for approval on June 21, 1706, that seats specified in resolution of 1703, above, were actually installed: "Ordered That the part of the floor above the Steps in the house of Burgesses be made even with the other part of the floor, and that all the Benches therein be made broader." Legislative Journals of the Council of Colonial Virginia. Vol. I, p. 485.) | |
194 | |
Basis for design | |
Bracket supports | Shelf brackets of same shape found in Archibald Blair Dairy and in closet off living room of Tayloe House. |
Brackets, of same character though not identical in shape, used as pew seat supports in St. James Church, Goose Creek, South Carolina. See ill., p. 101, Plantations of the Carolina Low Country by Samuel G. Stoney, Charleston, 1938 and/or drawing, p. 135 of Singleton P. Moorehead's architectural sketchbook. | |
Square-cut seat nosing | Necessary to receive upholstery nails mentioned in specification below. See letter of William G. Perry to Walter M. Macomber, January 12, 1932 in Colonial Williamsburg Archives. |
Seat cushions | Resolution of April 9, 1703, quoted above, specifies following : "That all the Seats in the Generall Court and Assembly room be cover'd with Green Serge and Stuft with hair, and that there be provided Serge hair red tape and brass burnished nails sufficient for doing the same (to wit) One hundred yards of three yrs wide green Serge, twelve peices of fine narrow red tape five thousand brass burnished nailes and Seventy yards of strong green cloth for Carpets." |
195 | |
Basis for design | Listing or materials in above-quoted part of resolution of 1703 and old prints such as that in Part 1, p. 56, showing House of Commons with its cushioned benches. |
Panelled backs of freestanding benches | |
Dimensions | Height given in part of resolution of 1703 quoted on p. 193. Approximate length of benches can be inferred from directions given in same resolution. |
Panel profile | Similar to that of several old doors of Brush-Everard House. See plate, p. 73, architectural report on that house. |
Panel handrail | Variant of type in common use in Virginia in eighteenth century. See diagram, p. 60, Vol. I of architectural report on King's Arms Tavern and Alexander Purdie House. Hand-rail similar, though not identical to this is found in Swan House, Chichester, England. This is reproduced on p. 24 of The Architectural Reprint which copied it from Belcher and Macartney's The Later Renaissance Architecture in England. |
196 | |
Beading of end stiles | Common Virginia practice in eighteenth century to avoid sharp arises. Examples: old stair railing found in former Lee House, east portion of which is now Nicolson Shop; two-faced corner boards at south corners of Tayloe House; backboards of chair railings in south-west bedroom and stairhall from second floor to attic in Carter-Saunders House. |
SPEAKER'S CHAIR, walnut | |
Evidence of existence | Assembly resolution of April 9, 1703 (Appendix) specifies "That the room [House of Burgesses] be furnished with a large Armed Chair for the Speaker to sit in, and a cushion stuft with hair suitable to it…." |
On his trip to Williamsburg at end of May, 1777 Ebenezer Hazard, as was indicated earlier in this report (Part I, p. 32), visited Capitol. In his journal he describes, among other parts of building, the Burgesses Chamber. His comments on speaker's chair and sketch which he includes with them (ill., p. 156) give location of chair in room and make it appear likely that present chair was one he saw. | |
197 | |
He says of chair: "…the Speaker's Chair & a large Iron Stove* are at the Upper End on each Side the Seats for the Members, & at the lower End a Gallery** for the use of Spectators…"*** | |
It is probable that chair of which Hazard speaks was not the original one ordered in resolution of 1703 for, no doubt, this was destroyed in fire of 1747. Account of fire given in February 5, 1747 issue of Pennsylvania Gazette indicates that only most valued articles were saved: "During this Consternation and Hurry, all the Records deposited in the Capitol, except a few loose, useless papers, were, by great Care and Diligence, and in the Midst of Danger, happily preserved; as were also the Pictures of the Royal Family, and several other Things." If the chair had been removed from the burning building, this fact probably would have been mentioned. | |
Provenance and basis for use | Present chair is an original piece which, according to Harold R. Shurtleff "is the one that served that purpose in the second Capitol" (The Colonial Capitol, A Brief Description and History, November 24, 1933, Colonial Williamsburg Research Department). Chair stood for years in Capitol at Richmond and was lent by state to Colonial Williamsburg for use in reconstructed first Capitol through act of General Assembly of Virginia passed in 1932. Architects decided to use this chair even though it could not be demonstrated that it was original one since they believed it likely that builders of second Capitol would have caused new speaker's chair to be made similar to original one. This theory was supported by fact that present chair resembles speaker's chairs shown in old prints of House of Commons (Part 1, pp. 54-56), which was known to have contributed much to design of original House of Burgesses (see Part 1, p. 56). Another reason for use of present chair was historic of fact that it had actually stood in second Capitol at a time when latter was scene of many momentous events. |
199 | |
Location | Ebenezer Hazard, as we have seen, said that speaker's chair stood "at the upper End" of Burgesses Chamber. He must have meant the apsidal or south end of Chamber since he says that gallery was at "lower End". It is very unlikely that spectators' gallery would have been located in apsidal end, so speaker's chair must have been there. Furthermore, it was assumed by architects that location of chair in second building was same as that in first. |
Old prints of House of Commons after which Burgesses Chamber was said to have been modelled (Part 1, pp. 54-56) show speaker's chair on longitudinal axis of room and on side opposite bar or entrance side. On strength of this fact and remarks of Hazard, speaker's chair was placed on long axis of room at south end. | |
200 | |
BAR | |
Evidence of existence | Resolution of Assembly of April 9, 1703 (Appendix) contains following specifications relating to bar (barrier rail): "That the Barr of the Burgesses room be Set off even with the Jamms of the Wall next door. |
"That that part of the ffloor without the Barr and from the ffootsteps within be paved with Stone, and from the Barr to the Setting off of the Circle on each side of the House a platform… with a Seat next the wall… and one other seat within the Barr… and that a break to pass through next the barr…be left open…." | |
Nature of bar | Question as to whether bar was an actual physical barrier or merely an imaginary line was decided by Stanley M. Pargellis, an expert on functioning of House of Burgesses (see p. 154) who, in letter of February 19, 1936 to Harold R. Shurtleff, says: "The bar of the House of Burgesses was undoubtedly a physical bar, not a mere fiction of speech. Even the Oxford Dictionary so defines it: in legislative assemblies. The rail dividing from the body of the house a space near the door to which non-members may be admitted for business purposes, 1577. Today of course it has disappeared from the house of commons, its place represented by a strip of oil-cloth crossing the carpet. [for picture showing this see lithograph after a painting made by Joseph Nash in 1858 reproduced opposite p. 25 in The House of Commons by Martin Lindsay, London, 1947.] But in the 16th and 17th centuries it was undoubtedly real. There are few good pictures of the house of commons which show it, though one can see something from those in Pollard's Evolution of Parliament. The Burgesses copied the commons in every respect; they copied it also in this. And the very nature of the building shows the need for it. There is a passage way at the end of Burgesses' chamber, from the outer door through to the portico. At times there must have been crowds thronging in; so many of them that the Sergeant at Arms could never have kept them from treading on the sacred precincts, of the house itself within the bar —— without some solid barrier to help him." |
202 | |
Basis for design | |
General form | Old prints of House of Commons such as those reproduced in Part 1, pp. 54 and 55. Old barrier rails in eighteenth century court houses such as Chowan County Court House, North Carolina (ill., Part 1, p. 19) and communion rails in old churches such as Christ Church, Lancaster County (see photos, Virginia Houses, Book #2, Colonial Williamsburg architectural library) and Abingdon Church, Gloucester County (see photos made in 1929 by Singleton P. Moorehead, Large Photo Book, Colonial Williamsburg drafting room) |
203 | |
No one of above examples could be followed in design of bar, except in general way, since situation of latter in House of Burgesses imposed special design requirements. Portions of bar abutting wall, for instance, had to be solid panelling to receive platform and contain seats. This treatment is similar to that of pew seats in churches mentioned above. Parts beyond seats toward middle of room could be and were made two halves of an open balustrade resembling our old court house and church examples (above). Balustrade of reconstructed Capitol was built originally with wide, gate-less opening (see photo, p.160) . On recommendation of Stanley M. Pargellis, who believed opening was incorrect since such a bar would not have served effectively as a barrier in eighteenth century, additions were made in 1936 to either end of bar railing, thus producing a third element in this bar design. This baluster-less extension of bar with hinged part of handrail which can be swung through a 180° arc so that it comes to rest on top of adjacent fixed handrail resulted from study and interpretation of bar shown in old print on p. 54 (Part 1). Absence of gate at center of this bar, where entrance to "working" area of House of Commons must have been, led architects to conclusion that bar handrail was hinged at this point so that it could be "folded" back on neighboring rail. | |
204 | |
Quite aside from its provable authenticity, this movable rail barrier has proven useful in Capitol where large numbers of persons are frequently shown through House of Burgesses. It interferes much less with movement of visitors through bar opening than swinging gate would have.* | |
Specific details | |
Panelled ends | Profile toward north (raised) similar to that of room panelling (p. 168). Profile toward south (sunk) similar to that of external face of panels beneath benches (p. 168) . |
Handrail | Handrail profile commonly used in Virginia. Old handrail of Moody House staircase is similar to this, as was handrail of original staircase of Dr. Barraud House. |
Newel post caps | Same profile as above. |
Base of railing and posts | Profile similar to that of base of dado in dining room of Carter-Saunders House. |
Post shafts, beading of | Similar to that of old newel, foot of staircase of Carter-Saunders House. |
Balusters | Similar in character of turned shapes composing them to old balusters of Bassett Hall staircase. |
205 | |
Half balusters, applied to newel posts. | Found on old staircase of Carter-Saunders House. |
WOOD TYPES USED | |
All woodwork, except floors (see p. 165 for wood type); doors; speaker's chair (p. 196) and coat of arms | |
Evidence for use of yellow pine | Available evidence, which is incomplete, is confined to two passages from old documents, quoted in Part 1, pp. 110, 111. These excerpts make it appear likely that interior woodwork was made in part, at least, of yellow pine. Use of pine would, in any case, have been justified because of wide-spread employment of this wood type in eighteenth century Virginia for wood features which were to be painted. Examples of use of yellow pine for interior woodwork are found in old panelling and trim of Brush-Everard and Tayloe Houses and trim of Benjamin Waller House. |
206 | |
Doors | |
Bi-valve | American walnut. See Part 1, p. 123 for reasons for use of walnut for these doors. |
North, #101 | B and Better Yellow Pine. See p. 205, Evidence for use of yellow pine. |
Coat of arms of Virginia | White pine. |
Evidence for use of white pine. | No information was found about wood type used in original coat of arms. White pine was chosen since it is more easily carved than many other woods. That white pine was employed in carved work in colonial times is indicated by fact that decorative carving in high relief in pediment of Holden Chapel, built at Harvard in 1744, is of this wood. |
PAINT COLORS AND FINISHES | |
Woodwork, except for floors (see p. 166 for finish of these); bi-valve doors; speaker's chair and coat of arms. | Chocolate brown, #104 of Colonial Williamsburg Paint Shop color file, egg shell finish. |
Evidence of Existence | Resolution of 1705 (Appendix) specifies "That the wanscote and other wooden work on the first and Second ffloor in that part of the Building where the General Court is to be painted Like Marble and the wanscote and other wooden work on The two first floors in the other part of the Building shall be painted Like Wanscote… |
207 | |
Wainscot color was evidently in widespread use in eighteenth century. The Oxford English Dictionary contains, among many quotations concerning it, following: "Most Rooms are now Painted Wainscot Colour." (1741, Compl. Fam-Piece II, p. 525). That use of this color in Capitol was not an isolated example of its occurrence in colonial Virginia is indicated by following entry of February 27, 1760 in Vestry Book of Stratton Major Parish, King and Queen County, p. 132: "It was farther agreed that a church should be Built…the Pews to be the same height of them in the present Church to be prim'd with white Lead & to be painted with a Wainscot Colour…" | |
Other quotations from The Oxford English Dictionary concerning wainscot color indicate that this was a dark brown: "But now mee thinks I spie againe a Sunn burnt wainscot fac'd Satyr." (1640, Howell, Dodana's Gr., p. 22); "'Tis beyond the pw'r of meal The gypsy visage to conceal; For, as he shakes his wainscot chops, Down ev'ry mealy stom drops." (1745, Swift, Dick, a Maggott, p. 11) | |
208 | |
Speaker's chair, bar railing and inside faces of bi-valve doors (all walnut) | |
Evidence of existence | Speaker's chair had natural finish when acquired by Colonial Williamsburg. It was assumed that this was finish chair had had in eighteenth-century since fine furniture was then, as is now, generally treated that way. |
Doors and woodwork made of choice woods like walnut, oak and sweet gum were generally, but not always, left unpainted to take advantage of beauty of graining. Certain old doors of Tazewell Hall (formerly Block 44, now removed) were of walnut which had been given a natural finish. Old walnut handrails of staircases of Bracken and Wythe Houses have a natural finish as have oak panelling, doors and trim of northeast bedroom, second floor (Bedroom #4) of Peyton Randolph House. As far as investigators could determine, in none of cases mentioned above had the wood parts ever been painted. | |
209 | |
Coat of arms of Virginia | |
Evidence of existence and basis for choice of colors | There was no basis in eighteenth-century documents on Capitol for paint colors which architects applied to various elements of arms nor were any eighteenth-century colored representations of them available. Central quartered shield, however, was arms of Queen Anne as these were constituted before Union of England and Scotland (see footnote, p. 184) and its colors (red, blue and gold) were traditional and could readily be verified by consulting manuals of English heraldry. Exact shades of red and blue were, however, important and these were obtained from an original color drawing of arms of Queen Anne furnished by College of Arms in London. Tradition dictated only colors of central shield so that architects were free to paint remaining features (supporters, bust of "Indian princess," foliage, etc.) in manner which would make arms harmonize with color scheme of room. They repeated gold of parts of central shield in bust at top and in inscription at bottom of arms. Supporters, foliage, etc. were painted same chocolate brown ("wainscot color") used on most of woodwork of room. (see p. 206). |
210 | |
Plastered walls and ceiling | |
Nature of original treatment: whitewash | Records of first Capitol furnish no information about paint treatment of walls and ceiling. Among documents relating to second building, however, are accounts kept by Humphrey Harwood of work done by him at Capitol and in these whitewashing is mentioned several times (to locate these references, consult index of Harold R. Shurtleff's Capitol Notes, Vol. II). Earliest of these whitewashing items is dated May 1, 1779, a little more than a month before General Assembly (then composed of Senate and House of Delegates) passed bill for removal of seat of government to Richmond. It runs as follows: "To…whitewashing Council Office 30/." Architects assumed that whitewashing had been method of treating walls and ceiling of first building, as well as of second, since "Walls and ceilings in eighteenth century Virginia were commonly whitewashed…." (Kocher and Dearstyne, Colonial Williamsburg/Its Buildings and Gardens, Williamsburg, 1949, p. 31). |
211 | |
Manner of simulating whitewash. | Whitewash was considered impracticable in a structure intended for exhibition use since it flakes off and so requires frequent renewal and because it rubs off on clothes. Architects, therefore, decided to use paint with oil base which would be more permanent and would not rub off. Paint used on both walls and ceiling is white with slight admixture of raw umber and burnt umber to give it appearance of age. This paint has flat texture, like whitewash, when dry. On walls it was brushed on with vertical stroke to increase similarity of effect to that of whitewash. As is customary in restored and reconstructed buildings of Williamsburg, ceiling was made a few shades lighter than walls. |
212 | |
LIGHTING FIXTURES* | |
Chandelier, double tiered, 16-branched, polished brass, globe type | |
Evidence of existence and basis for design | Information concerning original lighting fixtures of House of Burgesses Chamber was lacking so that architects had dual problem in providing lighting fixtures for room. It was assumed that there would have been individual candlesticks on clerk's table (ill., p. 156) and, doubtless, some sconces in room. A large ceiling fixture would also have been necessary, however, to provide general illumination so that first part of problem was to determine what this might have been. Thereafter, the task was either to obtain an original fixture of the type or to have a copy made after an original fixture or an authentic representation of one. It should be stated immediately that desired original fixture was not obtainable so that it was necessary to use a reproduction. The attached lighting fixtures in Capitol are all, in fact, copies of authentic old examples, except for two sconces fixed to sides of speaker's chair, which are original. |
213 | |
Architects knew that most elegant rooms in Williamsburg had been equipped with glass "lustres", i.e., multi-branched glass chandeliers such as those listed in inventories of Governor's Palace. It seemed fitting, therefore, to restrict the use of glass chandeliers in Capitol to one room which might, by richness of woodwork, if not in size, vie with Palace Ball Room and Supper Room in elegance, viz., General Court Room. Use of glass fixtures in latter room, furthermore, had firm basis in Burgess resolution of June 6, 1722 (Journals of House, 1712-1726, p. 351) which provides for buying "A large glass Lanthorn and four glass branches for the General Court…" For Burgesses Chamber, which was much more restrained in its interior decoration, it seemed appropriate to provide a less elegant fixture, though large enough, of course, (i.e. having sufficient number of candleholders) to provide necessary illumination to permit use of Chamber at night. | |
214 | |
Answer appeared to be a brass chandelier since these were in widespread use in Englad at time first Capitol was built, as following quotation from article by C. C. Oman entitled English Brass Chandeliers (The Archaeological Journal, Vol. XCIII, 1936, Part Two, p.269 ) indicates: "The classic period of the brass chandelier in England really only began about the middle of the reign of Charles II [1660-l685], when a great increase in their use becomes apparent. They became the most popular form of illumination for public buildings. The old House of Commons was, for instance, lit by a large chandelier, whilst old trade-cards almost invariably recommend them for ball and assembly rooms." The fact that House of Commons had such a brass chandelier (see ill., Part 1, p. 56) was important since, as has been stated before, design of Burgesses Chamber was influenced by that of House of Commons and no doubt, furnishings of latter likewise served as model for those of Burgesses room. That chandelier which was chosen is representative of period in which first Capitol was built becomes evident when one compares it with original English examples stemming from this period. | |
215 | |
Old fixtures very similar in design character to Burgesses chandelier are, for example, a three-tiered brass globe chandelier of about 1690 in Hampton Court Palace, England (see ill., Vol. 1, p. 327, The Dictionary of English Furniture by Percy Maquoid and Ralph Edwards, second edition revised by Ralph Edwards, London 1954) and a two-tiered one of 1713 in St. Helen's Church, Abingdon, England which is shown opposite p. 266 in Oman article from which the passage was quoted above. | |
Provenance | Fixture manufactured after an authentic eighteenth century example by Baguès, Inc. of New York and Paris. Firm had this particular chandelier in stock in New York, so that it could be examined by architects before purchase, see Part 1, p. 106 for statement by Baguès concerning authenticity of its reproductions. |
216 | |
Sconces (2), polished brass, attached to sides of Speaker's chair | |
Evidence of existence | There was no evidence to indicate that sconces had once been attached to sides of speaker's chair insofar as only other sources of artificial illumination (chandelier and table candleholders) were near center of room and consequently, at some distance from speakers chair, architects felt that some light would have been provided near chair. This would have been desirable for two reasons, viz, in order that, during evening sessions of the House, chief functionary not sit in semi-obscurity but, rather, be clearly seen and so that this personage, whose duties would have involved frequent perusal of documents, might have enough light to read by. Though two sconces might have been attached to plastered wall at either side of chair, present mode of screwing sconces to rails of panelled chair sides was so much simpler that architects adopted it. |
217 | |
Provenance | Sconces were purchased in 1934 from New York antique dealer who certified them to be original English pieces of eighteenth century. These particular sconces were used in this room since they harmonized in character with reproduced chandelier which had been installed during previous year. This was a consideration of importance since all light fixtures in room having been ordered for first Capitol at one time, doubtless, would have been of same design period. (For history of development of wall sconce and of stylistic changes through which it passed, see illustrated article in above mentioned The Dictionary of English Furniture, Vol. III, pp. 45-56). |
MOVABLE FURNITURE | |
Evidence of existence | We are acquainted with nature of "loose" furniture in original House of Burgesses because this, like particulars of structure itself, is specified in Journals of the House and in Legislative Journals of the Council. We have a number of references to this furniture. |
218 | |
Speaker's chair | See pp. 196-198 |
Clerk's table and stools | "That the room [House of Burgesses] be furnished with … a table eight foot long and five foot broad." (Assembly resolution of April 9, 1703, Journals of the House, 1702-1712, pp. 29-30 — see Appendix). |
It is quite possible that stools rather than chairs were used at this table since in old print of House of Commons in Part 1, p. 55 two figures seated at clerk's table appear to be sitting on backless chairs (stools). See caption under picture, Part 1, p. 56, for statement concerning importance of House of Commons as model for design of House of Burgesses. | |
Table covers, green baize | Assembly resolution of 1703, mentioned above, specifies "That a sufficient quantity of green Cloth be provided to make Carpets off [of] for all the tables." |
Candlesticks and snuffers | Above resolution further specifies "That Seven doz: of Russia leather Chairs be provided for furnishing the rooms above-stairs, and one doz: of large high brass candlesticks, one doz: of fflatt ditto one doz of brass snuffers & half a doz: snuff dishes, four doz: large strong brass sconces." It is possible that this listing of candlesticks, snuffers etc. refers only to room "above-stairs" but, whether it does or not, the same type of equipment would have been required and have been provided for the various tables on the first floor. |
219 | |
Portraits | Portraits on north wall of William, Prince of Orange, afterwards King William III, by Sir Peter Lely, and of his wife, Queen Mary, by Sir Godfrey Kneller, are nowhere listed in records of Capitol. It was thought that these portraits were appropriate and of a type which might have been hung in room since it was these two monarchs who authorized building of Capitol and city of Williamsburg. Furthermore, two artists lived in same general period in which building of first Capitol took place (Lely, 1618-1680; Kneller, 1648-1723). An added reason for appropriateness of Kneller portrait is fact that it was this artist, apparently, who painted portrait of Queen Anne which was hung in Council Chamber of original Capitol, for his name appears in "An account of the Charges for obtaining the Queen's Picture…. (Legislative Journals of the Council of Colonial Virginia, Vol. III, pp. 1543-1544, Appendix). A picture by an artist known to have been employed by Council seemed to architects to be a fitting piece for Capitol. |
220 | |
Provenance of, in first Capitol. | It seems likely that all or most of movable furniture listed above, as well as interior fittings such as lighting fixtures, brass door hardware, etc., was purchased in England through the great firm, Perry, Lane & Company of London* for we have five references in records which indicate this. Three of these should be sufficient to establish point in question: |
221 | |
November 1, 1710 — "A petition of Henry Cary [builder of Capitol] praying that he may be discharged of a debt to Mr. Micajah Perry for Sundry goods sent of the use of the Capitol." (Legislative Journals of the Council, Vol. I, p. 493). | |
November 2, 1710 — "The petition of Henry Cary Setting forth That There is mony due to Mr. Perry and Company for the furniture* of the Capitol and praying That The Said Perrys Account may be Received…." (Journals of the House, 1702-1712, p. 254) . | |
222 | |
December 1, 1710 — "Resolved That There be paid Unto Mr. Micajah Perry and Company The Sume of two hundred pounds Nineteen shillings and Sevenpence Sterling out of The publick Monys…." (Ibid., p. 289). | |
Provenance and status of, in present Capitol | Of articles listed above as movable furniture, only speaker's chair, candlesticks, snuffers and paintings are known, with certainty, to be old. Paintings were lent to Colonial Williamsburg by Mr. Preston Davie of New York while candlesticks and snuffers were purchased from antique dealers. Table and stools were made after old New England models and, as such, may not be representative of English pieces in original building. These may, therefore, someday be replaced by original English examples. Mace was purchased in England of dealer who guaranteed it to be original piece. This has been questioned, however, since it carries no hall-mark. |
SIZE, LOCATION AND CHARACTER OF STAIRHALLS NOT SPECIFIED; REASONS FOR THEIR BEING ENCLOSED
Two identical staircases were provided for in the building acts of 1699 and 1701, one for each of the two wings. (see p. 229 and Appendix). The location of these, and the size of the area to be devoted to them are not specified nor, for that matter, is it anywhere stated whether or not they were to be in stair halls enclosed on all sides. In respect to the last matter, the architects assumed that the staircases would, indeed, have been in compartments separated by walls from the other rooms of each wing for structural reasons, no doubt, but also for reasons of temperature control and privacy. Particularly in the original Capitol, in which no provision was made for heating, protection against the drafts which would have been present in a stairhall running without interruption through three stories would have dictated closing this off from the other rooms. More important still, perhaps, the nature of the business conducted in the various rooms would have necessitated their being separated from the public means of circulation.
STAIRHALLS NOT AS AMPLE AS THOSE OF MANY HOUSES IN VIRGINIA AND SERVE ONLY FOR CIRCULATION
Lest the above appear to be laboring to establish a fact which is so much a matter of reason as to require no demonstration, it should be pointed out, that stairhalls in Virginia mansions were generally so ample that they could and did serve uses other than that of circulation, becoming at times virtually living rooms. 227 Excellent examples of stairhalls which combine the function of circulation and living are those of Rosewell, Gloucester County (now a ruin); Shirley, Charles City County; Prestwould, Mecklenburg County and Elsing Green, King William County, the plans of all of which are reproduced in Thomas T. Waterman's The Mansions of Virginia. In the case of the Capitol Stairhall the amplitude characteristic of so many of the Virginia hallways is not present but rather, they have been restricted in size to a "generous minimum" sufficient to permit them to serve their appointed purpose of both horizontal and vertical circulation, but no other function. In designing them the architects had no alternative since the dimensions of the structure were fixed by the building acts and by the foundations. (The hallways are spacious enough, nevertheless, to accommodate the "large and handsome staircase" which the Act of, 1699 {Appendix) specified for each of them.
WHAT IS TO BE TREATED IN THIS SECTION AND SEQUENCE TO BE FOLLOWED IN HANDLING OF ELEMENTS
Since the staircases in both Stairhalls continue without interruption from the first floor level to the second floor and from there to the third it is difficult to treat them floor by floor since parts of them are intermediate between floors. Furthermore this would lead to needless repetition. We will therefore complete each staircase in its entirety "at one sitting," so-to-speak, so that it will be unnecessary to return to this building element later on in the course of the discussion of the second and third floors. Elements, however, such as windows; doors, cornices, lighting fixtures, etc. which are confined to one or another of the three floors will be handled in the course of the discussion of the floors on which they occur. In the ensuing detailed treatment of the first 228 floor of the East Stairhall and of the staircase (three floors} the various features will be discussed, as far as possible, in the sequence followed in the case of the House of Burgesses Chamber (see p. 151).
FEATURE | PRECEDENT |
---|---|
LOCATION | See, p. 158, discussion of location of House of Burgesses Chamber in Capitol building, for quotations which make it clear that East Stairhall and Clerk's Office must have been in north part of east wing of Capitol. It seems reasonable to suppose furthermore, that Stairhall intervened between north wall of Burgesses Chamber and office of Clerk of House of Burgesses which would then have occupied north end of wing. Such a location of East Stairhall would have provided direct access from this to House of Burgesses Chamber. |
Bodleian plate drawing of Capitol as viewed from north (Part 1 - p. 30), shows entrance doors opening on court. These, presumably, led to Stairhall. The position of doors adjacent to central portico, with a window intervening between each of them and north end of its wing strongly suggests that Stairhalls lay between great rooms and the offices associated with them. | |
229 | |
DIMENSIONS | |
Length available for Stair Hall and Clerk's Office, as derived from specifications and as it resulted in reconstructed building. | Act of 1699 (Appendix) stipulated that "the length of each side or part of wch building [Capitol] shall be seventy five foot from inside to inside and the first story or [of] each part or side shall be fifteen foot pitch one end of each pt [part] or side of wch Shall be semicircular and the lower rooms at the sd [said] end fifty foot long and shall be parted by a wall from the rest of the building on each side or part wch other part shall be divided into four divisions whereof one to be for a large and handsome staire Case…." |
230 | |
Knowing total (interior) length of wing to have been specified as 75'-0" and that of House of Burgesses Chamber 50'-0", length (i.e. north-south dimension) which would have remained in original building for Stairhall and Clerk's Office (provided Capitol was built according to specifications) would have been 25'-0". Included in this figure, of course, were thicknesses of two cross walls, viz., that between House of Burgesses Chamber and Stairhall and that between the latter and clerk's Office, and it is necessarry to subtract these two dimensions from total figure in order to determine net length which in original building remained to be divided between Stairhall and Clerk's Office. Architects derived approximate dimensions (1'-4") of cross wall between House and Stairhall from thickness of foundation of cross wall of west wing which still remained intact (see archaeological plan, Part 1, p. 41) by subtracting from this thickness what they estimated to be length of one old Capitol brick. This procedure was based upon provision in Act of 1699 that wall thickness should become at watertable (i.e., first floor level) one brick length less than foundation width. They made wall between Stairhall and Clerk's Office 6" (terra cotta block for fire security reasons) since absence of any old foundations for this wall in west wing area where foundations were otherwise, seemingly, quite intact suggested that it had originally been of wood and had had superficial ones which had disappeared. | |
231 | |
Combined width of these two walls (1'-4" plus 6") equalled 1'-10", to which 2" to 3" had to be added for plaster. When this total, about 2'-0", was subtracted from length, 25'-0", supposedly available for Stairhall and Clerk's Office, a length remained of about 23'-0". When Capitol was actually reconstructed, however, this dimension became 1'-7" greater (24'-7") than figure resulting from specified dimensions. This came about because of fact that building was re-erected directly over old foundations, total exterior length of which was 83'-3½" (see archaeological plan, Part 1, p. 41). Architects followed specified procedure of making first floor walls one brick length less wide than foundation walls and this yielded overall interior length (north-south dimension) of 76'-5" which is, of course, 1'-5" more than this dimension was specified in Act of 1699 (see p. 229 above). House of Burgesses, on other hand, was made exact dimension specified in Act (50'-0") so that additional length was thrown into area north of wall dividing House from Stairhall. | |
232 | |
Basis for apportionment of available length between Stairhall and Clerk's Office; width of staircase | When available length was determined, this dimension had to be apportioned to two rooms, Stairhall and Clerk's Office. Two considerations, chiefly, entered into decision as to where to place partition dividing them, first of which was provision of a staircase wide enough to meet what was estimated to have been requirements of a public building of this type in eighteenth-century Virginia and to satisfy somewhat indefinite specifications for this in acts, to wit, provision of "a large and handsome staire Case" (Act of 1699) and "a suitable pair of staires" (Act of 1701). Second consideration was location of partition at a point between two rooms such that exterior door and window openings would fall more or less on centers of end walls of those rooms, which would be representative of eighteenth-century design practice. In this, of course, symmetry about a central axis was keynote. |
233 | |
Basis for width of staircase in reconstructed building. | Architects made staircase 5'-4" wide and total width of room 12'-2", which means that passage between stair and south wall was about 6'-10". Whether staircase 5'-4" wide is "large and handsome" or merely "suitable" is a matter of opinion. It would have been suitable, presumably, if it had accommodated in comfort those who made use of it. It is unlikely that public in any numbers normally ascended staircase since rooms above stairs were devoted to work of government. On occasion, when Burgesses and Council held a joint session in Conference Room considerable numbers of persons would have used east and west staircases. As was noted on p. 155, Burgesses in 1705 numbered about 50 and Council, when at full strength, counted 18 members. Burgesses and Councilmen were probably even less regular in attendance than legislators are today, in view of long distances many of them had to travel under difficult conditions, so that if more than 40 men gathered in Conference Room the occasion would, no doubt, have been an unusual one. This signifies that if traffic were more or less equally distributed between two stair-cases only about 20 men would have been using each staircase at periods of peak loading. Evidently, even if these figures are too conservative, the traffic on both staircases was quite light according to present-day standards for use of staircases in public buildings. |
235 | |
Long after erection of first Capitol, of course, building came to be used for social gatherings. First recorded notice of these is in 1737 when Mrs. Stagg held a "publick Assembly" at Capitol. At a "Grand Entertainment" given in 1746, "a very Numerous Company of Gentlemen and Ladies appear'd at the Capitol, where a Ball was open'd and after dancing some time, withdrew to Supper, there being a very handsome Collation spread on three Tables, in three different Rooms, consisting of near 100 Dishes…" (Virginia Gazette, Parks, Editor, July 18, 1746) It seems likely that these three rooms would have been connecting, an arrangement which would have been possible only on second floor. It is probable, therefore, that public in considerable numbers would have used staircases on such occasions but these, apparently, first took place long after original staircases were built and it is quite unlikely that provision for such social assemblies was a factor in their design. | |
236 | |
Comparison of staircase width with that of staircases of Palace and Wren Building | After weighing considerations such as those presented above architects decided that width for staircases of something over [5'-0" would have served requirements of first Capitol. They had, furthermore, as basis for comparison, staircases of Palace and Wren Building. Width of former is given by Thomas Jefferson in his measured drawing of Palace (ca. 1777-1779) (see architectural report on Governor's Palace, p. 11) as 6'-11". On his plan of 1771 or 1772 for an extension to Wren Building (See Architectural History of the Wren Building, p. 27) Jefferson gives width of double run of U-shaped staircase in projected addition as 12'-0". A distance of a few inches separates two runs so that each of these was something less than 6'-0". Though width of runs of old existing staircase is not given in plan these appear to be same as that of projected new stair. Wren Building (second) of which Jefferson drew plan was erected between 1709 and 1716 so that staircase was of approximately same period as that of Capitol. It seemed to architects that if this single staircase was adequate for main "wing" of Wren Building two almost equal to it in size would have served uses of original Capitol. |
FLOOR, wood | Same material and treatment as was used for wood flooring of raised platforms of House of Burgesses Chamber, except not elevated above main floor level. See pp. 164-166 for discussion of this with its precedent. |
237 | |
East-west partitions; location and character of | See p. 227, above. |
Plaster of walls and ceiling | See Plaster above p. 169 et seq. |
BASEBOARD | Similar to dado base in hall and dining room of James Semple House.* |
CHAIR RAILING | Bolection molding similar in profile to chair railings in Brush-Everard and Powell-Hallam Houses and Bassett Hall. |
CORNICE | Cornice with identical profile and similar fret dentil bedmold shown on p. 56 of William Pain's The Builder's Companion, second edition, London, 1765. Cornices of this type, called by Pain "Ionick Dentile Cornices" are found in a number of old Virginia houses, though block dentils are more frequent in use than fret variety. Ionic cornices with dentil blocks are found at Wales, Dinwiddie County (see H.A.B.S. measured drawings covering this house) and at Perrin Place (Little England), Gloucester County (see S. P. Moorehead's measured drawing folder). |
238 | |
Fret used as dentil band occurs in mantel "cornice" or shelf at Mt. Prospect, New Kent County (ibid.) though molding sequence of cornice departs from that of Stairhall cornice. Cornices more closely resembling Stairhall cornice and which have fret bands rather than true dentils are those in parlor and drawing room at Brandon, Prince George County (see ills., T. T. Waterman, The Mansions of Virginia, pp. 369 and 370) . | |
DOORS, DOOR TRIM AND HARDWARE | |
West entrance door, #103 | |
Arched opening, door and transom design, door frame, hardware, wood type | See Part 1, pp. 142-146 for coverage of these. |
Panelled, splayed jambs | See pp. 172-174 for treatment of these. |
Architrave (trim) | |
Profile | Similar to that of several doors of Brush-Everard House. |
Key block | Similar to those of bi-valve doors and of windows of House of Burgesses Chamber, except that they are different in size, have four instead of three flutes and lack bead on upright edges. See p. 177 under Bi-valve doors, architrave, key block for precedent for these. |
239 | |
Impost blocks | See under Impost blocks, p. 190, note concerning these. |
South door, #101, to Burgesses Chamber | |
Evidence of existence, panelling arrangement and profile, hardware, jamb panelling | See pp. 178-180 under North door, #101. |
Architrave (trim) | |
Profile | Similar to that of exterior trim of entrance doors to stairhalls (p. 144) which, in turn, is similar to exterior trim of bi-valve doors (p. 123). |
North door, #102, to Clerk's Office | |
Panelling arrangement and profile | Similar to those of west entrance door (see above). |
Hardware | |
One pair of 14" HL hinges, with leather washers. | See Door hardware, Part 1, p. 124, precedent column. |
One W. C. Vaughan Co. brass rim lock, 1" x 4-¼" x 7-¾"; one pair brass knobs and one brass escutcheon. | See Door hardware, Part 1, p. 124, precedent column. |
240 | |
Architrave (trim) | |
Profile | Similar to that of west entrance door (see above). |
Door #111, to basement, four-panelled, raised panelling on room side only | |
Panelling arrangement | Four old doors on first floor of Brush-Everard House. These have raised panelling on both sides, however. Several other old doors of same house, with a different panelling arrangement, have raised panelling on one side only. |
Panel profile | Several old doors of Brush-Everard House. See plage, p. 73, architectural report on that house for complete coverage of doors of house. |
Hardware | |
One pair of 12" HL hinges with leather washers. | See Door hardware, Part 1, p. 124, precedent column. |
Brass rimlock, same as south door, #101, see above. | |
Architrave (trim) | |
Stairhall side | Similar to that of west entrance door {see above). |
Basement stair side | Similar, except that fascia and bead are doubled, to trim of several old second floor doors of Brush-Everard House. |
241 | |
Peg strip and pegs | |
Evidence of existence | Architects placed peg strips here and elsewhere in Stairhall since it waw believed that they would have existed in the room in eighteenth century. This conclusion was based on fact that peg strips appear frequently in seventeenth and eighteenth century prints of English public buildings. An old drawing showing such a peg strip is Pugin-Rowlandson picture of Court of King's Bench, London, which is plate #24 of Vol. I of Microcosm of London, London 1808.* |
Basis for design | Molded strip and pegs based on design of old peg strips and pegs located in Brush-Everard House. |
Wall cabinet doors (hose and telephone cabinets in south wall and switchboard in north) | |
Evidence of existence | Since functions served by them were non-existent in eighteenth century, cabinets, probably, did not exist in original building. Similar cabinets serving other uses did exist, however, in colonial times. |
242 | |
Panelled doors | Similar in character to old wall cabinet door in north-west second floor room of Brush-Everard House, though latter has two panels instead of one. An old wall cabinet door of Burlington, near Aylett, King William County has a single panel (Virginia Houses, Vol. 1). |
Panel profile | Similar to that of certain old doors of Brush-Everard House. |
Turned knobs | Similar to knobs on eighteenth-century furniture in possession of Colonial Williamsburg. |
Wood "buttons" | See same subject, Part 3, p. 630. |
Hardware, two 4-7/8" high wrought iron H hinges, with leather washers, to each door | Made by J. R. Jmp. See Part 1, p. 124, under Door hardware. |
Architrave (trim) | Similar to that of Burlington wall cabinet door (see above). |
Board and batten door (bi-valved) | |
Design basis | Similar, except in size and fact that it is bi-valved, to old board and batten door which still exists on Tayloe Smokehouse. A bi-valve board and batten door was found on Annie Catlett Stable at Port Royal, Caroline County (see Arthur A. Shurcliff's book of measured drawings and photographs of plantations, Southern Colonial Places, p. 87 for pictures of this). |
Turned knobs | See above. |
243 | |
Hardware, 2 pairs of 4" high wrought iron H hinges, with leather washers | Made by J. R. Jump. See Part 1, p. 124, under Door hardware. |
Door frame | Chair rail acts as top rail and base as bottom rail. Stiles are ¾" wide strips, similar in principle, if not in width, to those of Tayloe Smokehouse door. |
WINDOWS, WINDOW TRIM AND SHUTTERS | |
East window, #106 | |
Sash | See Part 1, p. 125 under Round-headed first floor window sash. These sash are similar. |
Window glass | See Part 1, p. 84 under Window glass, precedent column. All window glass throughout building is similar. |
Splayed jambs | Similar to splayed jambs of Burgesses window (see pp. 185, 186). |
Panelling of soffit and jambs, below shutters | Similar to soffit panelling of House of Burgesses windows, see p. 189. Jamb panelling similar in character to that of bi-valve doors of same room (see pp. 174-176). |
Panelled jamb shutters | Similar to those of House of Burgesses windows, see pp. 187-189. |
Architrave | Similar to that of round-headed windows of House of Burgesses Chamber, see p. 189, except for details resulting from its interruption by stair landing (see directly below) and for fact that profile lacks bead beneath backband, making it similar to profiles of door architraves in Stairhall. |
244 | |
Passage of stair landing before | |
Basis for this usage | Permitting stair run or platform to "cut across" window, leaving latter undisturbed, a frequent practice in eighteenth century Virginia, to avoid destroying symmetry of a facade. Old examples of this are found, in Williamsburg, in President's House of College of William and Mary and in Lightfoot House; in Williamsburg vicinity, at Shirley in Charles City County. |
Details related to this | |
Recess, with panelling beneath windows, produced by elimination of window stool present in typical first floor windows | |
Purpose of this | To increase actual and apparent space for movement at east end of Stairhall. |
245 | |
Basis for design | Similar recessed windows without stools or with curtailed stools are found at Shirley, Charles City County (Thomas T. Waterman, The Mansions of Virginia p. 335); at Chelsea, King William County and Toddsbury, Gloucester County. (See measured drawings by Singleton P. Moorehead, in his possession). It was apparently a common detail in New England colonial houses for several examples (without panelling) are shown in Leigh French, Jr.'s Colonial Interiors, New York, 1923. |
Panel profile | Similar to wall panelling of House of Burgesses (p. 168) except panels lack beads. This profile found on doors in Brush-Everard House (see diagram, p. 73 of architectural report on that house). |
Trim of beneath soffit of stair platform | |
246 | |
Basis for suspended architrave head-piece | A number of examples of "board thin" screens with arched openings enframing window recesses exist in Virginia houses of eighteenth century. They can be seen, for instance, at Wilton-on-James, formerly Henrico County, now rebuilt in Richmond (see Thomas T. Waterman's The Mansions of Virginia, p. 208); Chelsea, King William County (see plate 72 of Colonial Interiors, Second Series by Edith Tunis Sale, New York, 1930) and Toddsbury, Gloucester County (ibid., plate 141). A horizontal architrave headpiece suspended rather than applied to wall can be seen enframing staircase in lower photograph on p. 129 of Early Manor and Plantation Houses of Maryland by Henry C. Forman, Baltimore, 1934. Another similar detail, in this case the horizontal headpiece of a screen enframing a window recess, exists in Dalton Club, Newburyport, Mass. (See plates 38 and 120 of Colonial Interiors by Leigh French, Jr., New York, 1923). |
247 | |
Railing with halved balusters before window at stair landing | Treated under Staircase, Railing, p. 249. |
STAIRCASE, first to third floors | |
Location and general considerations | See p. 226 et seq. |
Type: U-shaped | Commonest Virginia type. Old examples in Williamsburg: staircases of Lightfoot, Tayloe, George Wythe and Brush-Everard Houses. These staircases have runs of different lengths, unlike Capitol staircase between first and second floors but like condition of latter between second and third floors. Also, Wythe and Brush-Everard examples have intermediate landings divided by short runs of steps . |
Details | |
Tread nosing profile | Similar to that of Brush-Everard staircase, except that Brush nosing lacks bead. |
248 | |
Closed string | |
Profile | Similar, except for shape of cap and presence of bead beneath lower cyma reversa, to string of stair of Vine House, Kingston, England, measured drawing of which is shown on p. 112 of Houses of the Wren and Early Georgian Periods by Tunstall Small and Christopher Woodbridge, London, 1928. |
Railing | |
Handrail | |
Profile | Common eighteenth-century Virginia handrail profile, similar to that of Brush-Everard handrail; to that of old staircase of Pitt-Dixon House (removed from Mayo House, which stood successively on York Road and in Block 8) and many others. |
Omission of sweeps (handrail strikes side of newel posts without changing angle) | Old staircase of Carter-Saunders House has this treatment of handrail. |
249 | |
Turned balusters | Similar thought not identical in profile to a number of old Virginia examples. Among these are balusters of old staircases of Pitt-Dixon House (see architectural report on that house, p. 30), of Benjamin Waller and John Blair Houses and of pulpit stair of Abingdon Church, Gloucester County (see leather-covered sketchbook of Singleton P. Moorehead). |
Half balusters, applied to newel posts | See under Bar, Half balusters, p. 205. |
Half railing at landing between first and second floors | Half balusters and handrail used on staircase at Shirley, Charles City County in a similar situation, i.e., before window (see ill., Thomas T. Waterman, The Mansions of Virginia, p. 352). |
Newel posts | |
Cap profile | Similar to handrail profile and to newel caps of old stair in Pitt-Dixon House which was originally in Mayo House (see p. 248). |
Shaft, square in section, with beaded edges | Similar to lowest newel of Carter-Saunders stair but without superimposed moldings of this newel. Similar to remaining newels of Carter-Saunders stair and to newels of Tayloe and Wythe House staircases except that these lack beads. |
250 | |
Base (lowest newel post) | Similar to room base (see p. 237) |
Newels at landings, extension below soffit thereof. | Staircases of Carter-Saunders, Benjamin Waller and Lightfoot Houses. |
Newel drops | This turning (in profile a fillet, cyma recta, fillet and second cyma recta) represents one of dozens of variants composed of combinations of characteristic curves which were produced by fancy of Virginia stairbuilder. Writer has not found exact counterpart of this example and it is likely that architects of reconstructed Capitol took same liberty in its composition as original builders. Old examples of such turnings, similar in use and general character but different from East Stairhall turnings in sequence of curves, were found in Williamsburg in Nicolson House, York Street and in George Wythe and Dr. Barraud Houses. |
251 | |
Elongated newel post, descending from intermediate landing to main floor, forming corner of basement stair enclosure. | Method frequently used by Virginia builders to avoid what, in similar situations, might become an awkward condition if newel were cut off as in case of suspended newels. Old examples of this usage in Williamsburg may be seen on staircases of Lightfoot and Palmer Houses and on main and secondary staircases of Benjamin Waller House. |
Panelled spandrel, beneath initial run. | Found in Carter-Saunders and George Wythe Houses; in Ampthill (formerly Chesterfield County, now in Richmond - see Virginia Houses, Vol. 1); in Perrin Place (Little England - see Virginia Houses, Vol. 3) and numerous other colonial Virginia houses. |
Profile | Same as that of House of Burgesses wall panelling, see p. 168. |
Panelled fascias of landings at second and third floors | According to Thomas T. Waterman in precedent note on p. 6 of his architectural record of 1932 on Capitol, this detail was based on similar panelled fascia in stair well of old State House in Newport, Rhode Island (1739-1773). A detail drawing of part of this old panelled fascia is reproduced on plate 68 of The Architectural Heritage of Newport, Rhode Island/1640-1915 by Antoinette F. Downing and Vincent J. Scully, Jr., Cambridge, Mass, 1952. Another old detail related to this is panelling of exposed sides and backs of alternate risers of staircase in Jahleel Brenton House in Newport, Rhode Island, a structure erected about 1700 (ibid., plates 76 and 77).* |
253 | |
Panel profile | Same as that of panelling beneath window, see p. 245. |
Plastered soffits of stair runs and landings | Found in following old houses of Williamsburg: Lightfoot, Wythe, Carter-Saunders, Benjamin Waller. |
WOOD TYPES USED | |
All woodwork, except floors, stair treads and handrail and doors | Similar to that of House of Burgesses Chamber, see p. 205. |
Floors | Same as flooring of House of Burgesses Chamber, see p. 165. |
Stair treads | Old yellow pine material removed from eighteenth-century houses.* These |
Handrail | American walnut. |
254 | |
Basis for use | Walnut was chosen by architects for handrails of Capitol staircases because it was thought that a fine quality hardwood, left natural, might well have been used in original building for its decorative effect. Walnut handrails were sometimes combined with walnut balusters, as in case of railing in Christ Church, Lancaster County (see measured drawing on pp. 128, 129 of Singleton P. Moorehead's architectural sketchbook). At other times, however, walnut handrails were used with popular balusters, former being left natural and latter being painted. An example of this combination is found in gallery rail of transept of St. John's Church in King William County (ibid., same pages). An instance in Williamsburg of this use of a walnut handrail with poplar balusters may be observed in original staircase of George Wythe House. In this case both handrail and balusters have been given a natural finish.* |
Doors | |
West entrance door, #103 | See Part 1, p. 145, under Wood types. |
255 | |
Other doors | Same as door to Burgesses Chamber, #101, see p. 206. |
PAINT COLORS AND FINISHES | |
Woodwork, except for floors and stair treads and handrail | Same as woodwork of House of Burgesses Chamber, see p. 206. |
Floors and stair treads | Same as platform floors of House of Burgesses Chamber, see p. 166. |
Stair handrail | Treated same as bar railing of House of Burgesses Chamber, see p. 208. |
Plastered walls and ceiling | Same treatment as in House of Burgesses Chamber, see p. 210. |
LIGHTING FIXTURES | |
Lantern, iron, painted antiqued black, three lights, wired for electricity and hung from ceiling under second-floor landing | Manufactured after an authentic eighteenth century example by Baguès, Inc. See Part 1, p. 106 for statement of this firm concerning authenticity of its reproductions. That lanterns were used in Capitol is indicated by Burgesses resolution of June 6, 1722 quoted on p. 213. |
Sconce (bracket), brass, one branch, wired for electricity, attached to wall above window, arch at landing between first and second floors | We believe this fixture to have been fabricated by Baguès, Inc. in France after an original old fixture (see footnote p. 385). |
ASSEMBLY MEASURES PROVIDED SPACE FOR "OFFICES" OF HOUSE OF BURGESSES
The Act of 1699 directing the building of the Capitol (Appendix) provides that "one part or side of which building shall be and is hereby appropriated to the use of the Generall Court & Council… The other part or side of th sd [said] building shall be and is hereby appropriated to the use of the house of Burgesses and the offices thereof and to no other use or uses whatsoever…" The resolution of August 26, 1702 (Appendix) repeats this provision of space for the House of Burgesses and its offices, making it somewhat more specific:
"that the building to the Eastward be appropriated to the use of the house of Burgesses and the offices thereto belonging to wit
"The great Roome below for the house of Burgesses to Sit in.
"The other part of the building below for the Stair case and the Clerk of the House of Burgesses office."
BURGESS OFFICES APPARENTLY CONFINED TO SINGLE ROOM IN EAST WING
From the above we gather that the offices of the House of Burgesses occupied all of the space on the first floor of the east wing not taken up by the Burgesses Chamber and the Stairhall. If we are concerned, in the above measures, about the use of the term "offices", rather than "office," an order of the Council of June 21, 1706 (Legislative Journal of the Council of Colonial Virginia, Vol. I, p. 485) seems to make it clear that a single room only was intended: "Ordered — That the said Henry Cary [builder of Capitol] do fitt up the office belonging to the house of Burgesses useful for preserving the Records and papers thereto belonging."
259HUGH JONES LOCATES ASSEMBLY OFFICE ON FIRST FLOOR OF EAST WING
This interpretation, as will be seen, makes a statement of Hugh Jones in his The Present State of Virginia (London, 1724) less puzzling: "The Building is in the Form of an H nearly; the Secretary's Office, and the General Court taking up one Side below Stairs; the middle being an handsome Portico leading to the Clerk of the Assembly's Office and the House of Burgesses on the other Side…." We are inclined to believe that Hugh Jones, who had been chaplain of the General Assembly* only a few years before he wrote the passage, knew the Capitol building well, so that we must take his statement that a part of the first floor of the east wing was occupied by the "Assembly Office" seriously and try to explain it.
CLERK OF GENERAL ASSEMBLY AN OFFICER DISTINCT FROM CLERK OF HOUSE OF BURGESSES
Numerous references to the "Clerk of the Generall Assembly" appear in the records. That he was functionary distinct from the clerk of the House of Burgesses seems to be demonstrated by the following provision in the resolution of May 1, 1704 (Appendix) which deals with the disposition of the spaces of the third floor of the Capitol:
"That the Garrett over the Conference room be divided into four closetts to be thus appropriated vizt. 260 "One for the Clerk of the Genll Assembly, One for the Clerk of the House of Burgesses and One for each of the two Clerks of the Committees."
ASSEMBLY OFFICE AND BURGESS OFFICE WERE, SEEMINGLY IN ONE ROOM
A provision in the Resolution of April 9, 1703 (Appendix), suggests that the Assembly office and the office of the Clerk of the House of Burgesses were in one and the same room:
"Agreed…That the room appropriated for the Assembly Office be fitted and furnished with boxes &c for keeping and preserving the records and papers thereto belonging and according to the direction of the Clerk of the House of Burgesses"
…
"That the room over the Clerk of the House of Burgesses office be furnished with a long square table…."
This conclusion seems to be reinforced by the following excerpt from the resolution of May 3, 1704 (Appendix):
"Resolved and accordingly Ordered / That the Clerk of the House of Burgesses remove the Records and papers belonging to the Assembly Office to the Capitol when there shall be a room fitted for them."
ABOVE CONCLUSION BEST EXPLAINS APPARENT CONTRADICTIONS IN PROVISIONS FOR OFFICES OF ASSEMBLY AND HOUSE OF BURGESSES
Though the conclusion that the clerk of the general Assembly had his office in the same room as the clerk of the House of Burgesses is open to some question, this appears to the writer to be the most plausible explanation of the seeming contradictions in the several excerpts quoted above. The subject has been considered at this length, of course, in an attempt to demonstrate that the provision of a single office room rather than two on the first floor of the east wing of the reconstructed Capitol represents a correct interpretation of the provisions respecting the offices of the clerks of the House 261 of Burgesses and the General Assembly which are found in the old records.
USES OF CLERK'S OFFICE MADE CLEAR BY FACTS CONTAINED IN EIGHTEENTH CENTURY RECORDS OF CAPITOL
That the purpose of this room was to serve as a storage place for the records, apparently of both the House of Burgesses and the General Assembly has already become evident from statements contained in some of the excerpts from old documents quoted above. A better glimpse of what the room contained, however, is provided by a report on the condition of the Clerk's Office made by Landon Carter on December 4, 1766 to the House of Burgesses (Journals of the House, 1766-1769, p. 51):
It appears to your Committee that the several Records and Papers in the Office are kept in as good a State of Preservation as Manuscripts presumptively can be, the several Cases containing the same are under good Locks and Keys, in which every Record and Paper is carefully and distinctly deposited, except as to One Press, containing sundry old Papers, which though bundled up appear in the same disordered indigested State in which they were saved in the Time of the burning of the Capitol; as to the Journals before the Year 1752, many of the Volumes appear to have endured the Inconveniences, and indeed Destructions, that Time generally effects on Manuscripts, and since the Year 1752 the several Journals are preserved in printed and bound Books, kept for the Use of the Assembly; but that the ancient Minutes of the Office before the Year 1752, from which the Journals have been transcribed into the Volumes as before, are in a very perishing condition.It is unlikely that the use of the Clerk's Office changed much in the course of a half century so that the picture presented in the above report is doubtless valid for the first Capitol as well as the second.
FEATURE | PRECEDENT |
---|---|
LOCATION | Covered in discussion of location of East Stairhall, see pp. 228, 229. |
DIMENSIONS | Covered under East Stairhall, see p. 229 et seq. |
FLOOR, wood | Same as wood flooring of raised platforms of House of Burgesses Chamber, see pp. 164-166. |
WALLS AND WALL COVERING AND CEILING | Plaster, see Plaster above wainscot, p. 169 et seq. |
BASEBOARD | Similar to old baseboard of northeast first floor room of Brush-Everard House (see drawing p. 71 of architectural report on that house) |
CHAIR RAILING | Similar to chair railing of East Stairhall, see p. 237. |
CORNICE | Similar to cornice of East Stairhall, see p. 237. |
DOOR, DOOR TRIM AND HARDWARE | |
Door #102, to East Stairhall | See East Stairhall, North door, #102, p. 239. |
Panelling and architrave same as on Stairhall side. | |
WINDOWS, WINDOW TRIM AND SHUTTERS | |
All elements, except window stool and panelling beneath and profile of architrave | Similar to round-headed windows of House of Burgesses Chamber, see p. 185 et seq. Architrave profile similar to that of window of East Stairhall (p. 244). |
263 | |
Stool and panelling beneath | |
Profile of projecting edge | Similar to a dado (wainscot) molding of a house in Bedford Square, London. For drawing of this detail, see sheet 14 of portfolio, Mouldings of the Wren & Georgian Periods by Tunstall Small and Christopher Woodbridge, London, 1928. |
Panelling beneath stool | |
Number and arrangement of panels | Many old examples of panelling beneath windows may be seen in Virginia, occurring in form, generally, of a flush or slightly projecting element of a panelled wainscot. One or two panels beneath a window are frequently found, both types being present, for example, in Brush-Everard House. The writer has succeeded in locating only one example of a window with three panels beneath it, viz., at Chelsea, King William County, (see measured drawing folder of Singleton P. Moorehead) and it should be noted that this panelling is recessed. |
Panel profile | Same as that of wainscot in House of Burgesses Chamber, see p. 168. |
264 | |
Base | Similar in profile to a based in Molins, a house in Reigate, Surrey, England. For drawing of this see sheet 12 of portfolio, Mouldings of Wren and Georgian Periods by Tunstall Small and Christopher Woodbridge, London, 1928. A colonial example of this is located at Wantwater, a Maryland house (see drawing on p. 57 of Singleton P. Moorehead's architectural sketchbook). |
BARRIER RAILING WITH GATE | |
Evidence of existence and basis for use | None in records of Capitol. Architects believed, however, that records of House of Burgesses and General Assembly would have been kept available for consultation by legislators and general public. Yet value of documents stored in room was such that some impediment to penetration by unwanted persons into area where these were filed, especially in light of easy accessibility of room from Stairhall and, thus, from outside, would have been necessary. In short, individuals had to be admitted to room to transact business with clerks and, still, had to be confined to an "ante-space". A barrier railing similar in function and character to bar of House of Burgesses (p. 200) and to barrier railings in colonial court houses and churches seemed to architects to be solution at which original builders of Capitol might well have arrived. |
Basis for design | |
General form | See under same heading on p. 202. This railing, being similar to bar railing, has same general design basis. |
Specific details | |
Handrail | Same as that of bar of House of Burgesses, p. 204. |
Newel posts | |
Shafts | Same as those of bar of House of Burgesses, p. 204. |
Caps | Ditto. |
Base | Ditto. |
Balusters | Ditto. |
Half balusters, applied to newel posts | Ditto, p. 205 |
Swinging gate | |
266 | |
Basis for use | Eighteenth century barrier railings in Virginia court houses and churches were equipped with hinged gates to permit passage through them. "Folding" handrail of bar of House of Burgesses was exceptional device, based on similar feature which architects believed was used on bar of House of Commons (see Part 1, pp. 54 and 55). Old balustered barrier railings with swinging gates were found in Chowan County Courthouse in Edenton, North Carolina (see illustrations, Part 1, p. 19); Christ Church, Lancaster County (see Virginia Houses, Book 2) and Ware Church, Gloucester County (see plate 58, Colonial Churches of Tidewater Virginia by George Carrington Mason, Richmond, 1945). Both church railings are chancel rails. |
WOOD TYPES USED | |
All woodwork, except for floors | Yellow pine. See Evidence for use of yellow pine, p. 205. |
Floors | See Wood variety, p. 165 et seq. Flooring in Office is similar to that in Burgesses Chamber. |
PAINT COLORS AND FINISHES | |
All woodwork, except for floors | Same as woodwork color of House of Burgesses Chamber. See Paint Colors and Finishes, Woodwork, p. 206-208. |
Floors | Same finish as that of House of Burgesses Chamber. See pp. 166, 167. |
267 | |
Plastered walls and ceiling | Same as in House of Burgesses Chamber (pp. 210, 211). |
LIGHTING FIXTURES | |
Chandelier, wood, six-branched | |
Evidence of existence | There was nothing in records of Capitol touching upon lighting fixtures of this room —— a situation similar to that of lighting fixtures of House of Burgesses Chamber (see p. 212) |
That a wooden chandelier is, from standpoint of period, appropriate for Capitol, originally built shortly after turn of eighteenth century, is indicated by following excerpt from p. 328 of The Dictionary of English Furniture, Vol. I by Percy Macquoid and Ralph Edwards, edition revised by Ralph Edwards, London, 1954: "Towards the close of the seventeenth century, chandeliers of carved and gilt wood largely superseded the exceedingly costly silver and rock-crystal varieties." Authors show four English examples of carved wood chandeliers on pp. 331, 332. | |
Basis for design and provenance of reproductions | Reproduction of old fixture in Earl Marshall's Court in College of Arms, London. Reproduction was arranged in England by J. D. Heaton-Armstrong, Chester Herald of College of Arms. |
268 | |
Sconces (4), polished brass, two-branched, attached to wall | |
Evidence of existence | That brass wall sconces are appropriate to the period of original Capitol is indicated by following excerpt from p. 197 of Period Lighting Fixtures by Mr. and Mrs. G. Glen Gould, New York, 1928: "Wall-lights became more and more popular as long as candles were in use. Beginning with the sconces of William-and-Mary* type in silver or brass there came a freer use of different materials in the later century … Brass was the common material; silver for luxury…." |
These sconces are original eighteenth century pieces. Reproductions of them are sold by Colonial Williamsburg Craft House, which lists design in its catalog, "Williamsburg Restoration Reproductions," 1954 edition, as CW 16-74 "House of Burgesses Sconce." | |
269 | |
Status | Of wooden furniture in room, all pieces are old except table, stools and benches. Most of these pieces represent furniture types which might have been used in original Clerk's Office. There is some doubt , however, as to whether table, stools and benches are representative of English furniture design of period of original Capitol. See pp. 220-222 for discussion of movable furniture of House of Burgesses Chamber, which is applicable here. |
GENERAL COURT ROOM, LOOKING SOUTHEAST
Photograph Published in The National Geographic Magazine for October, 1954
GENERAL COURT ROOM, LOOKING SOUTHEAST [remainder of photograph]
Photograph Published in The National Geographic Magazine for October, 1954
PROBLEMS POSED BY DESIGN OF COURT ROOM ALREADY TREATED
The problems encountered by the architects in the design of the General Court Room have beeN discussed at some length in Part 1, p. 51 et seq. The reader Who has not already done so is urged to examine that material in preparation for the detailed treatment of the General Court Room Which Will follow here.
FUNCTIONING OF GENERAL COURT AS REVEALED BY EXCERPTS FROM HISTORY BY BEVERLEY
The functions of the General Court are treated in considerable detail by Robert Beverley, a native Virginian, in his The History and Present State of Virginia, first published in London in 1705. 273 In order to give the reader some notion of "what went on in the room we will quote here certain workings of the General Court.* The quoted material is from the edition of the work published in 1947 by The University of North Carolina Press and is found on pp. 256-259 of that edition:
274The General Court, is a Court held by the Governor and Council, who by Custom, are the Judges of it, in all civil Disputes: but in all criminal Cases, they are made Judges by the Charter.
This Court, as it did from the beginning, so it does still, takes cognizance of all Causes, Criminal, Penal, Ecclesiastical and Civil. From this Court there is no Appeal, except the thing in demand exceed the value of three hundred pounds Sterling; in which case, an Appeal is allowed to the Queen [i.e., Queen Anne] and Council in England… In Criminal cases I don't know that there's any Appeal from the Sentence of this Court; but the Governor is authorised, to pardon Persons found guilty of any Crime whatsoever, except of Treason, and willful Murder; and even in those cases, he may reprieve the Criminal…
This Court is held twice a year, beginning on the 15th of April and on the 15th of October: Each time it continues eighteen Days, excluding Sundays, if business hold them so long….
The Officers attending this Court, are the Sheriff of the County, wherein it sits, and his Under-Officers. Their business is to call the Litigants, and the Evidences into Court, and to impannel Juries….
The way of impanneling Juries to serve in this Court, is thus: The Sheriff and his Deputies every morning that the Court sits, goes about the Town, summoning the best of the Gentlemen, who resort thither, from all parts of the Country. The Condition of this Summons is, that they attend the Court that day, to serve upon the Jury… By this means are procur'd the best Juries this Country can afford….
Every one that pleases, may plead his own Cause, or else his Friends for him, there being no restraint in that case, nor any licensed Practitioners in the Law….
PARTICIPANTS IN COURT ROOM PROCEEDINGS WHO ARE NOT MENTIONED IN BEVERLEY QUOTATION
Most of the persons directly involved in the proceedings of the General Court are mentioned in the passages from Beverley quoted above, with the exception of the attorney for the crown (attorney general), the clerk of the court, who kept the case records, the witnesses and the audience. Under "litigants" is to be understood, of course, the plaintiff and the defendant.
INVESTIGATION OF CHARACTER AND LOCATION OF COURT ROOM FURNITURE WAS DIFFICULT AND LENGTHY
In addition to reconstructing the architectural setting for the activities of the Court, many of the details of which were specified, though by no means with complete clarity, in several acts and resolutions of the General Assembly, the architects had to concern themselves with the furniture which would have been required in the room. Some of this was specified but much was not and the architects had to investigate English and Virginian court procedure of the period of the building of the first Capitol in order to determine, as far as possible, what this would have been and where the various pieces would have been placed (see Part 1, p. 51). AS it eventuated, this study, since so little information on the conduct of business in the General Court existed, became a protracted one, lasting several years. Questions concerning the location in the room of persons participating in the trials held there and the character of the furniture they would have required continued to be raised, in fact, even after the Capitol was officially opened on February 24, 1934.
LETTER GIVES ARCHITECTS' CONCLUSIONS AS TO ORIGINAL FURNITURE ARRANGEMENT IN COURT ROOM
A letter written by Robert C. Dean to Harold R. Shurtleff on March 25, 1935 (Colonial Williamsburg Archives) summarizes clearly and succinctly the architects' conclusions concerning the nature of the procedure of the Court and the arrangement of the furniture therein and gives, at the same time, a possible alternative to the scheme they adopted at that time. A large part of this letter is being quoted here 275 since it will doubtless aid the reader to understand the meaning of the furniture layout in the General Court Room:
277Now the situation with regard to the general court is this. It was our impression from reading Beverly and other authors who wrote on early Virginia that the colonists had violently reacted to the long drawn out proceedings the trickery and delay practiced in English Courts of this period. The feeling was that this was entirely the fault of the lawyers so that he set up of the courts in Virginia was such as to eliminate as much as possible the use of lawyers. It as on this premise that we studied the layout of the Court.
From the evidence at our disposal there are two possible schemes available for arranging the court room. The first scheme and the one which was followed in the layout of the court room furniture as it now is was based on the belief that procedure was very simple; that attorneys were not allowed to carry on very elaborate schemes of prosecution or defence; that a table for their use was not in accord with the hostile spirit shown by the colonists to their profession and that any writing they might have to do might be done while standing at the Clerk's table. This is well illustrated in the Sheriff's court where the Clerk alone is seated.
Following this scheme the usage of the Court Room as now arranged would be. The Governor and Council of any five of them sat as Judges. They apparently so sat even when there was a jury (see quotation from Beverly.) Inside the same circle was the space called the bar. In this space was a table at which sat the Clerk. The lawyer, when pleading, entered this space and stood before the Judge's bench. When he was not pleading he went outside and sat on the bench which is placed in front of the rail dividing the court from the public. ON this bench or in the audience sat witnesses. The Attorney General was given a table in front of the window as he might have a number of cases in a day and this procedure seemed to add to his dignity. The plaintiff and defendant in civil cases might sit on the bench with the witnesses or among the audience. In criminal cases the defendant would probably sit on the bench in custody of the Sheriff.
The only difference between this general arrangement and that of present court procedure is the omission of a table for the attorneys which was done deliberately to follow the description of Beverly and others of the simplicity of court proceedings and the photostat of a Sherriff's Court in 1709 as shown in the accompanying photostat.
[Note: this letter is continued on p. 280]
The other possibility of arrangement is given in our letter of June 26, 1934 and was given to meet the demand from Williamsburg for a table for the attorneys. It is based on the assumption that the procedure was somewhat more complicated than indicated in the first scheme. That lawyers were held in greater esteem in the Colonial Courts than early writers have lead us to believe and that a table should be assigned to them. Later photostats, Doctors Commons 1808 and Scottish Bench and Bar 1830, show them arranged around a table in a semi-circle. This perhaps demands a somewhat larger table than we now have in this location. This then would require the clerk to have the small table outside. The witnesses, plaintiff and defendant would be disposed as in the first scheme. The question of the lawyer being separated from his client is answered in our letter of July 20, 1934.
It seems to us that your research staff could re-read all the early historians of Virginia and see if the weight of evidence bears us out in our belief that the people of Virginia did not want lawyers in their courts; that later they were compelled to admit them but that at the time of the construction of the Capitol this feeling was still strong enough to have justified us in making very little provision for them.
SOON AFTER DEAN'S LETTER WAS WRITTEN OPINION TURNED TO FAVOR HIS SECOND ALTERNATIVE AND POSITION OF SOME PIECES OF FURNITURE WAS CHANGED
The first of Dean's two alternative interpretations is the one which was followed when the Court Room furniture was located in our first floor plan, p. 153. Sometime before the close of 1935 opinion shifted to favor the second alternative (i.e., that in which defence lawyers are given a dignified status) since a chair was assigned the attorney for the defence at the attorney general's table and the table was turned to parallel the outer bar. This interpretation has prevailed to this day, as the recent color photograph at the beginning of this section indicates.* It will also be noted in the picture that the table shared by the Clerk and the sheriff has been moved from the position given it in plan 281 to the center of the semi-circular platform below the judges' crescent. A further change from the plan arrangement is the moving of the witness bench to a position along the west wall, near the attorneys' table. This bench is not visible in the illustration. Aside from these changes the court room remains as it was at the opening of the reconstructed building.
UNCERTAINTY STILL REMAINS ABOUT COURT PROCEDURE AND LOCATION OF SOME ITEMS OF FURNITURE
It should be noted that some doubt still remains as to the exact manner of functioning of the Court and the guides at the Capitol have been advised to state this fact to persons viewing the General Court Room. The furniture arrangement represents the closest approximation of the original layout which could be achieved under those circumstances.*
FEATURE | PRECEDENT |
---|---|
LOCATION | This is fully covered on pp. 158-162, under Location |
DIMENSIONS | Discussion on p. 162 of dimensions of House of Burgesses Chamber is equally applicable to General Court Room. |
FLOOR, level pertaining on first floor of Capitol: Whitbed Portland stone. | |
Evidence of existence and basis for stone type and size | Material on pp. 163, 164 relating to stone floors of Burgesses Chamber applies here. |
282 | |
Extent | It is nowhere stated in old documents that level north of apse but architects assumed that raised platforms of latter would have been made in same manner as in House of Burgesses where it is specified that they shall be made of "plank" (p. 165). |
FLOOR, raised platforms of apse | |
Evidence of existence and relative levels | Architects derived information concerning existence of platforms and levels thereof in relation to main (stone) floor from assembly resolution of April 9, 1703 (Appendix) which specifies. |
"That the ffootsteps of the General Court house be rais'd two feet from the ffloor, and the seats of benches Whereon the Court is to sit rais'd a convenient highth above that. | |
"That the Circular part thereof be rais'd from the Seat up to the windows "That there be a Seat rais'd one Step above the Bench in the middle of the Circular end of the Court made Chairwise" Meaning of first two parts of above specification could not be determined with certainty. See pp. 51 and 52 for decisions reached by architects concerning them. | |
283 | |
Since it contains so clear an exposition of final reconstruction of area covered in specification quoted above, we will once more present an excerpt from a letter of Robert C. Dean, written on June 10, 1930 to Dr. E. G. Swem, chairman of Capitol Committee (Colonial Williamsburg Archives): | |
"…we think we have at last arrived at a solution of the General Court Room in the Capitol Building at Williamsburg…. "WE have planned a semi-circular desk, the inside edge of which will be three feet ten inches from the wall. Each side of the inner edge of this desk is sufficiently long (twelve feet ten inches) to allow six judges to sit comfortably and to draw up their chairs when they are being seated. We find an order on Wednesday June 6, 1722 for 'thirteen cushions of green cloth' for the use of the General Court. This at least leaves us the possibility of individual seats as does the wording of the sentence Friday, April 9, 1703, 'and the seats of the benches whereon the court is to sit'. So we have planned to build in soldi the desk or circular partition as shown in the perspective; then to have the judges enter from the sides and pull up their chairs to this desk as one would sit down to a dinner table. We believe three feet ten inches is enough for this. As you see from the blueprint, the judges shall mount stairs on either side of the Court Room to their floor level which is raised up to the large windows.* The Clerk and the Sheriff sit at a table in the open space formed by the judges' semi-circular desk. There is a bar across the front of this space to swing up in the section in front of the stairs.** The jury sits on open benches, which practise Judge Armistead [Frank Armistead, died 1952] tells me is well precedented in Virginia. |
WHEN ROBERT C. DEAN MADE ABOVE SKETCH IN 1930, BELIEF PREVAILED IN ARCHITECTS' COUNCILS THAT ATTORNEYS FOR DEFENCE HAD BEEN HELD IN LOW ESTEEM IN VIRGINIA AT TIME FIRST CAPITOL WAS ERECTED, THAT THEY MIGHT OR MIGHT NOT HAVE BEEN PRESENT IN GENERAL COURT ROOM AND THAT, IN LIGHT OF THIS, NO DESK AND CHAIR NEEDED TO BE PROVIDED FOR THEM. THUS, DEAN SHOWS ATTORNEY GENERAL WITHIN OUTER BAR AND ATTORNEYS FOR DEFENCE (COUNSEL) ON PUBLIC SIDE OF IT. LATER, AS WE HAVE NOTED, ARCHITECTS CHANGED THEIR OPINION OF IMPORTANCE OF DEFENCE LAWYERS AND A SEAT AT ATTORNEY GENERAL'S TABLE WAS ALLOTTED THEM (SEE COLORED FRONTISPIECE TO THIS SECTION).
DRAWING UNDER DISCUSSION WAS MADE EARLY IN COURSE OF INVESTIGATION OF REQUIREMENTS OF COURT ROOM AND CERTAIN OTHER DISCREPANCIES BETWEEN IT AND EXECUTED SCHEME MAY BE OBSERVED BY COMPARING IT WITH FRONTISPIECE. INNER BAR RAILING, FOR EXAMPLE, WAS EVENTUALLY MADE A BALUSTRADE WITH A SWINGING GATE, AND CENTER STEPS TO PLATFORM OCCUPIED BY CLERK AND SHERIFF WERE ELMINATED AND PLATFORM ITSELF LOWERED. PANELLING ARRANGEMENT OF ENDS OF JUDGES' SEMI-CIRCULAR DESK WAS ALTERED; DESIGN OF GOVERNOR'S CHAIR WAS CHANGED AND SHIELD ABOVE CENTER WINDOW ELIMINATED. PICTURE, IN ADDITION, SHOWS NO LIGHTING FIXTURES SINCE THESE HAD AT THAT TIME NOT YET BEEN SELECTED. DEAN'S SKETCH, NEVERTHELESS, IS INTERESTING IN GIVING AN IMPRESSION OF HOW GENERAL COURT MIGHT HAVE APPEARED IN ACTUAL USE.
FEATURE | PRECEDENT |
---|---|
To supplement Dean's remarks on arrangement of apse area, it should be stated that levels worked out by architects to conform as closely as possible with specifications are as follows: Platform of semi-circle before judges' crescent: 9" above stone floor; platform of judges' crescent (assumed to be what was meant by "the ffootsteps of the General Court house"): 2'-0" above stone floor and platform of governor's chair: 5¼" above platform of judges' crescent. | |
Basis for use of wood | See Floor, Extent, p. 285. |
Wood variety: Manner of laying: finish; step nosings | Similar to wood type and treatment of wood floors of House of Burgesses Chamber, see pp. 165-167. |
WALLS AND WALL COVERING | |
Panelled wainscot | |
Evidence of existence | Resolution of May 10, 1705 (Appendix) specifies "That the wainscote and other Wooden Work on the first and Second ffloor in that part of the Building where the General Court is to be painted Like Marble and the wainscote and other wooden work on The two first floors in the other part of the Building shall be painted Like Wanscote…" (Journals of House, 1720-1712, p. 117) |
287 | |
Basis for height | There was nothing in term "wanscot" (wainscot) to inform architects whether the wooden wall covering of General Court and certain other rooms was intended to be of room height, chair-rail height or of some height intermediate between these, since the word was applied in eighteenth century to all heights of wooden wall panelling.* Only in case of wainscoting of House of Burgesses was height fixed by specification which stipulated that it was to be carried up to a point 3'-0" above wall seats (see p. 167). Since architects felt that rooms in Capitol which had been used by governor and Council would have had richer fittings than those used by burgesses, they carried wainscoting in General Court Room from floor to ceiling. This conviction that west wing would have been more richly-appointed than east was reinforced by provision in resolution of 1705 (above) that "wooden work" on first and second floors of former be marbleized whereas elsewhere it was to be finished in plain colors. |
288 | |
Panel shapes and arrangement | |
Main wall areas | By this is meant walls where no window and door openings, pilastered "breaks" and balconies occur. In these uninterrupted areas, panel shapes and arrangement, i.e., each bay consisting of one vertical panel above chair railing and one horizontal one below it, are similar to those found in several old fully-panelled rooms of Peyton Randolph House and to those of panelled walls of living room of Tayloe House. |
289 | |
Jamb and spandrel panelling of doors and windows and panelling beneath window openings | Consult those subjects under treatment of doors and windows. |
Panel section, main wall areas | |
Character and provenance | Attention should be called here to fact that section exhibits a condition not typical of Virginia panelling of eighteenth century, viz., introduction of a bolection molding which is applied to stiles and rails and which receives the "tongue" of panel. Panel face, consequently, stands out nearly ¾" in front of plane of stiles and rails. IN Virginia customarily, no applied molding exists and panel face falls in same plane as frame holding it or it is slightly recessed in respect to it. Applied molding and raised panels add to sumptuousness of effect of wainscoting and architects employed them here for reason spoken of on p. 291, viz., because they believed that Court Room would have been more richly furnished than most other rooms of building. |
APSIDAL (SOUTH) END OF GENERAL COURT ROOM
Photograph by F. S. Lincoln
FEATURE | PRECEDENT |
---|---|
Architects derived this detail from old English buildings, in which it is not uncommon. They felt justified in doing this since much of detailing in original Capitol was, doubtless, based upon English practice of its period. English buildings in which this treatment of panelling occurs, for example, are chapels of Chelsea Hospital, London and Trinity College, Cambridge and Swan House, Chichester. Illustrations showing panelling in these buildings are found in The Architectural Reprint of plates from John Belcher and M. E. Macartney's Later Renaissance Architecture in England, London, 1901, the plate numbers in question being designated, respectively, as Plate 28 of Vol. 7; Plate 64 of Vol. 2 and Plate 24 of Vol. 3. | |
293 | |
This panelling framed by bolection moldings with panel faces standing out in front of stiles and rails, is quite common in colonial architecture of New England is attested by fact that Colonial Interiors by Leigh Hunt, Jr., New York, 1923 shows photographs and detailed drawings of several New England rooms in which it occurs. One Virginia colonial building only comes to mind which had this more ornamented type of panelling and this building, Morattico, which once stood in Richmond County, was destroyed abut 1928. Fortunately, part of trim of Morattico's "Great Room" was preserved and room has been reconstructed in The Henry Francis Du Pont Winterthur Museum, Winterthur, Delaware. Two pictures of reconstructed room may be seen in Thomas T. Waterman's The Mansions of Virginia, pp. 64 and 67. In addition to this room, it should be noted that bolection moldings were not infrequently used in Virginia to enframe overmantel panels, though panels frequently remain in plane of stiles and rails and sometimes the moldings, in fact, are applied to flush boarding. | |
294 | |
Profile of bolection molding | This molding and slight variants of it are common in Virginia. Four Williamsburg chair railings of shape essentially similar to it are shown on p. 68 of architectural report of Brush-Everard House. A chair rail of Tuckahoe, Goochland County has exactly similar sequence of curves. |
Baseboard | Similar to that of House of Burgesses Chamber, see p. 168. Its sequence of curves is also very close to that of base of reredos pedestals, Abingdon Church, Gloucester County (see H. A. B. S. measured drawing on that church) |
Chair railing | Similar to cap of pedestals of reredos of Abingdon Church, above. |
CORNICE, modillion type | Similar to that of House of Burgesses Chamber, see pp. 171, 172. |
DOORS, DOOR TRIM AND HARDWARE | |
Bi-valve doors to Arcade and West Porch, #105, #109 | Similar in all respects to bi-valve doors of House of Burgesses Chamber. See pp. 172-178 for coverage of these. |
295 | |
North door, #108 | This door, like that in north wall of House of Burgesses Chamber, is not specified or mentioned in any old documents but it has same raison d'etre as Burgesses door. For a discussion of this see pp. 178-179. |
Panelling arrangement | Similar, although proportions of panels are different, to that of entrance doors to stairhalls, see Part 1, p. 144. |
Profile of panelling | Same molding sequence as in case of panelling of bi-valve doors of Court Room and Burgesses Chamber, see Part 1, p. 123. |
Hardware | Same as that of north door of House of Burgesses Chamber, see p. 180. |
Jamb panelling, architrave (trim) | Similar to these features of north door (#101) of House of Burgesses Chamber, see p. 180. |
WINDOWS, WINDOW TRIM AND SHUTTERS | |
Round-headed openings with sliding sash | |
Sash, splayed jambs, panelled jamb shutters, panelling of soffits of arches. | Similar to these features of round-headed windows of House of Burgesses Chamber, see pp. 185-189. |
NORTHWEST CORNER OF GENERAL COURT ROOM
FEATURE | PRECEDENT |
---|---|
Panel beneath sash | |
Design basis | Device very frequently used in eighteenth-century brick houses of Virginia to lower stool (interior window sill) below level of exterior sill, panelled spandrel being faced with brickwork on outside of building. Stool was generally lowered sufficiently to permit it to be used as window seat. This condition is illustrated in first and second floor windows of George Wythe House. Design of these, though they are mostly renewed, was based on that of certain original windows and their panelling and trim found intact in house (see architectural report on Wythe House). |
299 | |
In case of Court Room there was no reason to use window seats, so that other considerations governed height of platforms of apse (see Part 1, pp. 51, 52 and Part 2, pp. 286 et seq.). To summarize these, architects made highest platform of apse line up approximately with bottom of chair rail which, being carried across window opening as a substitute for an apron, was treated as part of window trim. Herewith, requirement that "the Circular part therof [of Court Room] be rais'd from the Seat up to the windows" was considered to have been fulfilled. Resultant height of top of chair rail and, ipso facto, of window apron was 3'-0". With height of bottom of window sash in respect to ground determined in course of design of exterior elevations (Part 1, p. 43), a space of 1'-0" resulted between bottom of sash and surface of stool and this was filled, on inside, by wood panel discussed above. | |
This detail, in which chair rail continues across base of window opening to form apron reflects a usage found in first floor rooms of Rolfe House in Surry County. It was evidently not confined to Virginia since plate 97 of The Architectural Heritage of Newport Rhode Island by Antoinette F. Downing and Vincent J. Scully, Jr., Cambridge, Mass., 1952 shows it in use in Sayer House in Newport. | |
Panel section | Same profile as that used below benches in House of Burgesses Chamber (see p. 168). |
300 | |
Use of croisettes ("dog ears") at spring of arch and at base | In his skeleton report on Capitol, Thomas T. Waterman says that croisettes at spring points of arch were based on indication of this feature shown in central door opening on Michel's drawing of Capitol and Singleton P. Moorehead recalls that this was, indeed, used as precedent for "impost" croisettes (see Michel drawing, Part I, p. 79). Croisettes at base were copied from this feature of doors in Brush-Everard House. |
Writer of this report has been unable to find in colonial architecture of Virginia any example of croisettes substituting, as here, for impost capitals. Singleton P. Moorehead, however, has called his attention to an English example, viz., on architrave of a round-headed balcony door opening in second story above front entrance to Balls Park, Hertfordshire, a photograph of which is shown in volume on Hertfordshire in The Buildings of England series by Nickolaus Pevsner, London, 1953. Pevsner dates entrance porch as ca. 1720. | |
301 | |
Profile | Similar to that of window architraves of House of Burgesses Chamber. Latter, in turn, are similar in profile to architraves of bi-valve doors of same room (see pp. 176-177). |
Key block | Similar in design to key blocks of arched openings of Kittewan, Charles City County and Wilton-on-James, formerly Henrico County, now rebuilt in Richmond (see measured drawings in Singleton P. Moorehead's measured drawing folder). |
Spandrel panels above architrave | |
Shape | Similar in shape to that of spandrel panels above arched openings of bi-valve doors, House of Burgesses Chamber (see p. 177). |
Profile | Section profile same as that of panel beneath sash (see p. 299). |
Window stool and apron | Already discussed under Panel beneath sash, p. 298 et seq. |
Panel beneath stool | Similar to adjacent wall panels beneath chair rail, except that it is longer (see Panelled wainscot, p. 292 et seq.) |
302 | |
Engaged pedestals beneath bottom croisettes of architrave | |
General form | Projecting pedestal serves to continue, below chair railing, accentuation afforded above it by molded architrave. Use of pedestals below pilasters to continue vertical accentuation from pilaster base to floor is similar in principle. Examples of this are found in great hall at Stratford, Westmoreland County and entrance hall at Carter's Grove, James City County. For illustrations of above-mentioned examples, see Colonial Interiors by Edith Tunis Sale, New York, 1930, plates 3 and 5, respectively. An example of projecting pilaster pedestals, in case of which pedestal cap, after returning against wall, continues across this to form chair rail of a panelled dado——a detail similar to treatment in General Court Room——is found in Colonel Willoughby Tebbs House in Dumfries, Prince William County (see upper picture, plate 18, Colonial Interiors by Leigh French, Jr., New York, 1923). |
303 | |
Cap and base | Same profile as those of chair railing and room base (see under Panelled wainscot p. 294). |
Beaded vertical strips forming stiles of spandrel panelling and extending downward to chair railing | Similar to treatment about bi-valve doors of House of Burgesses Chamber (p. 177), except that in latter case strips act as plaster stops while here they are superimposed upon framework of wall panelling, effecting a 1" break. |
Cornice breaks | Required by 1" projection mentioned immediately above. This was a commonly-used method of accommodating cornice to projecting wall features such as chimney breasts, pilasters, etc. Several examples of cornice breaks occurring over such elements are visible at Carter's Grove, James City County (see photographs, Virginia Houses, Book 2). |
Circular and oval | |
Sash | Discussed in Part I, p. 82. |
304 | |
Architraves (trim) interior, within reveal | Identical with those of corresponding windows of House of Burgesses Chamber (see p. 190). |
Plastered jambs | Similar to those of corresponding windows of House of Burgesses Chamber (see p. 190 for precedent). |
Architraves (trim), on face of wall | Bolection molding, similar in character of profile, though not identical with following English examples shown in portfolio, Mouldings of the Wren & Georgian Periods by Tunstall Small and Christopher Woodbridge, London, 1928: fireplace surround, Lymore Hall, Montgomeryshire (sheet 9, #3); door architrave, Hampton Court Palace, Middlesex (sheet 7, #9) and panel mould, Chelsea Hospital, London (sheet 4, #3). |
Spandrel panels above and below architrave | Similar to those above round-headed windows which, in turn, are like the ones above arched openings of bi-valve doors, House of Burgesses Chamber (see p. 177). |
Panel railing beneath windows. | |
Profile | Similar to that of panel railing of House of Burgesses Chamber (see p. 168). |
305 | |
Return of railing against panel stile | Device used frequently in eighteenth century Virginia, on wall surfaces where breaks or openings occur, as means of terminating railing where it is either impossible to continue it or where its continuation is not desired. An old example, closely comparable to this one, is treatment at Tuckahoe, Goochland County of railing applied to face of projecting panelled wall element containing arched opening between north and central halls (see photograph Virginia Houses, Book 5). Another example in a similar situation is panel rail at either side of fireplace in main bedroom of Toddsbury, Gloucester County (ibid.). |
Panelling beneath railing | |
306 | |
Panel shape | Follows, as closely as window opening will permit, width of adjacent floor-to-ceiling panels. No quite comparable condition can be found in Virginia colonial architecture, because no old examples of circular and oval windows exist in panelled walls of any Virginia buildings to create it. Similar areas were often formed in panelled walls, however, by openings of one kind or another — doors, fireplaces, etc. —— which left less-than-wall-height areas to be treated in panelling. Because of height of door openings overdoor spaces were most frequently left as single horizontal panels. Overmantel areas, however, having much greater height, though occasionally left as single large panels, were also divided up in a variety of ways, horizontal and vertical, square and rectangular panels being combined to suit taste of designer. A number of examples of overdoor and overmantel panelling treatments may be seen in Singleton P. Moorehead's folder of measured drawings of eighteenth-century Virginia houses. |
Profile | Same as that of spandrel panels above bi-valve doors which, in turn, is like section profile of panelled wainscot of House of Burgesses Chamber (see p. 168). |
Cornice breaks | These have same basis as cornice breaks above, round-headed windows (see p. 303). |
307 | |
PILASTERS AT CORNERS BETWEEN STRAIGHT AND SEMI-CIRCULAR WALLS | |
Evidence of existence and basis for use | These perform same decorative function as pilasters in corresponding positions in House of Burgesses Chamber. Treatment of this subject on pp. 191 and 192 under Evidence of existence holds here, except in following particular: wood back boards, in this instance, do not act as plaster stops since walls here are not plastered. Instead, these boards become integrated with wall panelling. |
Basis for design | As befits the greater sumptuousness of this room, pilasters here are Ionic rather than Doric as in House of Burgesses Chamber.* |
308 | |
The capitals were copied after two original "Scamozzi" Ionic capitals which existed on reredos of Bruton Church before that feature was restored and fluting was likewise based upon part of an original fluted pilaster shaft of reredos. See architectural report on Bruton Church.* | |
GALLERIES, NORTH AND EAST WALLS | |
Evidence of existence | There is, in records, only one reference to these and this is found in General Assembly resolution of April 19, 1703 (Journals of the House, 1702-1712, pp. 29, 30 - Appendix): "That there be two Galeries made one at the Lower end of the Room, and the other on the East side." |
Means of access to these | Above specification seemed clearly to call for two distinct, unconnected galleries and architects worked on this assumption in their design. Provision of means of approach to galleries became a major problem. They considered use of spiral staircases rising from Court Room floor but rejected them on ground that they might interfere with circulation in room. Eventually they solved problem by providing access passage in North wall of Court Room, leading from West Stairhall landing intermediate between first and second floors to north gallery and a narrow staircase reached from second floor Lobby and running downward to east gallery in space intervening between curved wall of Council Chamber and east wall of west wing. |
309 | |
Basis for access staircase | Narrow access staircases similar in principle to this one were not unusual in eighteenth century. In his measured drawing (1771-1772) of Wren Building of College, which includes his proposed addition, Thomas Jefferson has indicated at east end of Great Hall a staircase, apparently leading to a now non-existent balcony. This staircase is composed completely of winders forming an unusual S-curve. In another measured drawing (1777-1779), this time of Governor's Palace, Jefferson shows a serve ice staircase with winders which is comparable in nature with staircase from second floor to east gallery in Court Room. For plans mentioned here see Architectural History of the Wren Building and architectural report on Governor's Palace. Detailed treatment of staircase to east gallery will be found under Gallery Stairhall, pp. 318, 319. |
310 | |
Concealed doors in wall panelling | |
Evidence of existence | There is nothing in old records of Capitol which tells us what kind of door was used originally to give access to galleries. Architects "camouflaged" these doors because they believed that balconies had not been for general use but rather for members of government and their guests. "Disguising" these and "blind" door in West Stairhall wall at intermediate landing in this way would have made it apparent that these doors were not intended for general use. Architects did not, however, attempt to conceal door to gallery stairhall in south wall of Council Lobby since they believed general public probably had not had unrestricted access to this Lobby which served to protect Council Chamber and Conference Room from intruders. For detailed treatment of concealed gallery doors, see p. 315. |
311 | |
Basis for design | |
General form | Based upon hanging wood balcony for musicians in great assembly (ball) room of Gadsby's Tavern, Alexandria. Original woodwork and fixtures of that room were purchased by Metropolitan Museum of Art and re-erected in its American wing. Room as it now stands in Gadsby 's Tavern is a faithful replica of original one. For photograph of room showing balcony as rebuilt in Metropolitan Museum see Alexandria Houses by Davis, Dorsey and Hall, New York, 1946, p. 45. |
North gallery, shape of | It will be noted that north gallery departs from general form of Gadsby example in having quarter-circular ends. This extension was required at west end in order to lengthen gallery sufficiently to permit it to reach diagonal passageway from stair landing. East extension was added for reasons of symmetry. |
312 | |
Quarter circle at each end is not continuous with straight front but is, rather, set back about 11" from front edge. This shape seems especially appropriate in Court Room since, though quarter-circular rather than semi-circular, it recalls plan form of two half cylindrical south ends of Capitol. This combination of a right-angular corner with a quarter-round is very common in eighteenth century Virginian panel profiles and it appears repeatedly in Capitol panelling. It was used, for example, in wainscot, jamb and door panelling of House of Burgesses Chamber (see p. 168 for precedent). It was also used in colonial times for panel shapes and in half-round form, is found, for example, as head of panel of dining room at Marmion, King George County (see photograph, Virginia Houses, Book 3). | |
Construction | Each gallery floor is sustained on a metal framework resting, on wall side, on brick wall and held up on free, long side by ¾" diameter steel hangers secured to steel channels of second story floor construction (see second floor framing plan, S2, Colonial Williamsburg Architects' Office). These rods pass through posts of gallery, which were made hollow to receive them. Steel framework of gallery floor carries wood 2"x4"'s which, in turn, support wood flooring.* |
313 | |
Details | |
Flooring | Similar to wood flooring in House of Burgesses Chamber (see pp. 165-167). |
Molded edge of floor | An English cornice profile was adapted for use here. Sheet 19 of portfolio, Moulding of the Wren & Georgian Periods by Tunstall Small and Christopher Woodbridge, London, 1928 shows (detail #6) a cornice of Lymore Hall, Montgomeryshire which is similar, though not identical with this one. |
Soffit panelling, profile of Posts | Similar to profile of panelled wainscot, House of Burgesses Chamber (see p. 168). |
Turned shaft, above railing | Similar in character to corresponding part of posts of balcony of Gadsby's Tavern, see earlier reference under General form. |
Pedestals or newels | |
General form | Similar in general form to square-sectioned newels of House of Burgesses bar railing, although different in detailing (see p. 204). |
314 | |
Capital | Profile adapted from English dado moldings such as two shown on Sheet 14 of Mouldings of the Wren & Georgian Periods by Tunstall Small and Christopher Woodbridge, London, 1928. |
Base | A common eighteenth-century profile. See, for example, cap and base of balusters in John Blair House; these have same profile. |
Handrail | |
General form | Handrails were sometimes molded on one side only to save space, presumably, in confined situations such as we have in case of Court Room galleries and also, probably, for practical reason that, if they were molded on both sides, inside moldings would suffer from being leaned against or, in some situations, from having feet of sitters placed upon them. An old example of a handrail is molded on outside and flat on inside is found in gallery of Bruton Parish Church. Singleton P. Moorehead informs writer that original porch handrailing of Toddsbury, Gloucester County, is likewise "one sided." |
315 | |
Profile of molded side | Identical with that of pedestal cap (see above). |
Balusters | Similar in sequence of forms composing turning to old balusters of staircases of Bassett Hall and John Blair House. |
Base (lower rail) | Outside profile identical with that of pedestal base (see above). Inside face is flat like that of handrail (see above). |
Concealed doors | See general discussion on p. 310. |
316 | |
General form | One chief characteristic of these doors is that they have no molded, projecting architraves and that panel framework substitutes for door frames. Old doors in this same category —— doors which might be termed "concealed" doors, since they are incorporated in panelling without use of architraves which would direct attention to them — are found in eighteenth-century architecture of Virginia and elsewhere. A Virginian example is wall cabinet doors in panelled chimney breast at Marmion, King George County (see photograph, Colonial Interiors, Second Series, by Edith Tunis Sale, New York, 1930, plate 115) . A New England example is found in McCreery House, Johnson's Hollow, Litchfield County, Connecticut. In this example two full-sized doors are incorporated, without architraves, in panelled east wall of dining room (see Colonial Interiors by Leigh French, Jr., New York, 1923, plates 23 and 108). It will be noted, however, in case of door in north bedroom wall, also shown on plate 108, that a molded architrave has been used. In examples cited above, panelling is of normal type, with depressed moldings, whereas panel moldings in case of concealed doors of Court Room are applied, Principle involved in both cases is same, however. |
317 | |
Sunk panels, back face | Many eighteenth-century Virginia doors have depressed, unmolded panels on one face. Several doors of Brush-Everard House are thus molded on one side only. Gallery doors, however, are of a different character having a single large panel only, with framework applied to panel "field", rather than integrated with it. No precedent for this door type comes to mind. |
Architrave (trim) rear or passage side | Simple wood strips with beaded edge toward opening. Certain second floor doors of Brush-Everard House have simple trim of this sort, though in these cases trim is integral with door frames. |
Hardware | |
One pair Soss hinges, #117, each door | These are modern and, consequently, there was no precedent for them. They are concealed, however, so that their use was justified. |
318 | |
Latch-lock, each door | Reproduced after a colonial model, identity of which is at present not available. |
Room side: brass knob sliding in slot of brass escutcheon. Passage side: brass knob sliding in slot of wrought iron plate | |
Gallery Stairhall (east gallery), below second floor level | |
Flooring | Similar to wood flooring in House of Burgesses Chamber (see pp. 165-167). |
Staircase | |
General | See Means of access, p. 308 |
Treads | Same wood as treads of east staircase but without new nosings (see p. 247). |
Nosings | Similar to those of east staircase, but without molding beneath (see p. 247). |
319 | |
Horizontal sheathing | Beaded boards, 5" to 7" wide. Old horizontal sheathing was found in great room or parlor of Market Square Tavern and also in front and rear rooms of Taliaferro-Cole Shop. Tavern sheathing was beaded while that of Shop, to judge by old photographs, was not. |
Baseboard | Similar to old baseboard in northeast first floor room of Brush-Everard House (see diagram "A" on p. 71 of architectural report on that house). |
Cap, continuous with flooring of upper part of stairhall | Similar to an old dado cap in Ayscough House, but lacks cyma reversa mold beneath half round. For Ayscough cap, see Colonial Williamsburg architectural files. |
Passageway to north gallery | |
Walls, plastered | Similar to plaster of walls of House of Burgesses Chamber (p. 169), except in paint color. |
Baseboard | Similar to that in Gallery Stairhall (see above). |
Door to West Stairhall | Treated under West Stairhall |
320 | |
JUDGES SEATS | |
Evidence of existence | Resolution of General Assembly of April 9, 1703 (Journals of the House, 1702-1712 - Appendix) provides "That the ffootsteps of the Generall Court house be rais'd two feet from the ffloor, and the seats of benches Whereon the Court is to sit rais'd a convenient highth above that." |
Arrangement | Writing on June 19, 1934 to Rutherfoord Goodwin (letter in Colonial Williamsburg archives), Robert C. Dean says, regarding the placing of judges' seats in a semi-circle about governor's seat: "We found drawings of English Courts with apse ends in which the judges were arranged in the manner shown in our drawings." Photostats of two old drawings showing this semi-circular seating of judges are given on pp. 278 and 279. It was such English examples which furnished basis for semi-circular arrangement of judges' seats in reconstructed Capitol. It is quite likely that this arrangement reproduces that in first Capitol and, furthermore, that this traditional English layout suggested employment of semi-circular enclosure for Court Room which, for reasons of symmetry, was likewise adopted for House of Burgesses wing. That semi-circular arrangement of seats was used, on occasion, in Virginia, partly, no doubt, as a result of its employment in first Capitol, is demonstrated by a reference to "A circuling Seat for the Jury to Set on" in documents covering repair of Yorktown courthouse sometime after 1782 (see p. 350) and by use of this arrangement for judges' seats in Federal Court in Richmond (see Latrobe drawing p. 279b). |
321 | |
Basis for use of chairs | Architects at first believed that "seats of benches" phrase in resolution of 1703 necessitated use of benches in Court Room. Chairs, however, were eventually substituted for these and following excerpts from two letters and a guide book on Capitol explain reasons for this change: 1. Thomas T. Waterman to Perry, Shaw & Hepburn, June 6, 1930 — "We like your latest court room arrangement with the exception of the judges' benches. We feel very strongly that chairs or settees should be used as sessions were often quite lengthy. We also feel that an actual desk for each judge is unnecessary and that a paneled front to conceal their limbs would be sufficient." |
2. Robert C. Dean to Dr. E. G. Swem, June 10, 1930 — "We find an order on Wednesday June 6, 1722 [Legislative Journals of the Council of Colonial Virginia, Vol. II, p. 681], for 'thirteen cushions of green cloth' for the use of the General Court. This at least leaves us the possibility of individual seats as does the wording of the sentence Friday, April 9, 1703, 'and the seats of the benches whereon the court is to sit.' So we have planned to build in solid the desk or circular partition as shown in the perspective; then to have the judges enter from the sides and pull up their chairs to this desk as one would sit down to a dinner table." | |
322 | |
3. Guide book to Capitol written in 1934 by Rutherfoord Goodwin: "The twelve caned armed chairs for the judges and the caned armed chair for the Attorney General are not specified in the Journals. Originally the judges probably sat upon benches, but caned chairs, copies of contemporary English chairs, have been placed in the Court for the Judges and Attorney General to lend scale and dignity to the South end of the room. It was not unprecedented in England during the eighteenth century for judges to use caned back chairs." (See Colonial Williamsburg Archives for letters and guide book.)* | |
Basis for design | Copied from an original English chair of Charles II period (1630-1685). |
GOVERNOR'S SEAT | |
Evidence of existence | Resolution of General Assembly of April 9, 1703 (Journals of the House, 1702-1712 - Appendix ) provides "That there be a Seat rais'd one Step above the Bench in the middle of the Circular end of the Court made Chairwise." |
323 | |
Basis for design | |
General form | A search through correspondence dealing with furnishings of General Court Room has failed to reveal precedent for design of governor's seat. In magnitude and general character it resembles seats used in similar situations in England, such as speaker's chair of House of Commons, shown in Pugin-Rowlandson drawing in Part I, p. 56; judge's chair shown in drawing, p. 279, of Central Criminal Court by same artists and a seat in council chamber of town hall in Rye, Sussex (built 1742-44), a photograph of which is reproduced in magazine, Country Life, January l3, 1955, p. 105. In all of these cases seat is surmounted by coat of arms as in governor's seat. |
Specific details | |
324 | |
Elevation of back | In respect to more specific detailing or back of seat, this resembles quite closely, in front elevation, at least, certain doorway designs reproduced in William Salmon's Palladio Londinensis, London, 1748 (third edition), designs in question being found on plates XXI and XXIII. Design of our chair might be said to represent a fusion or recombination of elements of these two doorways, with result that elements of classic orders have become interchanged. Thus, governor's seat has Doric pilasters with Doric or Corinthian impost profiles used as caps (ibid., plate XIIII), combined with Ionic entablature with pulvinated frieze. As has already been pointed out (footnote, p. 307), classic elements were often shuffled in Virginia colonial architecture and one-time rigid rules for their combination disregarded. |
Two-sided pilasters | These can be looked upon either as engaged square-sectioned columns or two-sided pilasters. They occur in architecture of seventeenth and eighteenth century at corners, such as those of projecting chimney breasts, at arched openings dividing two areas of a hallway or enframing a window recess, in which case they are three-sided, and elsewhere. An old example of two-sided pilasters applied to corners of a projecting chimney breast is found in library of Claremont, Surry County (see photograph, Colonial Interiors Second Series by Edith Tunis Sale, New York, 1930. Two English examples of three-sided pilasters in arched openings of stairhalls exist at Rainham Hall, Essex and at 37 & 39 Stephney Green, London. Illustrations of these are found in Houses of the Wren & Early Georgian Periods by Tunstall Small and Christopher Woodbridge, London, 1928, Rainham Hall example being shown on pp. 124, 125 and that of Stephney Green on pp. 16 and 18. |
325 | |
What, evidently, must have been two-sided pilasters appear in a picture of House of Commons made during Sir Robert Walpole's administration (prime minister, 1721-1742) by William Hogarth (1697-1764). This, an engraving made from a drawing by the artist, shows a close-up view of what apparently is same speaker's chair which may be seen at small scale in Pugin-Rowlandson drawing, Part I, p. 56. In it, along with engaged circular columns, are shown what appears to be a two-sided pilaster though one of sides is turned away from observer. Columns and pilasters, it should be noted, have Corinthian rather than Doric capitals. Engraving in question is reproduced on p. 189 of The Works of William Hogarth, London (no date) The London Printing and Publishing Company, Ltd. An offset reproduction of this is also given on p. 23 of The House of Commons by Martin Lindsay, London, 1947. | |
326 | |
Panelling | |
General | Treatment, with panelling, of chair back and face below seat based upon this treatment in similar chairs, such as speaker's chair of House of Commons, mentioned above (see Pugin-Rowlandson drawing, Part I, p. 56). |
An old chair, illustration #1795 in Vol. II of Wallace Nutting's Furniture Treasury, Framingham, Mass., 1928, has a "panelled" back, in which effect of panelling is obtained, apparently, by application of moldings to flat wood back. This chair, called by Nutting "wainscot chair", was found in Virginia and is dated as prior to 1650. | |
327 | |
Type | Similar in character to panelling of main wall areas of Court Room, i.e., with applied bolection molding and panel face which projects in front of stiles and rails (see p. 289). |
Profile above seat | Similar to a panel molding in Chelsea Hospital, London (see sheet 5, #15 of portfolio, Mouldings of the Wren & Georgian Periods by Tunstall Small and Christopher Woodbridge, London, 1928}. |
Profile, below seat | Similar to that of main dado panelling of House of Burgesses Chamber (see p. 168). |
Seat nosing, with molding beneath | Edge with quarter-round profile surmounted by a rabbet occurs frequently in seventeenth and eighteenth century table and chest tops and chair seats and Wallace Nutting's three-volume Furniture Treasury, mentioned above, contains pictures of a number of furniture pieces having it. A lowboy (dated 1690-1700) which is in Wadsworth Athanaeum in Hartford, Conn., has a top with edge profile like that of governor's seat (fig. 595, Vol. I, Furniture Treasury). Chair examples in Treasury having half- or quarter-round edge profile sometimes have rabbet at top and sometimes not. "Wainscot chair," mentioned above, has nosing without rabbet. |
328 | |
Molding beneath seat edge | Cyma reversa molding beneath seat edge was very frequently used in Colonial Virginia. A molding similar to this was placed beneath step nosings in east stairhall (see p.247) and also under edge of platform steps in General Court Room. |
Seat base | Profile similar to that of base of bar in House of Burgesses Chamber, although proportions of elements are different in latter base (see p. 204). |
329 | |
Arms and their turned supports | Both arms and turned baluster-like supports for these are more suggestive of seventeenth-century chair design than of eighteenth. Several chairs illustrated in Wallace Nutting's Furniture Treasury, Vol. II, have "flat", rectangular-sectioned arms supported by baluster-like turnings resting on seat. In one of these cases are details identical with those of governor's chair, so that one cannot point to them as exact models after which details of latter were copied, but they are, nevertheless, so similar in character that one may say that arms and their supports hark back to period of these old examples. Since original creators of this old furniture varied their carvings and turnings endlessly, designer of governor's chair was not constrained to follow a particular pattern as long as he caught spirit of these old pieces. Examples in Vol. II of Furniture Treasury in which arms and their supports are close in character to those of our chair are nos. 1787-1790, all of which are "wainscot" chairs stemming from around middle of seventeenth century. Several chairs of this period are also shown on pp. 322 and 323 of Vol. I of The Dictionary of English Furniture by Percy Macquoid and Ralph Edwards, second edition revised by Ralph Edwards, London, 1954. |
330 | |
COAT OF ARMS OF QUEEN ANNE* | |
Evidence of existence | First mentioned in petition (February 23, 1702/3) of John Thrale to Lords of Trade "That their Lordps [Lordships] would move her Maj. in behalf of Virginia to send over her Picture to be set up in the Council Chamber as also H. M. coat of arms for the supreme Court as hath been usual to all her Maj. Colonies." (Virginia Manuscripts from British Record Office &c. Vol. 6, Sainsbury Vol. V, Part I, p. 21). |
331 | |
Resolution of April 9, 1703 (Journals of House, 1702-1712, pp. 29-30 - Appendix) provides for coat of arms and indicates where they are to be placed: "That there be a Seat rais'd one Step above the Bench in the middle of the Circular end of the Court made Chairwise. | |
"That the Queens Arm's be provided to Set over it." | |
332 | |
Next and, in fact, only other eighteenth-century reference to arms of Queen Anne in connection with General Court Room is following, dated November 2, 1705: "His Excellency by advice of her Maty Council signed the following Warrants on the Auditor to be paid out of her Matys Revenue of two Shillings per hogshead Viz … | |
"Upon the Petition of Edmund Jenings Esqr Ordered that he be paid the Sum of Eighteen pounds one Shilling & fourpence out of her Majestys Revenue of two Shillings per hogshead being so much expended by him in England for the Queens arms stained in Glass, and other Ornaments for the use of the General Court house, and Ordered that a warrant be prepared accordingly." (Executive Journals of the Council of Colonial Virginia, Vol. III, p. 47). | |
333 | |
On basis of facts presented above only one conclusion seems reasonable, i.e., that Queen's arms originally placed in Court Room were executed in stained glass. Architects, however, for reasons which are not fully clear but which further investigation may explain, decided that though stained glass window bearing coat of arms of Queen Anne had been purchased in England for use in General Court Room, this window had never actually been installed. It is evident that statement in resolution of April 19, 1703 (above) "That the Queens Arm's be provided to Set over it [i.e. governor's chair]" seemed to them to indicate that arms had been attached to top of chair. In this case they undoubtedly would have been carved of wood to harmonize with material of chair. Other interpretations of "Set over it" are, however, possible. Arms might, for instance, have been hung from ceiling above chair, though this seems unlikely. They might, again, have been incorporated in glass of circular window behind chair, which was elevated above latter sufficiently (or might well have been if original version of governor's chair was less high than present one) to have justified use of term "Set above it" in designating location of window in respect to chair. This question concerning nature of arms originally installed in Court Room, evidently a still-debatable subject, is further treated in Appendix under heading, "Queen's arms stained in Glass"; did these exist in original House of Burgesses Chamber and General Court Room? | |
334 | |
Basis for design of carved wood coat of arms | Copied, under direction of J. D. Heaton-Arm-strong, Chester Herald of College of Arms, London, after an original coat of arms of Queen Anne (first state) in Earl Marshal's Court in College of Arms.* |
GOVERNOR'S AND JUDGES' DESKS** | Desks for governor and twelve judges are not mentioned in eighteenth-century specifications for furnishing of Court Room or in other colonial documents relating to Capitol. Architects, however, had pictorial evidence which proved that such desks were employed in comparable eighteenth-century English court rooms. They may be seen, for example, in our old drawings of Doctor's Commons (p. 278) and Central Criminal Court (p. 279). |
335 | |
Basis for design | |
General form | Old drawings mentioned in paragraph above. |
Specific details | |
Panelling of curved front and of ends of parapet | |
Arrangement of panels | Panelling arrangement in curved front of desks in Pugin-Rowlandson drawing of Central Criminal Court (see p. 279). |
Panel profile | Similar to that of jamb and spandrel paneling of bi-valve doors (p. 294) which, in turn, are similar in all respects to their counterparts in House of Burgesses Chamber (pp. 172-178). |
336 | |
Panel (chair) railing | Bolection molding similar in profile to that of railing of wall panelling in House of Burgesses Chamber (p. 168). Unusual feature here is cyma recta which extends up into soffit of fascia band, forming a kind of drip. This feature occurs in cap of arch pilasters in stairhall of 37 and 39 Stepney Green, London (see detail drawing, p. 18, Houses of the Wren & Early Georgian Periods by Tunstall Small and Christopher Woodbridge, London, 1928). Capital as whole is very similar in profiling to parapet cap though it differs from latter in minor ways. This cyma recta is also illustrated on pp. 39 and 41 of William Pain's The Builder's Companion, London, 1765. (See footnote, p. 237, which discusses question of legitimacy of use as design precedent of building details created — in case of above book, recorded — much later in eighteenth century than construction period of Capitol). |
Parapet base, ends only | Same as base of room panelling which, in turn, is similar to baseboard in House of Burgesses Chamber (see p. 168). See, also, remarks concerning baseboard under Posts with panelled front faces, p. 352. |
337 | |
Curved shape at top of panel in front (north) face of governor's desk | Shapes such as this were used widely in eighteenth century England and America in furniture design. They occurred in a variety of forms some of which are quite fanciful.* A lowboy of 1730-50, shown as plate #413 of Vol. I of Wallace Nutting's Furniture Treasury, Framingham, Mass., 1928, has, on front face, a cut-out with a shape closely similar to that of our panel. This shape is also present in another lowboy (plate #417) and a raked leg table (plate #1218) shown in same book. |
338 | |
Applied "panelled" pilasters, front (north) side of governor's desk | Similar in principle to applied "panels" of old newel post at foot of staircase of Carter-Saunders House although moldings forming "panels" in latter case are cymas whereas those forming pilasters of governor's desk are quarter rounds. (For drawing of panelled newel of Carter-Saunders staircase, see p. 41 of architectural report on that house). A number of seventeenth and eighteenth-century English rooms on walls of which are panelled pilasters are shown in English Renaissance Woodwork/1660-1730 by Thomas J. Beveridge, London and New York, 1921 (see pp. 19 and 21 and plates XX, XXVII and LXX). |
Baseboard, front (north) side of governor's desk | Similar in profile to baseboard of pew rail in Christ Church, Lancaster County. For drawing of latter, see Singleton P. Moorehead's architectural sketchbook, p. 56. |
339 | |
Posts with "panelled" front faces and beaded corners (ends of parapet) | "Panelling" here differs from that of "panelled" pilasters of front face of governor's desk in being carved out of solid wood and sunken, rather than formed by application of moldings. Molding forming panel in this case is cyma, similar to those of panelled newel of Carter-Saunders staircase (see above). An English example of panelled posts in which panel molds are cut from solid wood and recessed is found at Stepney Green, mentioned on p. 336 as having furnished precedent for parapet cap. Posts in that case are engaged posts of archway between hall and stairhall and they are panelled on three sides. Cyma mold is used as in Court Room posts. Since base of Stepney Green posts, as well as cap and panelled faces, is similar to these elements of our panelled posts, it is quite likely that this example was actual one followed by architect in working out this feature (see p. 18 of Small and Woodbridge, cited on p. 336). |
340 | |
Finials at junction of curved sides and straight ends of parapet | Finials were used in eighteenth century stairhalls both as pendant terminals hung from bottom of suspended newel posts and as upright accents at top of newels. Digges House, Yorktown has both types in stairhall (see plate #19, Colonial Interiors, Second Series by Edith Tunis Sale, 1930). Several other examples of upright newel post finials may be seen in Colonial Interiors by Leigh French, Jr., 1923. These examples, plates #57, 58 and 59, are all in houses of Massachusetts. All of above examples are wood turnings much smaller and less elaborate than those in Court Room since houses in which they occur lack sumptuousness of Court Room. |
A number of examples of wood finials used in English rooms of seventeenth and eighteenth century are shown in Thomas J. Beveridge's English Renaissance Woodwork/1660-1730, London and New York, 1921. These are more ornate than finials in Court Room since rooms in which they are used are far more elaborate than Court Room. | |
341 | |
Features on seat side of parapet wall | |
Curved top of governor's desk | Double reverse (ogee) curve was very common in eighteenth-century furniture. A number of examples of it may be seen in tops of desks, sideboards and commodes shown on pp. 262, 264, 268, 272 and 273 of Thomas Arthur Strange's English Furniture, Decoration, Woodwork & Allied Arts During the Last Half of the Seventeenth Century, the Whole of the Eighteenth Century and the Earlier Part of the Nineteenth, New York (no date). |
Panelling of sides of governor's desk | Panel profile similar to that of front of parapet wall (see p. 335). |
Fluted pilasters at corners of governor's desk | A decorative motive which appears frequently in eighteenth-century mantelpieces, furniture and elsewhere. For examples of this, see, in Architectural Records Office, collection of photographs of old mantelpieces which were once in stockpile of antique materials in Colonial Williamsburg Warehouse. These mantels were miscellaneous pieces stemming from Virginia and elsewhere. |
342 | |
Another instance of the use of fluted pilasters is found at Stepney Green house mentioned above. There they were used on panelled dado of staircase (see drawing, p. 14 of Small and Woodbridge book cited on p. 336). | |
Cap of governor's desk | Taken from eighteenth-century furniture and mantelpiece design, In collection of photographs of old mantelpieces, for example, which is kept in Colonial Williamsburg Architectural Records Office, are several old wood mantels with cornices closely resembling cap of governor's desk. These mantelpieces were formerly in Colonial Williamsburg stockpile of original building parts. |
343 | |
Baseboard at bottom of vertical surfaces beneath top of governor's desk | This baseboard type, without fillet, was very commonly used on plastered walls in eighteenth-century Virginia. Old examples of it are found in northeast first floor room of Brush-Everard House and in living room of Lightfoot House (latter base has been repaired). |
Flush vertical sheathing beneath top of governor's desk | Vertical sheathing was commonly used in eighteenth century for backs of desks, cabinets and other pieces of furniture. |
Flush back of parapet panelling, beneath judges' desk | Treatment here, i.e., bringing backs of panels out flush with stiles and rails, rather than, as is more usual, leaving them recessed in respect to latter, is similar to, though not identical with treatment of wall side (not visible) of spandrel panelling above bi-valve doors in this room and in House of Burgesses Chamber. This spandrel treatment, in turn, is similar to that of wall side of panelling beneath wall benches in House of Burgesses Chamber (see p. 168). |
344 | |
Sloping top of judges' desk, with supporting brackets | General character of this continuous inclined desk top was suggested by a like feature in our two Pugin-Rowlandson drawings of court room having semi-circular seating arrangement of judges (see pp 278 and 279). |
Though their function is different, a series of shelves supported by wood brackets in an old shop window in Corfe or Corfe Castle, Dorsetshire, England* are similar in form to sloping top of judges' desk with its brackets. Since these shelves were designed for display use they are horizontal rather than inclined and lack half-round molding superimposed upon desk top near front edge to prevent objects from sliding off. See figure #125, p. 141 of The Smaller English Houses of the Later Renaissance 1660-1830 by A. E. Richardson and H. Donald Eberlein, New York and London, 1925, for a detail drawing of Corfe window shelving. | |
345 | |
Corfe shelves are supported by wood brackets similar in design character to those of judges' desk, though profile of outside edge is a single reverse curve rather than a double one meeting in a point ("Gothic ogee") as in case of brackets of judges' desk top. Gothic ogee has already been discussed at length in connection with top of panel in face of governor's desk (footnote, p. 337). It will be noted in Corfe plate referred to above that hood over shop doorway is supported by two brackets having double-reverse-curve profile similar to brackets of judges' desk. | |
BAR RAILINGS | |
Evidence of existence | Sole eighteenth-century reference we have to bars in General Court Room is following one, a resolution of General Assembly of April 9, 1703 (Journals of the House, 1702-1712, pp. 29-30, see Appendix) "That the rest of the Court be fitted with a table for the Clerk and such Barrs* and benches as shall be necessary." |
346 | |
Expression, "such Barrs and benches as shall be found requisite and necessary" suggests that Assembly contemplated that more than one bar or barrier railing would be installed in Capitol Court Room. Provision of such barriers, as a measure calculated to insure orderly functioning of court, evidently represented practice of this period. In a letter of June 26, 1934 to Rutherfoord Goodwin, Robert C. Dean remarks: "In the other photostat which we are enclosing, you will find that in the Doctors Commons and in the Scottish Bench and Bar, the attorneys occupy the semi-circular space inside the balustrade…." (Colonial Williamsburg Archives). | |
347 | |
From what Dean says, we may assume that in Scottish Bench and Bar, of which we no longer have a picture, semi-circular area occupied by attorneys was separated from remainder of court room by an open balustrade. In case of Doctors' Commons (see drawing, p. 278), it is not clear from picture whether or not provision had actually been made for closing off semi-circular area. Drawing does, however, show what seems to be a panelled gate standing ajar against column on either side. It is these gates, possibly, which caused Dean to include Doctors' Commons in his statement that "attorneys occupy the semi-circular space inside the balustrade," although, if they were actually panelled gates, the barrier would not have been a balustrade. | |
348 | |
In respect to question of whether English court rooms had solid (panelled) bar railings or open ones (balustrades) it is pertinent to mention fact that five other English court rooms depicted in drawings by Pugin and Rowlandson in Microcosm of London (a three-volume work of which first volume appeared in 1808) were equipped with panelled barriers which divided rooms up into several compartments. One of these, Central Criminal Court, is shown on our p. 279. Three of them, Court of King's Bench, Court of Exchequer and Court of Common Pleas were located in Westminster Hall, London, which was scene of most important state trials. Fifth one was in Guildhall, London's city hall. One further old drawing, date of which is not known, shows Crown Court of Hertford, England (see p. 279a). This, like those just mentioned, is divided up by panelled barriers into various distinct spaces. In this case an open balustrade is also visible in room. | |
It is evident from pictures just mentioned that English court rooms were partitioned into pretty rigidly-separated areas, so that architects were on secure ground in treating semi-circular area in Court Room where sheriff and clerk sat; space directly north of this which accommodated attorneys for prosecution and defence, jury and witnesses and public area north of this in a similar manner, separating them from each other by railings. | |
349 | |
If court room arrangements shown in Pugin-Rowlandson drawings of ca. 1808-09 are also representative of English court room design of a century earlier, when first Capitol was built, architects would have been justified in using panelled bar railings to separate various areas of General Court Room. Precedent, however, was also found in certain English public rooms of period, related in character to court rooms, for use of balustrades. For examples of these, see our two pictures of House of Commons, Part 1, pp. 54 and 55 and a view of council chamber of town hall of Rye, Sussex in Country Life, January 13, 1955, p. 105. Latter structure was erected in 1742-44. Furthermore, use of open balustrades as bar railings in Chowan County Courthouse in Edenton, North Carolina (see illustration, Part 1, p. 19) which was built in 1767 and which, in its design, was probably strongly influenced by first Capitol, even though rounded ends of latter had been squared off before it was erected, lends further support to architects' use of balustrades in Court Room. Balustrades of Chowan County Court house, which appear to be old, may possibly reflect bar type which existed in second Capitol and this, in turn, could have represented a continuance of bar design used in first building. A positive reference to a balustrade is found in documents relating to repair of court house at Yorktown following Revolutionary War, in course of which building was seriously damaged. Among items mentioned in accounts of craftsmen who made these repairs are following: "A circuling Seat for the Jury to Set on" and a "Balluster Rail in Circule."* As further basis for installation of open balustrades in Court Room, it should be mentioned that churches in colonial Virginia very generally had these and though room functions were different, purpose served by barrier railings in each case was similar. | |
351 | |
Basis for design | |
Bar between ends of parapet | |
Handrail | Basis for profile of handrail furnished by English handrails of period, for example, handrails of house in Close Salisbury and of Swan House, Chichester. Section drawings and elevations of these handrails may be seen in The Architectural Reprint of plates from Belcher and Macartney's The Later Renaissance Architecture in England, London, 1901. Plates in question are #25 of Vol. 2 of Belcher and Macartney and #24 of Vol. 3. Other examples of this profile can be found in English Interior Woodwork of the 15th to 18th Centuries by Henry Tanner, Jr. and elsewhere. |
Balusters | Profile for these taken from measured drawing of an original eighteenth-century baluster in one of Thomas T. Waterman's notebooks which is not now in our possession.* |
Half balusters, applied to newel posts | Occur also in House of Burgesses Chamber, see p. 205. |
352 | |
Newel posts with panelled front (north) faces | Similar, except in height, to panelled posts at corners of parapet wall (see p. 338). |
Compound base | Covering, as it does, edge of platform floor, as well as receiving balusters, this element is similar in function and component elements to a stair string, though it is horizontal rather than inclined. It may be said to be composed of a cap, fascia and base. |
Cap | Similar in profile to caps of many old stair strings in Virginia. An example is stair string in Ferris House on Ware River in Gloucester County, although latter has cyma reversa molding instead of cyma recta and an additional flat band between this curve and quarter round (for drawing of Ferris House string, see Singleton P. Moorehead's architectural sketchbook, p. 127.) |
Base | Same as main wall base of Court Room which, in turn, is similar to base in House of Burgesses Chamber (see p. 168). |
353 | |
Swinging gate | Precedent similar to that for gate in barrier railing of House of Burgesses Office, p. 265. |
Bar before public space | Similar in detailing and, therefore, precedent to bar between ends of parapet, except that, due to a different floor condition, its base is different. |
Base | Similar to base at ends of parapet and that of room panelling, except that top cove form has been omitted. For precedent, see p. 294. |
Swinging gates | Similar, except in number and position, to gate of bar between ends of parapet. |
WOOD TYPE USED | |
All woodwork, except floors (see p. 165); ground-floor doors; fixed apsidal furniture and bar railings. | Yellow pine (see p. 205). |
Bi-valve doors and north door | American walnut. See Part 1, p. 123 for reasons for use of walnut for these doors. |
Governor's and judges' desks; governor's chair and bar railings | American walnut. REasons for use similar to those given for use of doors. |
354 | |
PAINT COLORS AND FINISHES (See color photograph pp. 271, 272)* | |
Panels, stiles and rails of panelling above chair rail; shutters and shutter pockets; window and door soffits; door jambs; panelled soffits of balconies and balusters of balcony railings | Salmon brown (plain), glazed finish. |
Panels beneath chair rail: molded strips on either side of round-headed window and door architraves and spandrels above latter; innermost molding of architrave of north door; spandrels occupying four corners of rectangles in which circular and oval windows are inscribed and pilasters, except for caps and molded parts of bases. | Ox-blood-red (marbled),** glazed finish. |
355 | |
Raised moldings of panelling and moldings of window and door spandrel panels. | Off white, warm (plain), glazed finish. |
Cornice; main moldings of window and door architraves, with key blocks and croissettes (window architraves only); chair rail and its extensions forming outer edges of window stools; window stools; base moldings of balconies; caps and bases of round and square posts of balconies; pilaster caps and molded parts of pilaster and room bases and interior frames of windows | Off white, warm (marbled), glazed finish |
356 | |
Rails and stiles of panelling below chair railing and window stools | Grey (marbled), glaze finish. |
Fascia (flat part) of room and pilaster bases | Slate black (marbled), glazed finish. |
All marbled parts (see above) | |
Evidence of existence of marbling | Provision in Burgesses resolution of May 10, 1705 "That the wanscote and other Wooden Work on the first and Second ffloor in that part of the Building where the General Court is to be painted Like Marble…" (Journals of the House, 1702-1712, pp. 117-118 - See Appendix) On May 11, 1705, Governor and Council gave their assent to this and other resolves of Burgesses (Legislative Journals of the Council, Vol. I, pp, 422, 423. |
Basis for marbling | Models for this work, which was executed by Edward K. Perry Company of Boston, were examples of original marbling examined by Susan H. Nash and others in old buildings in Virginia and other former colonies. |
357 | |
Prominent among these examples of marbled woodwork was that of original drawing room for Marmion, King George County which was removed many years ago and installed in Metropolitan Museum. Reproductions of photographs of this room are shown on pp. 76 and 79 of Thomas T. Waterman's The Mansions of Virginia: original photographs of it are included in Perry, Shaw and Hepburn's Paint File on Capitol (Colonial Williamsburg Archives) and sketches of woodwork details made in Marmion drawing room at Metropolitan are affixed to original back-carboned copy of Capitol Specifications, kept in Colonial Williamsburg Architects' Office. | |
Basis for glazed finish | Its purpose is to increase verisimilitude of imitation marble. |
Window sash | Dead white. |
Walnut woodwork | Natural, rubbed finish (see p. 208). |
Floors of apsidal platforms | Same as platform floors of House of Burgesses Chamber, see p. 166. |
Coat of Arms of Queen Anne | Arms, in respect to painting as well as wood-carving, were copied after an original coat of arms of Queen Anne in Earl Marshal's Court in College of Arms, London (see p. 334). |
358 | |
Plastered ceiling | White to simulate whitewash (see p. 210). |
LIGHTING FIXTURES | |
Chandelier, single-tiered, 12-branched, cut crystal, wired for electricity and hung from ceiling on longitudinal axis of room at apsidal end | |
Evidence of existence | House of Burgesses resolution of June 6, 1722 (Journals of the House, 1712-1726, p. 351) provides "That the sum of thirty pounds out of the public mony in the hands of Peter Beverley Esqr. be paid to Mr. John Holloway Mr. John Clayton and Mr. Arch: Blair to be by them laid out in providing the following Particulars for the use of the Council and Gen. Court vizt. A Gown for the Clerk of the General Assembly A Lustre for the Council Chamber A Lustre of Less Size A large glass Lanthorn and four glass branches for the General Court and thirteen Cushions of green Cloth…." |
359 | |
This resolution was passed by Council on same day (Legislative Journals of the Council, II, p. 681). | |
Architects assumed that "Lustre of Less Size" listed in above resolution was intended for General Court Room, although resolution does not specify room in which it is to be used. "Lustre" meant chandelier in eighteenth century and, as The Oxford English Dictionary indicates, lustres could be of various materials — glass, brass or bronze. It might logically be presumed that Court Room lustre was of glass since this would have harmonized with "four glass branches" ordered at same time for that room. See p. 213 for further discussion of appropriateness of use of glass chandelier in Court Room. | |
Basis for design | Supplied by Lenygon & Morant, Inc., decorators of New York and London, who arranged for its fabrication in London. It was copied from an original eighteenth century piece.* |
360 | |
Sconces, 4 identical fixtures of cut crystal, wired for electricity and attached to panelling of semi-circular wall at apsidal end of room | |
Evidence of existence | Four "glass branches" were ordered for General Court Room in House of Burgesses resolution of June 6, 1722 (see p. 358). A "branch" in eighteenth century parlance could mean either one "arm" of a lighting fixture or fixture itself which had such branches. Used in latter sense, branch could designate either wall-hung fixture or free-hanging one. Because four branches were ordered for Court Room it was assumed that these must have been wall sconces rather than chandeliers. Four chandeliers, along with "lanthorn" also ordered for this room, would have been excessive, it was believed.** |
361 | |
Basis for design, | Supplied by Lenygon and Morant (see p. 359). They were designed to harmonize in character with chandelier and had same design basis as latter. |
Lantern, sheet iron, painted antique black, 6 lights, wired for electricity and hung from ceiling over public space, on longitudinal axis of room | |
Evidence of existence | Resolution of July 6, 1722 (see above) orders "A large glass Lanthorn … for the General Court …. The Oxford English Dictionary defines "lantern"* as "A transparent case, e.g. of glass, horn, talc, containing and protecting a light." No other meanings are listed for this word in field of lighting fixtures so that, in this instance, nature of lamp ordered by Burgesses is not subject to question. |
Basis of design | Authentic copy of an original old lantern, reproduced in Paris by Baguès Inc. of New York and Paris. See Part 1, p. 106 for statement by Baugès concerning authenticity of its reproductions. |
WEST STAIRHALL IS BASICALLY SIMILAR TO EAST STAIRHALL, THOUGH MORE ELABORATE IN ITS DETAILING
The West Stairhall, in size, location and the type and arrangement of its features, is thE counterpart of the East Stair-hall, though it differs from the latter in a number of its details. In accord with the consistently-maintained sumptuousness of the appointments on the first and second floors of the west Wing, the woodwork and its' color treatment have been made richer and more elaborate in the West Stairhall than in the East. Although there is little in the old records which directly supports the assumption, the architects believed that the west wing of the first building, occupied as it was by representatives of the Crown, had been richer in its architectural detailing and its furnishings than the wing in which the representatives of the people had performed their functions. If the royal governor's residence was sumptuous enough to merit the title, "Palace" which was conferred upon it, it seems likely that that part of the Capitol in which the Governor and his administrative colleagues did their work was likewise exceptional in its appointments.
ASPECTS OR FEATURES OF WEST STAIRHALL IDENTICAL WITH THOSE OF EAST TO BE COVERED BY REFERRING TO APPROPRIATE PARTS OF SECTION ON EAST STAIRHALL
Because of duplication in the planning and in the handling of a number of the architectural elements of the two Stairhalls, it will be unnecessary, in the pages which follow, to cover again all of the ground traversed in our treatment of the East Stairhall. Repetition will be avoided, as far as possible, in the feature-by-feature discussion of the part s of the West Stairhall, by reference 367 to similar items in the section on the East Stairhall. We will put this policy into practice immediately by referring the reader to the introductory matter of that section, pp. 226-228, which is equally valid for both stairhalls.
FEATURE | PRECEDENT |
---|---|
LOCATION | See p. 229 for quotation from Act of 1699 which indicates that each wing of Capitol had its staircase and, therefore, stairhall. Since specification makes no distinction between east and west wings in providing for interior divisions on first floor, architects decided that these must have been treated similarly. Thus, partitions would have been located in corresponding positions in two wings and basic features such as staircases, door and window openings, etc. placed in corresponding locations but simply reversed in respect to each other. |
DIMENSIONS | If foregoing is correct, then dimensions of West Stairhall would have been same as those of East Stairhall and procedure followed in determining latter (see pp. 229-236) was equally valid for West Stairhall. |
368 | |
FLOOR | Similar to old pine flooring elsewhere in building, see pp. 164-167. |
Panelled wainscot (first and second floors and walls adjacent to staircase up to level of third floor landing). | |
Evidence of existence | Presumptive only; architects believed that panelled chair-rail-height wainscot here would give West Stairhall appropriate sumptuousness, as compared with simpler treatment of dado of East Stairhall (plaster). See discussion of relative richness of detailing of two wings of building, p. 366. |
Detailing | |
Panel profile | Same as profile of wainscot in House of Burgesses chamber, see p. 168. |
Base | Similar to a base in Denham Place, Bucks, England. See Mouldings of the Wren & Georgian Periods by Tunstall Small and Christopher Woodbridge, sheet #1, fig. #12. |
Rail | Similar, in sequence of curved and straight forms, though not in relative proportions of these, to a handrail profile in Denham Place, Bucks, England (ibid., sheet #10, fig. #6). |
369 | |
Plastered Wall above wainscot, and ceiling | |
Evidence of existence | Discussion of plastering in House of Burgesses Chamber is, in most particulars, valid here (pp. 169-170). |
Type of plaster used | See coverage of this on p. 170. |
CORNICE, modillion type (first floor only) | |
Evidence of existence | Presumptive only. Discussion under Evidence of existence on p. 171 is also valid here. |
Basis for design | Similar to main cornices in General Court Room and House of Burgesses Chamber (see pp. 294 and 171, 172). |
DOOR TRIM AND HARDWARE | |
East entrance door, #106 | Similar in all respects to corresponding door of East Stairhall (see pp. 238, 239). |
South door, #108, to General Court Room | |
Evidence of existence, panelling arrangement and profile, hardware, jamb panelling | Covered on p. 295 under heading North door, #108 (General Court Room). |
370 | |
Architrave (trim), stairhall side | |
Profile | Similar to profile of exterior trim of entrance doors to stairhalls (p. 144) which, in turn, is similar to that of bi-valve doors (p. 123). |
North door, #107, to Office of Secretary of State | |
Panelling arrangement | Similar to that of east and west stairhall entrance doors (p. 144). |
Panel profile | Similar to that of bi-valve doors (p. 123). |
Hardware | Similar to that of north door of East Stairhall (see p. 239) . |
Architrave (trim) | |
Profile | Similar to that of south door, #108, see above. |
Croissettes, top corners of architrave, only | Croissettes of old door frames in stairhall of Brush-Everard House (see photo, p. 61, architectural report on that house). |
Pediment | |
Evidence of existence | None. Has same justification as other features of enrichment throughout first and second floors of west wing (see p. 366). |
371 | |
Basis for design | Doorway in west parlor of Mount Vernon, Fairfax County is surmounted by an unbroken pediment with modillion blocks, resting on a cushion frieze (see photo, p. 284, Thomas T. Waterman, The Mansions of Virginia). Doorway in north wall of dining room at Shirley, Charles City County, is pedimented but pediment is broken (photo, ibid., p. 359). This pediment, however, has modillion blocks and cushion frieze resting on door architrave provided with croissettes. Doorway in northeast room of same house (photo, ibid., p. 355) has similar features, except that dentils take place of modillions and cushion frieze is ogee-shaped as in case of north door of West Stairhall.* |
Profile, exclusive of cushion frieze | Similar to that of Stairhall cornice, but smaller in scale, (see p. 369) and to main cornices in General Court Room (p. 294) and House of Burgesses Chamber (pp. 171, 172). |
Door #110, to basement | Similar to corresponding door #111, of East Stairhall, (see pp. 240, 241), except that peg strip is lacking. |
Wall cabinet doors (hose cabinet in south wall and switchboard in north) | Same in all respects except paint color to corresponding cabinet doors in East Stairhall (see pp. 241, 242). |
372 | |
Concealed ("blind") bi-valve door to passage leading to south balcony of General Court Room, south wall at stair landing between first and second floors | |
Evidence of existence | Discussed on p. 310 |
General form | Considerations comparable to those cited on pp. 315 and 316 in connection with concealed gallery doors of General Court Room also obtain here. It should be noted, however, that situations of this "blind" Stairhall door and gallery doors are not quite similar, latter being inserted in fully panelled walls and former being installed in wall having chair-rail-height wainscot with plastered surface above. To render this door as inconspicuous as possible, architects, therefore, treated its lower part on Stairhall side like adjacent panelling and made upper part of flush boarding, painted color of neighboring plaster, to cause it to appear as much like latter as nature of material would permit. It should be noted that door does not continue to floor but stops at top of Stairhall baseboard which continues through beneath it, creating a sort of "step-over" sill. It was desirable to make this baseboard fixed since floor of passage to Court Room gallery is about 2-½" higher than that of stair platform and baseboard serves to mask elevated edge of passage floor when door is open. |
373 | |
Construction - Stairhall side: horizontal sheathing above applied panelling; passage side; vertical sheathing | |
Double sheathing, unbeaded | Old door of Lightfoot smokehouse has vertical sheathing on outside and horizontal on inside. |
Applied panelling | Examples of cabinet doors incorporated in room-high, eighteenth-century panelling are cited on p. 316. Such examples establish principle of cutting doors in pannelled walls and our condition, in which a door is inserted in a wall with dado-height panelling, may be looked upon as a variant of this. |
Nailing | "Sandwich" of sheathing and applied panelling held together by blind nailing, which is in keeping with intention of making door as inconspicuous as possible. |
374 | |
Hardware | |
Spring latch with brass knob, item #F-22 in catalog of Boone Forge, Spruce Pine, North Carolina | Drawings of several types of original colonial spring latches are shown in Early American Wrought Iron by Albert F. Sonn, New York, 1928, Volume I, plate #98, p. 229. Figure #5 of plate in question shows a latch which was fairly commen in Germantown and Philadelphia. Form of this latch approaches ours very closely except that it has two drop handles rather than a knob. Figure #3, same plate, shows an old latch from vicinity of Bethlehem, Pennsylvania which, like ours, has a knob. |
Two pairs of 9-¾" wrought iron HL hinges with leather washers | See Part 1, p. 124 for information concerning precedent for wrought iron hinges in Capitol and their fabrication. |
Frame - flat wood strip set in plastered wall only, its west stile being stopped by cap of dado and its east by applied half newel; no frame or trim on passage side, hinges being attached to stiles of panelling. | Original, unmolded flat frames set in plastered walls are found on second floor of Brush-Everard House. |
375 | |
WINDOWS WINDOW TRIM AND SHUTTERS | |
West window, #115 | Similar to its counterpart, window #106 in East Stairhall, pp. 243-247, except for treatment of arch soffit and jambs - see below. |
Treatment of arch soffit and jambs - plastered soffit and jambs down to level of top of baseboard of stair landing between first and second floors; panelled shutters and jambs from that point to floor. | Round-arched windows of Christ Church, Lancaster County are treated in a manner similar to a point about half way to window stools plastered and remainder of jambs panelled. For photograph, see Virginia Houses, Volume C-K. Also compare with treatment of soffit and jambs of corresponding window of East Stairhall, p. 243. |
STAIRCASE | |
Location and general considerations | See pp. 226-228. |
Type: U-shaped | See p. 247. |
Details | |
Tread nosing profile | Similar to that of feast staircase (see p. 247). |
Closed string | |
376 | |
Profile | Thomas T. Waterman in his architectural record on the Capitol of February 5, 1932 (Colonial Williamsburg Architectural Records Office) gives, as source of this profile, stair string in Castle Bromwich, Warwickshire, England. |
Railing | |
Handrail | |
Profile | Copied with modifications from handrail of a staircase in Rutland Lodge, Petersham, England. See Mouldings of the Wren & Georgian Period by Tunstall Small and Christopher Woodbridge, sheet #11, fig. #17. |
Omission of sweeps | Treated under East Stairhall, p. 248. |
Turned balusters | Thomas T. Waterman in his architectural record on Capitol (see above) lists balusters in Park Hall, Oswestry, England as basis for design of these balusters. Balusters with profiles very similar in shape to those of West Stairhall are shown on plate XL (examples #6 and 7 from left) of Thomas J. Beveridge's English Renaissance Woodwork/1660-1730, London, 1921. See also footnote , 351,-this report , |
Half balusters, applied to newel posts | See under Bar, Half Balusters, p. 205. |
377 | |
Half railing before window at landing between first and second floors | Similar in principle to half railing in corresponding situation in East Stairhall, see p. 249. |
Newel posts | |
Cap profile | Similar to handrail profile, see above. |
Newel at base of stair, "panelled" on three sides | Profile of moldings similar to that of "panelled" posts of Court Room parapet, see pp. 338 and 339. |
Newels at landings | |
Cross-section, square, with edges beaded | Similar to that of newels of east staircase, see p. 249. |
Extension below soffits of landings | Similar to this feature of east staircase. |
Newel drops | |
At second floor and at landing between second and third floors | According to Thomas T. Waterman, in his architectural record on Capitol (see above), these drops were copied from original newel drops in Rochambeau-Vernon House in Newport, Rhode Island. |
378 | |
At landing between first and second floors and at third floor. | See discussion of newel drops on p. 250. Original newel drops of George Wythe staircase and of staircase of Elmwood, Essex County (Virginia Houses, Vol. C-K) are of same general character as drops in question, though their sequence of curves is somewhat different. |
Newel extending from intermediate landing to first floor | Similar to a like feature of east staircase, see p. 251. |
Half handrail and half newels applied to walls, in conjunction with dado panelling | |
Basis for use | Several English examples of this combination of features may be seen in Houses of the Wren & Early Georgian Periods by Tunstall Small and Christopher Woodbridge. Among these may be mentioned staircases of a house at Nos. 37 & 39 Stepney Green, London and of St. Anselm's School, Croydon. |
379 | |
Profiles of these | Similar to those of full handrailing and newels. |
Panelled spandrel, beneath initial run | |
Panel arrangement, i.e., two tiers, separated by horizontal rail. | Same division principle found in staircase spandrels of following houses, though number and size of panels are not same as in our spandrel: Tuckahoe, Goochland County (Thomas T. Waterman, The Mansions of Virginia, p. 90); |
Panel Profile | Same as that of dado panelling in West Stairhall which, in turn, is similar to that of panelling in House of Burgesses Chamber (see p. 168). |
Molded fascias at intermediate landings | Same profile as that of string, see pp. 375 and 376. |
Panelled fascias of landings at second and third floors | Based upon same precedent as similar features of East Stairhall, see pp. 251, 252. |
Profile | Crown and bed molds similar to those of string (pp. 375, 376). Panel profile same as that of wainscot of West Stairhall (p. 368) and of House of Burgesses (p. 168). |
380 | |
Panelled soffits of stair runs and intermediate landings | |
Basis for design | Soffit panelling of staircases of following houses: Perrin Place (Little England), Gloucester County (Virginia Houses, vol. L-P, no. 1); Ampthill, formerly Chesterfield County, now rebuilt in Richmond (Thomas T. Waterman, The Mansions of Virginia, p. 216) and Wilton-on-the-James, formerly Henrico County, now rebuilt in Richmond. |
Panel profile | Same as that of wainscot of West Stairhall (p. 368) and of that of House of Burgesses Chamber (p. 168). |
WOOD TYPES USED | |
All woodwork, except for items treated below | New yellow pine, as in House of Burgesses Chamber, see p. 205. |
Floors | Old yellow pine, similar to flooring in House of Burgesses Chamber, see pp. 165-167. |
Stair treads | Old yellow pine with new nosings, similar to treads in East Stairhall, see p. 253. It should be noted that treads from landing between second and third floors to third floor landing do not have new nosings. |
381 | |
Full handrailing and newel caps; balusters; half balusters and handrailing at landing between first and second floors | American walnut, see under Handrail, pp. 253 and 254. |
Doors | |
East entrance door, #106 | White pine, similar to that of main entrance door to East Stairhall, #103 and other entrance doors, see Part 1, p. 145, under Wood type. |
To General Court Room, #108 | American walnut, see p. 353 and also Part 1, p. 123 under Wood type. Reasons for use of walnut here similar to those for its use in bi-valve doors. |
To Office of Secretary of State, #107 | American walnut, see Part 1, p. 123 and note above. |
382 | |
PAINT COLORS AND FINISHES* | |
Door to basement (both sides); jambs and arch soffit of east entrance door; jamb of door #209 to Lobby, second floor; third floor doors (Stairhall side only); window frames; soffits of panelled window openings and jambs as far down as bottom of sash, with shutters and shutter pockets; flat side of half balusters at landing between first and second floors; sloping corner boards of dormer window enclosures (third floor) and dormer window stools, and base above landing between second and third floors | Off white, warm (plain), glazed finish. |
383 | |
Panelling of dado, with dado cap; half handrail at landing between first and second floors; shafts of newels and half newels, except for those at base of staircase, and newel drops; spandrel panelling beneath initial run of stair; molded and panelled fascias (see p. 379); railing base and stringer, all floors; fascias of risers above landing between second and third floors; panelling of soffits of stair runs and landings; door architraves, except those of door #107 to Office of Secretary of State and third floor doors; jambs of door #210, to Office of Clerk of Council; window architraves, stools and panels below stools; cornices, and boards of peg strips, second floor. | Off white, warm (Marbled), glazed finish. |
Fascia of base up to but not including landing between second and third floors; fascia of risers up to landing between second and third floors; shafts and bases of newel and half newel at foot of stair, also cap of half newel, and architrave, pediment and jambs of door #107 to Office of Secretary of State. | Slate black (marbled), glazed finish. |
384 | |
All marbled parts (see above) | |
Evidence of existence of marbling | See, under same heading on p. 356, quotation from resolution of May 10, 1705. It will be noted that resolution specifies marbling for first and second floors only "in that part of the Building where the General Court is…" Architects, therefore, used no marbling on third floor of West Stairhall. |
Basis for marbling | Discussed at some length on pp. 356 and 357. |
Basis for glazed finish | See same heading on p. 357. |
Window sash | Dead white. |
Walnut woodwork, i.e., handrailing and newel caps and balusters; half balusters at landing between first and second floors (flat side painted); all doors on first and second floors (court side of east entrance door painted), and coat pegs, second floor. | Natural, rubbed finish (see p. 208). |
All floors, and stair treads with their molded nosings | Wax finish, as in case of flooring of platforms in House of Burgesses Chamber (p. 166). |
Plaster of walls and ceiling | White to simulate whitewash (see pp. 210 and 211). |
385 | |
LIGHTING FIXTURES | |
Lantern, iron, one-light, painted antiqued black, wired for electricity and hung from ceiling under second floor landing. | Manufactured after an eighteenth-century example by Baguès, Inc. See Part 1, p. 106 for statement of this firm concerning authenticity of its reproductions. See also quotation from Burgesses resolution of June 6, 1722 (our p. 213) which indicates that lanterns were used in original Capitol. |
Sconce (bracket), brass, one branch, wired for electricity, attached to wall above window arch at landing between first and second floors. | Identical with fixture in corresponding location in East Stairhall (p. 255). These fixtures, we believe, were fabricated by Baguès, Inc. in France after an original old fixture.* |
IMPORTANCE OF SECRETARY OF STATE*
According to Philip Alexander Bruce (Institutional History of Virginia in the Seventeenth Century, New York, 1910, Vol. IIp. 391), "One of the most important of all the offices established in the Colony during the Seventeenth century was the Secretaryship of State." And Lord Culpeper, writing in 1683, went so far as to say that the secretary was "the very next in dignity to the Governor…"** The office was so important, indeed, that the secretary, like the governor, the members of the Council and the treasurer, was appointed by the Crown. Speaking further about the secretary's office , Bruce (ibid., p. 395) says that "the incumbents were, without an exception, drawn from the circle of the most prominent citizens of the Colony; that they were men in the enjoyment of competent fortunes; that they belonged, as a rule, to families of great social and political influence; and that they were distinguished for superior talents and accomplishments, and 389 generally for ripe experience in the public service."
DUTIES OF THE SECRETARY
The duties of the secretary were many and varied. They have been enumerated with exhaustive completeness in Hartwell, Blair and Chilton's The Present State of and the College.* Another eighteenth-century description of the duties of the secretary is found on pp. 245 and 246 of Robert Beverley's The History and Present State of Virginia.** Since this is a shorter account and still sufficiently detailed to answer our purposes, we will reproduce it here:
The Secretaries business is to keep the public Records of the Country, and to take care that they be regularly and fairly made up; namely, all Judgments of the General Court, as likewise all Deeds, and other Writings there proved; and further, to issue all writs, both Ministerial, and Judicial relating thereto. To make out and record all Patents for Land, to file the Rights by which they issued, and to take the return of all Inquests of Escheat.
In his Office is kept a Register of all Commissions of Administration, and Probates of Wills, granted throughout the Colony; as also of all Births, Burials, Marriages, and Persons that go out of the Country; Of all Houses of publick Entertainment, and of all publick Officers in the Country; and of many other things, proper to be kept in so general an Office.
From this Office are likewise issued all Writs for choosing of Burgesses, and in it are filed Authentic Copies of all Proclamations .
MAINTAINED LIAISON BETWEEN COLONY AND CROWN
The Colonial Virginia Register by William G. and Mary Newton Stanard gives, on p. 7, another category of duties performed by the Secretary, which Beverley fails to mention. These are of such significance that they should be mentioned here. In the words of
390
OFFICE OF SECRETARY OF STATE, LOOKING NORTH
392
the Stanards, "An important part of the Secretary's duties was to keep the English government constantly informed in regard to affairs in Virginia, and send home copies of all public papers." Thus, in this capacity, the secretary performed the vital function of maintaining a liaison between the colonial government and that of the mother country.
EQUIPMENT OF OFFICE OF SECRETARY
The work performed in the Secretary's Office was of the same general character as that done in the Office of the Clerk of the House of Burgesses and consequently its equipment would have been of the same type (see p. 261). Definite information concerning the equipment of the Secretary's Office, moreover, is found in the Capitol records. A resolution of August 20, 1702 (Journals of the House, p. 385), for instance, runs as follows:
Resolved and accordingly ordered
That Boxes be provided for keeping the Records and other papers belonging to the Secretary's Office and Assembly office so as they may be removed easily in case of fire
Another reference to the equipment of the Office occurs in an amendment made by the Council to a series of orders sent to it for approval by the House of Burgesses on June 21, 1706 (Legislative Journals of the Council, Vol. 1, p. 485):
And the said Orders being read were agreed to with the following amendmts viz at 21st line at the end add (and that he [Henry Cary] fitt up the Secretarys office, and Council office with such presses, barrs and desks as are wanting there, acording to the direction of the Secretary and Clerk of the Council)—
AUXILIARY ROOM ON THIRD FLOOR ASSIGNED TO SECRETARY
As might be inferred from the moderate size of the present room, not all of the document appertaining to the Secretary's Office were actually kept there. What was presumably a storage room was provided for the secretary on the third floor of the 393 building, as becomes clear from this excerpt from a Burgesses resolution of May 1, 1704 (Journals of the House, 1702-1712, p. 61; see Appendix for complete text of resolution):
Resolved
That each of the Garretts of the East and West ffronts of the Capitol be divided into four roomes and thus appropriated vizt
One for the Auditor, One for the Secretary, One for the Judge of the Vice admiralty, one for my Lord Bishopp of Londons Commissary, One to keep all the Collectors Accounts and Papers. One for the Navall Officers to be imployed for the same use, One for the Attorney Generall and One for the Sherriff attending the Genll Court.
FIREPLACES INSTALLED IN OFFICES TO PROTECT RECORDS FROM DAMPNESS
As is stated in the caption to the reproduction of the Bodleian plate drawing of the north face of the Capitol (Part 1, p. 30), the building, as originally erected, had no chimneys. It was soon found necessary, however, to introduce heat into the building to protect the records from dampness. A written message of June 14, 1723 from the governor and Council to the House of Burgesses (Journals of the House, 1712-1726, p. 390) proposes the addition of chimneys to the building:
A Memorial having been laid before us by John Carter Esqr Secretary of this Colony Setting forth the Danger to which the Records and papers in his Office are Exposed by the Damps in that Office Occasioned for want of Chimneys therein, We think it proper to Signifie to your House That we are of Opinion the Building Chimneys to that and the other Offices kept in the Capitol is Absolutely necessary for the preservation of the Records and recommend to your House to take proper Measures for that purpose and for defraying the Necessary Charge thereof.
The House responded to this recommendation the same day with the following resolution which was concurred in by the Council on June 19, 1723:
ResolvedThe "stacks of chimneys" ordered at that time to be built were, of course, the ones shown on the Bodleian plate drawing (Part 1, p. 30)
That Mr. John Holloway Mr. John Clayton and Archibald Blair be Impowered to agree with workmen to build stacks of 394 Chimneys with two Fire places in each Chimney at the North end of the Capitol…
ALL RECORDS ARE SAVED WHEN CAPITOL IS BURNED OUT IN 1747
Possibly as a consequence of this introduction of fireplaces into the building, although at the time there was a suspicion of incendiarism, the first Capitol was destroyed by fire on January 30, 1747. According to a description of the conflagration printed in the Pennsylvania Gazette of February 25, 1747, the records, fortunately, were saved from the flames:
During this Consternation and Hurry, all the Records deposited in the Capitol, except a few loose, useless papers, were by great Care and Diligence, and in the midst of Danger, happily preserved …
SECRETARY INTRODUCES BILL TO ERECT A SEPARATE STRUCTURE FOR RECORDS
The fire, which might easily have destroyed the irreplaceable records, brought forcibly to the attention of the legislators the need to provide a more secure repository for them. Consequently, on April 15, 1747, the secretary of state made the following motion in the House of Burgesses, then meeting in the Wren Building (Journals of the House, 1742-1749, p. 246):
Mr. Secretary Nelson moved for Leave to bring in a Bill for erecting a Building for the Presevation of the Public Records of this Colony; and the Question being put thereupon, Resolved in the Affirmative .
RIDER CAUSES DEFEAT OF BILL: COUNCIL THEN TAKES MATTER INTO ITS OWN HANDS AND ISSUES ORDER FOR ERECTION OF BUILDING
This bill was quickly passed by the House but when it was sent to the Council for its approval, the latter tacked a rider on it, calling for the removal of the seat of government to some other part of Virginia. The Burgesses refused to accept this amendment and the bill was killed. The Council, however, evidently decided to "go it alone" in the matter of constructing a building in which 395 to keep the records. At a meeting of that body held on April 29, 1747, it "Ordered That a Building be erected for the Preservation of the Records and that John Blair Esqr William Nelson Esqr John Robinson junr Esqr and Thomas Nelson Esqr be appointed Managers to treat with workmen about the same." (Executive Journals, Council of Colonial Virginia, November 1, 1739 - May 7, 1754, Vol. V, p. 233).
COUNCIL PAID FOR STRUCTURE OUT OF KING'S REVENUE; BUILDING KNOWN TO HAVE BEEN ERECTED IN 1747-1748
The Council was able to build this structure without the consent of the House of Burgesses simply because the construction costs were paid out of the King's revenue, over which the Burgesses exercised no control. That the building for the secretary was actually built and expeditiously, as well, is proven by the fact that, on November 26, 1748, "The following warrants on the Receiver General to be paid out of his Majesty's Revenue of 2/. per Hhd. [Hogshead] Port Duties &c. were Sign'd by the Governor in Council.
For building a House to preserve the Records--367..19..7"(ibid., pp. 274, 275)If, as the above quotation appears to imply, the Secretary's Office Building was completed sometime before November 26, 1748, the secretary of state must never have had his office in the second Capitol since that building was first used on November 1, 1753 and the secretary would long since have occupied his new structure. 396
FEATURE | PRECEDENT |
---|---|
LOCATION | That Secretary's Office was located in west wing of Capitol is rendered reasonably certain by following statements, dated August 26, 1702, which are recorded in Journals of the House, 1695-1702, pp. 394-395 (see Appendix): |
"Mr. Cary from the Comtee appointed to Joine with a Comtee of the Council to consider of the appropriateing the Roomes in the Capitol for the use of the Several Offices &c reported the proceedings of the said Comtee…where the Same…were agreed to by the house, and were as followeth Vizt: | |
"That the building to the Westward next* the College be appropriated to the use of the genll Court and offices there-to belonging to wit | |
"The great Roome below for the Genll Court to Sit in and the other part of the building below for the Stare case and secretarys office." | |
397 | |
We have no reference in eighteenth-century documents to location of Secretary's Office or General Court Room following completion of Capitol and, therefore, we cannot state positively that above resolution was actually carried out. It may safely be assumed that it was, however, since we would otherwise, no doubt, have come upon an order countermanding it. | |
Since Act of 1699 (Appendix) stipulates that Burgesses Chamber and Court Room be alike in size ("fifty foot long") and that remaining space in both wings be divided between a stairhall and offices, there is every reason to conclude that these features were located in same relative positions in their respective wings. This would place Secretary's Office north of West Stairhall, just as Office of Clerk of House of Burgesses lay north of East Stairhall. (See p. 228 for discussion of reasons for concluding that Office of Clerk was in north end of east wing with Stairhall intervening between it and Chamber of House of Burgesses). | |
398 | |
DIMENSIONS | If we are correct in our assumption that Stairhalls and Offices were located in corresponding positions in two wings, it is logical to conclude that they also corresponded in size. East and West wings of Capitol were similar in exterior treatment, i.e., location of openings, etc., to judge, at least by parts of building shown in Bodleian plate drawing of building (Part 1, p. 30), and it would be almost necessary, in order to achieve this, to have main interior partitions in corresponding positions. Provision for two stairhalls in Act of 1699 (Appendix), furthermore, makes no distinction between them so that we may assume that they were to be made alike in size. Thus, if stairhalls and two great rooms were alike in size, spaces remaining for Offices in two wings must have been equal, since wings were equal in size. |
After concluding that Secretary's Office and Office of Clerk of House of Burgesses were alike in size, it still remained for architects to establish this size. Manner in which this was done in case of Clerk's Office is discussed at length on pp. 229-236. | |
399 | |
FLOOR, wood | Similar to flooring of raised platforms in House of Burgesses Chamber, see Wood variety, p. 165. |
WALLS AND WALL COVERING | |
Evidence of existence of panelled wainscot | See p. 368, Panelled wainscot, Evidence of existence. Secretarys Office bears same relation to Clerk's Office in respect to sumptuousness of treatment as West Stairhall bears to East Stairhall. |
Detailing of wainscot | |
Panel Profile | Same as profile of wainscot in House of Burgesses Chamber, see p. 168. |
Base | Similar to a base of Molins, Reigate, England. See Mouldings of the Wren & Georgian Periods by Tunstall Small and Christopher Woodbridge, sheet #12, fig. #4. |
Cap | Similar to a panel mold in a house at Bedford Square, London, Ibid., sheet #14, fig. #8. |
Plaster above wainscot | Discussion of plastered walls of House of Burgesses Chamber (pp. 169, 170) is in large part valid here. |
CEILING | |
CORNICE, modillion type | |
400 | |
Evidence of existence | Discussion on p. 171 of modillion cornice of House of Burgesses Chamber applies in large part here. A cornice of greater elaborateness than that in Office of Clerk of House of Burgesses (modillion blocks as against fret dentil bedmold) was deemed appropriate here because of greater sumptuousness of this room over Clerk's Office. |
Basis for design | Similar to main cornices in House of Burgesses Chamber (pp. 171,172); General Court Room (p. 294) and West Stairhall (p. 369). |
DOORS, DOOR TRIM AND HARDWARE | |
Door #107, to West Stairhall | |
Door details and hardware | Covered on p. 370 under North door, #107. |
Architrave | Same profile as on Stairhall side (p. 370) but lacks croissettes and pediment. |
WINDOWS, WINDOW TRIM AND SHUTTERS | |
Round-headed openings | See part 1, p. 119 for discussion of arched openings of first floor windows of west elevation. |
Splayed jambs | See Splayed jambs, pp. 172, 173 and, same heading, pp. 185, 186. |
Sash and glazing | See Part 1, p. 125 for discussion of these subjects. |
401 | |
Panelled jamb shutters | These have same basis as and are similar in detailing to shutters in House of Burgesses Chamber, except for proportions of three panels into which shutters are divided, which are different in two rooms. Discussion of shutters on pp. 197-189, therefore, remains valid for shutters of Secretary's Office. |
Panels beneath shutters and sash | See Panel beneath sash, pp. 298, 299. Panels in Secretary's Office are similar as to basis and detailing to those of General Court Room except that in case of latter only panel beneath sash exists since shutters descend to level of window stool. It should be stated that panelling condition in case of Wythe House windows mentioned on p. 298 is similar to that of windows in Secretary's Office since Wythe House shutters terminate at level of bottom of sash and have panels beneath them. |
Panelled soffits of window openings | Similar to panelled soffits of window openings of House of Burgesses Chamber, see p. 189. |
402 | |
Architrave | |
Profile | Similar to profiles of window architraves in two Stairhalls and in Office of Clerk of House of Burgesses. These, in turn, are similar to profiles of interior architraves of first floor windows of Brush-Everard House, some of which are original (see diagram, p. 55, architectural report on that house). |
Croissettes, at spring of arch and at base | Similar to croissettes of round-headed windows of General Court Room (see this subject, p. 300). |
Key blocks | Similar in form to external keystones of segmental-arched window openings of Rosewell, Gloucester County (see Virginia Houses, Vol. R-S for several photographs which show these), except that Rosewell examples have three flutes as against four in case of those of Secretary's Office. |
403 | |
Panelling beneath window stool | In respect that dado cap continues across top of this panelling, forming front edge of window stool, this element resembles treatment beneath stool of round-headed windows in General Court Room (pp. 298, 299). It differs from latter in several respects, however, and especially in that panelling projects about 2" in front of room panelling and in having two panels instead of a single one as in case of Court Room windows. Examples of "under-stool" panelling which projects beyond room panelling and has a two-panel division are found in Kittridge House in North Andover, Massachusetts, although projection is much greater than in our example and stool does not rise to height of dado cap. An example in which projection is similar to that in Secretary's 0ffice, but which has but a single panel, is found in Isaac Royall House in Medford, Massachusetts. This example, located in an arched window recess, is also much lower than dado rail. Photographs of both of these are found on plate #104 of Colonial Interiors by Leigh French, Jr., New York, 1923. |
404 | |
BARRIER RAILING WITH GATE | |
Evidence of existence | See Council amendment of June 21, 1706 (p. 392) Which provides that Henry Cary, builder of first Capitol, "fitt up the Secretarys office and Council office with such presses, barrs and desks as are wanting there… " One such bar or barrier railing must have been sufficient in each of these rooms because of their relatively small size. That bar was actually installed in original Secretary's Office seems probable since, as is pointed out in our discussion of similar feature in Office of Clerk of House of Burgesses (pp. 264, 265), a room in which valuable documents were kept, on one hand, and to which public had access, on other, would have required a barrier railing. Architects, therefore, installed such a railing in Secretary's Office, giving it same position in room as railing of Clerk of House of Burgesses Office has in that room, i.e., centered on north window nearest court. |
Basis for design | |
405 | |
General form | Similar to bar railing in Clerk of House of Burgesses Office, which, in turn, is similar in general character to bar of House of Burgesses Chamber (pp. 202, 203). It should be noted, however, that both offices have bars with side-swinging gates rather than, as in House of Burgesses, ones in case of which openings through them are barred by a section of handrail which swings up. |
Specific details | |
Handrail | Same profile as bar handrails in General Court Room (p. 351). |
Balusters | Same profile as balusters of bar railings in Court Room (p. 351). |
Half balusters, applied to newel posts | Same basis as similar features of bar of House of Burgesses Chamber (p. 205). |
Base | Same as that of outer bar railing in General Court Room (p. 353). |
Newel posts | |
Cap | Profile similar to that of handrail (see above). |
Shaft | Similar to those of bar of House of Burgesses Chamber (p. 204). |
Base | Continuation of railing base (see above). |
Swinging gate | Similar in principle to swinging gate of Office of Clerk of House of Burgesses and has same precedent (pp. 265, 266). |
406 | |
WOOD TYPES USED | |
All woodwork, except for items listed below | New yellow pine, as in House of Burgesses Chamber (p. 205). |
Floors | Old yellow pine, similar to flooring of platforms of House of Burgesses Chamber (pp. 165-167) . |
Door to Stairhall and entire bar railing | American walnut. A rich-appearing wood, in keeping with greater sumptuousness of appointments of this wing over those of east wing (see p. 366). |
PAINT COLORS AND FINISHES* | |
Panels of dado proper and those beneath window stools; inside fascia, with bead, of door and window architraves | Ox-blood red (marbled), glazed finish. This color and finish are same as those used on corresponding features in General Court Room (p. 356). |
Cornice; main moldings of window and door architraves, with key blocks and croissettes (window architraves only); dado cap; window stools and frames and molded top part of dado base | Off white, warm (marbled), glazed finish. This color is same as that used on corresponding features in General Court Room (p. 355) and West Stairhall (p. 382) |
407 | |
Fascia board of room base and jamb and soffit boards of door #107 to West | Slate black, (marbled), glazed finish. This color also used on base of General Court Room (p. 356) and West Stairhall (p. 383). |
Stair hall | |
All marbled parts (see above) | |
Evidence of existence of and basis for marbling | See, under same heading, pp. 356, 357. |
Window shutters and shutter pockets; panelling beneath shutters and sash, and panelling of semi-circular soffit of window opening | Salmon brown (plain) , glazed finish, as used on corresponding features of General Court Room (p. 354}. |
Quarter round cut on panel sides of stiles and rails of dado panelling and panelling beneath window stools | Gray (plain), glased finish. |
Window sash (room side only) | Dead white. |
Walnut woodwork | Natural, rubbed finish (see p. 208). |
Flooring | Wax finish (see p. 166). |
Plastered walls and ceiling | White to simulate whitewash (see p. 210). |
408 | |
LIGHTING FIXTURE | |
Chandelier, 18-branched, polished brass, wired for electricity and hung from ceiling at center of room | |
Evidence of existence | There is no mention in eighteenth-century records of a lighting fixture in Secretary's Office. This was situation in respect to lighting fixtures in House of Burgesses Chamber also and much of reasoning which entered into provision of a brass chandelier for that room in reconstructed Capitol applies here. See pp. 212-215 for discussion of that subject. |
Provenance | Reproduced from an authentic eighteenth century example by Baguès, Inc. of New York and Paris. See Part 1, p. 106 for statement by Baguès concerning authenticity of its reproductions. |
NOTE: Architectural features appearing in this index, unless otherwise identified, are features of the Capitol.
The underlining of a page number signifies that the time referred to on that page is an illustration.
The abbreviation, q.v. (quod vide — "which see"), placed after the title of a book or article, signifies that the reader will find the title treated in its proper alphabetic position in the index.
COUNCIL CHAMBER, LOOKING NORTH
Color Photograph by B. Anthony Stewart, taken from The National Geographic Magazine for October, 1954
"The pagination of this part of the report is continuous with that of Part 2. References in Part 3 to matter in Parts 1 and 2 will be located by page numbers, preceded by the volume number, i.e. "Part 2, p. 241." Absence of the volume number is an indication that the page referred to is in Part 3.
This report was written by Howard Dearstyne for the Architects' Office of Colonial Williamsburg. It was reviewed on its draft form by Orin M. Bullock, Jr. and Singleton P. Moorehead. Changes suggested by them were made by the author and the report was typed in final form, being completed on November 30, 1956.
INTERIOR — SECOND FLOOR | 410-538 |
SEQUENCE OF TREATMENT OF ROOMS | 412 |
SECOND FLOOR PLAN (WORKING DRAWING) | 415 |
WEST WING | 416-497 |
STAIRHALL | 416-423 |
OFFICE OF CLERK OF COUNCIL | 424-433 |
COUNCIL CHAMBER LOBBY | 434-458 |
STAIRHALL AND UTILITY ROOM ADJACENT TO COUNCIL CHAMBER | 460-472 |
COUNCIL CHAMBER | 474-497 |
CENTRAL PAVILION — CONFERENCE ROOM | 498-515 |
EAST WING | 516-538 |
COMMITTEE ROOMS | 516-532 |
STAIRHALL | 534-538 |
INTERIOR — THIRD FLOOR AND CUPOLA | 540-593 |
MANNER IN WHICH THESE WILL BE TREATED | 542 |
EAST AND WEST STAIRHALLS | 544-550 |
OFFICES | 552-568 |
INTERIOR OF CUPOLA | 570-593 |
INTERIOR — BASEMENT | 594-600 |
BASEMENT PLAN (WORKING DRAWING) | 595 |
CAPITOL GROUNDS | 602-635 |
INTRODUCTORY NOTES | 604 |
WALLS AND GATES OF CAPITOL ENCLOSURE | 604-622 |
CAPITOL PRIVY | 622-635 |
APPENDIX | 636-686 |
TABLE OF CONTENTS | 638 |
INDEX | 688 |
SEQUENCE OF TREATMENT TOUCHED ON EARLIER: EXACT ORDER TO BE FOLLOWED GIVEN HERE
The sequence to be followed in the treatment of the rooms or spaces of the second floor has already been touched upon in the prefatory remarks concerning the manner in which the interior of the Capitol would be handled (Part 2, pp. 150, 151). It remains only to state the precise itinerary of our hypothetical "tour" of the second floor. Having mounted the west staircase to the second floor landing, the room sequence which promises to hold the "doubling back" on our course to a minimum and save us the most steps is the following: West Stairhall, Office of Clerk of Council, Lobby to Council Chamber, Council Chamber, Conference Room, Middle Committee Room, South Committee Room, East Stairhall and North Committee Room. We will fix upon this as the order to be followed and deal with the West Stairhall first.
FEATURES OF STAIRHALL ALREADY TREATED AND THOSE TO BE COVERED IN THIS PART
We have already (Part 2, pp. 364-385) covered the first floor of the West Stairhall, as well as the entire staircase and the paint colors of all three floors, inasmuch as these latter are, in most respects, continuous throughout all floors and could more readily be handled in toto at one time than story by story. We will treat here only those details of the second floor Stair-hall which have not already been covered. where information is not offered in this section on one or another aspect or feature of the second floor level of the Stairhall, the reader will be correct in assuming that that aspect or feature is unchanged from the story below and in turning to the discussion of it in the section of the first floor of the Stairhall. Those who, for example, seek general information about the west Stairhall should turn to Part 2, p. 366. Those who wish precedent facts concerning the staircase will find them in Part 2, pp. 375-380; about paint colors in Part 2, pp. 382-384, and so on. Although, in the case of a normal, enclosed room, the coverage embraces all features from the finished floor to the ceiling, inclusive, it will simplify the problem of treating this space if we consider the second floor of the Stairhall to extend from the finished second floor level to the finished third floor level.
417FEATURE | PRECEDENT |
---|---|
CORNICE, denticulated type | |
Evidence of existence | Presumptive only. Same considerations dictated use of an enriched cornice here as in case or first floor of West Stairhall (Part 2, p. 369) and House of Burgesses Chamber (Part 2, p. 171). A cornice somewhat less ornate than that on floor below (dentils as against modillions) was considered appropriate here, however, in accord with principle that spaces originally most frequented by people would be more richly treated than these less used. Volume of traffic would have decreased from first floor to second and from second to third and architectural treatment in Stairhall has been made to reflect this. Architects also took into consideration fact that ornamental elaboration in buildings (interiors and exteriors), generally speaking, tends to diminish from ground floor upward, for abstract aesthetic reasons. |
Basis for design | A denticulated cornice in living room of house in New Castle, Delaware in which Nicholas Van Dyke, Sr. lived has a similar profile. A view of this room showing cornice is reproduced on p. 63 of Early Architecture of Delaware by George Fletcher Bennett, Wilmington, 1932. |
418 | |
Front exterior cornice of Charlton House which, though original, is patched, has all elements of Stairhall cornice, but with addition of modillion blocks and a beaded fascia at its base. | |
DOORS, DOOR TRIM AND HARDWARE | |
North door, #210, to Office of Clerk of Council | |
Panelling arrangement and profile, hardware and architrave | Similar to these elements of door #107, West Stairhall to Secretary's Office (Part 2, p. 370)and of door #102, East Stairhall to Office of Clerk of House of Burgesses (Part 2, p. 239). |
South door, #209, to Lobby | |
Panelling arrangement and profile, hardware and architrave | Similar to same features of door #210, above. |
Panelled jambs | Similar to those of bi-valve doors of House of Burgesses Chamber (Part 2, pp. 174, 176) and several other doors in Capitol. |
Panelled soffit | Similar to soffit of East Window, #216 (P. 420). |
419 | |
WINDOWS, WINDOW TRIM AND SHUTTERS | |
East Window, #216 | |
Sash | In respect to number, size and arrangement of lights; type of glass and absence of window weights, sash of all 18-light second floor windows are similar. These subjects have already been treated in section on South Elevation (see Part 1, p. 84, under Windows, second floor, square headed). |
Window Screen | See Part 1, pp. 86, 87. |
Splayed jambs | See discussion of this subject in Part 2, pp. 172-174 and 185, 186. |
Panelled jamb shutters | |
Evidence of existence | Discussed under same heading in Part 2, pp. 187, 188. |
Basis for design | |
Panel arrangement | Similar to that of jamb shutters of first floor windows of Carter's Grove (see photograph, plate 7, Colonial Interiors, Second Series by Edith Tunis Sale, New York, 1931). |
Panel profile | Same profile as that of a number of old doors in Brush-Everard House (see section diagrams, p. 73, architectural report on that house). |
Panels beneath shutters and sash | Carter's Grove windows mentioned above. Also similar to corresponding panels of windows in Secretary's Office (See Part 2, p. 401). |
420 | |
Panelled soffit of opening | Carter's Grove windows mentioned above. |
Architrave | |
Profile | Similar to profiles of window architraves in both stairhalls and in Offices of Clerk of House of Burgesses and Secretary of State (see Part 2, p. 402). |
Window stool | |
Profile of front edge | Similar to tread nosing profile of staircase of Deaf and Dumb Asylum in Clapton, Essex, England (see sheet #3, fig. #3, Mouldings of the Wren & Georgian Periods by Tunstall Small and Christopher Woodbridge). |
Panelling beneath window stool | |
Panel divisions | Two divisions as in Secretary's Office (Part 2, pp. 402, 403) but proportions of these panels in two rooms are different, those in Secretary's Office being higher in consequence of raising of window stool to level of top of dado cap, whereas, in case of window under consideration, stool drops considerably below dado cap. |
Profile | Similar to profile of panelling beneath sash of window #106 in East Stairhall. See item entitled Panel in Part 2, p. 245. |
421 | |
West Window, #221 | |
Sash | Similar to sash of east window, #216 (see above). |
Window Screen | Omitted here since window is inaccessible except with the aid of a ladder. |
Splayed jambs | Same basis as that of splayed jambs of east window, #216 (see above). |
Panelled jambs, fixed | |
Reason for substitution of fixed panelling for panelled shutters | Same reason as for omission of window screen (see above). |
Panel arrangement | Same as that of panelled shutters of east window, #216 (see above). [ |
Panel profile | Same as that of panelled shutters (see above). |
Panelled soffit of opening | Same basis as that of similar feature of east window, #216. |
Architrave | |
Profile | Similar to that of east window, #216 (see above). [ |
Croissettes | Similar to croissettes at top corners of architraves of first floor doors of hall of Brush-Everard House (see architectural report on that house, p. 61). |
422 | |
Completion of enframement of opening by carrying of trim member across bottom of latter | Similar handling of first floor windows of Tayloe House. See architectural report on that house, pp. 124, 128 and 129, for illustrations of this window treatment. |
Suspended headpiece | Similar to headpiece, under platform, of window #115 of West Stairhall and that of corresponding window #106 of East Stairhall. For a discussion of this treatment, see Part 2, p. 245. |
Passage of stair landing before | |
Basis for this usage | Similar in principle to manner of relating stair landing between first and second floors of West Stairhall to window #115 and corresponding landing in East Stairhall to window #106. For discussion of latter case, see Part 2, p. 244. |
PEG STRIPS, east wall | |
Evidence of existence | Reason for use of these same as that for peg strips in East Stairhall (see Part 2, p. 241). |
423 | |
Basis for design | Molded strip and pegs or hooks based upon original examples in stable at Mount Airy, Richmond County. For measured sketches of these see p. 15 of Singleton P. Moorehead's architectural sketchbook. |
WOOD TYPES USED | |
Doors #209 and 210 | American walnut, used for reasons given in Part 2, p. 366. |
Peg strips | Pegs of walnut and boards holding them of yellow pine because original peg strips in stable at Mount Airy which formed model for those in West Stairhall were made of these woods. |
LIGHTING FIXTURES | |
Two identical one-branch brass sconces, one of which is attached to wall just west of door #210 and second in a corresponding position beside door #209. Fixture beside door #210 wired for electricity; that beside door #209 not wired. | Similar to fixtures attached to wall above window arches at landings between first and second floors of West Stairhall (Par 2, p. 385) and of East Stairhall (Part 2, p. 255). |
CLERKSHIP A POSITION OF DIGNITY IN COLONY
To quote once more from Philip Alexander Bruce's Institutional History of Virginia in the Seventeenth Century (Vol. 2, p. 387),*
The three principal officers of the Council were the President, the Clerk and the Messenger…. The clerkship was filled by some of the foremost men, whether regarded from a social or political point of view, residing in the Colony.
MANNER OF SELECTING CLERK OF COUNCIL: HIS SALARY
Hartwell, Blair and Chilton, on p. 41 of their partizan work, The Present State of Virginia, & the College (see footnote concerning this book, Part 2, p. 389), have the following to say concerning the method of selecting this individual and his salary:
A Clerk belongs to this House [the Council or "Upper House"] of the Governor's Nomination, and during his Pleasure; his salary is ten thousand Pounds of Tobacco, and Cask every Session.
DUTIES OF CLERK AS INDICATED IN BOOK BY HARTWELL, BLAIR AND CHILTON
The same authors, on p. 25 of the same book, also give us an idea of the work of this official:
The Council being generally in haste to get home, contented themselves with giving their Opinions upon any Subject that was propos'd to them, leaving it to the Clerk to take the Minutes, and draw up the Orders, but they never saw them fairly drawn, nor heard them afterwards read in Council; the Consequence whereof was, that this Cleric who was put in by the Governor, and held his Place during his Pleasure, would draw up and word these Orders exactly as the Governor should dictate…
EQUIPMENT OF OFFICE OF CLERK
The work done in this office and, therefore, the equipment used in it, we may assume, did not differ in general character from the work performed in and the equipment employed in the offices of the 427 Clerk of the House of Burgesses and the Secretary of State. These subjects have been covered sufficiently for our present purposes in Part 2, pp. 261 and 392, q.v.
NO THIRD FLOOR ROOM ALLOTTED TO CLERK OF COUNCIL. HE WAS NOT SAME PERSON AS CLERK OF ASSEMBLY
It should be mentioned that there is no reference in the records to the assignment of a third floor room to the clerk of the Council. See the resolution of May 1, 1704 (Appendix) for a listing of the individuals scheduled to receive these spaces. It will be noted that, in addition to providing a room each for the auditor, the secretary of state and a number of other officials, a room is allotted to each of the following: the clerk of the General Assembly; the clerk of the House of Burgesses and the two clerks of committees. It is possible that the clerk of the Council shared one of these third floor rooms with one of the other clerks, just as, we believe, the clerk of the General Assembly shared the first floor office of the east wing with the clerk of the House of Burgesses (see Part 2, pp. 259, 260). That the clerk of the Assembly was not, as one might be inclined to assume, the same person as the clerk of the Council becomes apparent on reading the description of the interior of the Capitol which Hugh Jones gives us on pp. 28-30 of his The Present State of Virginia, London, 1724. Jones mentions two distinct individuals, the clerk of the Assembly and the clerk of the Council, having rooms in the east and west wings respectively. It is quite possible, of course, that the room on the second floor of the west wing which we are about to consider sufficed for the uses of the clerk of the Council and that it was unnecessary to provide auxiliary space for him.
428FEATURE | PRECEDENT |
---|---|
LOCATION | Report or resolution of August 26, 1702 (see Appendix)which assigns uses of various rooms of Capitol, locates Office of Clerk of Council in a pretty definite manner. Having said that General Court Room was to be in "the building to the Westward" and that in that building "The great roome above stairs over the great Hall [was to be] for the Council Chamber," report sets aside "The Roomes at the other End of the house on that floor for the Council Office." We know that two great rooms, i.e., House of Burgesses Chamber and General Court Room were located on side of Capitol which had circular ends and original foundations prove that this was south side. "Roomes at the other End," therefore, must have been on north side of building and architects, accordingly, placed Office of Clerk of Council there. Why document uses term "Roomes" instead of "Room" is unclear, for area remaining at north end after necessary space in west wing had been assigned to Council Chamber, Lobby and Stairhall was scarcely large enough for more than one room of reasonable size. |
429 | |
DIMENSIONS | Knowing Office of Clerk of Council to have been in north end of west wing, architects were justified in concluding that it had occupied a space on second floor corresponding to position of Office of Secretary of State on floor below. This was based on assumption, which was almost bound to be a true one, that original Stairhall had had same position and plan dimensions on second floor as on first. For reasoning which led to determination of size of Secretary of State's Office, see Part 2, p. 398. |
Ceiling height | Ceiling height of 10'-0" accords with provision in Act of 1699 (Appendix) that "the upper Story of each Side [of Capitol] to be tenn foot pitch*…" |
FLOOR | Similar to wood floors of first and second stories generally and, specifically, to flooring of raised platforms in House of Burgesses Chamber, see Wood variety, Part 2, p. 165. |
WALLS AND WALL COVERING | |
Panelled wainscot | |
Evidence of existence | See discussion of same subject in Part 2, p. 368. Use of panelling here was justified by same considerations which led to its use in Office of Secretary of State. |
Detailing | |
Panel profile | Same as profile of wainscot in neighboring Stairhall which, in turn, is similar to wainscot profile in House of Burgesses Chamber, see Part 2, p. 168. |
430 | |
Base | Similar to profile of base in West Stairhall, see Part 2, p. 368. |
Cap | Profile similar to that of bolection molding of chair railing of East Stairhall, see Part 2, p. 237. |
Plaster above wainscot | Discussion of plastered walls of House of Burgesses Chamber (Part 2, pp. 169, 170) is in large part valid here. |
CEILING | Plaster, similar in constitution and appearance to wall plaster discussed above. |
CORNICE | |
Evidence of existence | Cornice similar to second floor cornice of West Stairhall except that it lacks dentil band. It is simpler than cornice of Secretary's Office directly below it for reasons similar to those which caused second floor cornice of West Stairhall to be made simpler than cornice of first floor of Stairhall, see p. 417. |
Basis for design | Similar in character of profile, though not in size, to a cornice from Evesham, Worcestershire, England, now in Geffrye Museum, Shoreditch, London. For this profile see Sheet #19, figure #5, Mouldings of the Wren and Georgian Periods by Tunstall Small and Christopher Woodbridge. |
431 | |
DOORS, DOOR TRIM AND HARDWARE | |
Door #210, to West Stairhall | |
Panelling arrangement and profile, hardware and architrave | Already covered on p. 418 under North door, #210. |
WINDOWS, WINDOW TRIM AND SHUTTERS | |
Windows #217, 218, 219 and 220 | Similar in all details to each window, #216 on second floor of West Stairhall, see pp. 419 and 420. |
WOOD TYPES USED | |
All woodwork, except for items listed below | New yellow pine, as in House of Burgesses Chamber (Part 2, p. 205). |
Floor | Old yellow pine boards, similar to flooring of platforms of House of Burgesses Chamber (Part 2, pp. 164-167). |
Door #210 | See same subject, p. 423. |
PAINT COLORS AND FINISHES* | |
Shutters and shutter pockets and soffit panelling | Off white, warm (Plain), glazed finish. |
Panels, stiles and rails of wainscot and of panelling beneath sash and shutters and under front edge of window | Off white, warm (marbled), glazed finish. |
432 | |
stools and molding under front edge of stool; door and window architraves, except for backbands; door jamb and soffit boards and cornice. | Off white, warm (marbled), glazed finish. |
Rail and base of wainscot; window stools; backbands of door and window architraves and plinth blocks beneath door architraves. | Slate black (marbled), glazed finish. |
All marbled parts (see above) | |
Evidence of existence | See, under same heading in Part 2, p. 356, quotation from resolution of May 10, 1705, which specifies marbling for woodwork of first and second floors of west wing. |
Basis for marbling | Discussed in Part 2, pp. 356 and 357. |
Basis for glazed finish | See same heading in Part 2, p. 357. |
Window sash | Dead white. |
Walnut door | Natural, rubbed finish, see Part 2, p. 208. |
Floor | Wax finish, as used on flooring of platforms in House of Burgesses Chamber (Part 2, p. 166). |
433 | |
Plaster of walls and ceiling | White to simulate whitewash, see pp. 210 and 211. |
LIGHTING FIXTURE | |
Chandelier, polished brass, six-branched, unwired and hung from ceiling at center of room | |
Evidence of existence | Discussion under same heading in Part 2, p. 408 applies here. |
Provenance | Reproduced from an authentic eighteenth-century example by Baguès, Inc. of New York and Paris. See Part 1, p. 106 for statement by Baguès concerning authenticity of its reproductions. |
LOBBY WAS NEEDED IN CAPITOL AS MEANS OF ACCESS TO CONFERENCE ROOM
An examination of the second floor plan on p. 415 will immediately reveal one reason why this room was needed on the second floor of the Capitol. It will be noted that the Lobby serves as an ante-room to the Council Chamber and, also, to the Conference Room, in which committees appointed by the House of Burgesses and the Council met to compose divergent viewpoints on policy. Some means of access to this centrally-placed room was required which obviated the necessity of going through either the Central Committee Room or the Council Chamber. The Lobby furnished this "neutral" space through which Assembly members could pass without either disturbing work in progress in the Central Committee Room or trespassing on what must have been the very private and exclusive quarters of the Governor and Council.
IT LIKEWISE SERVED AS BUFFER SPACE FOR COUNCIL CHAMBER AND AS PLACE FOR INFORMAL DISCUSSIONS
It should be remarked in this connection that the Council Chamber was the only room on the first and second floors of the Capitol which was not accessible to the public. The exclusiveness of the latter room, indeed, would have made the existence of a buffer space between it and the Stairhall and Conference Room highly desirable. In addition to this, it is likely, in the light of the fact that there was frequent intercommunication between the Burgesses and the Councillors, that the Lobby would have served them as an occasional meeting ground for the informal discussion of pending legislation and other matters of state.
437FEATURE | PRECEDENT |
---|---|
LOCATION | Sole eighteenth-century reference we have to Lobby (Hugh Jones, The Present State of Virginia, London, 1724, p. 29) serves to place this on same floor and in same wing with Office of Clerk of Council: "Over the Portico is a large Room where Conferences are held, and Prayers are read by the Chaplain to the General Assembly…. At one end of this is a Lobby, and near it is the Clerk of the Council's Office…." It seems reasonable to assume that latter office was on same floor and in same wing as Council Chamber itself, so that Lobby must also have been on same floor and in same wing as Chamber. If, furthermore, as Jones says, Lobby was at end of Conference Room, only location it could have had was adjacent to Council Chamber, which we know was in south part of wing (see p. 428 and plan, p. 415). |
438 | |
DIMENSIONS | East-west dimension of Lobby, reasonably enough, was assumed by architects to have been same as interior width of west wing, i.e., 25'-8". Its north-south dimension was established in conformity with considerations of symmetry in this room and also in adjoining Council Chamber, symmetrical placement of major features such as doors, windows etc., on interior, as well as exterior of a building having been a very generally followed principle in architecture of seventeenth and eighteenth centuries. |
Position of wall between Lobby and Stairhall was fixed by fact that original foundation of this wall still existed (see archaeological plan, Part 1, p. 41 and photograph, p. 42, of original foundations, as well as discussion of location of walls of East Stairhall, Part 2, p. 229). Total length (north-south dimension )available for Lobby and Council Chamber, being same as that of General Court Room on floor below, was already determined as 50'-0". (See quotation from Act of 1699, Part 2, p. 229, which fixes length of House of Burgesses Chamber and General Court Room). Question then remained as to what part of this length was to fall to share of Lobby and what part to Council Chamber. In order to determine the former dimension, it was necessary first to establish the latter one. | |
439 | |
Having decided to repeat, at north end of Council Chamber, semicircle of apsidal end (see p.477), architects then had to determine distance between centers of these two half circles. They accomplished this by observing principle of symmetry which, in this case, dictated that window in west wall and its counterpart in east wall should be centered on transverse (short) axis of room. Position of center line of this window had already been fixed, in course of design of west elevation, (see Part 1, p. 43) as 8'-11" from south corner of straight part of this face of building. It then remained for architects to make distance from window center line to "Spring" of north semicircle equal to distance of center line to spring of south semicircle. This distance proved to be 8'-2", so that doubling it and adding to this radii of two semicircles gave length of Council Chamber, which became 38'-0". With a total interior dimension of 50'-0" available for two rooms it is apparent that 12'-0" remained for Lobby and thickness of wall separating this room from Council Chamber. | |
440 | |
Again, in determination of north-south dimension of Lobby, demands of symmetry-played major role. With position of north wall of room (south wall of Stairhall) already determined as 5'-9" from center line of window (which had been fixed on center of straight part of west elevation )it remained for architects only to place south wall of Lobby at an equal distance from window center line, thus making the short dimension of room 11'-6". This, therefore, left 6" for the width of the partition between the Lobby and nearest point to it of Council Chamber, i. e. , "crown" of semicircle. This 6" was precise thickness required for terra cotta partition. It appears little short of miraculous that, working with a number of fixed dimensions, it was possible for architects to answer requirements of symmetry in both rooms and finish with exact dimension required for partition between Lobby and Council Chamber. It seems to suggest that dimensions given these two rooms in reconstructed Capital as well as placement of windows in west elevation adhere closely to what they were when Capitol was originally erected. | |
441 | |
Ceiling height | See same subject, p. 429. |
FLOOR | Similar to flooring of raised platforms of House of Burgesses pp. 165-167). |
WALLS AND WALL COVERING | |
Panelled wainscot | |
Evidence of existence | Discussion under same heading in Part 2, p. 368 is valid here. |
Detailing | |
Panel profile | Similar to profile of panelling in House of Burgesses Chamber, see Part 2, p. 168. |
Base | Similar to base of wainscot in Office of Clerk of Council and in West Stairhall (for latter, see Part 2, p. 368). |
Cap | Similar to cap of wainscot in Office of Clerk of Council which, in turn, is similar to bolection molding of chair railing of East Stairhall (See Part 2, p. 237). |
Plaster above wainscot | Discussion of plastered walls of House of Burgesses Chamber (Part 2, pp. 169, 170) is in large part valid here. |
442 | |
CEILING | Plaster, similar in constitution and appearance to wall plaster discussed above. |
CORNICE | Similar to cornice on second floor of West Stairhall (see pp. 417, 418). |
DOORS, DOOR TRIM HARDWARE | |
North door, #209, to West Stairhall | Already treated (see p. 418). |
Door #207, to Council Chamber (bi-valve). | |
Evidence of existence of bi-valve door | None. Volume of traffic passing through this doorway scarcely justified provision of bi-valve door and a four-foot-wide opening since Councillors at no time in eighteenth century numbered more than l7 and, due to difficulties of travel, absences were frequent. Architects felt that dignity and importance of Council Chamber were such, however, as to recommend an ample door opening as well as an ornamental one and, consequently, they provided bi-valve doors and an architrave with croissettes and with a broken pediment and cartouche above it. |
443 | |
Detailing | |
Panel arrangement | Same as that for bi-valve doors of General Court Room and House of Burgesses Chamber which followed panel arrangement shown by Benjamin Latrobe in his drawing of "Piazza" (see Part 1, p. 33 for Latrobe drawing and Part 1, pp. 122 and 123 for discussion of these doors. |
Panel profile and door construction | Similar in these respects to bi-valve doors of Court Room and House of Burgesses Chamber (see Part 1, p. 123). |
Hardware | |
Two pairs of 14" wrought iron HL hinges, with leather washers | Copied after eighteenth-century hinges by J. R. Jump Forge at Lightfoot (see Door Hardware, Part 1, p. 124. |
Two vertical wrought iron door bolts, 1/14" and 1/12" | Made by J. R. Jump after eighteenth-century originals. These bolts are similar to, though not identical with, an old pair of door bolts found at Bruton Church (see Colonial Williamsburg Hardware Folder, plate 17, type 1). |
444 | |
One W. C. Vaughan Co. brass rim lock, 1" X 4-¼" X 7-¾", with one pair brass knobs and one brass escutcheon | See discussion of Vaughan locks and footnote about W. C. Vaughn Co. in Part 1, p. 124. |
Architrave | |
Profile | Similar to profile of architrave of door #107, West Stairhall to Secretary's Office (Part 2, p. 370) and of door #102, East Stairhall to Office of Clerk of House of Burgesses (Part 2, p. 239). |
Croissettes, top corners of architrave | Similar to croisettes of architrave of door #107, from West Stairhall to Office of Secretary of State (see Part 2, p. 370). |
Pediment | |
Evidence of existence | None. Justification for use of this feature discussed above under Evidence of existence of bi-valve door. |
445 | |
Basis for design | |
General form | Basically similar to two broken door pediments at Shirley, Charles City County. For illustrations of these two doorways see Thomas T. Waterman's The Mansions of Virginia, pp. 355 and 359. Shirley pediments do not include cartouche. |
Profile | Similar to that of cornice of Office of Clerk of Council (p. 430), except, of course, that latter has no cushion frieze. |
Cartouche | |
Evidence of existence | None. Reason for use of this and other decorative features to enrich doorway discussed above under Evidence of existence of bi-valve door. |
446 | |
Basis for design | Cartouches and shields were varied endlessly in form in English architecture of seventeenth and eighteenth centuries, in accordance with fancy of designers. Great latitude in choice of forms in Lobby cartouche was therefore open to architects of Capitol and it is uncertain whether present design represents an adaptation of a single existing cartouche or a recombination of forms of several of them. A great many examples of cartouches of same general character as ours may be seen in The Architectural Reprint of plates in John Belcher and M. E. Macartney's The Later Renaissance Architecture in England, London, 1901. Two examples having the basic form of ours (i.e., with paired volutes grouped top and bottom about an egg-shaped field) are shown in Horace Field and Michael Bunney's English Domestic Architecture of the XVII and XVIII Centuries, Cleveland, 1928. These example s are a cartouche from Town Hall at South Moulton in Devon (p. 128) and one over entrance to College of Matrons in Salisbury (p. 136). |
447 | |
Door #205, to Conference Room (bi-valve) | |
Evidence of Existence | None. As in case of door #207, uses to which Conference Room was put, made dignified entrance door desirable. It was deemed fitting, furthermore, that this door be kept in harmony with rich appointments of Lobby. It was, therefore, made to match Council Chamber in material, design and size. Unlike Council Chamber door, whose four-foot width, as has been noted on p. 442, was considered desirable for reasons other than volume of traffic which once passed through it, door of Conference Room, it was believed, would have had ample width of opening in eighteenth century, to facilitate entry and exit of considerable numbers of persons. Although it is likely that attendance at joint conferences held in this room was limited to a few persons it seems probable, assuming a reasonable degree of devoutness on part of Burgesses and Councillors, that Conference Room would have been well-filled during morning prayer meetings (see p. 500). |
448 | |
Detailing, similar in all respects to door #207 , except for items listed below | |
Hardware | All hardware of same types as that on door #207 (see pp. 443, 444), except that rimlock carries brass drop handle instead of knob, to permit active valve to fit into jamb recess. Inactive valve to fit into jamb recess. Inactive valve, unlike that of door #207, has knob on side toward Lobby when door is closed, to make it possible to draw this valve from jamb recess. |
Panelled jamb recesses and soffit panelling | Treated under Doors #204 and 205 in chapter on Conference Room, p. 508 et seq. |
Omission of Pediment and cartouche above architrave | These features of door #207, also placed at first over this door, were eventually eliminated because repetition of these elements seemed to reduce effectiveness of pediment and cartouche above entrance to Council Chamber where a strong accent was needed. |
449 | |
Door #206, to stairhall leading to east balcony of General Court Room | |
Evidence of existence | None. Means of access to stairhall was required to make use of balcony possible. Doorway to stairhall could not be placed in Conference Room wall because it would have opened directly upon staircase, position of which could not be altered. A doorway leading from Council Chamber itself would have disturbed privacy of that room since it would have necessitated introducing into Chamber guests who were to use balcony (see Part 2, p. 310, under Concealed doors in wall panelling). A doorway in Council Chamber wall, furthermore, would have impaired symmetry of Chamber, a consideration of importance in a room of such stately character. It should be noted that whereas door leading to south balcony of General Court Room from stair landing between first and second floors is of "concealed" type, no attempt was made to disguise this door. Reason for this is given in Part 2, p. 310. |
Detailing | |
Panelling arrangement | Similar to that of each leaf of bi-valve west (rear) door of George Wythe House and likewise of two leaves of bi-valve door of John Blair House (i.e., west door of south face). These doors are original doors, stemming from eighteenth century. |
450 | |
Panel profile and door construction | Similar in these matters to doors #205 and #207 which, in respect to their panel profile and construction, are similar to bi-valve doors of Court Room and House of Burgesses Chamber (see Part 1, p. 123) . |
Hardware | |
One pair of 12" wrought iron HL hinges, with leather washers | Copied after eighteenth-century hinges by J. R. Jump Forge at Lightfoot (see Door Hardware, Part 1, p. 124). |
Brass rim lock, knobs and escutcheon | Similar to these features of doors #205 and #207 (see p. 444). |
Architrave | |
Profile | Similar to that of door #207. (p. 444). |
Door #208, to utility room | |
451 | |
Evidence of existence | None. This space, which corresponds in size and shape with stairhall leading to east gallery or General Court Room, resulted from rounding of north end of Council Chamber. If original Council Chamber was oval-shaped, as we think it may well have been, a similar space would have existed between curved wall of building. Size and shape of such a space would have limited its employment to uses similar to those served by existing utility closet. |
Detailing | Except for fact that it is right hand rather than left hand, this door is exact counterpart of door #206 (see p. 448 et seq). |
WINDOWS, WINDOW TRIM AND SHUTTERS | |
Window #222 ("window-door") | |
Evidence of existence, basis for use, sash details, external face of bi-valve door | Treated in Part 1, pp. 125a et seq. |
Bi-valve door, interior face | |
Panel profile | Same as profile of panelling beneath sash of window #106, East Stairhall (see Part 2, p. 245, under Panel profile). |
452 | |
Hardware | |
Two door bolts, wrought iron, 6" long | Made by J. R. Jump Forge at Lightfoot (see Door Hardware, Part 1, p. 124) after eighteenth-century originals. These bolts are similar to, though not identical with an original door bolt found on basement door of Alexander Craig (Vaiden) House (see Colonial Williamsburg Hardware Folder, plate 8, type 2). |
Two pairs of 3" offset butt hinges | Similar to butt hinges used on furniture in eighteenth century. |
Splayed jambs | See Splayed jambs, pp. 172, 173 and same heading, pp. 185, 186. |
Panelled jamb shutters, with folding extensions | |
453 | |
Evidence of existence | None. For basis for use of jamb shutters see Part 2, pp. 187, 188. Hinged extensions or flaps of solid wood, unnecessary in case of three-light-wide windows of Capitol, were required here since width of window opening is greater than combined widths of jamb shutter pockets, so that shutters contained in these pockets would not have reached across opening without these additions. This device is of common occurrence in brick buildings of colonial Virginia and, in form of solid or panelled extensions, is found wherever jamb width is insufficient to contain a shutter half width of window opening. Examples of original eighteenth-century shutters with solid wood flaps or extensions are found in Wythe House, in Wilton-on-the-Piankatank and Chelsea, King William County. In case of last two examples, section drawings showing this detail are found in Singleton P. Moorehead's folder of measured drawings made by him. |
454 | |
Detailing | |
Panelling | |
Arrangement of panels | Shutters of Harewood, Jefferson County, West Virginia (see Thomas T. Waterman, The Mansions of Virginia, Chapel Hill, 1946, p. 327) |
Profile | Same as panel profile of bi-valve door (pp. 451 and 452). |
Wood shutter bars | Similar to shutter bars of Wythe House. |
Hardware | |
Two pairs of 6" off-set wrought iron H hinges, held in place by screws | Similar to hinges of Wythe House shutters, except that latter are secured by nails with hand-hammered heads. Use of screws was permissible, however, since these were frequently employed in furniture in eighteenth century. |
Two pairs of 3" wrought iron butterfly hinges, used to hold flaps to shutters proper. | Similar to butterfly hinges used for same purpose on shutters of Wythe House, except that Wythe hinges are 4" high. |
455 | |
Wrought iron keeper for shutter bar | Similar to original shutter bar keeper found at Palmer House (see Colonial Williamsburg Hardware Folder, plate #32, type IV.) |
Wrought iron nail with 5/8" diameter hand-hammered head, used to support shutter bar. | Similar to original nails used for same purpose in case of Wythe House shutters. |
All of above shutter hardware reproduced by J. R. Jump Forge at Lightfoot (see under Door hardware, Part 1, p. 124.) | |
Panelling beneath shutters | |
Profile | Same as that of bi-valve door (pp. 451 and 452). |
Panelled soffit of opening | Similar to that of window #216, West Stairhall (p. 420). |
Architrave | |
Profile | Similar to that of door architraves in this room (see Door #207, Architrave, p. 444). |
456 | |
WOOD TYPES USED | |
All woodwork, except for items listed below | New yellow pine, as in House of Burgesses Chamber (see Part 2, p. 205). |
Floor | Old yellow pine, similar to wood flooring in House of Burgesses Chamber (see Part 2, p. 205). |
All doors, except for bi-valve door beneath window | American walnut (see Part 1, p. 123 under Wood type). There is nothing in eighteenth-century records of Capitol specifying use of walnut for these doors, but this wood was used by architects in conformity with their policy of making first and second floor spaces of west wing more sumptuous than corresponding ones of east wing (see Part 2, p. 366). It was felt, furthermore, that a space serving as an anteroom to a room as elegant as Council Chamber would itself have had a richness of treatment comparable with that. |
Cartouche in pediment of door #207 | White pine, as in case of coat of arms of Virginia in House of Burgesses Chamber (see Part 2, p. 206). |
457 | |
PAINT COLORS AND FINISHES* | |
Rails, stiles and panels of wainscot and of all panelled features; in window reveal; backs of shutters and shutter pockets | Brownish buff (plain), glazed finish. |
Bevels of wall panelling and of all panelled features in window reveal | Light brownish buff (plain), glazed finish. |
Inner fascia and bead of window and door architraves; upper part of cornice, down to and including fascia and soffit and cushion between pediment and architrave of door #207 | Brownish buff (marbled), glazed finish. |
Cartouche over door #207 | Light brownish buff (marbled), glazed finish. |
Window and door architraves, except for inner fascia and bead; cap of wainscot and moldings of base; lower part of cornice from soffit downward and all overdoor elements of door #207, except for cushion and cartouche | Walnut brown (marbled), glazed finish. |
458 | |
Fascia of base and plinths of doors | Slate black (marbled), glazed finish. |
All marbled parts (see above) | |
Evidence of existence and basis for marbling | See same heading, Part 2, pp. 356 and 357. |
Window sash | Dead white. |
Walnut doors | Natural, rubbed finish (see Part 2, p. 208). |
Floor | Treated in same way as platform floors of House of Burgesses Chamber (Part 2, p. 166). |
Plastered walls and ceiling | White to simulate whitewash (see Part 2, p. 210). |
LIGHTING FIXTURE | |
Chandelier, 8-branched, polished brass, unwired, hung from ceiling at center of room | |
Evidence of existence and provenance | Statements under these headings in Part 2, p. 408 apply here. |
BASIS FOR LOCATION AND SHAPE OF STAIRHALL; LATTER DID NOT INFLUENCE SHAPE OF COUNCIL CHAMBER
The reasons for the location of the staircase to the east gallery of the Court Room in the triangle bounded by the Council Chamber, the Lobby and the Conference Room have been given in Part 2, pp. 308 and 309. The shape of the stairhall did not result from locating the staircase in the corner adjacent to the Lobby and Conference Room but, rather, from the rounding of the north end of the Council Chamber (see p. 477 for basis for making that end of Chamber semi-circular). The latter room could have been "squared-off" in such a manner as to leave an L-shaped space large enough to accommodate the staircase and a vestibule or approach to it in the angle between the northeast corner of the Council Chamber and the south wall of the Lobby and west wall of the Conference Room. This is stated here merely to emphasize the fact that the presence of the staircase and stairhall immediately northeast of the Council Chamber did not influence the architects to treat the north end of that room in the manner in which they did.
REASON FOR EXISTENCE OF UTILITY ROOM: IN SPITE OF ITS USE, ITS DESIGN IS AUTHENTIC
The utility room in the triangle immediately northwest of the Council Chamber is simply a residual space created by the rounding of the north end of the Chamber. As has been stated on pp. 450 and 451, under Door #208, to utility room, the use to which it has been put might well have been the one it served in the eighteenth century. Because of the exclusively utilitarian 463 service which the room performs, visitors are not admitted to it and it has been treated in the simplest possible manner. The detailing is, however, authentically colonial in character and it is for this reason that the space is being considered here.
REASON FOR TREATING TWO ROOMS TOGETHER: DISCUSSION OF STAIRHALL TO PRECEDE THAT OF CLOSET
The stairhall and utility room are being placed together in a single chapter because of the similarity in their locations and general character. Within this chapter, however, they will be treated separately, the stairhall being handled first. In the case of the latter, only that part of the space from the finished second floor to the ceiling will be treated since the features below the second floor level have already been discussed (see Gallery Stairhall, Part 2, pp. 318 and 319).
FEATURE | PRECEDENT |
---|---|
LOCATION | See Part 2, pp. 308 and 309. |
DIMENSIONS | Size and shape of this room resulted directly from two decisions made by architects viz., 1) to repeat, at north end of Council Chamber, semi-circular form of south end (see p. 477) and 2) to make both Chamber and Lobby symmetrical about the east-west axis through center line of window in west wall of each room (see discussion of this subject under DIMENSIONS, p. 437 et seq.). |
FLOOR | Similar to wood flooring in House of Burgesses Chamber (see Part 2, pp. 165-167). |
464 | |
Plaster from base to ceiling | |
Evidence of existence | See under Plaster above wainscot, Part 2, pp. 169 et seq. A space as small as this and used relatively infrequently seemed to require no enrichment in form of wainscot. Use of horizontal sheathing on walls adjacent to staircase below second floor level stemmed from practical considerations, viz., that in that very confined space plaster, especially eighteenth-century plaster, which was softer than that of present day, would have been subject to abrasion and injury. |
Type and treatment | Discussed under same heading in Part 2, p. 170. |
BASEBOARD | Similar to an original beaded baseboard in northeast first floor room of Brush-Everard House (see architectural report on that house, p. 71 for drawing of this and other bases). |
CEILING | Plaster, similar in constitution and appearance to wall plaster discussed above. |
DOORS, DOOR TRIM AND HARDWARE | |
Door #206, to Lobby | |
All features, except architrave, stairhall side | Covered on pp. 448-450. |
Architrave | Similar to original, single-molded door trim of Casey's Gift House, a small one-room building, now demolished, which once stood in Block 22. |
465 | |
RAILING ABOUT STAIRWELL | |
Handrail | Similar in profile to that of bar railing in House of Burgesses Chamber (see Handrail, p. 204). |
Newel posts | |
Shafts | Staircase of Nicolson Shop (formerly E. M. Lee House) has original unbeaded newel posts, square in section, like those of stairhall. |
Caps | Similar in profile to caps of newel posts of stair railing in Abingdon Church in Gloucester County (see H.A.B.S. photograph in Colonial Williamsburg architectural records office). |
Base | Same as baseboard of room (see above). |
Balusters | Similar in profile to that of balusters of gallery railings in General Court Room (see Balusters, Part 2, p. 315). |
WOOD TYPES USED | |
All woodwork, except for items listed below | New yellow pine, as in House of Burgesses Chamber (see Part 2, p. 205). |
466 | |
Floor | Old yellow pine similar to wood flooring in House of Burgesses Chamber (see Part 2, p. 205). |
Door #206 | American walnut (see p. 456 and Part 1, p. 123 under Wood type). |
PAINT COLORS AND FINISHES | |
Baseboard; door architrave, jambs and soffit; newel shafts and balusters of railing | Off white, warm, glazed finish. |
Handrail and newel caps | Chocolate brown ("wainscot color"), #104 of Colonial Williamsburg Paint Shop color file, egg shell finish (see PAINT COLORS AND FINISHES, Part 2, pp. 206-208). |
Floor | Treated in same way as platform floors of House of Burgesses Chamber (see Part 2, p. 166). |
Door #206 | Natural, rubbed finish (see Part 2, p. 208). |
Plastered walls and ceiling | Off white, warm, glazed finish. |
LIGHTING FIXTURE | |
Lantern, sheet iron, painted antique black, one light, wired for electricity and hung from ceiling at approximate center of room. | Manufactured after an eighteenth-century example by Baguès, Inc. of New York and Paris. See Part 1, p. 106 for statement of this company affirming authenticity of its reproductions. |
467 | |
LOCATION | There is no mention in eighteenth-century records of Capitol of a room of this character in this location, although this fact has little significance since room would doubtless have been looked upon as too unimportant to deserve mention. As is explained on p. 462, this space resulted automatically when north end of reconstructed Council Chamber was made semi-circular. |
DIMENSIONS | Size and shape of this space are direct results of manner of treatment of two adjoining rooms, i.e., Council Chamber and Lobby (see heading, DIMENSIONS on p. 463). |
FLOOR | Similar to wood flooring in House of Burgesses Chamber (see Part 2, pp. 165-167). |
WALLS AND WALL COVERING | |
Plaster from base to ceiling | |
Evidence of existence | A space of utilitarian character of this one would have been treated in simplest possible manner, i.e., with plastered walls and only most necessary woodwork. |
Type and treatment | Discussed under same heading in Part 2, p. 170. |
468 | |
Sheathed wood partitions with board and batten doors | See below, under DOORS, DOOR TRIM AND HARDWARE. |
BASEBOARD | Same as that in gallery stairhall (see p. 464). |
CEILING | Plaster, similar in constitution and appearance to wall plaster discussed above. |
DOORS, DOOR TRIM AND HARDWARE | |
Door #208, to Lobby | |
All features, except architrave, utility room side | Covered on pp. 450 and 451. |
Architrave | Similar to architrave of door #206 (see p. 464 and 465). |
Beaded board and batten doors in horizontally sheathed wood partitions, south and east ends of room | |
Evidence of existence | None. Principle of creating a partition wholly out of boards and inserting in this a door of same material is illustrated in old partition on third floor of Tayloe House. Here division between two attic spaces is formed by a wall of wide pine boards laid horizontally, with edges butted and supported by studding. A board and batten door, made of random-width vertical boards, affords passage through this wall. |
469 | |
Detailing | |
Board and batten doors | Two old board and batten doors in attic of Tayloe House and one in basement. |
Hardware | |
East Door | |
One pair 11-½" wrought iron HL hinges, with leather washers | Made by J. R. Jump Forge at Lightfoot (see Door Hardware, Part 1, p. 124). |
One 6" long wrought iron door bolt | Made by J. R. Jump (see above). This bolt is similar to those of "window-door" (see Hardware, p. 452). |
South door | |
One pair 8" wrought iron HL hinges, with leather washers | Made by J. R. Jump (see hinges of east door, above). |
One 5-¼" long wrought iron door bolt | Similar to door bolt of east door (see above). |
470 | |
Beaded, random-width, horizontal sheathing | Original beaded, random-width, horizontal sheathing is found in great room or parlor of Market Square Tavern. |
Panelled door to switch-board cabinet, west wall | Similar in all details to doors of wall cabinets in West Stairhall (Part 2, pp. 371 and 372) which, in turn, are similar to wall cabinet doors in East Stairhall (Part 2, pp. 241 and 242). |
Trim of telephone cabinet | Similar in detailing, though not in dimensions, to trim of cabinets treated immediately above. |
WINDOW #223 AND WINDOW TRIM | |
(NO SHUTTERS) | |
Sash | Similar to sash of second floor windows of south elevation (see Part 1, pp. 84-86). |
Splayed jambs | See treatment of this subject in part 2, pp. 172-174 and pp. 185 and 186. |
Beaded frame, within reveal | Similar in treatment to that of certain old door frames on second floor of Brush-Everard House (see door chart, p. 73, architectural report on Brush-Everard House). |
471 | |
Sheathed jambs, soffit and stool | Simplified (i.e., unpanelled) treatment, appropriate for utilitarian space such as this,s is similar to handling of dormer window seats of a room on second floor of Wigwam, Amelia County (see photograph, Virginia Houses, volume W-Z, in Colonial Williamsburg Architectural Records Office). In case of window reveal of Wigwam, only vertical elements and stool are sheathed, inclined parts and soffit being plastered, and corners are not beaded as in utility room. Principle, however, of use of wood in simplified manner is exemplified in Wigwam window seats. |
Cyma reversa molding beneath stool projection | Performs function similar to that of moldings beneath stair tread nosings. Profile of stool edge and molding similar to that of tread nosings and moldings of west staircase (see Part 2, p. 375). |
WOOD TYPES USED | |
All woodwork, except for items listed below | New yellow pine, as in House of Burgesses Chamber (see Part 2, p. 205). |
472 | |
Floor | Old yellow pine similar to wood flooring in House of Burgesses Chamber (see Part 2, p. 205) |
Door #208 | Already treated on p. 450, q.v. |
PAINT COLORS AND FINISHES | |
All woodwork, except door #208 | Off white, warm, glazed finish. |
Floor | Treated in same manner as platform floors in House of Burgesses Chamber (see Part 2, p. 166). |
Door #208 | Natural, rubbed finish (see Part 2, p. 208) |
Plaster of walls and ceiling | Off white, warm, glazed finish. |
LIGHTING FIXTURE | |
Lantern | Duplicate of that in Gallery Stairhall (see p. 466). |
COUNCIL CHAMBER, LOOKING SOUTHEAST. THE TABLE IS NOW COVERED WITH A TURKEY WORK CARPET.
BEVERLEY'S STATEMENT CONCERNING FUNCTIONS OF COUNCIL
Robert Beverley* describes in these words the functions of the Governor's Council:
The business of the Council is to advise and assist the Governor in all Important Matters of Government, and to be a restraint upon him, if he should attempt to exceed the bounds of his Commission: They are enabled to do this, by having each of them an equal Vote with the Governor, in most things of Consequence…
MANNER OF APPOINTMENT OF COUNCIL MEMBERS: THEIR NUMBER AND STATION: HUGH JONES' REMARKS ABOUT COUNCIL CHAMBER
The councillors were appointed by the Crown and held office indefinitely, being, however, at the time of the building of the first Capitol, subject to removal by the governor on grounds of hostility to the royal interests and for other offenses. The number of councillors was restricted to nine throughout most of the seventeenth century but by 1700, after a preliminary increase to twelve, their number was augmented to seventeen. According to Bruce,** from whom the above information is derived, "Amongst the foremost men residing in the Colony during the Seventeenth century were the members of the Governor's Council; who, from the earliest to the latest decade, were invariably chosen from the body of the wealthiest, most capable, and most influential citizens of Virginia." In the light of this opulence in the councilmen and of the prestige and dignity of the King's representative, the royal governor, who presided 477 over this body of advisors, it is not difficult to accept Hugh Jones' statement concerning the character of the meetings held in the Chamber. In the course of his description of the Capitol* he says:
In each Wing is a good Stair Case, one leading to the Council Chamber, where the Governor and Council sit in very great State: in imitation of the King and Council, or the Lord Chancellor and House of Lords.
ARCHITECTS HAD LITTLE INFORMATION ABOUT DESIGN OF ORIGINAL COUNCIL ROOM OTHER THAN THAT IT HAD BEEN STATELY IN CHARACTER
The architects approached the design of the Council Chamber knowing its location, which had been specified in the Assembly resolution of August 26, 1702 (Appendix), to have been in the west wing "over the great Hall [General Court Room]," but having no specific information about its architectural design other than that the south end had been semi-circular. Unlike the two great rooms on the first floor no fixed furniture had ever been provided for the Council Chamber but rather "…one Oval table fourteen foot long and six foot broad with two doz: arm'd Cain Chairs one larger ditto, twenty five green Cushions for the said Chairs stuft with hair, and a large Turkey work carpet for the table" (Assembly resolution of April 9, 1703-Appendix). That the Council Chamber had been rich in its architectural appointments could be inferred from the statement by Hugh Jones, quoted above; from the furniture ordered for the room and from the provision in the resolution of May 10, 1705 (Appendix) "That the wanscote and other Wooden Work on the first and Second floor in that part of the Building where the General Court is to be painted Like Marble …"
PROPOSAL TO MAKE CHAMBER "ELLIPTICAL:" CAPITOL COMMITTEE'S OBJECTION TO THIS
After studying at length various possible treatments of the room, the architects decided to repeat, at the north end, the
COUNCIL CHAMBER, LOOKING NORTH AND SHOWING TURKEY WORK CARPET ON TABLE
480
apsidal form which the Act of 1699 prescribed for the south, with the objective of creating a space which, by virtue of its quasi-oval shape would have a quality of unity and exclusiveness suited to the significant and highly-confidential business which had once been transacted there. In proposing this solution, however, they met with an objection on the part of the A. P V. A. Capitol Committee which held a veto power over all proposals made for the reconstruction of the building.* At a meeting of the Committee held in Richmond on July 14, 1930, Col. Samuel H. Yonge submitted to the members present a memorandum, later transmitted to the architects, containing, among other things, the following
comment on the proposed double-apsidal design:
(20) Although the elliptical form of the Council Chamber submitted by the architects would be a pleasing change from the rigid rectangular form of the other "Great Rooms" it does not seem probable that this room differed materially in plan from the others. "If a competent architect had been employed for the building it is probable that attention would have been given to proper variety in form and embelishment. It is evident however, from available records, that complete plans of the building had not been prepared in advance of its construction and that such important details as the locating and design of the "Great" or "Grand Stairways," also the galleries and the arrangement of rooms at the north ends of the wings and of those of the second floor and garrett were left to committees of laymen, who, although doubtless men of his intelligence, most probably did not possess architectural acumen and the cultivated artistic sense. From the foregoing it is evident that the building was constructed without an architect."*
ARCHITECTS' RESPONSE TO OBJECTION: OVAL ROOMS OF PERIOD OF CAPITOL ENUMERATED
In a paper of September 5, 1930, entitled EVIDENCE TO EXPLAIN THE PLANS OF THE RESTORED CAPITOL TO THE OLD CAPITOL COMMITTEE OF THE ASSOCIATION FOR THE PRESERVATION OF VIRGINIA ANTIQUITIES, the architects replied in this wise to Col. Yonge's arguments against 481 the shape proposed for the Council Chamber:
The elliptical room is not as bad as the Committee believes. The architects grant that a room of truly elliptical or oval form did not come into use until later. On the other hand, this room is not elliptical in shape. It is a square room with two apse ends, one end is forced on us by the semi-circular end of the building; the other repeats this shape. This is an idea that might easily have occurred to any member of the building committee when he saw the room being framed, and not necessarily planned with any idea of architectural variety, but merely an attempt to improve conditions as he saw them and to add dignity to a room which would otherwise be informal in plan. A room with a similar semi-circular end is in Sir Christopher Wren's house in London; also various rooms with double apse ends were found in the work of Inigo Jones and his followers, all of whom worked in England before 1700. There is also a room of this shape in St. Pauls, London, done by Wren. The architects have submitted to the Committee various court scenes and present herewith others which they have found.
E — Oval rooms were used in Buckingham House, London, King's Grammar School, Pits St., Gloucester, etc. Re Architect: This was the period of the greatest activity of the gentlemen amateur architect and the committee might be largely composed of such.
"ELLIPTICAL" SCHEME IS CARRIED OUT AND SEEMS APPROPRIATE TO USES ONCE SERVED BY CHAMBER
The upshot of this exchange of opinions regarding the design proposed for the Council Chamber was the acceptance by the A.P.V.A. Capitol Committee of the architects' point of view and the subsequent execution of the "elliptical" scheme. As in other cases the reconstruction of an architectural element concerning the original state of which little or no information exists, it is not possible for us to say that the Council Chamber of the original Capitol actually had this approximately elliptical shape. We can, nevertheless, assert with confidence our belief that the room as it now stands would have been very appropriate for the use which the Council-Chamber served in the eighteenth century and that, as the architects 482 have indicated, there was precedent in English architecture of the period of the first Capitol for a room having both ends semicircular in form.
FEATURE | PRECEDENT |
---|---|
LOCATION | Location of Chamber, referred to on p. 477, was fixed exactly in resolution of August 26, 1702 (Appendix), pertinent passages of which run as follows : |
"[Agreed] … That the building to the Westward next the College* be appropriated to the use of the genll Court and offices thereto belonging to wit | |
"The great Roome below for the Genll Court to Sit in and the other part of the building below for the Stare case and Secretarys office. | |
"The great roome above stairs over the great Hall for the Council Chamber." | |
DIMENSIONS | Manner of determination of room's dimension (38'-0") along longitudinal or north-south axis has been fully covered in discussion of working out of dimensions of Council Chamber Lobby (see pp. 437-441). |
483 | |
Rough wall to rough wall dimension of room along transverse or east-west axis is 26'-8" or 1'-8" greater than same dimension of General Court Room below. That this dimension should be greater follows from stipulation in building act of 1699 (Appendix) "that the walls … from the water table to the top of the first story [be] three bricks thick and from thence to the top of the second story two bricks and halfe brick thick …" We know from width (approximately 3'-0") of old foundations, which were specified in same act to be "four Bricks thick up to or near the surface of the ground… " that thickness" of brick at that time meant greatest dimension (i.e. length) of brick and that this was 9", more or less in case of Capitol brick. If, therefore, thickness of second floor walls was originally two and a half bricks, as against three bricks for first floor walls, Council Chamber would have been one brick width wider (9") than General Court Room. This is, indeed, approximately true of all second floor rooms of east and west wings, which are 25'-8" wide as against width of 25'-0" on first floor, except for Council Chamber which, as we have said, is 26'-8" wide or 1'-0" wider than, strictly speaking, it should be. This discrepancy between width that one would expect to find, in light of provisions of Act of 1699, and actual width in present Chamber is attributable to exigencies of decorative wall treatment in reconstructed room. In this treatment, which consists of application of pilasters to a panelled wall, pilasters are repeated in corners formed by meeting of straight north-south walls and short walls at right angles to these (see photograph, p. 475) and this corner pilaster together with full pilaster on these short walls required additional 6" of depth on each side of room. Whether or not, if these pilasters existed in original Council Chamber, they would have been treated in this way, is a question impossible to answer. | |
484 | |
In case of radii of apses in Council Chamber, both of which are 10'-10", increase over radius of Court Room apse on floor beneath is 4", which means that wall at this point has been decreased in thickness over against that below by approximately half-brick length we would expect if provisions of original building act were carried out. It should, in conclusion, be made clear that a decrease in exterior wall thickness from first to second floor was bound automatically to increase dimensions of second floor rooms, compared with those below, inasmuch as no external set-backs occur between first and second floors. No set-back of this sort is visible in Bodleian plate drawing of Capitol (Part 1, p. 30), though customary string course exists between floors, and, indeed, such set-backs were not used in eighteenth century. | |
485 | |
Ceiling height | See same subject, p. 429. |
FLOOR | Similar to flooring of raised platforms in House of Burgesses Chamber, see Wood variety, Part 2, p. 165. |
WALLS AND WALL COVERING | |
Panelled wainscot | |
Evidence of existence and basis for height | Considerations which determined use of wainscot in General Court Room and its height are fully applicable here (see Part 2, pp. 286-288). |
486 | |
Panel shapes and arrangement | Basically similar to shapes and arrangement of panels in General Court Room (see same subject, Part 2, p. 288). |
Panel section, main wall areas | Similar to profile of wainscot in House of Burgesses Chamber (see Panel profile, Part 2, p. 168). |
Baseboard | Similar to one in Chapter House of St. Paul's Cathedral, London (see fig. 2; sheet 1 of Mouldings of the Wren & Georgian Periods by Tunstall Small and Christopher Woodbridge, London, 1928. |
Chair railing | Similar in profile to a dado mold in Deaf and Dumb Asylmn, Clapton, Essex, England and to one in Rutland Lodge, Petersham, England (see figs. 2 and 4, sheet 2 of Mouldings of the Wren & Georgian Periods by Tunstall Small and Christopher Woodbridge, London, 1928. |
Cornice | Similar to cornices of House of Burgesses Office and of first floor of East Stairhall, except that top molding is a cyma reversa rather than a cyma recta (see Part 2, p. 237). |
487 | |
Pilasters | |
Evidence of existence | None. Architects, however, felt justified in using this kind of architectural enrichment for reasons given in Part 2, p. 366. Manner in which pilasters have been employed in Council Chamber differs in this respect from its use in other two rooms of Capitol in which they are found, i.e. House of Burgesses Chamber (Part 2, pp 191, 192) and General Court Room (Part 2, pp. 307, 308), that in Council Chamber they are carried about entire room whereas in House and Court Room they are confined to corners between straight walls and apses. There is sufficient reason for this increase in elaborateness over wall treatment in House of Burgesses Chamber, since, as has been remarked on p. 366, all rooms in Capitol used by governor and his council were believed to have been more sumptuous than those occupied by representatives of people. In case of General Court Room, where such pilasters might have been used throughout with appropriateness, wall surfaces are interrupted to such an extent on north and west sides that it would have been virtually impossible to repeat pilasters on those walls, so no attempt was made to place them on any of wall areas north of apse. |
488 | |
Basis for design | |
General, i.e., repetition of motive throughout room | This treatment of pilasters found in a number of Virginia houses of first half of eighteenth century. Mention may be made of following instances, photographs of all of which are reproduced in Thomas T. Waterman's The Mansions of Virginia, Chapel Hill, 1946: drawing room of Marmion, King George County, now installed in Metropolitan Museum (Waterman, pp. 76, 79); Great Hall of Stratford, Westmoreland County (ibid., pp. 99, 100); drawing room of Wilton, formerly Henrico County, now Richmond (ibid., p. 208) and hallway of Tazewell Hall, removed from Williamsburg and to be re-erected on a site overlooking James Riber within limits of City of Warwick (ibid., pp. 79, 83). |
489 | |
Details of individual pilasters | |
Capital | Unlike those in House of Burgesses Chamber and General Court Room. It represents modification of cap of Roman Doric order (see p. 37 of The Builder's Companion by William Pain, London, 1765 ). Echinus (quarter round) decoration (carved rosettes combined with other forms) was adapted from similar motives found in English carved woodwork of seventeenth and eighteenth centuries. A number of examples of these rosette forms may be seen in English Renaissance Woodwork/1660-1730 by Thomas J. Beveridge, London, 1921, closest to our echinus detailing being found on following plates: XXI, an ornament from cornice of King's writing closet at Hampton Court; XLVI, a detail from overmantel pilaster in dining room of 26 Hatton Garden, London and LXXII, an ornament of carved screen in Trinity College Chapel, Cambridge. |
490 | |
Shaft | Fluted, as in case of pilasters of House of Burgesses Chamber (see Part 2, p. 192 for design basis) and General Court Room (Part 2, pp. 307, 308, under Basis for design). |
Base | Roman Doric base (Pain's The Builder's Companion, p. 37), similar to pilaster bases in House of Burgesses Chamber (Part 2, p. 192, Basis for design) and General Court Room (Part 2, pp. 307, 308, Basis for design). |
Entablature above pilasters | |
Cornice | This is continuation of room cornice, which breaks out over pilasters (see Cornice, p. 486). |
Frieze | Plain fascia, such as that used with Corinthian order (see pp. 40 and 41 of William Pain's The Builder's Companion). |
Architrave | Has components similar to those of Ionic order (ibid., pp. 38 and 39).* |
491 | |
Plaster, similar to plaster used on walls of House of Burgesses Chamber. See Part 2, pp. 169 and 170 for discussion of plaster. Most of that treatment of plaster is valid here. | |
DOOR, DOOR TRIM AND HARDWARE | |
Door #207, to Council Chamber Lobby | Bi-valve door and hardware already covered on pp. 442-444. |
Jamb Panelling | Same panel arrangement and profile as in case of shutters of window #216 of West Stairhall (see pp. 419). |
Soffit panelling | |
Panel arrangement | Two horizontal panels as in case of soffit above bi-valve entrance doors of Brooke's Bank, Essex County (see photograph, Virginia Houses, vol A-B). Because of curvature of wall of Council Chamber these panels are likewise curved on one side, whereas Brooke's Bank panels are rectangular. |
Panel profile | Same as that of jamb panelling (see above). |
Architrave | |
492 | |
Profile | Unusual feature here is cavetto or quarter-round between upper and lower fascias. This is found in an eighteenth-century architrave of Nelson House in Yorktown (for drawing of this, see Thomas T. Waterman's The Mansions of Virginia, p. 401). It should be noted that backband (top molding) in Nelson House example consists of a cyma recta and a bead rather than quarter-round used on Council Chamber architrave. Latter backband type, however, was frequently substituted for cyma molding so that combination of elements found in Council Chamber example is authentic. |
Croissettes | Similar to croissettes of corresponding architrave on Lobby side of door (see p. 444). |
WINDOWS, WINDOW TRIM AND SHUTTERS | |
(Windows #224-228) | |
Sash | |
Evidence of existence; basis for detailing; number of lights; window glass and absence of weights | Already treated in part 1, pp. 84 and 85, under square-headed windows of second floor. |
Window screens | Treated in part 1, pp. 86, 87. |
Splayed jambs | See discussions of this subject in Part 2, pp. 172-174 and 185, 186. |
Panelled jamb shutters | |
Evidence of existence | See same subject, pp. 452 and 453. |
493 | |
Undivided shutters | |
(Windows #225-227, in curved wall) | |
Panelling | |
Arrangement of panels and profile | Similar to same features of shutters of window #222 in Council Chamber Lobby (see p. 454). |
Wood shutter bars | Similar to that of window #222 (p. 454). |
Hardware | Similar to H hinges of window #222 (p. 454). |
Shutters with folding extensions (windows #224 and 228, in straight walls) | Similar to undivided shutters (see above), except that they are narrower and possess plain extensions or "flaps." The also correspond to shutters of window #222 in all respects except width (window #222 is four-lights wide rather than three, as in case of all second story windows except it and #206 in Central Committee Room) . For discussion of details of Lobby shutters see pp. 452 and 453. Shutters with extensions were required for windows #224 and #228 because walls in which those windows are found are only 1'-6" thick so that shutters without extensions, when opened, would not have closed, window openings. Curved wall in which windows #225-227 are found, on other hand, is 2'-0" thick, which is sufficient to permit use of shutters without extensions (undivided). Straight walls between two apses in Council Chamber are thinner than other exterior walls of second story for reasons given under Dimensions on pp. 482-485. |
494 | |
Panelling beneath shutters and sash and soffit panelling | Similar in shape and profile to corresponding panels of window #216 in West Stairhall (see pp. 419, 420). |
Architrave | |
Profile | Similar to profile of architrave of Council Chamber side of door #207 (see p. 492). |
Window stool | |
Profile of front edge | Similar to profile of front edge of stool of east second floor window of West Stairhall (see p. 420). |
Panelling beneath nosing of window stool | |
Panel division | Single panel, as in case of Court Room windows (Part 2, p. 301) but this is more elongated because stool is lower than stools of Court Room windows. |
Profile | Similar to profile of shutter panels (see p. 493), which, in turn, is similar to profile of shutters of window #222 (see p. 454). |
495 | |
All woodwork, except floors (see Part 2, p. 165 for wood type) and bi-valve door (see p. 456). | New yellow pine, as in House of Burgesses Chamber (see Part 2, p. 205). |
PAINT COLORS AND FINISHES* | |
All panelling, including that within window reveals, and shutters and shutter pockets | Brownish buff (plain), glazed finish. |
Bevels of all panelling, including those of shutters | Light brownish buff (plain), glazed finish. |
Frieze of entablature above pilasters; pilaster caps and bases, except for plinths of latter, and backbands of door and window architraves | Brownish buff (marbled), glazed finish. |
Room cornice and cornice and architrave of entablature; shafts of pilasters; chair railing and door and window architraves, except for backbands | Walnut brown (marbled), glazed finish. |
496 | |
Fascia of room baseboard and plinths of pilaster bases and door architraves | Slate black (marbled), glazed finish. |
All marbled parts (see above) | See same heading, Part 2, pp. 356 and 357. |
Window sash | Dead white. |
Bi-valve door | Natural, rubbed finish (see Part 2, p. 208). |
Floor | Treated in same way as platform floors of House of Burgesses Chamber (see Part 2, p. 166). |
Plastered ceiling | White to simulate whitewash (see Part 2, p. 210). |
LIGHTING FIXTURE | |
Chandelier, 12-branched, polished brass, globe type, unwired, hung from ceiling at center of room | |
497 | |
Evidence of existence | Burgess resolution of June 6, 1722 (Journals of the House, 1712-1726, p. 351) provides for the purchase of "A Lustre for the Council Chamber." As is indicated in discussion of subject in Part 2, p. 359, word "lustre" meant chandelier in eighteenth century and lustres could be made of various materials —— glass, brass or bronze. Since brass chandeliers were widely-used in England at time first Capitol was built (see Part 2, pp. 213, 214), it is not likely that this fixture would have been a brass one. Resolution of June 6, 1722 (see above ), furthermore, specifically provides for certain glass fixtures for General Court Room (see Part 2, p. 358) and it is probable that, had a glass fixture been desired for Council Chamber, resolution would have specified it. |
Basis for design and provenance | Reproduced from an authentic eighteenth-century example by Baguès, Inc. of New York and Paris. See Part 1, p. 106 for statement by Baguès concerning authenticity of its reproductions. |
CONFERENCE ROOM AS SEEN FROM NORTHEAST
THIS ROOM A MEETING PLACE FOR MEMBERS OF TWO HOUSES OF LEGISLATURE
The purpose served by this room is indicated in its title, which is the name by which it was known in the eighteenth century. Physically, the Conference Room formed a bridge between the "people's wing" of the Capitol, in which the House of Burgesses convened, and the "king's wing," occupied by the representatives of the crown. It was, therefore, an appropriate common meeting ground for members of the two houses. It was here that they foregathered "at Eight of the Clock" each morning during the period that the General Assembly was in session for the reading of the divine service.* Although they, thus, began each day in concord, the delegates of the people and agents of the crown occasionally) in the course of it, fell into disagreement over some matter of legislation.** It was then that the 501 Conference Room might again come into use as a place for the joint discussion of the disputed issue. On such occasions a committee from the House would meet with a committee appointed by the Governor and Council around the large table in the Conference Room for the purpose of ironing out their differences.
FURNISHINGS OF ROOM WERE SIMPLE, AS ORIGINAL SPECIFICATIONS INDICATE
From the nature of the functions performed in this room we would expect its furnishings to be simple. Accordingly, in the resolution passed on April 9, 1703 (Journals of the House, 1702-1712, pp. 29, 30 we find the following specifications:
That the Conference room be furnished with an Oval table fourteen feet long and Six feet broadIt is to be supposed that some of the chairs, candlesticks, etc., were intended for use in the Conference Room. At all events, it is likely that no more was required in this room in the way of furniture to equip it for the performance of its functions than a table, chairs, candlesticks and a Bible and a prayer book, although, in that more rugged day, no doubt, spittoons would also have been indispensable conveniences for gentlemen, such as those who assembled here, who were given to chewing the chief product of their own acres.
…
That a sufficient quantity of green Cloth be provided to make Carpets off [of] for all the tables.
That Seven doz: of Russia leather Chairs be provided for furnishing the rooms above-stairs, and one doz: of large high brass Candlesticks one doz: of fflatt ditto one doz of brass snuffers & half a doz: snuff dishes, four doz: large strong brass sconces.
ARCHITECTURAL TREATMENT OF PRESENT ROOM IS SIMPLE AND RESTRAINED
The old records of the Capitol afford no clues which indicate the character of the original architectural detailing of this room. Since it was neutral territory, belonging to neither the House of Burgesses nor the Council but serving the uses of both, the architects 502 felt that it should not reflect the architectural treatment of either wing. They handled it in a restrained way, admitting only such departure from absolute simplicity as dado panelling, croissettes on the window and door architraves and modillion blocks in the cornice. The color scheme chosen, white for the plaster walls and ceiling and steel gray for all the woodwork except the two bivalve doors, enhances the almost austere character of the room.
FEATURE | PRECEDENT |
---|---|
LOCATION | Two references in eighteenth-century sources give precise location of this room in original Capitol. Resolution passed by House of Burgesses and Council on August 26, 1702 (Appendix), which assigns uses to various spaces of Capitol, places Conference Room on second floor, above portico: "[Agreed] That the Chamber between the two great buildings over the Po'ach [Porch] be for a Conference Roome for the Council and Burgesses and a place for their Sitting when they shall be appointed a Comtee [Committee]." This provision not only locates Conference Room but also enables us to determine its size since it implies that room was to occupy entire space between two wings on second floor. |
503 | |
That above provision was actually put into effect is demonstrated by reference to Conference Room in description which Hugh Jones gave of Capitol in 1724 in his The Present State of Virginia (p. 69 of 1956 edition, edited by Dr. Richard L. Morton and published at Chapel Hill): "Over the portico is a large room where conferences are held, and prayers are read by the chaplain to the General Assembly; which office I have had the honor for some years to perform." | |
504 | |
DIMENSIONS | As we have noted above, under Location, there is no doubt that Conference Room pavilion in original building occupied entire space over central arcade or portico so that its plan dimensions would have been those of portico itself. We know that later was at first, in Act of 1699, specified to be 30 feet wide (east-west dimension) and 15 fee deep (north-south dimension) and that in Act of 1701 depth was doubled, making portico 30 feet square (see discussion of this subject in Par 1, pp. 34, 35). Part of building above portico would, thus have been 30 feet square, including its own north and south exterior walls but excluding walls of wing which enclosed it on east and west sides. East-west interior dimension of Conference Room, therefore, would have been full 30 feet but its north-south dimension would have been 30 feet minus combined thicknesses of north and south walls. These second floor walls were specified in Act of 1699 to be two-and-one-half bricks thick (see discussion of this subject under Dimensions, pp. 482, 483). Two-and-one-half times 9", approximate length of old Capitol brick, plus two joints would have yielded a second story wall about two feet thick which is thickness given these walls in reconstructed Capitol. Subtracting four feet (two wall thicknesses) from specified north-south dimension of 30 feet gives 26'-0", as probable north-south dimension of original Conference Room. Rough wall to rough wall dimension of room is reconstructed Capitol is 25'-8". This discrepancy of 4" is negligible and may be traceable to a slight deviation from specified dimension in original portico or discrepancy between this dimension in original and reconstructed porticoes. Similarly we find east-west dimension of reconstructed Conference Room to be 30'-4" or 4" greater than one might expect it to be. Same causes mentioned in connection with north-south dimension may also have occasioned this very minor deviation. |
505 | |
Ceiling height | Ten feet, like other rooms of second floor (see p. 429). |
FLOOR | Similar to flooring of raised platforms in House of Burgesses Chamber (see Wood variety, Part 2, p. 165). |
WALLS AND WALL COVERING | |
Panelled wainscot | |
Evidence of existence | Presumptive only; architects believed that panelled chair-rail-height wainscot would add, appropriately, to dignity of this important room. |
Continuation of wainscot, including cap and base, into window reveals, with consequent omission of stools | Based upon similar treatment at Lower Brandon, Prince George County. See photograph showing window in Brandon drawing room, Virginia Houses, vol. A-B, Colonial Williamsburg architects' office. This treatment of wainscot also occurs in drawing room and northwest bedroom of Hampton, Baltimore County, Maryland (see drawings, pp. 174, 175 of Great Georgian Houses of America, New York, 1931). |
506 | |
"Breaking out" of wainscot, forming "pedestals" which receive bottom parts of window architraves | Windows of Brandon drawing room, mentioned above. See photograph cited above and also scale drawing, plate 152, Colonial Interiors/Second Series by Edith Tunis Sale, New York, 1930. Another example of this usage is found in two rooms of Hampton, Baltimore County, Maryland, mentioned on preceding page. |
Detailing | |
Panel profile | Similar to that of panelling in Council Chamber (p. 486) and Council Chamber Lobby (p. 441). |
Base | Similar to that in Office of Secretary of State (Part 2, p. 399). |
Cap | Similar in profile to dado cap or rail in Office of Secretary of State (Part 2, p. 399). |
Pedestals with recessed panels beneath window architraves | |
General form | Pedestals beneath bases of window architraves in Lower Brandon and Hampton (see above). |
507 | |
Panel profile | Similar to that of "panelled" pilasters applied to front of governor's desk in General Court Room (Part 2, p. 338) and to that of posts with "panelled" front faces at ends of parapet in same room (Part 2, pp. 338, 339), except that latter features have beaded edges not present in pedestals of Conference Room. |
Plaster above wainscot | Discussion of plastered walls of House of Burgesses Chamber (Part 2, pp. 169, 170) is in large part valid here . |
CEILING | Plaster, similar in constitution and appearance to wall plaster discussed above. |
CORNICE | Modillion cornice of same general type as cornices of House of Burgesses Chamber (Part 2, pp. 171, 172); General Court Room (Part 2, p. 294); Office of Secretary of State (Part 2, pp. 399, 400) and first floor of West Stairhall (Part 2, p. 369), although certain of its moldings are different from those of cornices mentioned and it is considerably smaller in scale than these due to fact that ceiling height on second floor is five feet less than that of first floor. |
508 | |
Leaving modillion blocks out of consideration, profile of Conference Room cornice represents a union of molding sequences found in two English examples, upper part, down to soffit "drip," following profile of a cornice in Chelsea, London and lower part, beginning at soffit, being similar to corresponding part of a cornice at 9, Queen Anne's Gate, Westminster. For these English profiles, see Sheet 19 (figs. #3 and 4, respectively) of Mouldings of the Wren & Georgian Periods by Tunstall Small and Christopher Woodbridge, London, 1928. Since there were, in eighteenth century, no hard and fast rules about manner of combining component parts of a cornice, sequence of moldings used by architects in Conference Room cornice is authentic. | |
DOORS, DOOR TRIM AND HARDWARE | |
Door #204; to Central Committee Room and door #205, to Council Chamber Lobby (both bi-valve) | |
Evidence of existence and detailing | Consult, on pp. 447, 448, discussion of these subjects in relation to door #205. In order to maintain bilateral balance in this room, which is symmetrical about its north-south axis, door #204 was made identical with door #205. |
509 | |
Panelled jamb recesses | These are similar in principle to panelled jambs of door to Council Chamber except that their panelling duplicates that of doors in sizes and shapes and profile of panels, which is not true of jambs of Council Chamber door. This repetition, in jambs, of panelling of doors was possible in one case and not other because walls in which Conference Room doors are placed are 2'-0" thick, which is same as width of each door valve, whereas jambs of Council Chamber doors are only 1'-6" wide. It is this two-foot wall thickness which permits doors to swing into jamb recesses, in a manner similar to that in which shutters fold back into shutter pockets of window jambs. Since width of jambs of Council Chamber door is less than valve width, it was necessary to allow two halves of that door to swing into Council Chamber Lobby. |
Soffit panelling | |
Panel arrangement | Single panel, similar to that of soffit of south door of second floor of West Stairhall (see p. 418). |
510 | |
Panel profile | Similar to that of jamb panelling (see above). |
Architraves | Similar in all respects to that of door #207 (p. 444) but pediment surmounting architrave of latter door has been omitted. |
WINDOWS, WINDOW TRIM AND SHUTTERS | |
Windows #213-215, 229-231 | |
Sash | |
Evidence of existence; basis for detailing; number of lights; window glass and absence of weights. | Already treated in Part 1, pp. 84, 85, under square-headed windows of second floor. |
Window screens | Treated in Part 1, pp. 86, 87. |
Splayed jambs | See discussion of this subject in Part 2, pp. 172-174 and 185-186. |
Panelled: jamb shutters | Similar to shutters of east window of second floor of West Stairhall (see p. 419). |
511 | |
Panels beneath shutters and sash | Similar to panelling of room wainscot which continues into window reveals, except that panel profile, like that of shutters, lacks bead present in wainscot panelling. See p. 505 for precedent for omission of window stools and for carrying of wainscot panelling into reveals. |
Soffit panelling | Similar to that of east window of second floor of West Stairhall (see p. 420). |
Architraves | |
Profile | Similar to that of doors #204 and #205, which, in turn, is similar to architrave profile of door #207 (p. 444) and that of other doors and of window in Council Chamber Lobby. |
Croissettes, at tops and bottoms of vertical members | Similar to croissettes at tops and bottoms of door architraves on first floor of hallway of Brush-Everard House. For a photograph showing one of these architraves, see p. 61 of architectural report on that house. Window architraves having croissettes at top and bottom are found in drawing room and northwest bedroom of Hampton, Baltimore County, Maryland (see measured drawings in Great Georgian Houses of America, New York, 1932, pp. 174, 175). It will be noted that, in case of Hampton croissettes, horizontal bottom molding found in Capitol and Brush-Everard examples is missing. |
512 | |
Cushion frieze between room cornice and window architrave | These three elements together form, in effect, a full entablature such as is found above pilasters of south entrance doorway of Wilton (formerly Henrico County, now Richmond). That entablature also has a cushion frieze (see photograph, Virginia Houses, vol. W-Z). Drawing room of Westover, Charles City County, has entablature with cushion frieze throughout room (see photograph, Virginia Houses, vol. T-W). This differs from Conference Room example in being a full entablature with its own architrave which, over windows, rests upon window architrave. Substitution of window architrave for true architrave, in case of quasi-entablature above windows of Conference Room, resulted from relatively low room height which would not have permitted inclusion of additional architrave member without lowering window height unduly. |
513 | |
"Breaking out" of cornice above windows | This treatment is seen in drawing room of Westover, mentioned above. |
WOOD TYPES USED | |
All woodwork, except floors (see Part 2, pp. 165-167) and bi-valve doors (see pp. 447, 448 for reasons for use of walnut and Part 1, pp. 123, 124 for precedent examples of its use) | New yellow pine, as in House of Burgesses Chamber (see Part 2, p. 205). |
514 | |
PAINT COLORS AND FINISHES | |
All woodwork, including room side of window sash but excluding floor and bi-valve doors, together with plastered shutter pockets | Steel gray, listed as paint color #114 in Colonial Williamsburg Paint Shop color file, satin finish. |
Floor | Treated in same manner as platform floors of House of Burgesses Chamber (see Part 2, pp. 166, 167). |
Bi-valve doors | Natural, rubbed finish (see Part 2, p. 208). |
Plastered walls, except shutter pockets, and plastered ceiling | White to simulate whitewash (see Part 2, pp. 210, 211). |
LIGHTING FIXTURE | |
Chandelier, 12-branched, polished brass, globe type, unwired and hung from ceiling at center of room | |
515 | |
Evidence of existence | In our only eighteenth-century reference to attached lighting fixtures in original Capitol (see Part 2, pp. 358, 359), specific provision is made for fixtures only in Council Chamber and General Court Room. Architects were convinced, however, that chandeliers would have existed in a number of other rooms of Capitol, including Conference Room. Situation in respect to lighting of latter room would have been very similar to that of lighting House of Burgesses Chamber, so that our discussion under Chandelier in Part 2, pp. 212-215, is for most part valid here. |
Provenance | Reproduced after an authentic eighteenth-century example by Baguès, Inc. of New York and Paris. See Part 1, p. 106 for statement by Baguès concerning authenticity of its reproductions. |
COMMITTEES COMPOSED OF BURGESSES AND WORKED CLOSELY WITH HOUSE; TYPES OF COMMITTEES
The three Committee Rooms in the original Capitol were placed directly over the Chamber of the House of Burgesses and the Office of its Clerk because the work done in them was closely associated with the work of the House, itself. The committees of the House* were composed of members of that body, generally the more gifted and experienced of the burgesses, who were given their assignments on the first day of the session. They performed functions similar to those of present-day committees of the United States Senate and House of Representatives. There were standing committees and special or temporary committees and, on a few occasions, joint committees made up of both burgesses and councillors were created.
STANDING COMMITTEES, THEIR TITLES AND DUTIES; PREPARATION OF BILLS ONE OF THEIR IMPORTANT FUNCTIONS
The particular fields of activity of the various standing committees are indicated in their titles. The committee of privileges and elections, for example, examined, at the beginning of each new assembly, the credentials of members and tried cases of contested elections. The committee for propositions and grievances heard petitions from the counties requesting the legislature to remedy some evil or to change existing legislation. The committee on public claims dealt with requests of the counties or of individuals for renumeration for public services rendered by them. The committee for courts of justice examined the procedure of the county courts, aided the overworked committee of propositions and grievances and 519 performed other services. In addition to the above committees, there were also a committee of trade and one for religion. The committees did a vast amount of detailed work which could hardly have been accomplished by the House as a whole in its regular meetings. One of their most important functions, for instance, was to study proposed legislation and to prepare bills for enactment by the House.
STANDING COMMITTEES AT FIRST LIMITED IN SIZE BUT BECAME LARGER IN EIGHTEENTH CENTURY
In spite of the volume of business which they cared for, the size of the standing committees was at first definitely limited. In the seventeenth century a committee might have from five to ten or twelve members. The membership grew slowly but surely in the eighteenth century so that by 1762 the committee for privileges and elections had 18 members; that for public claims, 25; the committee for propositions and grievances, 43; the one for courts of justice, 15 and the committee for trade, 19.
SPECIAL COMMITTEES CREATED TO DISCHARGE EXTRAORDINARY DUTIES: THEIR MEMBERSHIP WAS SMALL
The special committees, which were continually being created, examined matters of an extraordinary nature, either so detailed that the regular committees could find no time for them or so relatively unimportant that they were not worth the attention of the larger bodies. Such work, for example, might be the drafting of a reply to a speech by the governor; the proportioning of the public levy (taxes and troops); the examination of enrolled bills; consideration of the law for preventing insurrections of negroes and of that for improving the production of tobacco, etc. The size of these special committees was small, the membership running, generally from three to nine persons.
520BURGESSES' COMMITTEE ROOM IN THE CAPITOL
N. B. The so-called "Botetourt Stove," at the left edge of the picture, has been removed to the archaeological museum in the Court House of 1770 since the photograph was made.
COMMITTEES NEEDED TO BE SEPARATED WHILE AT WORK SO CAPITOL CONTAINED THREE ROOMS FOR THEM
The nature of the work performed by the committees of the House of Burgesses necessitated the provision of space and facilities for reading, writing and discussion. Since they knew that several committees would be at work at the same time, the planners of the first Capitol saw to it that the space reserved for the committees was broken up into three separate rooms. The position of the stairhall in the east wing made the creation of one such room to the north of it a simple matter. The other two were made out of the space above the Chamber by the simple expedient of building an east-west partition across it, a measure provided for as follows in a resolution of April 9, 1703 (Appendix ):
Agreed. That the room over the Burgesses room be divided by a partition wall to be Studded lathed and plaister'd.
FURNISHINGS OF COMMITTEE ROOMS AS SPECIFIED IN RESOLUTION OF APR. 9, 1703
The same resolution gives us a good idea of how the committee rooms were furnished:
Agreed… That the room over the Clerk of the House of Burgesses office be furnished with a long square table Eight foot long and four foot broad…
That the two rooms over the Burgesses room be furnished with three Oval tables each nine foot long and Six foot broad.
That a sufficient quantity of green Cloth be provided to make Carpets off for all the tables.Chairs, candlesticks and other equipment were also provided, as we have seen on p. 501 of this report.
In addition to the three second floor rooms discussed above, space was also reserved for committee use on the third floor of the Capitol, as is indicated by this excerpt from a resolution of May 1, 1704 (Appendix): 523
Resolved … That the Garrett over the Conference room be divided into four closetts to be appropriated vizt
One for the Clerk of the Genll Assembly, One for the Clerk of the House of Burgesses and One for each of the two Clerks of the Committees.
ALL THREE COMMITTEE ROOMS TO BE TREATED TOGETHER
Though the three reconstructed committee rooms differ from each other in size, shape and location, their architectural detailing has been kept uniform throughout. To avoid needless repetition, therefore, they will be treated simultaneously in this chapter.
FEATURE | PRECEDENT |
---|---|
LOCATION | Hugh Jones, in course of describing Capitol in his The Present State of Virginia, London, 1724, locates Committee Rooms in this fashion: "Over the portico is a large room where conferences are held. At one end of this is a lobby…and at the other end are several chambers for the committees of claims, privileges, and elections…." He might assume from this that Committee Rooms had occupied entire second floor of east wing but we could not be certain of it. No doubt of this is left in our minds, however, by manner in which location of rooms is given in resolution of August 26, 1702 (Appendix): "[Resolved that] The great Roome above Staires over the great Hall [of House of Burgesses] and the Roomes over the Clerks office [be appropriated] for Comtee [Committee] Roomes to be divided as shall be hereafter directed." The phrase "Roomes over the Clerks office" may well be an error for the later resolution of April 9, l703 (Appendix) speaks of "the room over the Clerk of the House of Burgesses office" (see p. 522). It is unlikely that two rooms over the Clerk's Office were ever contemplated because these would have been very small and out of scale with other rooms of Capitol, total available space above Clerks Office being, at present, at any rate, only 12'-9" x 25-8". |
524 | |
DIMENSIONS | |
Central and South Committee Rooms | Resolution of 1703 provides for division by a partition of space on second floor above Chamber of House of Burgesses (see p. 522) but it gives no directions for location of this partition. In placing it in reconstructed Capitol, therefore, architects had no guide except their architectural judgment. It seemed to them likely that these two rooms would have been of more or less equal capacity, since three similar oval tables were to be placed in each or so, at least, architects interpreted order in resolution of 1703 "That the two rooms over the Burgesses room be furnished with three Oval tables each nine foot long and Six foot broad." Absence of punctuation in above specification renders it ambiguous, leaving one in doubt as to whether tables in central and South Committee Rooms were to total three or six, but it seemed reasonable to assume that rooms would have been furnished alike. |
525 | |
To make these two rooms of approximately equal capacity meant, in view of fact that space was lost in south room due to apsidal end, that latter room had to be made longer in north-south direction than central room. It was made, in fact, a little over three feet longer. | |
Above procedure, i. e., making rooms of about equal capacity, gave their approximate sizes. | |
526 | |
Their exact north-south dimensions; however, resulted from application of principle of symmetry followed elsewhere in design of Capitol (see Dimensions, pp. 437, 438, for discussion of this subject). This involved, in case of South Committee Room, placing windows in straight east and west walls at centers of those walls and in case of Central Committee Room, making distances from two windows in east wall to nearest cross walls equal. East-west partition between rooms was placed in a position such that this objective of symmetry, to all appearances, was achieved, although actual measurement reveals a slight deviation from absolute adherence to it. In this connection, it should be noted that architectural characteristics of two rooms make absolute symmetry, in any case, impossible of attainment. Thus, in Central Committee Room, east wall cannot be wholly symmetrical since four-light-wide balcony window in it is balanced by a normal three-light-wide-window. In South Committee Room, even if absolute symmetry had been achieved in straight east and west walls, this would doubtless have been modified in its effect by fact that this room, unlike Council Chamber, is definitely unsymmetrical about its east-west axis. A rigid adherence to principle of symmetry in either room, therefore, would probably have been unremunerative. | |
North Committee Room | This room is referred to in resolution of 1703 as "room over the Clerk of the House of Burgesses office" (see p. 522). As in case of Office of Clerk of Council (see p. 428, under Dimensions), architects decided that this room would have occupied space on second floor corresponding to that of office below. This means that its size would have been slightly larger than that of Office of Clerk of House of Burgesses because external walls bounding three sides of it would have diminished by half a brick length over against walls below, in accordance with provision in Act of 1699 (Appendix). In reconstructed building first floor wall s are 2'-4" thick and those of second floor 2'-0" thick. This room, as a result, is 8" wider (east-west dimension) and with Stairhall partition in same position as it is below, 4" deeper (north-south dimension) than Office of Clerk of House of Burgesses. |
528 | |
FLOOR | Similar to flooring of raised platforms in House of Burgesses Chamber (see Wood variety, Part 2, p. 165). |
WALLS AND WALL COVERING | |
Plaster, from floor to ceiling | Discussion of plastered walls in House of Burgesses Chamber (Part 2, pp. 169, 170 ) is in large part valid here. |
BASEBOARDS | |
At bottom of plastered walls | Similar to baseboards in Gallery Stairhall and Utility Room, adjacent to Council Chamber Lobby (see p. 464). |
At bottom of window apron panelling | Quarter-round rather than more typical half-round. An old baseboard with this profile is found in northeast first floor room of Varennes Tavern, Anderson County, South Carolina (see H.A.B.S. measured drawing folder on that building). |
CHAIR RAILING | Similar in profile to that of chair railings in Office of Clerk of House of Burgesses and on first floor of East Stairhall (see Part 2, p. 237) but smaller in scale. |
529 | |
CORNICE | Similar to cornice in Office of Clerk of Council (see p. 430) and also to that of first floor of East Stairhall (Part 2, p. 237), except that it lacks fret dentil band which latter cornice has in its basemold. |
CEILING | Plaster, similar in constitution and appearance to wall plaster. |
DOORS, DOOR TRIM AND HARDWARE | |
Door #204, bi-valve, Central Committee Room to Conference Room | Already discussed (see p. 508 and also pp. 447, 448 for discussion of door #205 to which door #204 is identical). |
Architrave | Similar to that of doors of first floor of East Stairhall (see Part 2, p. 238). |
Doors #200, 201, Central Committee Room to South Committee Room; door #203, Central Committee Room to East Stairhall; door #202, East Stairhall to North Committee Room | |
Detailing | |
Panel arrangement and profile | Similar to these features of door #103, entrance door to East Stairhall (see Part 1, p. 144). |
530 | |
Construction | See remarks about construction of bi-valve entrance door to General Court Room, which apply here (Part 1, p. 123). |
Hardware | Similar to that of door #102, East Stairhall to Office of Clerk of House of Burgesses (see Part 2, p. 239). |
Panelled jambs and soffit of door #203 | |
Panel arrangement | Similar to that of jamb and soffit panelling of door #209, West Stairhall to Council Chamber Lobby (p. 418). |
Panel profile | Sunk panels similar in profile to those beneath benches in House of Burgesses Chamber (see Part 2, p. 168). |
Architraves | Similar to that of door #204, above. |
WINDOWS, WINDOW TRIM AND SHUTTERS | |
Window #206 ("window-door"), Central Committee Room | Similar in all respects except paint color to corresponding window, #222, in Council Chamber Lobby (see pp. 451-455). |
531 | |
Windows #200-204, South Committee Room; window #205, Central Committee Room; windows #208-211, North Committee Room | Similar in all respects except paint: color to east window, #2l6 on second floor of West Stairhall (see pp. 419, 420). |
WOOD TYPES USED | |
All woodwork, except floors (see Part 2, pp. 165-167) and bi-valve door, #204 (see Part 1, pp. 123, 124 for eighteenth century examples of use of walnut in interior work) | New yellow pine, as in House of Burgesses Chamber (see Part 2, p. 205). |
PAINT COLORS AND FINISHES | |
All woodwork, including room side of window sash but excluding floors and bi-valve door, together with plastered shutter pockets | Chocolate brown, listed as paint color #104 in Colonial Williamsburg Paint Shop color file, egg shell finish. This is same color used in Ho sue of Burgesses Chamber and it is discussed in Part 2, pp. 206-208. |
Floor | Treated in same manner as platform floors of House of Burgesses Chamber (see Part 2, pp. 166, 167) |
532 | |
Bi-valve door | Natural, rubbed finish (see Part 2, p. 208) |
Plastered walls, except shutter pockets, and plastered ceiling | White to simulate whitewash (see Part 2, pp. 210, 211). |
LIGHTING FIXTURES | |
Three identical chandeliers (one in each Committee Room), 8-branched, polished brass, unwired and hung from ceiling at approximate centers of rooms | |
Evidence of existence | None. Status of these chandeliers is similar to that of chandelier in Conference Room. For discussion of basis for use of latter chandelier, see pp. 514, 515. |
Provenance | Reproduced after an authentic eighteenth-century example by Baguès concerning authenticity of its reproductions. |
TREATMENT HERE WILL FOLLOW THAT OF SECOND FLOOR OF WEST STAIRHALL
The treatment of the second floor of the East Stairhall will follow the pattern established in the case of the second floor of the West Stairhall so that the explanatory material given at the beginning of the chapter on the latter space will serve as an introduction to the detailed treatment of the present one. The reader is, therefore, referred to the preface on p. 416 and also, for details not discussed here, to the chapter on the first floor of the East Stairhall, Part 2, p. 226 et seq.
FEATURE | PRECEDENT |
---|---|
BASEBOARD, from landing between second and third floors to third floor (and on third floor). | Similar to room baseboard in all Committee Rooms (see p. 528) and in Gallery Stair-hall and Utility Room adjacent to Council Chamber Lobby (p. 464) |
CORNICE | Similar to cornice in Committee Rooms (p. 529) which, in turn, is similar to that in Office of Clerk of Council (p. 430) and also to that of first floor of East Stairhall (Part 2, p. 237), except that it lacks fret dentil band which latter cornice has in its basemold. |
537 | |
Door #202, to North Committee Room and door #203, to Central Committee Room | |
Panel arrangement and profile, construction, hardware, panelled jambs and soffit of door #203 | Already covered on pp. 529, 530. |
Architraves | Similar to architraves of doors of Committee Rooms (p. 529) which, in turn, are similar to door architraves on first floor of East Stairhall (Part 2, p. 238). |
WINDOWS, WINDOW TRIM AND SHUTTERS | |
West window, #212 | Similar in all respects to windows in Committee Rooms (p. 531) and these, in turn, are similar in all respects except paint color to east window, #216 on second floor of West Stairhall (pp. 419, 420). |
East window, #207 | Similar in all respects to west window, #221 of second floor of West Stairhall, except in paint color and in omission of croissettes which architraves of latter window possesses. |
538 | |
PEG STRIPS, west wall | Similar in design to those on second floor of West Stairhall and they have a location in East Stairhall corresponding with that of West Stairhall peg strips (see p. 422 and, also, Part 2, p. 241 for basis for use of peg strips in Capitol). |
WOOD TYPES USED | |
Peg strips | See treatment of this subject in case of peg strips on second floor of West Stairhall (p. 423). |
LIGHTING FIXTURES | |
Two identical single-branched brass sconces, one of which is attached to wall just east of door #202 and second in a corresponding position beside door #203. Fixture beside door #202 is wired for electricity; that be side door #203 is unwired. | These fixtures are identical with fixtures in corresponding positions on second floor of West Stairhall (p. 423) and with fixtures above window arches at landings between first and second floors of West Stairhall (Part 2, p. 385 and of East Stairhall (Part 2, p. 255). |
THIRD FLOOR AND CUPOLA, SINCE NOT EXHIBITION SPACES, WILL BE TREATED MORE BRIEFLY THAN ROOMS OF LOWER FLOORS
In our introduction to the treatment of the interior of the Capitol (see Part 2, pp. 150, 151) we established the sequence in which the floors would be discussed as follows: first floor, second floor, third floor and basement. We stated our intention of treating these last two floors more briefly than the first and second floors, for the reason that neither the third floor nor the basement is open to the public. We will now proceed, on this basis, to discuss the features of the third floor and the cupola. The detailing of the third floor has been kept so relatively simple and uniform as to make it feasible to consider several rooms or spaces simultaneously (see plan, opposite). We will treat this floor, therefore, in two sections, taking first the two stairhalls, and discussing the features of these which have not already been covered and, thereafter, all the offices (Rooms 300-311 )together as a group. We will conclude this section by dealing with the interior of the cupola which, though it actually begins on the third story level, rises far above this, so that it cannot, as a whole, be said to be a part of the third floor.
ONLY FEATURES NOT ALREADY DISCUSSED TO BE TREATED HERE. THIRD FLOORS OF TWO STAIRHALLS CONSIDERED AS STARTING AT LANDINGS
Only such features of the two Stairhalls will be discussed here as have not already been covered in the treatment of the first and second floors of the Stairhalls. If it is found that a feature existing at the third floor level of a Stairhall is not considered here, it may be assumed that it or a similar detail has already been discussed in one of the preceding chapters on the Stairhalls; which are located as follows in the report: East Stairhall, Part 2, pp. 226-255 and pp. 536-538, and West Stairhall, Part 2, pp. 366-385 and pp. 416-423. The third floors of the two Stairhalls will be considered to begin at the level of the third floor landings.
FEATURE | PRECEDENT |
---|---|
BASEBOARD | Similar to baseboard in all CommIttee Rooms (p. 528) and in Gallery Stairhall and Utility Room adjacent to CouNcil Chamber Lobby (p. 464). |
547 | |
DOORS DOOR TRIM AND HARDWARE | |
Doors #300 and 301, East Stairhall to Office of Judge of the Vice Admiralty and to north-south corridor of east wing, respectively; doors #319 and 318, West Stairhall to Office of Attorney General and to north-south corridor of west wing, respectively | |
Panelling arrangement | Similar to that of two old doors on first floor of Brush-Everard House (see door chart, p. 73, architectural report on that house). |
Panel profile | Molded, raised panels on stairhall side, sunk, unmolded panels on opposite side. Panel profile similar to that of two old doors on second floor of Brush-Everard House (see door chart, p. 73 of architectural report on that house). |
548 | |
Hardware | |
One pair of 11-¼" HL hinges, with leather washers | See Door hardware, Part 1, p. 124, precedent column. |
Brass rimlock, similar to that on door #102 | See North door, #102, Hardware, Part 2, p. 239. |
Architrave | Similar to door architraves on first floor of East Stairhall (see Part 2, p. 238). |
DORMER WINDOW AND RECESSES | |
Sash | Covered in Part 1, pp. 92, 93. |
Window glass | See Part 1, pp. 84, 85. |
Window weights, absence of | See treatment of this subject in Part 1, p. 85. Even after order of June 12, 1723 was carried out, these windows would have had no weights for "Leads" were specified only for windows of first and second floors. |
Window frames | Similar in character to beaded frame of window #223 (see p. 470). |
549 | |
Window stool with molded apron | |
Profile of apron molding | Similar to that of a dado molding of 37 and 39 Stepney Green, London (see fig. 21, sheet 3 of Mouldings of the Wren & Georgian Periods by Tunstall Small and Christopher Woodbridge, London, 1928). |
Plastered sides and soffit of recesses | Similar to plastered recess of old dormer on north side of north wing of Brush-Everard House. Plaster there is new but is a replacement of old plaster. |
Beaded wood strips at corners formed by meeting of sides of recesses with room walls | Similar to old corner strips of Brush-Everard dormer mentioned above. |
WOOD TYPES USED | |
East Stairhall | Same as on first floor of East Stairhall (see Part 2, pp. 253-255). |
West Stairhall | Same as on first floor of West Stairhall (see Part 2, pp. 380, 381), except that doors here are of yellow pine. |
550 | |
PAINT COLORS AND FINISHES | |
East Stairhall | Same as on first floor of East Stairhall (see Part 2, p. 255). |
West Stairhall | Already covered in treatment of first floor of West Stairhall (see Part 2, pp. 382-384) |
LIGHTING FIXTURES | |
One lantern, each Stairhall, iron, painted black, one light, wired for electricity and hung over stairwell from approximate center of ceiling | |
Evidence of existence and provenance | Statements made about lantern of first floor of East Stairhall apply here (see Part 2, p. 255). |
RESOLUTION OF 1704 LISTS THIRD FLOOR ROOMS & NAMES OFFICIALS TO WHOM THEY WERE ASSIGNED
The architects knew with certainty the uses to which the third floor of the first Capitol had been put since a proposal made by Governor Nicholson to the House of Burgesses on April 27, 1704 lists the rooms which were to be provided there. Nicholson's recommendations were shortly afterwards (May 1, 1704) placed before the House in the form of a resolution (Appendix) which, presumably, was passed by the burgesses since there is no recorded rejection of it. The parts of the resolution which interest us here are the following:
555Resolved…That each of the Garretts* of the East and west ffronts of the Capitol be divided into four roomes and thus appropriated vizt
One for the Auditor, One for the Secretary, One for the Judg of the Vice admiralty, One for my Lord Bishipp of Londons Commissary, One to keep all the Collectors Accounts and papers which are to be returned every eighteen months, and One for the Navall Officers to be imployed for the same use, One for the Attorney Generall and One for the Sherriff attending the Genll Court.
That the Garrett over the Conference room be divided into four closetts** to be thus appropriated vizt
One for the Clerk of the Genll Assembly, One for the Clerk of the House of Burgesses and One for each of the two Clerks of the Committees
That the Garretts in the Roof be boarded and so be made capable of holding severall necessary things and other uses.
FACTS ABOUT OCCUPANTS OF THIRD FLOOR OFFICES TO BE GIVEN HERE
Continuing the practice followed in this report in the case of the other rooms of the Capitol, we WIll present here enough information about the officials who were assigned to each of the twelve offices to give them some of the color of life and thereby to lend interest to the rooms they once occupied. We will discuss these functionaries in the order in which they are listed above.
AUDITOR GENERAL
The auditor or auditor general of the Colony was one of the latter's highest dignitaries since he, like the governor, councillors and secretary of state, received his commission directly from the King. Robert Beverley, in his The History and Present State of Virginia, London, 1705, Chapel Hill edition, p. 245, describes his duties as follows :
The Auditors business is to audite the Accounts of the publick Money of the Government, and duly to transmit the state of them to England; such as the Quit-Rents, the Money arising by the two Shillings per Hogshead, Fort-Duties, the Fines and Forfeitures, and the Profits of Escheats. His Salary is 7-½ per Cent, of all the publick Money.
SECRETARY OF STATE
The importance of the position of secretary or secretary of state and the duties thereof have already been discussed in connection with the first floor office of that official (see Part 2, p. 388 et seq.).
VICE-ADMIRALTY COURT AND JUDGE THEREOF
Philip Alexander Bruce (Institutional History of Virginia in the Seventeenth Century, vol. I, pp. 702 and 704) says this, among other things, about the Court of Vice-Admiralty:
It was not until March 1697-8 that a court of admiralty was established in the Colony as a permanent part of its judicial system. It was officially designated as the Court of Vice-Admiralty…The bounds within which the new 556 court possessed jurisdiction embraced, in addition to Virginia, the Carolinas, and at first also the Bahama Islands; but the Governor of Virginia alone enjoyed the right to nominate the court's officers, whose names he was required to transmit to the Lord High Admiral of England for his approval and formal allowance …
The jurisdiction of the Admiralty Court embraced not only all cases of piracy, privateering, and violations of the Navigation Acts, but also all cases of unlawful conduct on the collectors' part in performing their duties; or of unlawful conduct which these collectors had detected on the part of other persons in relation to the taxes on exports. This court also determined all controversies arising between master and mariner, whatever might be the subject of the dispute .
The Office of the Judge of the Vice-Admiralty Court, presumably, would have served as a workplace for the judge and have held all the records of transactions of the court. One of the distinguished judges of the Vice-Admiralty Court, much later, however, than the period of the first Capitol, was Benjamin Waller, for whose convenience the court was maintained in Williamsburg, his residence, even after the seat of government was removed to Richmond in 1780 (see architectural report on the Tayloe House, p. 30).
COMMISSARY OF BISHOP OF LONDON
In their The Present State of Virginia, and the College, London, 1727, Williamsburg edition, p. 68, Hartwell, Blair and Chilton speak as follows of "my Lord Bishopp of Londons Commissary" :
In Virginia the Lord Bishop of London deputes a Commissary for this Part of his Jurisdiction, whose business is to make Visitations of Churches, and to take the Inspection of the Clergy. The present Commissary is Mr. James Blair, he hath no Salary nor Perquisites, but the King makes it up by his Royal Bounty, having been graciously pleas'd, for two Years, to order him 100 l. a Year, out of the Quit-Rents of Virginia, which we suppose his Majesty intends to continue.557
COLLECTORS OF REVENUE
The duties of the collectors for whose "Accounts and Papers" a room was to be provided are listed by Hartwell, Blair and Chilton on p. 35 of their work, The Present State of Virginia, and the College, mentioned above:
They are Collectors of the standing Revenues of two Shillings per Hogshead, and Fort-Duties; as also of the Groat a Gallon, or any other accidental Imposts rais'd by the General-Assembly; out of all which they have 10 per Cent. Salary: They are commonly likewise Collectors of the Penny per Pound upon all Tobacco exported from Virginia to other English Plantations, and are allow'd for this, 20 per Cent. But to this last, they are named by the Commissioners of his Majesty's Customs in England .The authors state, at another point, that the collectors turned the monies which they received over to the auditor whose duty it was to audit, that is, to examine and verify, the collectors' accounts.
NAVAL OFFICERS
The naval officers, who were also assigned an office for their accounts and papers,
During the first years of the colony's history, there was no attorney-general in Virginia to give legal advice to the Quarter Court.* But the governor and council could send to England for an opinion if a cause came before them involving a question of law which they felt incapable of deciding. The first attorney-general mentioned in the records 558 was Richard Lee, who was appointed in 1643. It is not stated from whom Lee received his appointment; but the later attorneys-general were appointed by the governor, and sometimes with the consent of the King. Prior to 1703, the attorney-general was not required to live at the capital, but in that year the salary of the office was raised from forty to one hundred pounds sterling, and its incumbent was required to take up his residence in Williamsburg. The attorney-general had to prosecute criminals before the General Court and the oyer and terminer courts, and to give his advice to these courts whenever it was needed.
The places to be accorded the attorney general and other officials in the layout of the furniture of the General Court Room in the reconstructed Capitol were the subject of considerable investigation on the part of the architects. See Part 2, pp. 275, 280 and 284 for a coverage of this.
If we should wonder why the sheriff, a county official, should have had an office in the Capitol, the following quotations will explain this:
Sheriffs in Virginia performed many of the same duties that they did in England, but they did not have power to hold courts as in the mother country. They executed the orders and sentences of the courts and the assembly, made arrests, summoned jurors and others to court…. Councillors and sheriffs were privileged from arrest for debt and trespass while attending and going to and returning from the General Court and council meetings.
[Oliver Perry Chitwood, Justice in Colonial Virginia, Baltimore, 1905, p. 110]
The way of impanneling Juries to serve in this [General] court, is thus: The Sheriff and his Deputies every Morning that the Court sits, goes about the Town, summoning the Best of the Gentlemen, who resort thither, from all parts of the Country.[Robert Beverley, The History and Present State of Virginia, Chapel Hill edition of 1947, p. 257]
It is evident from the above excerpts that the Sheriff of James City County attended the sessions of the General Court and had duties to perform in connection with them. He doubtless had a permanent station in the General Court Room so the architects 559 placed a table for him within the judges' semicircle in the reconstructed chamber (see plan, Part 2, p. 153). Since he was involved in the proceedings of the highest court of the Colony, he was accorded an office in the Capitol. It is also likely, as Mrs. Rutherfoord Goodwin points out, that his office would have been used by the sheriffs of other counties who appeared in the court from time to time for the trial of cases originating in their counties.
CLERKS OF ASSEMBLY BURGESSES AND COMMITTEES
The duties of the four clerks to whom offices were assigned in the central pavilion were chiefly to keep records. The clerk of the House of Burgesses, for example, kept full and accurate minutes of the Burgesses' transactions. The clerk of the General Assembly who, we believe, shared a first floor office with the clerk of the House (see Part 2, pp. 258-261), was the recording official of the General Assembly which, as we know, embraced both houses of the legislature and the governor. The clerks of the committees kept the records of the business of these committees (see pp. 518 et seq. for a discussion of the work of the latter). The four offices, no doubt, would have served both as rooms for the filing of records and documents and as workplaces for the clerks.
LAYOUT OF OFFICES IS CONJECTURAL. PROCEDURE FOLLOWED BY ARCHITECTS IN DESIGN OF WINGS
Neither the resolution of l704 nor any other eighteenth-century document which has come to light furnishes any information about the relative sizes of the offices and their disposition in the plan of the third floor (p. 541). The architects proceeded, therefore, as they would do in a planning problem of the present day, to make as clear and efficient a layout of the space 560 as it was possible to achieve. It was known from the provisions in the resolution of 1704 that the two wings and the central pavilion over the Conference Room had each contained four rooms. The size and positions of the Stairhalls was known. Each of the spaces north of these, like the corresponding spaces on the floors below, was made into a single office, a very desirable one, it should be said, since it is commodious and has four dormer windows. The parts of the wings south of the Stairhalls were then divided into three offices each, served by inner north-south corridors which were, in effect, extensions of the landings of the Stairhalls. The partitions between these rooms were located in such a way that the dormer windows fell approximately on their east-west axes. Since the hipped roofs over the semi-circular south ends of the building possessed no dormer openings to light the spaces beneath them, the latter were separated by partitions from the two southmost offices and left unfinished. They are now general storage spaces reached by doors from these offices.
ARCHITECTS HAD FEW ALTERNATIVES IN PLANNING CENTRAL PART OF THIRD FLOOR; CONSIDERATIONS WHICH AFFECTED ITS LAYOUT
Little was left to choice in the laying out of the offices of the central pavilion. In order to get four lighted rooms in the available space it was necessary to place two of them on the north side and two on the south and to separate them by a centrally-situated east-west corridor connecting with the two north-south corridors of the wings. The east-west hallway was made wider at its middle point to provide space for the stairwell of the cupola. Since there were only three dormers on each of the 561 two facades of the central pavilion (see Bodleian plate drawing of the Capitol, Part 1, p. 30), one office of each pair had to be made larger than the other and be given two dormer windows. For purely practical reasons, two utility closets were placed at either end of the central pavilion and provided with doors opening on the north-south corridors. These might or might not have existed in the original Capitol.
DETAILING OF THIRD FLOOR BASICALLY AUTHENTIC; UNCERTAINTY OF ARCHITECTS ABOUT FINISH OF WALLS
Although the third story of the Capitol is authentically eighteenth century in its basis detailing, the architects: knowing that the floor would not be shown to the public, departed in certain particulars from colonial design. In one matter, viz., the finish of the walls, they were in doubt as to how to proceed since the meaning of the following provision in the resolution of 1704 (p. 554) is not clear:
That the Garretts in the Roof be boarded and so be made capable of holding severall necessary things and other uses.It is possible to interpret the above specification in two ways, viz., 1) as embracing all of the spaces of the third floor, since these were all, in actuality, "Garretts in the Roof" and in this case, to meet the requirements of the specification, they would all have to have walls covered with wood sheathing, and 2) as referring only to those spaces under the hipped roofs of the two apsidal south ends, in which case the walls of the offices and corridors would be plastered, since plastering was, in the eighteenth century, the only feasible alternative to some form 562 of wood covering. The manner in which the garrets are enumerated in sequence in the resolution of 1704 suggests that the phrase, "Garretts in the Roof" may well have been intended to refer not to all of the garrets but only to those which had not yet been named. In the light of this doubt as to the correct interpretation of the passage, the architects decided to finish the walls of the third floor spaces in the manner which would render them most secure against fire, i.e., by plastering them. Since it was contemplated, at the time of the reconstruction of the Capitol that certain of the third floor rooms would be used for research purposes* and that in connection with this work valuable 563 documents would be kept in them, the architects made the east wing south of the Stairhall into a kind of vault by sealing off its two approaches, the door opening from the Stairhall and that from the east-west corridor, with metal doors, as a security against both fire and theft.* Furthermore, as an added protection against fire, they substituted, in the three offices and corridor in this area, cement floors and bases for the wood ones used elsewhere on the third floor.
LIGHTING FIXTURES OF MODERN DESIGN IN OFFICES
Although lighting fixtures of authentic eighteenth-century design were used in the two north-south corridors and in the cupola, the offices throughout the third floor were provided with modern ceiling fixtures. The architects installed the latter fixtures on the assumption that these rooms would be used for present-day purposes requiring electric lighting which would satisfy contemporary standards of artificial illumination .
METAL FANS IN CENTRAL CORRIDOR
A visitor to the third floor of the Capitol today Will find the predominantly eighteenth-century atmosphere of the floor rather violently disturbed by the presence, at the tWo approaches to the cupola stairwell in the central corridor, of two great metal fans. These are of recent installation and were placed there to help, in hot weather, to increase the circulation of air in the exhibition rooms on the floors below, which are not air-conditioned.
564NORTHWEST OFFICE IS RESERVED IN PERPETUITY FOR USE OF A.P.V.A.
One further matter worthy of a few words of comment is the existence on the third floor of a room over which the Association for the Preservation of Virginia Antiquities (A.P.V.A.) maintains jurisdiction. This rom, in the north end of the west wing, was reserved in perpetuity for the use of the local, Colonial Branch of the Association by a clause in the contract under which the A.P.V.A. presented the Capitol site to Colonial Williamsburg, Inc. (see Part 1, p. 25 and Appendix for facts concerning this gift). Unlike the other rooms of the third floor, which are unfurnished, at present, this northwest room contains some furniture — a table and chairs for meetings of the A.P.V.A. The room has never been used extensively by the A.P.V.A., but nothing stands in the way of its more frequent use by the Association in the future.
UNAUTHENTIC FEATURES TO BE OMITTED IN DETAILED TREATMENT
We have called attention, in the above, to the departures from eighteenth-century design on the third floor of the Capitol and given reasons for them. In the detailed treatment which follows we will deal only with those features which have been handled in accordance with colonial building practice, omitting further mention of non-authentic details.
FEATURE | PRECEDENT |
---|---|
LOCATION | Resolution of May 1, 1704 (see p. 554) locates offices on third floor and provides that eight specifically-named offices are to be placed in wings and four remaining offices in central pavilion. In absence of more definite directions, architects located first four offices named in east wing, second four in west wing and remainder in central pavilion. |
565 | |
DIMENSIONS | See discussion, p. 559 et seq., of manner in which architects planned third floor offices. Room sizes and shapes were result of several factors, viz., locations specified in resolution of 1704; features of building already established, such as Stairhalls and dormers; requirements of rational planning, etc. |
Ceiling height | Eight feet. Act of 1699 specifies "pitch" or ceiling heights of first and second floors of Capitol (15'-0" and 10'-0", respectively) but does not mention third floor ceiling height. Ceiling height of 8'-0" was lowest that architects considered even "Garrett" spaces of Capitol should have. This height, furthermore, made it possible to have soffits of dormer recesses, heights of which had been indicated more or less precisely on Bodleian plate drawing of Capitol (see Part 1, p. 30), continuous with room ceilings. |
566 | |
DOORS | |
Corridors of west wing and central pavilion | Old, re-used yellow pine flooring similar to that of raised platforms in House of Burgesses Chamber (see Wood variety, Part 2, p. 165). |
Offices, except those of east wing, south of Stairhall | New yellow pine, similar in widths and manner of nailing to old flooring used in corridors. |
WALLS AND CEILING | |
Plaster | Similar to plaster above wainscot in House of Burgesses Chamber (see Part 2, pp. 169, 170). |
BASEBOARD | |
Corridors and offices, except in east wing, south of Stairhall | Similar to baseboard on third floor of Stairhalls (p. 546). |
DOORS, DOOR TRIM AND HARDWARE | |
All room doors throughout third floor | |
Panelling arrangement and profile and hardware | Similar to these features of doors #300, 301, 318, 319, to Stairhalls (see pp. 547, 548). |
Architrave | |
Profile | Single-molded, like that of door architraves of Gallery Stairhall (pp. 464, 465) and Utility Room between Council Chamber and Lobby. |
567 | |
Extension of, to floor (omission of plinth blocks) | Architraves of archways at Kittewan, Charles City County. |
Two hose cabinet doors in north-south corridors | Similar to hose and telephone cabinet doors in East Stairhall (see Part 2, pp. 241, 242). |
DORMER WINDOWS AND RECESSES | All details similar to those of windows of third floor of Stairhalls (see pp. 548, 549). |
WOOD TYPES USED | |
All woodwork, except floors (see above) | New yellow pine, as in House of Burgesses Chamber (see Part 2, p. 205). |
PAINT COLORS AND FINISHES | |
All woodwork, including doors and room side of window sash but excluding floors | Dead white |
Floors | Treated in same way as platform floors in House of Burgesses Chamber. |
Plastered walls and ceiling | White to simulate whitewash (see Part 2, pp. 210, 211). |
568 | |
LIGHTING FIXTURES | |
Two lanterns, sheet iron, painted antique black, one light each, wired for electricity and hung, one in each corridor, from ceilings of north-south corridors on axis of east-west corridor | Similar to lanterns in Gallery Stairhall (see p. 466) and Utility Room between Council Chamber and Lobby. |
INTERIOR FORM AND DETAILS OF CUPOLA DETERMINED IN GREAT PART BY ITS EXTERIOR SHAPE AND BY ITS FUNCTIONS
The exterior form of the cupola (see Part 1, pp. 93-99) was based, in great part, on the representation of it in the Bodleian plate drawing of the Capitol (see Part 1, p. 30). The form of the interior space and its detailing were determined or affected by this exterior shape and also by the uses served by the cupola. Aside from its aesthetic importance in providing a strong accent at the center of the architectural composition of the Capitol, the cupola served several practical functions in the eighteenth century. It was both a clock and bell tower and it also supported a flagpole and weathervane. The square-headed windows would have made the level where these occur an attractive point from which to enjoy the outlook over the town, while the hexagonal balustraded deck of the top stage, from which a view for miles in all directions can be obtained, would have qualified as a point of observation had the danger of attack arisen during the life of the first Capitol.
INTERIOR OF CUPOLA DIVIDED BY FLOORS INTO THREE STAGES; REASONS WHY THESE MUST HAVE EXISTED IN ORIGINAL CAPITOL
The interior of the cupola is divided vertically by floors into three distinct stages, all of which must have existed in the eighteenth century. The Bodleian plate drawing shows two series of either window or louvred openings in the main body of the cupola. It is highly unlikely that the original builders would have provided a single space with two sets of openings, so that somewhere between the two a floor must have existed. A floor would have been essential in any case to support the clockworks of the 573 second level. There is no question about the existence of clock works at this level since a clock dial is shown there in the Bodleian plate drawing (see Part 1, p. 95 for documentary evidence of the existence of a clock in the cupola of the first Capitol). That a bell existed at this level also is clearly indicated by the entry from the Journals of the House of Burgesses quoted in Part 1, p. 96. The presence of the bell at the second stage, incidentally, was the chief reason for placing louvres rather than windows at that level since openings were needed for the sound to get out.* The third or top stage, that of the balustrade, is clearly enough indicated in the Bodleian plate drawing. A floor was indispensable at this point if for no other reason than to make it possible for a person to get out on the deck, to raise and lower the flag or for other purposes.
STAIRCASE AND TWO LADDERS PROVIDE ACCESS TO THREE LEVELS OF CUPOLA
Vertical access to the three levels is (and doubtless was in the eighteenth century) provided by a winding staircase in the lowest (window) level and by two ladders. From the platform of the window level one ladder leads to the second or louvred stage and from there another gives access, through a trap door, to the top level. It was necessary to use ladders instead of stairs above the window stage since a staircase continued beyond that level would have consumed the space required for the two floors. 574 So these two ladders must also have existed in colonial times.
In the light of the fact that the window level of the cupola would have been used on occasion by visitors to the town and by townspeople, the architects gave this level a modest degree of finish and architectural adornment (plastered walls, base and crownmold and window trim more elaborate than simple utility would have required). Since the two upper levels, on the other hand, served only utilitarian functions, the interiors at these levels were left wholly without decoration, the walls and ceilings being sheathed with wood and all non-essential moldings being omitted. As Singleton P. Moorehead points out, the use of plaster at these levels would have been infeasible, in the eighteenth century as today, since the inevitable swaying of the tower at times of high wind would have been sufficient to have cracked any plaster which might have been used on the walls and ceilings .
FEATURE | PRECEDENT |
---|---|
LOCATION | Location of cupola and, therefore, of spaces within it, is given in Act of 1699 (see Part 1, p. 93) and is shown in Bodleian plate drawing of Capitol (Part 1, p. 30). |
575 | |
DIMENSIONS | Exterior dimensions of cupola deduced from Bodleian plate drawing by comparison of sizes of cupola elements, as these are represented, with those of other parts of building, dimensions of which were specified in Act of 1699 (Appendix). Internal horizontal dimensions then derived from external dimensions by deducting thicknesses of walls deemed necessary for stability of structure. Height of top stage of interior derived from Bodleian plate in manner described above. Heights of middle and lowest stages derived from Bodleian drawing and in part from requirement, in case of middle stage, that it be high enough. to allow a person to stand upright in it. |
FLOORS | New yellow pine boards similar in character of wood, widths of boards and in nailing to old floor boards used in House of Burgesses Chamber (see Part 2, pp. 164-167). |
WALLS AND WALL COVERING | Similar to plaster used in House of Burgesses Chamber (Part 2, pp. 169, 170). |
576 | |
Beaded vertical sheathing, middle and top stages and ladder inclosure of lowest stage | Two walls of a room in the office of Marmion, King George Court House have beaded vertical sheathing. |
Beaded horizontal sheathing, above door in ladder enclosure, lowest stage | Walls of great room or parlor of Market Square Tavern. |
CEILINGS | |
Plaster, ceiling of lowest stage and soffit of staircase | Similar in constitution and appearance to wall plaster discussed on opposite page. |
Beaded boards, placed in concentric hexagonal "rings", middle and top stages | See remarks on p. 574 concerning necessity of using wood sheathing on both walls and ceilings in two upper levels of cupola. |
577 | |
Prince George's Chapel, Dagsboro Hundred, in southern Delaware furnishes examples of use of wood sheathing for ceilings. Interior of this chapel, believed to have been erected about 1717, has a "barrel-vaulted" main ceiling sheathed in wood as well as two flat wood-sheathed ceilings over galleries at either side of this. For photographs of this interior, see Early Architecture of Delaware by George Fletcher Bennett, Wilmington, Delaware, 1932, pp. 26, 27. Concentric hexagonal arrangement of boards used on cupola ceilings is logical and harmonizes with hexagonal shape of interior of cupola. | |
BASEBOARD, lowest (window) stage | Similar to baseboard on third floor of Stairhalls (p. 546), in Committee rooms (p. 528) and in Gallery Stairhall and Utility Room adjacent to Council Chamber Lobby (p. 464). |
CHAIR RAIL BACKBOARD, beaded top and bottom, placed 4" below first landing of staircase in lowest stage of cupola | Similar to backboard of chair railings in Committee Rooms (p. 528) and on first floor of East Stairhall (Part 2, p. 237). This board corresponds in location (though not in profile) to molded wood bands found on north and east walls of Brush-Everard stairhall at approximate level of second floor landing (for photographs of this detail see Progress Photo Book on Brush-Everard House, Colonial Williamsburg architectural library). |
578 | |
CORNICE (CROWN MOLD) | Similar in profile to old cornices of three first floor rooms of Brush-Everard House, except that beaded fascia of those cornices is lacking. For a drawing showing three Brush-Everard cornices, see architectural report on that house, p. 69. |
DOORS, DOOR TRIM AND HARDWARE | |
Bi-valve door #400 first landing of staircase, lowest (window) stage | |
Panelling arrangement | This arrangement, with "squarish" panel in center and an elongated panel above and below this, is panel arrangement of several old single-valve doors of Dr. Barraud House, including front door salvaged from Chiswell House and re-used in Barraud House. These doors, with two tiers of panelling, approximate appearance of bi-valve door, each leaf of which has single tier of panels. |
Panel profile | Similar to that of third floor doors (see pp. 566 and 547). |
579 | |
Hardware | |
Two pairs of 12" wrought iron HL hinges, with leather washers | See Door hardware, Part 1, p. 124, precedent column. |
One W. C. Vaughan Co. brass rim lock, 1" x 4-¼" x 7-¾"; one pair of brass knobs and one brass escutcheon | See Door hardware, Part 1, p. 124, precedent column. |
Two vertical wrought iron door bolts, ½" and 1/8" | Similar to door bolts of bi-valve door #207 (see p. 443). |
Architrave | |
Profile | Single-molded, like that of architraves of third floor doors (p. 566) and door architraves in Gallery Stairhall (pp. 464, 465) and Utility Room between Council Chamber and Lobby. |
Bi-valve door #401, top stage, leading to balustraded platform | |
Panelling arrangement and profile | Similar to those of bi-valve door #400 (see above) |
580 | |
Hardware | |
Hinges and vertical door bolts | Similar to those of bi-valve door #400 (see above). |
Horizontal wrought iron door bolt | Similar to door bolts used on bi-valve door of window #222 (see p. 452). |
Wrought iron door pull | Similar to door pull of original colonial hand latch in Wythe House (latch mechanism is omitted in cupola example). For drawing of Wythe latch see Colonial Williamsburg Hardware Folder, sheet #15. This, like other wrought iron hardware in Capitol, made by J. R. Jump Forge in Lightfoot (see Part 1, p. 124). |
Solid frame with applied backband | Similar in profile and construction to certain old door frames in Brush-Everard House (see door chart, p. 73, architectural report on that house). |
Connection of vertical frame members by bottom cross piece, forming "step-over" sill | An old example of a door frame with stiles connected by horizontal members both top and bottom is found in basement of Tayloe House. For discussion of this, see architectural report on that house, p. 133. |
581 | |
Beaded board and batten door, entrance to enclosure of ladder between lowest and middle stages | |
Construction | Similar in type to board and batten cabinet door in East Stairhall (see Part 2, p. 242). For precedent for board and batten door in sheathed wall, as here, see board and batten doors in Utility Room, p. 468. |
Hardware | |
One pair 8-¼" wrought iron H hinges, with leather washers | Made by J. R. Jump Forge at Lightfoot (see Door hardware, Part 1, p. 124). |
Wood-encased lock, 6-¼" x 11-¾", with key | Re-conditioned antique lock from stockpile of old building materials in Colonial Williamsburg Warehouse. Two old wooden "box" locks of this type are found in Tayloe House (see architectural report on that house, p. 133). |
Beaded board and batten trap door, in floor of top stage | An old beaded board and batten trap door is found in Marlfield, Gloucester County, giving access from second floor hallway to attic space. Marfield door swings downward, while cupola example swings upward and is held open by hook attached to door which is passed through staple driven into post of third stage. Pointed end of door is not an arbitrary form but follows shape of two walls of hexagonal upper turret of cupola. |
582 | |
Hardware | |
One pair of 4" wrought iron H hinges | Made by J. R. Jump Forge at Lightfoot (see Door Hardware, Part 1, p. 124). |
One wrought iron cabin hook and staple | Similar to cabin hook designated as F-21 and approved for reproduction by Boone Forge in Spruce Pine, North Carolina. |
WINDOWS AND LOUVRES | |
Eighteen-light windows, lowest stage | |
Evidence of existence, basis for detailing, number of lights and window glass | See Part 1, pp. 94 and 95, under Eighteen-light windows. |
Architrave | |
Profile | Single-molded trim, similar to that of third floor doors (see p. 566) |
583 | |
Continuation of, across bottom of opening, with consequent elimination of stool | First floor windows of both Tayloe and Brush-Everard Houses have original architraves of this type. |
Oval window, top stage | |
Evidence of existence and basis for detailing | See Part 1, p. 98. |
Solid wood frame, without trim, set flush with wall sheathing | Several old basement grille frames, made of solid wood and held together by mortised tenon joints secured in place by hardwood pegs driven through them, were found in basement window openings of Wythe House when restoration of house was undertaken in 1939 (see architectural report on that house, pp. 17, 18 and, for photographs made at time of restoration of house, Progress Photograph Book on Wythe House). These frames had no interior trim and were essentially similar in character to solid frame of oval window. |
584 | |
Louvred openings, middle stage | |
Evidence of existence and basis for design | See Part 1, p. 97 under this heading and also discussion on p. 573 of necessity of having louvred openings in that part of cupola where bell hangs. |
Solid wood frames, without trim, set flush with wall sheathing | See discussion of this subject under Oval window, on opposite page. |
STAIRCASE AND LADDERS | |
Staircase, lowest (window) stage | |
Evidence of existence | Not mentioned in eighteenth-century records but a staircase must have existed, nevertheless, since a means of reaching upper levels of cupola was required, for reasons given on pp. 572-574. Only feasible devices available in eighteenth-century for moving between two levels of a building were staircases and ladders. Staircases were safer and more convenient and comfortable in use than ladders and were employed wherever space conditions permitted it. Inasmuch as lowest stage of cupola, with exception of upper platform, from which one could view town, served no purpose other than that of vertical communication between third floor and middle stage, it was possible to use a staircase here and it would have been used, without doubt, in original Capitol. |
585 | |
Type, winding | Only stair types possible to use in interior of cupola were 1) staircase following hexagonal shape of interior and receiving its support from peripheral walls and 2) circular stair, supported either by walls or a central column. Architects assumed that first type would have been used in eighteenth century since it was far simpler to construct than second and harmonized better with interior shape of cupola, so they used it. |
Details | |
Tread nosing profile | Old rear staircase of Nicolson Shop, formerly east end of E. M. Lee House, has treads ending, as here, in half-round nosings which have no moldings beneath them. |
586 | |
Closed string | |
Profile | Similar to profile of string of East Stairhall (Part 2, p. 248), except that bead under lower cyma mold is missing here. |
Curvature of bottom fascia of string at point of contact with newel post at beginning of each run of staircase | Lower part of (open) string of staircase of Carter's Grove, James City County has curvature of same general character at bottom of run. |
Railing | |
Handrail | Similar in profile to that of handrail of East Stairhall (Part 2, p. 248), except that flat vertical band below bead is missing here. |
Turned balusters | Similar in profile to, though not identical with, balusters of east staircase (see Part 2, pp. 248, 249). Latter balusters are, of course, much larger in scale than balusters of cupola staircase. |
Newel posts | |
Cap | Similar in profile to caps of newels of railing in Gallery Stairwell (see p. 465). |
Shaft | Similar to shafts of newel posts in Gallery Stairwell (see p. 465). |
Extension of newel below string of staircase | Similar to shafts of newel posts in Gallery Stairwell (see p. 465). |
Newel drops | See remarks under this heading in Part 2, p. 250. |
587 | |
Two wood ladders, 1) from upper platform of lowest stage to floor of middle stage and 2) from floor of middle stage to floor of top stage | |
Evidence of existence | None. See discussion on p. 573 of reason for use of ladders. |
Basis for design | Old wood ladder found in place in Brush-Everard Kitchen. For photograph of this see Progress Photograph Book on that building. |
Rope "railing," held by two wrought iron brackets, attached to wall for use with ladder #1, lowest stage to middle stage | |
Evidence of existence | None. Rope "railing" was used here because space is very confined and, since ladder passes diagonally in front of window, a simple device like this would block window much less than customary wood handrail. No specific precedent for this can be pointed to but colonial builders might well have resorted to such a device in this situation. |
588 | |
Two wrought iron brackets for holding rope, screwed to sheathing of outside wall | These brackets, like rope railing itself, have no specific precedent but were made by hand following methods and in spirit of colonial ironwork craftsmen. Many illustrations of wrought iron objects similar in character may be seen in Albert H. Sonn's Early American Wrought Iron, New York, 1928 and also in Colonial Williamsburg Hardware Folder. Sheets 11 and 13 of latter, for example, show hasps with loops similar to those of cupola brackets and sheet 15 carries drawing of latch with flattened end for fastening, similar to flattened ends of brackets. |
Two wrought iron straps, used to secure upper ladder to floor of middle stage | No exact precedent. Remarks above about brackets apply here also. |
Lamb's tongue terminations of tops of posts of upper ladder | A form used frequently in colonial Virginia to terminate chamfers of solid wood posts; it effected a transition from what was, in actuality, eight-sided chamfered shaft of post to square top and base. Examples of old chamfered posts with lamb's tongues can be seen in H.A.B.S. photographs in Architectural Records Office of colonial grist mill which once stood at Providence Forge, New Kent County. |
589 | |
MISCELLANEOUS ITEMS | |
Turned wood, column, containing hidden steel rod which supports weathervane, top stage | |
Evidence of existence | None. Some form of support for weathervane, however, probably descending below level of cupola roof, would have been necessary in original Capitol. This might well have been a wood column or post, though such a wood member would not have had a metal core in eighteenth century. It was permissible for architects to sue this rod, since it is hidden from view, like steel framework of cupola itself. |
590 | |
Basis for design | Turned columns, like turned balusters, were designed, in colonial Virginia, in accordance with fancy of builder, so that there is much variation in detail among them, despite a similarity of general shape. Architects felt at liberty therefore, to design freely certain details of this column. It resembles in type, if not in its particulars, old turned columns of west porch of south front of Coke-Garrett House and old turned columns of front porch of Mayo House which once stood on York Street (see photograph in Coleman Collection). An old column with square top and bottom and turned shaft, which is closer to cupola column in detail may be seen in a photograph of a porch at Price's Corner, Delaware, on p. 207 of George Fletcher Bennett's Early Architecture of Delaware, Wilmington, 1932. |
Vertically sheathed guard rail about two sides of ladder well, middle (louvred) stage | |
Evidence of existence | None, but safety demanded a railing here. |
591 | |
Basis for design | Second run of staircase in Greenhow-Repiton Brick Office has wood-sheathed railing with simple molded handrail (see p. 20 of report on that building for photograph). Boarding here is diagonal following direction of stair. It was logical in case of cupola railing to make direction of boarding harmonize with vertical boarding of walls (see p. 576). |
Molded handrail | Profile is similar in its curves, except for omission of bottom cyma recta and bead, to profile of handrail of spiral staircase in cupola of Eagle House, Mitcham, Surrey, England (see fig. 5, sheet 10 of Mouldings of the Wren & Georgian Periods by Tunstall Small and Christopher Woodbridge, London, 1928.) |
Clockworks and bell, middle (louvred) stage | See Part 1, pp. 95, 96. (Slots in ceiling of lowest stage were for weights of clockworks which were once suspended into lowest stage but which have now been removed). |
592 | |
All woodwork | New yellow pine (see Part 2, p. 205). |
PAINT COLORS AND FINISHES | |
Woodwork, except for items listed below | Dead white. |
Floors and stair treads and risers and ladders | Same as platform floors in House of Burgesses Chamber (see Part 2, p. 166). |
Wall base, newel caps and handrail of staircase in lowest stage and cap of guard rail in middle stage | Natural finish. |
Bivalve door #401, top stage | Cream gray #271, like exterior woodwork (see Part 1, p. 110). |
Plaster of walls, ceiling and stair soffit of lowest stage | White to simulate whitewash (see Part 2, p. 210). |
593 | |
LIGHTING FIXTURES | |
Lantern, iron, painted black, one light, wired for electricity and suspended over first landing of staircase in lowest (window) stage | Similar to lanterns on third floor of main Stairhalls, but somewhat larger in size (see p. 550). |
Three identical lanterns, tin, electrified, one hung from ceiling of each of three stages | Similar to, but not identical with, lantern designated as "Craft House C-8" on sheet #101 of diagrams of lighting fixtures approved by Colonial Williamsburg Architects' Office. Latter fixture reproduced by Tudor Art Galleries of New York City. |
EXCERPT FROM FINAL REPORT OF CAPITOL COMMITTEE LISTING FEATURES OF BASEMENT
Since it is an excellent brief summary of the state of affairs in the basement of the Capitol, we will quote here the portion of the final report of the Capitol Committee of the Association for the Preservation of Virginia Antiquities** dealing with that part of the building:
The original building had no basement but in this new one, however, a basement was necessary, not only in order to install a ventilating system but to give added strength and durability. The furnace and boiler have been very cleverly placed in an outside building about three hundred feet distant. There is, therefore, no danger of fire from the heating system.
In the west end of the building in the basement, the original foundation with bricks in position was left so that visitors may see this survival of the craftsmanship of ancient builders. In the east end of the building in the basement, there has been built, at the suggestion of the Chairman of this Committee, a vault of steel and concrete, lined with cork to prevent dampness, and constructed for complete ventilation at all times, in order that records and manuscripts of the Williamsburg Holding Corporation, of the A. P. V. A. and of colonial societies may be preserved. Although the vault and the room for the protection of the original foundation were not required, in the contract, to be furnished by the Williamsburg Holding Corporation, both these have been added with the characteristic graciousness of the donor. These additions to the basement in no way affect the outside colonial appearance of the building .
FACTS WHICH INDICATE THAT FIRST CAPITOL HAD NO BASEMENT
Certain matters mentioned in the above quotation are in need of amplification and among these is the statement that no basement had existed in the original Capitol. We are pretty certain that this is true and for two reasons, chiefly. In the first place, the 597 acts and resolutions bearing on the construction and furnishing of the first Capitol specify all the major features of the building but give no directions for the provision of a basement. Had a basement been included in the building it surely would at least have been mentioned in the old documents relating to the Capitol.
The second reason is that if a storage basement had existed in the original Capitol, it would doubtless have been paved; in view of the importance of the building. No patches of either stone or brick paving were found in place on the Capitol site, however, though they have been discovered frequently enough elsewhere in Williamsburg.* This alone would seem to be a fairly conclusive indication that no basement ever existed in the Capitol.**
The basement of the west wing is devoted entirely to the exhibition of the old foundations (see archaeological drawing, Part 1, p. 41) and though this part of the Capitol is not, at present, included in the regular tours of the building, one can obtain permission to visit it. Since the basement floor level is about 2'-6" 598 below the bottom of the old foundations, brick-faced concrete retaining walls were erected about 4'-3" from the face of the old walls and the "trough" thus created filled with earth covered by gravel. This device was employed to stabilize the old walls, the bottom of which is even with the surface of the gravel. The same thing was done in the north end of the basement of the east wing where old foundations still exist. In each of the basements the remains of the chimneys built in 1723 (see Part 2, p. 393) may be seen, attached to the north walls. In the west basement, the old cross wall beneath the south wall of the Stairhall was cut through to create a passage. In the southeast corner of this basement, the beginning of the original curved apsidal wall may be seen, joined by a short east-west wall to the main east foundation wall of the wing.
ARCHITECTURAL FEATURES OF BASEMENT OF WEST WING AUTHENTIC IN DESIGN
All the woodwork in the west basement (staircase and its enclosure), the wrought iron brackets which support the stair handrailings, the electrified lanterns which illuminate the space, the brick tile flooring and the new brickwork of the main walls and the retaining walls are authentically colonial in design and material. The brick, incidentally, are handmade brick which approximate the size of the neighboring old brick (9" x 4-¼" x 2-½", more or less).
USES SERVED BY ROOMS IN EAST AND CENTRAL PARTS OF BASEMENT: TOILETS AND WOMEN'S LOUNGE
As is stated in the quotation from the final report of the A.P.V.A. and as is evident from the plan of the basement (p. 595), the basement areas in the east wing and under the arcade serve certain practical purposes. The toilets and adjacent women's lounge were used formerly by both the public and the Colonial Williamsburg employees who act as guides in the Capitol. Since the installation 599 of toilet facilities for the public in the reconstructed privy east of the Capitol enclosure, however, the use of the basement toilet facilities is confined to the staff stationed in the building.
VAULT IN BASEMENT, FORMERLY USED FOR STORAGE, NOW STANDS VACANT
The vault mentioned in the quotation on p. 596 is no longer used for storage purposes and stands vacant at present. For a number of years the British Headquarters Papers, a large and valuable collection of original eighteenth-century documents, were kept there. It was discovered, however, that these were suffering from moisture in the vault and that it was impossible to maintain the relative humidity in the room at the 50% recommended by the Library of Congress.* The papers, consequently, were transferred in December, 1946 to the Archives and Research vault in the Goodwin Building and the Capitol vault has not been used since then.
HEATER ROOM CONTAINS NO BOILERS BUT ONLY EQUIPMENT FOR WARMING AND CIRCULATING AIR
The room designated as the heater room in the plan of the basement contains no boilers. The installation of boilers would have brought with it a certain fire hazard and necessitated the building of a chimney which would have gravely impaired the authentic appearance of the reconstructed Capitol since the structure when first built had no chimneys. The boilers for the heating of the Capitol are, therefore, located in a building known as Powell's Tenement, east of the Capitol enclosure. The steam generated in that building is carried by underground pipes to the Capitol heater room where it heats air which is circulated to the rooms of the building with the aid of fans.
600SINCE NO BASEMENT EXISTED IN ORIGINAL CAPITOL, FEATURES OF PRESENT ONE, THOUGHT AUTHENTIC IN DESIGN, WILL NOT BE TREATED IN DETAIL
Since it was intended originally for the public to be admitted to the east basement, the spaces north and west of the toilet rooms, as in the case of the west basement, were finished and equipped in the colonial manner. Thus, all the elements of the staircase, the doors and other woodwork, the door hardware, the tile paving and the new brickwork of the main walls and the retaining walls are authentic in their detailing. In spite of the authentic character of this and the west basement, the customary detailed discussion of the various features of these spaces will be omitted here since no counterparts of these ever existed in the original Capitol. It has been our policy in this report to establish the precedent only for those architectural features which we know or believe to have been present in the original Capitol. Since the building had no basement in the eighteenth century, the architectural elements in the present one, however authentically colonial in design, could not have existed.
EXCEPT FOR MONUMENT, ORIGINALS OF ITEMS TO BE TREATED IN THIS CHAPTER EXISTED IN COLONIAL TIMES
The intention here is to discuss building features appertaining to the Capitol but lying outside of the building itself. In this category fall the walls and gates enclosing the Capitol yard and the Privy lying just east of the east wall near the meeting of the latter with the north wall. There is both archaeological and documentary evidence of the existence of the wall in the eighteenth century and documentary evidence that there was a Capitol privy, though its exact location has not been determined. The eight wooden guard posts standing in a semicircle before the east gate outside of the Capitol yard, though authentically colonial in design, will receive no consideration beyond this bare mention because there is no evidence that such posts existed there in colonial times. In spite of the fact that it has no connection with the colonial period, we will have a few words to say about the granite stone bearing the A. P. V. A. bronze plate which stands within the Capitol enclosure not far from the southeast corner of the wall . This merits some attention because it relates to the history of the reconstruction of the Capitol building.
POSITION OF WALLS WAS KNOWN TO ARCHITECTS; LOCATION OF WEST GATE A DIFFICULT PROBLEM
The architects knew the exact location of the original walls of the Capitol enclosure from both documentary and archaeological evidence. They also, knew that the south gate was on the central north-south axis of the arcade because it is shown in that location on the Bodleian plate drawing of the north elevation of the Capitol 605 (see Part 1, p. 30). There was every reason to assume that the north gate would have been directly opposite the south gate. The determination of the original location of the west gate and the corresponding east gate, however, proved to be much more difficult. The nature of the difficulty is explained in a letter written by Thomas Mott Shaw to Andrew H. Hepburn on May 23, 1933. It seems best to let Shaw explain the problem in his own words*:
A knotty little problem has arisen in connection with the location of the west gate in the Capitol wall. You will remember that the old south pier foundation in this wall was the only evidence left. This would indicate the location of this gate.
I enclose a small sketch showing the conditions.
The center of the Duke of Gloucester Street coincides with the center of the old circular step foundation which we have presumed to be the foundation of the steps for the door of the second building. The axis line of the Duke of Gloucester Street runs 3'-7-½" north of the center of the pier foundation. The axis line of the present door of the new building runs 10'-2" north of the center line of this pier. You will see from these figures that a reasonable sized gate opening of six to nine feet; using this old pier foundation as one gate post, would center neither on the center of the Duke of Gloucester Street nor on the center of the present door. If we should center the gate on the axis of the present door, the piers would have to be placed 20'-4" apart center to center, which seems to us here much too large an opening for this gate. If, however, we center the gate on the axis of the Duke of Gloucester Street, the width becomes only 7'-3" center to center, which seems to be too small an opening. As I said before, if we use the old foundation of the pier and make the opening a reasonable width of say 7', the gate would center on nothing at all which hardly seems a reasonable solution.
Apart from every other consideration except good looks, it would seem to me that a moderate sized gate opening of about 8' would look best if placed directly opposite the axis of the present door. The fact that it was off center 606 of the Duke of Gloucester Street would never be seen in my opinion, but this of course would ignore the old gate post foundation.
You remember of course much better than I do the long and elaborate argument that you used to convince the Committee that the present door was placed where it is now.* When the second building was built the door was moved south to coincide with the axis of the Duke of Gloucester Street. Do you suppose that the gate in the outer wall, which probably would not have suffered in the fire, would have been moved to correspond with the new center? The evidence of the ground would seem not to corroborate this, as the gate would have been much too narrow.
ARCHITECTS CHOSE TO IGNORE OLD FOUNDATION IN PLACING WEST GATE. QUESTIONS ARISING FROM THE PROBLEM
As Shaw states the problem, it was impossible for the architects to make a gate of moderate width, centered on the west doorway of the building, and, at the same time, to have its south pier located on the site of the old one. In this dilemma, they pursued the course which they believed the colonial builders would have taken and placed the gate opening on the axis of the west doorway. Thus, they ignored the old pier foundation, as Shaw said it would be necessary to do, if the other ends were to be achieved. No new information has been uncovered which throws any light on the mystery of the location of the old pier, so we are as much at loss now to solve this as Shaw was in 1933. The problem tends to evoke once more the ghost of the debate between the Capitol Committee of the A. P. V. A. and the architects over the location of the doorway in the west facade of the building. In other words, were the architects right in assuming that the semicircular foundation (see archaeological plan, Part 1, p. 41) was that of a porch, serving not the original doorway but, rather, a second one, substituted for the first at some undetermined period subsequent to the time of the 607 construction of the first building? The location of the pier foundation would have caused no difficulty if the doorway in the reconstructed building had been placed on the axis of the semi-circular foundation, since, as is evident from the archaeological plan, it would then easily have been possible to have made gateway of a reasonable width, centered on the west door and with its south pier in the position of the old pier foundation. It should be remembered, however, that the relative ages of archaeological remains, particularly when these are of the same general period, are frequently difficult to determine and that the old pier foundation might have been laid at the same time as the semi-circular foundation. The gateway could have been moved when the position of the door was changed in order to maintain the axial relationship of the two. Such considerations were of great importance to colonial designers and it is not difficult to believe that they would have taken steps in this case to preserve the harmonious relationship of the two openings.
EXISTENCE OF CAPITOL WALL PROVEN BY COLONIAL REFERENCES TO IT. WALL SERVED AS MODEL FOR SIMILAR ONE OF ST. PETER'S CHURCHYARD
Even if substantial portions of the foundation of the brick enclosing wall of the Capitol did not still remain in place (see archaeological plan, Part 1, p. 41), we would be certain that such a wall had existed at the time of the original building because we have several references to it dating from the years before the Capitol fire of 1747. One of the most interesting of these, since it is a further instance of the architectural influence of the Capitol on building outside of Williamsburg (see Part 1, pp. 608 21, 22, for a discussion of this subject), is found on pp. 126, 127 of The Vestry Book of St. Peter's Parish, 1682-1758:
November ye 18th, 1719
Whereas There is a Brick wall to be Built about the Brick Church, whose Dimentions are as followeth, Viz: One hundred feet square, To be fourteen Inches thick, four feet & a half above Ground, And four feet and half high in the Lowest Place, all Levell, the Bricks Laid upon a Good foundation with a handsom Coopin Brick upon the Top And Genteely Rompt [ramped] at each side of the Gates. The Bricks to be according to the Statute something Less than Nine Inches in Length, two Wide Handsom Gates made after the form of Iron Gates w'th Handsom Square Peares (or Posts) for the Gates, with a hollow Spire, a Top and Good Hinges for the two Gates, with Hasps, Bolts and Locks as Good as can be got and in fashion, and to allow 16 bushels of Lime to a Thousand Bricks. The s'd wall to be in all Respects as well Done as the Capitol wall in Williamsburgh.*
FEATURE | PRECEDENT |
---|---|
LOCATION | On p. 75 of Journals of House, 1702-1712, we find following entry, dated May 9, 1704: |
"The House according to order of the day took into consideration the proposalls of the Committee appointed to view the Square laid out for the Capitol and came to this resolution thereupon —— | |
609 | |
"Resolved That the Capitol instead of being railed in be inclosed with a good Brick Wall of two Bricks thick and four foot and a half high upon the Levill within the wall and that the said Wall be distant Sixty foot from the ffronts of the East and West Buildings and ffifty foot from the North and South end of the sd building with four Suitable Entances into the same-" Council concurred in this resolution on day following (Legislative Journals of the Council, Vol. 1, pp. 402, 403). | |
610 | |
Comparing specified distances of enclosure wall to faces of Capitol building with distances from original foundations of wall to external faces of original foundation walls of building (see archaeological plan, Part 1, p. 41), we have following: specified distance, enclosure wall to east and west faces of building--60'-0"; distances measured at site--57'-8-½" and 57'-7", respectively; specified distance, enclosure wall to north and south faces of building--50'-0"; distances measured at site -- 47'-1" and 47'-6", respectively. We have assumed that specified distances were intended to mean distances were intended to mean distances taken from inside faces of enclosure wall, whereas it is possible that they meant distances measured from center of wall. If distances measured at site had been taken in latter way they would have been 1'-0" greater since width of old foundation of enclosure wall was 2'-0". In addition to this, foundation wall of building was specified in Act of 1699 (Appendix) as one brick length (ca. 9") thicker than first floor wall from which it would have been logical to measure in establishing positions of enclosure walls, so that one could add 4-½" to the 1'-0" spoken of above. If we increase each of the measured dimensions cited above by 1'-4-½", the difference between these and the specified dimensions is reduced so that in no case is it larger than 1'-6". Whichever way measurements are taken, discrepancy is not great, considering distances involved. We have no information concerning reason for this departure from original specification. A change of this rather minor sort, made in course of erection of wall, no doubt, could probably have been agreed upon without necessity of Burgesses' passing formal resolution to cover it. This brings to mind a comparable departure from original intention which we have in case of Jefferson's addition to Wren Building. Jefferson shows projected addition in a plan made in 1770's and work on this was actually begun. When foundations of western end of this addition were uncovered in 1950, their plan layout was found to be similar to layout of this end as shown in Jefferson's plan, except that latter layout had been reversed left to right (see Jefferson's plan, p. 27 and comparison of west end of this with foundation layout, p. 32 of the Architectural History of the Wren Building by Howard Dearstyne). | |
611 | |
DIMENSIONS | Height and thickness of wall are given in resolution of May 9, 1704 but, although "four Suitable Entrances" or gateways are provided for, nothing is said about size of these. Distance between brick piers and width of bi-valve gates was, therefore, left to judgement of architects (see discussion of this subject in Thomas Mott Shaw's letter, p. 605 ), who made opening between piers 8'-0 ", somewhat greater than in case of two gateways in old wall of Bruton churchyard (east gateway--6'-3"; south gateway--7'-0"). Width of bi-valve doors became that which remained (6'-5") after thickness of two wood posts was subtracted from width of opening between piers. |
612 | |
Architects made height and thickness of wall as it was specified, "two Brick thick" being taken to mean about 1'-6 ", since length of brick discovered in old foundations of Capitol and enclosure wall was about 9". This specified thickness was assumed to be that of main body of wall above water table. It is interesting to note that dimensions specified for wall of St. Peter's churchyard (New Kent County) are identical with those of Capitol wall, except that wall thickness is given as 1'-4" rather than 1'-6" (see quotation from The Vestry Book of St. Peter's Parish, p. 608 of this report). St. Peter's specification gives size of brick to be used in wall as "something Less than Nine Inches in Length." Old wall of Bruton churchyard is of about the thickness of the Capitol wall although the thickness varies somewhat from one point to another. | |
613 | |
Enclosure wall | This follows, in all of its details (coping, water table, ramped piers), design of old wall of Bruton churchyard. Architects believed that form of Bruton wall, construction of which was started in 1752, might well have been based on that of Capitol wall which had served as model for wall of St. Peter's churchyard (see p. 608). They assumed that Capitol enclosure wall had not been damaged in fire of 1747 (see letter of Thomas Mott Shaw, p. 606). It should be pointed out that in addition to its other details, Capitol wall follows old Bruton wall in this unusual particular, viz., in having different bonds outside and inside (Flemish on outside and English on inside).* |
Gates and gate posts | |
General form | Based on representation of south gate in Bodleian plate drawing of north elevation of Capitol (Part 1, p. 30). |
Details of design | |
Gates | |
614 | |
Wood construction | Use of wood instead of wrought iron more commonly employed for gates of this type, was based upon representations of east gate in wall of Bruton churchyard shown in two drawings of Bruton Church, viz., 1. watercolor made by Thomas Millington in 1834. In this drawing south gate is not visible. 2. pencil sketch, dated 1883, from collection of Miss Elizabeth B. Coleman, in which both gates are shown. In both drawings, photographs of which may be seen in Progress Photograph Books on Bruton Church, east gate is unmistakably a wood gate. This fact is made especially clear in drawing of 1883, in which south gate is quite different in character and is evidently of iron. Present reconstructed east gate and gateposts in Bruton churchyard wall were based upon representation of these in pencil drawing of 1883. Since architects had followed model of Bruton churchyard wall in design of Capitol enclosure wall, it seemed consistent to them, in designing Capitol gates, likewise to follow gate type (i.e., wood) which they assumed had been used in Bruton wall in eighteenth century. |
615 | |
Architects found additional evidence for use of wood gates in specification for wall of St. Peter's churchyard (see p. 608). Although specification says only that wall is to be as well built as that of Capitol, architects believed that it was also intended that form of Capitol wall and gates be followed. Assuming this to be true, St. Peter's specification becomes a kind of description of Capitol wall and gates. Among other things specification provides for "two Wide Handsom gates made after the form of Iron Gates …." Expression, "made after the form of iron gates" could mean only wood gates, so architects took this as evidence that Capitol gates had also been wood gates. | |
616 | |
Square-sectioned vertical iron bars, turned on diagonal, upper half of each valve | Several wood gates, having such bars throughout whole or part of their height are shown in Arthur A. Shurcliff's Southern Colonial Places. Among these are gates at Strawberry Plain, each valve Nottoway County (Shurcliff, p. 108); Green Plains, Mathews County (ibid., p, 57) and Upper Bremo, Fluvana County (ibid., p. 164). Last example is bi-valve gate having general shape of Capitol gates but lacking panelling. Other two examples are single-valve gates. That at Green Plains is in a brick wall , like Capitol gates. Bars in all cases are wooden. Iron bars were, however, frequently used in place of wood bars in eighteenth century. Several original basement window grilles with hand-wrought square-sectioned iron bars were found at Wythe House (see report on that house, pp. 16, 17). Bi-valve wooden gates, having shape of Capitol gates and provided with iron bars in both upper and lower parts of each valve are found at Groombridge Place; Kent, England (see photograph, p. 19 of English Ironwork of the XVIIth & XVIIIth Centuries by J. Starkie Gardner, London, 1911. |
617 | |
Panelled lower part | |
Basis for use | Bodleian plate representation of south gate appears to have vertical bars above a solid lower part (see Part 1, p.30). In keeping with most other doors of Capitol, this solid lower part was given panelling. |
Panel arrangement | Four equal panels. Lower half of old front (west) door of Brush-Everard House has four almost, if not quite equal panels (see door diagram, p. 73 of architectural report on that house). |
Panel profile | Quarter-round mold, with sunk panels found in building known as Chancery Lane in London (see fig. #20, sheet #5, Mouldings of the Wren & Georgian Periods by Tunstall Small and Christopher Woodbridge, London, 1928 . |
Curved tops of gate stiles | Similar in character to terminations of tops of posts of upper ladder in cupola (see Part 3, p. 588). |
618 | |
Cyma reversa molding running along curved tops of valves | Incidental cyma molding similar in character to door and window backbands used throughout Capitol. See, for example, backband used on bi-valve door #401, top stage of cupola (Part 3, p. 580). |
Hardware and Ironwork | All made after old models by J. R. Jump Forge (see Part 1, p. 124). |
Twisted finials with volutes | Main gate of Colt Mansion at Bristol, Rhode Island (see fig. #6, plate #219 in vol. III of Albert H. Sonn's Early American Wrought Iron, New York, 1928 . |
Three wrought iron strap hinges (one curved), about 21-½" long, with pintles, to each gate valve | See old strap hinges with circular ends illustrated on plate #1-A of Colonial Williamsburg Hardware Folder. |
Wrought iron gate latch with keeper and curved door plate (one to each gate) | Latch similar to, though not identical with, old Wythe House gate latch, shown on plate #16 of Colonial Williamsburg Hardware Folder. Keeper similar to, though not identical with, a number of old latch keepers shown on plates #24-32 of vol. I of Sonn work mentioned above. Door plate is an incidental piece with floriated end like ends of hinges, types #1 and #3, shown on plate #4 of Hardware Folder. |
619 | |
One door bolt, 18" long, to each gate | Similar, except in dimensions, to door bolts used on bi-valve door of window #222 (see Part 3, p. 452). |
Wrought iron gate holder, anchored in ground, one to each gate | Similar in design and character to many wrought iron pieces shown in Sonn work mentioned above, though a piece serving this function is not illustrated there. According to Singleton P. Moorehead, devices such as this were in common use on gates in England in the eighteenth century. An illustration of an old example is not available at present. |
620 | |
One wrought iron cabin hook, 6" long, and two staples to each door (hook attached to 3-½" high wood post at side of door). | Similar to cabin hook used on cupola trap door (see Part 3, p. 582.) |
Gate posts | |
Evidence of existence | No direct evidence. St. Peter's specification, which architects assumed was, in effect, a description of Capitol walls and gates (see p. 615), provides for "Handsom Square Peares (or Posts) for the Gates, with a hollow Spire, a Top …" Architects believed, therefore, that capitol gates had had such posts. |
621 | |
Basis for design | Square wood gate posts with carved or turned ornamental finials of different shapes were observed and photographed by Arthur A. Shurcliff. He shows examples of these in his Southern Colonial Places: posts of two gates near Enniscorthy, Albemarle County (Shurcliff, p. 158) and posts of a gate near upper Bremo, Fluvanna County (ibid., p. 164). Wood gate posts with carved finials which, though not pierced, are closer in form to those of Capitol gates were photographed by Thomas T. Waterman at Chuckatuck, Nansemond County (see H. A. B. S. photograph in file of Colonial Williamsburg Architectural Records Office). |
622 | |
Pierced, pyramid-shaped finials | Basis for use of a shape of this kind was provision in St. Peter's specification, quoted above, that posts of gates should have "a hollow Spire, a Top." This was interpreted to mean a pierced, pyramidal finial. An example of a pierced finial which architects believed to be old was found atop a smokehouse which once stood at Providence Forge (see photograph in Large Photograph Book in Colonial Williamsburg Drafting Room), although shape of this was different from that of Capitol post finials. Latter resemble more closely solid pyramidal post finials of a fence found at Brush-Everard House, several versions of which have been reproduced and used in Williamsburg (Deane, Lightfoot and Carter-Saunders Houses). An old example of a solid pyramidal finial resembling in shape finials at Capitol, except in proportions of its parts, is one found by Arthur A. Shurcliff at Warrique, Ivor, Virginia (see photograph, p. 125 of his Southern Colonial Places). |
PRIVY IS MENTIONED IN ONLY TWO COLONIAL DOCUMENTS
There are but two references to the Privy in the old records of the Capitol and these are identical in wording. The first of these, dated May 10, 1705, is a resolution passed by the burgesses (Journals of the House, 1702-1712, pp . 117, 118): 623
Resolved … That there be a Privy house built Convenient to the Capitol upon The hill Side Eight ffoot wide & Sixteen foot Long with a Lock upon Every DoorThe following day this resolution, which is recorded in the Legislative Journals of the Council, Vol. I, pp. 422, 423, was passed by the governor and council.
RECONSTRUCTED PRIVY PLACED ON SLOPE AS RESOLUTION DIRECTED IN CASE OF ORIGINAL BUILDING
No foundations of the original Privy were discovered by the architects nor is the structure shown on the Frenchman's Map, so that the location of the reconstructed building is necessarily conjectural. The architects knew from the above quotation, however, that it had been on "The hill Side." This could mean only that it had been north or northeast of the Capitol enclosure, since the land fell off only in those directions. The Frenchman's Map (Part 1, p. 62) shows a ravine on the north side extending from a point near the northeast corner of the Capitol enclosure wall in a north-westerly direction. Thus, the terrain here must have sloped off in the eighteenth century as it does today. The architects chose for the Privy a location in this sloping area which they thought would render the privy the least conspicuous, viz., just east of the east wall of the enclosure, a few feet south of the northeast corner of the wall (see building marked 11D on modern map, Part 1, p. 63). This removed the Privy from the north and east approaches to the Capitol and yet left it accessible from the north and east gates. The architects believed that the considerations which led them to choose this location for the Privy might well have prompted original builders to place it in this same general area.
624RESOLUTION AN AID TO ARCHITECTS IN DESIGN OF PRIVY. ORIGINAL BUILDING BELIEVED TO HAVE HAD THREE DOORS
The resolution of May 10, 1705 was of considerable assistance to the architects in the design of the Privy even though it gives no detailed information concerning it. The plan dimensions are specified and also, by implication, the number of doors and, consequently, also the number of compartments. The expression, "a Lock upon Every Door" indicates that there were more than two doors, for it is not customary to apply the word "every" to two things. In the course of working out a possible plan for the building the architects found that the long dimension (16'-0") would accommodate no more than three doors, if these were of a reasonable size (they made them 2'-6-½" wide), together with intervening brick piers such as one would expect to find in a colonial structure of brick. These three doors implied the existence of three separate compartments, for otherwise, one door would have sufficed. Each of the three compartments became about 4'-6" in width and was just sufficient to accommodate two seats, which makes the three-door, three-compartment arrangement seem very plausible. The architects believed, therefore, that this layout could well have been the original one. The doors were kept locked in the original building in order, presumably, to reserve the privy for the use of the persons working at the Capitol and it seems not unlikely that specific rooms were allotted to definite groups of these.
ARCHITECTS THOUGHT ORIGINAL BUILDING WAS OF BRICK AND REBUILT IT IN THIS MATERIAL
The architects assumed that the original Privy had been built of brick since the Capitol and its enclosure wall and the two other public buildings in the vicinity, the Secretary's Office and the Prison, were of this material. Though it was not necessarily the rule, it was very often the case in eighteenth-century Virginia that when the main building of a group was build of brick, the 625 majority of the outbuildings, including the privies, were also built of brick. This was true of the Governor's Palace, and the original privies in the garden back of that building are believed to have been of brick. It was true also of Cleve, King George County, Westover, Charles City County and Lower Brandon, Prince George County, all of which are or were of brick (Cleve was destroyed in 1917) and on the grounds of which old brick "necessary houses" are still standing. Photographs of these privies, taking them in the order in which they have just been mentioned, may be seen in Arthur A. Shurcliff's Southern Colonial Places, p. 33 and 134 and A. Lawrence Kocher and Howard Dearstyne's Shadows in Silver, New York, 1954, p. 105 . Singleton P. Moorehead measured the Brandon privy and has a plan and elevation of it on p. 1 of his Architectural Sketchbook.
EXTERIOR OF PRIVY AUTHENTIC IN DESIGN; INTERIOR WAS NOT FINISHED. TOILETS WERE INSTALLED IN 1955
The Privy was reconstructed in an authentic colonial manner on the exterior but the interior was left unfinished. It will be recalled that the remark was made in our discussion of the basement of the Capitol (p. 598) that the toilet facilities there were intended to be used by both the public and the employees of Colonial Williamsburg who work at the Capitol. This dual use of these facilities proved to be unsatisfactory so that it became necessary to provide toilets for the public elsewhere in the Capitol area. The reconstructed Privy, being close to the Capitol and yet in a relatively inconspicuous location, as we have said, seemed the logical place for these so that in 1955 modern toilet 626 facilities and interior work were installed. Since the interior possesses only two rooms, only the end doors are used, the center one being kept locked. Inasmuch as only the exterior of the building possesses a colonial character that alone will be covered in the treatment of the details of the building which follows. In dealing with the features of the exterior, all four faces of the Privy will be considered together, inasmuch as the structure is so small and so simple in its design.
FEATURE | PRECEDENT |
---|---|
BRICKWORK | |
Walls below watertable, laid up in English bond. | Similar to walls of Capitol, see Part 1, p. 76. |
Walls above watertable, laid up in Flemish bond | Similar to walls of Capitol, see Part 1, p. 77. |
Rubbed brick watertable | Similar to that of Capitol enclosure wall which in turn, is like that of original wall of Bruton churchyard. |
Gauged flat brick arches of windows | Similar to gauged flat brick arches of second floor windows of Capitol (see Part 1, p. 77). |
Segmental brick arches over cleanout doors, east face | Similar to original segmental brick arches over basement windows of Rolfe-Warren House on Smith's Fort Plantation, Surry County. |
627 | |
Brick size; color; use of glazed headers; mortar type and color, and tooling of joints | Same as in case of brickwork of Capitol (see Part 1, p. 77). Just as brick in enclosure wall foundation was found to be similar to that used in Capitol walls, architects believed that Privy brick would have been similar to Capitol brick since both buildings were erected at same period. |
Wall height, 8'-2", from grade to cornice, on entrance (west) side | A typical height for an outbuilding of this size. Restored eighteenth-century smokehouse on Archibald Blair lot has a wall height from grade to cornice of 7'-10" and that of Tazewell Hall had a wall height of about 8'-0". |
Wall thicknesses Base of foundation to watertable - 13"; above watertable - 9" | Brick outbuilding walls in the eighteenth century were generally thicker than 9" but since the interior of the Privy was not made authentic and would not be seen the architects used a wall of this thickness, which is sufficiently strong for a brick structure of this size. |
DOORS, DOOR TRIM AND HARDWARE | |
Three six-panelled doors, west face | |
Evidence of existence | See discussion of this, p. 624. |
628 | |
Basis for design | |
Arrangement of panels | Similar to that of four old doors on first floor of Brush-Everard House, except that proportions of elongated panels of latter doors are different from those of Privy door panelling. For Brush-Everard doors see sheet of door diagrams, p. 73 and photograph, p. 61 of architectural report on that house. |
Panel profile | Similar to that of three old doors of Brush-Everard House (see door diagram mentioned above). |
Hardware | |
One Reading iron rim lock No. C-625, with brass knobs and escutcheon, to each door | These Reading locks, which have been used widely in the restored and reconstructed buildings of Williamsburg, are, among locks of modern manufacture, those which most closely resemble eighteenth-century iron rim locks. (Reading Hardware Corporation has ceased making this and other types of locks). |
629 | |
One pair of 12" wrought iron HL Hinges with leather washers, each door | Made at J. R. Jump Forge at Lightfoot (see Part 1, p. 124). |
Architrave | Single-molded trim, similar to that of door #206, Gallery Stairhall side (see p. 464). |
Construction | Similar to that of bi-valve door of West Elevation (see Part 1, p. 123). |
Beaded board and batten cleanout doors, three in east wall, beneath watertable | |
Evidence of existence | None, but architects believed that they would have been necessary in a privy such as this which was not moved about. Singleton P. Moorehead believes that an old privy which he measured at Port Royal, Caroline County had such doors and John W. Henderson believes old privy at Wales, Dinwiddie County had them. Henderson also recalls having seen an arched opening at base of privy at Shirley, Charles City County, purpose of which, without question, was to permit cleaning of toilet. |
630 | |
Basis for design | |
Board and batten construction | Similar to that of trap door of cupola (see pp. 581, 582). Only other door type, panelled door, used in Virginia in eighteenth century, was too "elegant" to be used for purpose such as that served by cleanout doors. |
Hinges, two 13-½" long wrought iron strap hinges with diamond-shaped ends and wrought iron pintles, to each door | Similar, except in size, to a strap hinge found on old basement door of Alexander Craig (Vaiden) House. (See sheet #8 of Colonial Williamsburg Hardware Folder for drawing of this). |
Wood "button," turning on nail with hand-hammered head (used to hold door shut), one to each door | Commonly used on gates and outbuilding doors. An old one of these was found on door of Captain Orr's wellhead. |
Door frames, with front edge toward opening beaded | Similar to many old basement grille frames, some of which are beaded and some unbeaded. Examples of these are frames of basement grilles of Farmington, Charles City County and of Todd House, near Fredericksburg (see photographs in precedent file of Colonial Williamsburg Architectural Records Office). |
Unmolded sills, slip type, with front face set flush with brickwork | Similar to window sills of Capitol (See Wood Sill, Part 1, p. 125c). |
WINDOW SASH AND FRAMES | |
Three six-light double-hung windows, in which two-light lower sash only operates one each in north, east and south walls | |
Manner of division into lights | Similar to an old six-light double-hung window in brick chimney closet wall of a house in Bath, North Carolina (see Ernest M. Frank's album of photographs of architecture in North Carolina and Maryland). |
Muntin profile | Similar to muntin profile of Capitol windows (see Part 1, p. 125). |
Window frame | Beaded, block frame with cyma reversa back-band, similar in profile to door frames and similar also to old frames of west first floor windows of Brush-Everard House (see sheet of window diagrams, p. 55, architectural report on that house). |
632 | |
Construction | Similar to construction of door and door frame (see above). |
Window sill, unmolded slip type, with front face set flush with brickwork | Similar to sills of first and second floor windows of Capitol, except that it has rounded front edge (see Wood sill, Part 1, p. 125c). |
Window glass | Similar to window glass of Capitol (see Part 1, p. 84). |
Window weights, absence of | See same subject, Part 1, p. 85. |
MODILLION CORNICE | |
Evidence of existence | None. Small brick outbuildings such as this, associated with some structure of importance, were often, in eighteenth-century Virginia, designed with a degree of elegance and refinement comparable with that of main building. An example of an eighteenth-century privy with a cornice nearly as prominent and elaborate as that of Capitol Privy is octagonal necessary house of Poplar Forest, Bedford County. That cornice has all features of cornice of Capitol Privy except modillion blocks (see H. A. B. S. photographs in pictorial file of Colonial Williamsburg Architectural Records Office). |
633 | |
Basis for design | Similar to modillion cornice of Archibald Blair's Storehouse, except in size and in fact that molding running around top of modillions of Blair cornice is a cyma reversa instead of a quarter round. Cornice of Archibald Blair Storehouse is for most part new but new parts were copied after old section which still exists in rakes of gable on south front of building. |
ROOF | |
Type: hipped, with splayed eaves | Same type as that of Capitol (Part 1, p. 89) except that latter lacks splayed eaves. Architects thought it likely that original builders would have made Privy roof of same type as Capitol roof for sake of harmonious relationship of these buildings to each other. An example of an old building with splayed eaves is east dependency of Shirley, Charles City County (see photograph on p. 175 of Thomas T. Waterman's The Mansions of Virginia, Chapel Hill, 1946). In latter building splay or kick" is much more pronounced than in roof of Privy. |
634 | |
Inclination, ca. 49° | Very close to inclination of Capitol roof, which is about 50° (see Part 1, p. 89 for discussion of this roof slope). |
Roof covering | Same as that of Capitol roof (Ludowici-Celadon Co's vitrified tile (see Part 1, pp. 89-91). |
WOOD TYPES used in exterior woodwork | Same as in case of exterior woodwork of Capitol (see Part 1, pp. 107-110). |
Cornice; entrance door frames; cleanout doors, frames and sills and window sash, frames and sills | Cream gray ("stone color") like exterior woodwork of Capitol (see Part 1, p. 110) |
635 | |
Entrance doors | Chocolate brown ("wainscot color") like woodwork in House of Burgesses Chamber (see Part 1, pp. 206-208). |
Sills of entrance doors | Deep buff, designated as #25 in Colonial Williamsburg Paint Shop color file. This is a color widely used in restored area for wood porch floors and exterior door sills. |
LIGHTING FIXTURES | None. |
STONE WITH BRONZE TABLET TO REMAIN PERPETUALLY IN CAPITOL ENCLOSURE
Before the restoration of the building was begun, the granite stone bearing the bronze tablet, stood on the Capitol site amidst the uncovered original foundations, where it had been placed by the A. P. B. A. (see photograph, Part 1, p. 42). One of the terms of the contract, dated June 16, 1928, by virtue of which the Association for the Preservation of Virginia Antiquities turned over the Capitol site to Colonial Williamsburg, Incorporated was that the monument was to remain perpetually on the Capitol site. It was therefore moved to its present location within the enclosure near the southeast corner of the enclosure wall. The inscription on the tablet gives a brief account of some of the more notable events which took place within the Capitol just prior to the Revolution.
LIST OF DRAWINGS USED IN RECONSTRUCTION OF CAPITOL | 640-647 |
PERSONS WHO WORKED ON RECONSTRUCTION OF CAPITOL | 648-652 |
LAWS OF COLONIAL VIRGINIA/PRINTED COMPILATIONS OF THESE. | 654 |
ACTS AND RESOLUTIONS PROVIDING FOR ERECTION OF CAPITOL AND SPECIFYING DETAILS OF ITS DESIGN | 656-670 |
"QUEEN'S ARMS STAINED IN GLASS"; DID THESE EXIST IN FIRST CAPITOL? | 672-673 |
CELESTIAL SYMBOLS IN CARVED BRICK SHIELD; EVIDENCE SUPPORTING THEORY THAT THESE ARE MASONIC IN ORIGIN. | 674-675 |
USE OF CANDLES IN ORIGINAL CAPITOL | 676-680 |
CAPITOL FLAG | 682-685 |
DESCRIPTION OF CENTRAL CRIMINAL COURT IN OLD BAILEY. | 686 |
The following list contains two series of drawings, the first of these consisting of the basic drawings approved on October 9, 1931 by the Capitol Committee of the A.P.V.A. for use in the reconstruction of the Capitol.* The second list contains all the drawings made following the date of approval of the first. We will present the first list in the form in which the Committee gave it to the architects, with explanatory notes and with the signatures of the Committee members who signed it, attached. The second list which we will call, "Drawings Supplementary to those on the Approved List," was compiled from the listing of Capitol drawings in the files of the Colonial Williamsburg Architects' Office.
[All explanatory notes in this list are by the Committee]
The undernoted drawings, all dated May 1, 1930, were approved by the Capitol Committee of the Association for the Preservation of Virginia Antiquities on January 8, 1931:
NUMBER | DESCRIPTION |
Sk 4 | Interior and Exterior Bay Elevation |
Sk 5 | First Floor Plan |
Sk 6 | Second Floor Pla11 |
Sk 7 | Third Floor Plan |
Sk 8 | South Elevation |
Sk 9 | West Elevation |
Sk 10 | North Elevation |
Sk 11 | General Courtroom |
Sk 12 | House of Burgesses |
Sk 13 | Council Chamber |
The following is a list of additional drawings and details
NUMBER | DESCRIPTION |
---|---|
1 | Basement Plan |
2 | First Floor Plan* |
3 | Second Floor Plan* |
4 | Third Floor Plan* |
5 | North Elevation* |
6 | West Elevation* |
7 | South Elevation* |
8 | East Elevation |
9 | Cross Section |
NUMBER | DESCRIPTION |
---|---|
SF1 | Foundation Plan |
SF2 | Foundation Section |
S1 | First Floor Framing |
S1A | Openings in First Floor slab |
S2 | Second Floor Framing |
S2A | Openings in Second Floor Slab |
S3 | Third Floor Framing |
S3A | Openings in Third Floor Slab |
S4 | Third Floor Ceiling Framing |
S5 | Roof Framing |
S6 | Roof and Cupola Sections |
NUMBER | DESCRIPTION |
---|---|
H1 | Basement Heating Plan |
H2 | First Floor Heating Plans |
H3 | Second Floor Heating Plans |
H4 | Third Floor Heating Plans |
NUMBER | DESCRIPTIONS |
---|---|
E1 | Electrical Plan - Basement |
E2 | First Floor Electrical Plan |
E3 | Second Floor Electrical Plan |
E4 | Third Floor Electrical Plan |
NUMBER | DESCRIPTION |
---|---|
100 | Door Schedule |
101 | ½" Detail Cupola |
102 | ½" Detail West Stairhall |
103 | ½" Detail East Stairhall |
104 | Main Entrance Steps |
105 | Council Chamber* |
106 | ¾" Detail Shutters |
107 | General Court Details ½" Scale* |
108 | Details — House of Burgesses ½" Scale* |
109 | Stone Layout Piazzas |
NUMBER | DESCRIPTION |
---|---|
200 | FSD Round & Oval Windows |
201 | First & Second Floor Windows |
202 | Dormer Windows |
203 | Main Cornice |
204 | Exterior Doors (#100, 103, 104, 105, 106, 109) |
205 | Brick Arch Doors & Arch for First Floor Windows (#103, 106) |
206 | Main Entrances & Brick Arches |
207 | Brick Arches at Piazzas |
208 | Door Frames & Trim - Third Floor |
209 | Swirl on Steps to Piazza |
210 | Stone Steps at Doors (#103, 106) |
211 | Window ARches - Second Floor |
212 | Door Frames & Trim - Second Floor |
213 | Jamb - Door #205 |
214 | Jamb - Door #207 |
215 | Door Frame & Trim (#101, 102, 107, 108, 110, 111) |
216 | Cupola |
217 | Cupola |
218 | Cupola Stairs |
219 | Cupola Roof |
220 | Cupola Clock |
221 | Weather Vane |
222 | Brick Arch Second Floor Windows in Curved Hall |
643 | |
223 | Pilaster in General Court |
224 | Window to Balconies (#206, 222) |
225 | Details West Stairhall |
226 | Details East Stairhall & Hose Cabinets |
227 | Second Floor Shutters (Except #206, 222, 225, 226, 227, 201, 202, 203) |
228 | First Floor Shutters - W107 to W114, inc. |
229 | Basement frames and arches |
230 | Second Floor Shutters -#201, 202, 203 |
231 | Detail Woodwork, Council Chamber |
232 | General Court Furniture |
233 | Chair Boards & Bases, paneled wainscots |
234 | Details W.I. Balconies - East and West |
235 | General Court -- FSD -- Details |
236 | Conference Room Details |
237 | Cartouche - Door #205, 207 - Lobby, #201 |
238A | Coat of Arms on Cupola |
238B | Coat of Arms on Cupola |
239A | Coat of Arms, H of B |
239B | Coat of Arms, H of B |
240 | Door Pediments - FSD |
241 | FSD - House of Burgesses |
242 | FSD - House of Burgesses |
243 | Cartouche on Piazza |
244 | Cartouche Inscription - Piazza |
245 | Key Blocks - Jamb Detail - Door #103, 106 |
The above drawings, all dated July 1, 1931, are hereby approved by the Capitol Committee of the Association for the Preservation of Virginia Antiquities for construction of the new Capitol in Williamsburg, Virginia
[Signed] E.G Swem, Chairman
J. S. Bryan [?]
R.A. Lancaster, Jr.
Geo. P. Coleman
October 9, 1931
NUMBER | TITLE & DATE |
---|---|
4A | part 3rd Floor Plan Fire Protection - 11.18.31 |
NUMBER | TITLE & DATE | |
---|---|---|
102A | New Paneled Soffit - | 7 .1. 31 |
104A | Revised Watertable - | 12.18.31 |
110 | Brick Gutters & Drains - | 2.26.32 |
111 | Toilet Room Details - | 4 13.l2 |
112 | Stone Base Botetourt's Statue - | 4.6.33 |
113 | Stone Layout Of Original Piazza Stone - | 4.19.33 |
114 | Enclosure Hall - | 6.5.33 |
115 | Gates - | 6.5.33 |
116 | General Court Judges' Desk -- | 6.20.33 |
117 | Book Case in Room #103 - Rails in Room 100 & 103 - | 6.24.33 |
117A | Supply Closet Under East Basement Stair - | 7.1.33 |
119 | Piazza Chains - | 4.12.34 |
120 | Plans, Elevations, Sections, & Details of Capitol Pedestal - | 7-16.51 |
121 | Directions for Assembly - | 7.16.51 |
NUMBER | TITLE & DATE | |
---|---|---|
200-A | Revised Oval Windows - | 10.21.32 |
213-A | Door #204 - | 7.1.31 |
219-A | Cupola Roof Profile Revised - | 7.1.31 |
220-A | Cupola Clock - Numerals Revised - | 9.24.32 |
224-A | Condition At Landing Between 2nd & 3rd Floors - | 12.16.32 |
225-A | Window Revisions - | 7.25.32 |
226-A | Revised Tread Nosing - | 3.23.33 |
234-A | Balconies East & West Elevations - New Drip Molding - | 10.17.46 |
234-A, B, C, | Details W. I. Balconies - East & West Elevations - | 10.17. 46 |
238-A | Revised Details - Coat of Arms - | 7.1.31 |
238-B | Revised Details, Coat of Arms - | 7.1.31 |
241-A | Revised Panel End Rail At End Of Benches - | 3.30.32 |
246 | Main Cornice At Circular Ends & Cupola Rail At Angles - | 1.8.32 |
247 | Access Door In Basement - | 3.12.32 |
248 | Revised Drawings of Frames at Doors 300-301-321 - | 5.7.32 |
249 | Revised Column, Wood Cupola - | 8.25.32 |
250 | Changes In Baluster Turnings - | 8.4.32 |
645 | ||
251 | Doors in S. W. Room Off of Lobby - | 8.26.32 |
252 | Door To Ladder In Cupola - | 9.23.32 |
253 | Corner Board Details - | 9.29.32 |
254 | Threshold Details - | 10.19.32 |
255 | Termination at Judges' Desk, General Court Room - | 2.2.33 |
255-A | Fire Alarm Equipment Cabinet - | 11.5.32 |
256 | Details Blind Door From Stair Landing to Balcony - | 2.15.33 |
257 | Railing at Cupola Area, 3rd Floor - | 3.17.33 |
258 | General Court - Judges' Seat - | 6.20.33 |
259 | Bookcase in Room #103 - | 6.24.33 |
260 | General Court Finial For Benches - | 6.26.33 |
261 | Direction Entrance Sign - | 4.16.34 |
263 | Bulletin Board For Piazza - | 3.6.34 |
263 | Alterations For Compliance With V F S R - | 8.14.50 |
264 | Gate Stops - | 4.16.34 |
265 | Recessed Closet - | no date |
265 | Document Chest (Preliminary) - | 5.14.34 |
266 | Benches - | no date |
267 | Entrance Sign - | 11.22.34 |
268 | Bar For House of Burgesses - | 5.28.36 |
269 | Exterior Balcony Water Lip - | 8.26.38 |
270 | Mace Rack - | 3.17.39 |
271 | Capitol Vicinity Parking Sign - | 7.23.40 |
271-A | F.S.D. Of Sign - | 7.23.40 |
272 | Details of Hook Strip For Capital & Palace | 10.20.41 |
273 | Capitol Cupola Coat Of Arms - | 8.1.44 |
273-A | Capitol Cupola Coat Of Arms - | 8.1.44 |
274-B | Capitol Cupola Coat Of Arms - | 8.1.44 |
275-A | Capitol Cupola Coat Of Arms - | 8.1.44 |
275-B | Capitol Cupola Coat Of Arms - | 8.1.44 |
276 | Gate Post Cap Revisions - | 12.22.44 |
277 | Window Pins & Sleeves 1st & 2nd Floor Windows - | 6.6.45 |
278 | Peg Strip & Pegs Door #111 - | 10.29.46 |
280 | Hangers For Lighting Fixtures - | 8.5.52 |
280-A | House of Burgesses - Floodlight-Support Bar-Camera Platform - | 1.21.54 |
281 | Details - Lantern For Exterior Light - | 7.26.55 |
NUMBER | TITLE & DATE | |
---|---|---|
Sk-14 | House of Burgesses - Revised North Elevation - | no date |
Sk-15 | Development Of Plan - | no date |
Sk-16 | Section Through Main Wall - | no date |
Sk-17 | Plan of West Stair Hall - | no date |
Sk-18 | North Elevation, General Court Room, Extended Gallery - | no date |
Sk-55-1 | Loud Speaker System - | 9.6.55 |
Sk-55-A | Layout Sod Conduit - | 9.6.55 |
NUMBER | TITLE & DATE | |
---|---|---|
H-2R | Heating Details - | 6.29.32 |
H-3R | Registers in Council Chamber (Revised) - | 4.12.32 |
H-5 | New Secondary Air Filters - | 9.1.45 |
HP&E1-R | New Toilet Rooms - | 2.24.33 |
E-2A | New Location For Electric Panel & Vent Duct - | 12.2.31 |
E-1R | Outlet Over Stairs 1st Floor Plan - | 4.8.33 |
E-1FA | Fire Alarm Station E. & W. Stairs - | 3.2.33 |
E-R1 | Basement Plan - | 7.1.31 |
E-R2 | First Floor Plan - | 7.1.31 |
E-R3 | Second Floor Plan - | 7.1.31 |
E-R4 | Third Floor Plan - | 7.1.31 |
H&P | Basement - Hot Blast Heating System - | 7.1.31 |
H&P | First Floor - Hot Blast Heating System - | 7.1.31 |
H&P | Second Floor - Hot Blast System - | 7.1.31 |
H&P | Steam Hot Blast Heating System - | 7.1.31 |
H&P | Third Floor Heating & Plumbing - | 7.1.31 |
V-1 | Toilet Ventilation - | 7.1.31 |
NUMBER | TITLE & DATE |
---|---|
Proposed Path, Capitol - | 7.14.38 |
Vicinity Landscape - | 8.19.40 |
East & West Gate to Capitol - | no date |
F.S.D. of Meander for Cornice in Council Chamber at The Capitol - | 1.28.33 |
Sketch of Proposed Clock Weight - | 9.15.32 |
Seating Layout, House of Burgesses - | 2.19.38 |
Location of Drinking Fountain - | 6.6.41 |
F.S. Section & Elevations - | 2.8.34 |
Wood Hardware Capitol E, Palace - | 2.28.33 |
Reading Stand For Capitol - | 2.15.34 |
Revised Balusters E. & W. Stairhalls - | 11 .8.32 |
3rd Floor Capitol (Preliminary) - | 8.29.31 |
Incomplete Sketch of First Floor - | no date |
Sketch for Sundials & Arms on Cupola - | 11 .11.29 |
Layout of Tile Shingles #SK-C - | 11.7.32 |
Layout of Tile Shingles #SK-D - | 11 .7.32 |
Portico Foundation #M-3 - | 8.28.30 |
Sketch for Judges Seat - General Court SK-1 - | 6.9.33 |
3rd Floor Plan of Capitol #SK-7 - | 5.1.30 |
SK-9 West Elevation of Capitol as Developed From Dimension 12'-9-½" for Window Spacing | |
F.S. Details, Round & Oval Windows (No number indicated) - | 7.1.31 |
Details of W.I. Balconies - East & West Elevations (no number indicated) - | 5.21.32 |
Capitol Coat Of Arms - F. S. Blow-Up of Water Color Lent By College of Heralds - | no date |
NUMBER | TITLE & DATE | |
---|---|---|
L-1 | Stone Pavers - | 3.2.54 |
L-1A | Survey Of Vicinity of Capitol - | 12.15.31 |
L-3 | Minimum Plan For Capitol - | 12.15.31 |
L-4 | Grading Plan For Capitol - | 12.15.31 |
L-4A | Sections To Accompany Grading Plan For Capitol - | 12.15.31 |
L-4B | Details Of Walls Around Capitol - | no date |
L-4R | Revised Grading Plan - | 7.14.33 |
L-5 | Plan For Rearrangement Of Paths Inside Walls - | 6.1.33 |
L-6 | Details For Flagstone Paving - | 3.7.33 |
NUMBER | TITLE & DATE | |
---|---|---|
100 | Plans, Elevations & Section - 4.23.32 | ½" & Full Size |
200 | Miscellaneous Exterior Details - 4.23.32 | Full Size |
201 | Brick Details - 4.23.32 | Full Size |
202 | Alterations-Plans, Section & Details | ½" & Full Size-6.3.54 |
PE-1 | Plot Plan, Plumbing & Electrical - 6.14.38 | 1"-10' |
PE-2 | Proposed Plumbing Facilities - 4.29.38 | ½" |
DATES OF RECONSTRUCTION OF CAPITOL
The Capitol was reconstructed between October, 1931 and January, 1934. The initial date is that of the beginning of the actual execution of the work but archaeological and documentary research on the project had been in progress since 1927.
GIFT OF SITE BY A.P.V.A.; MEMBERSHIP AND WORK OF ITS CAPITOL COMMITTEE
The site of the colonial statehouse was given to Colonial Williamsburg, Inc. in June, 1928 by the Association for the Preservation of Virginia Antiquities. One of the conditions of the gift incorporated in a contract made between the two organizations required that the design for the reconstruction of the building be accepted by the Association before the making of the working drawings and the beginning of construction. The Association, therefore, appointed a committee, the Capitol Committee, to review the archaeological and documentary research findings of the architects, Perry, Shaw and Hepburn of Boston, and to pass upon the drawings prepared by them for the reconstruction of the building. The personnel of the committee was as follows: Dr. E. G. Swem, chairman and Messrs. John Stewart Bryan, George P. Coleman, Robert A. Lancaster, Jr. and Samuel H. Yonge. These gentlemen kept in close touch with the architects and the Williamsburg Holding Corporation (sister organization to Colonial Williamsburg, Inc.; it was the Holding Corporation which reconstructed the Capitol) during the period of preparation for the reconstruction of the building. They approved the architects final sketches for the building in December, 1930. The working drawings were thereupon begun and were completed a year later.
649MR. GOODWIN MAINTAINS LIAISON BETWEEN ORGANIZATIONS COLLABORATING ON PROJECT
During the period of research into the nature of the original building and that of its actual reconstruction, Dr. W. A. R. Goodwin, initiator of the restoration of Williamsburg, took a very active part in the work and served as a liaison agent between the various organizations involved in the undertaking, i.e., the A.P.V.A. Capitol Committee, the Williamsburg Holding Corporation and the architects.
WILLIAMSBURG HOLDING CORP. RECONSTRUCTS BUILDING; ITS DIRECTORS AND THEIR WORK
The Williamsburg Holding Corporation (predecessor of the present Williamsburg Restoration, Inc. )furnished the funds for the reconstruction of the building and exercised the right of making, the final decisions concerning it. The president of both the Holding Corporation and Colonial Williamsburg, Inc. at this time was Colonel Arthur Woods who maintained his offices in New York City. His subordinate and the vice-president of the twin organizations, was Kenneth Chorley who, for most of the period during which the Capitol was being worked upon, resided in Williamsburg. Chorley was actively concerned in all of the decisions relating to the work, as was Vernon M. Geddy, assistant director of the Williamsburg Holding Corporation.
SHURTLEFF ESTABLISHES RESEARCH DEPARTMENT; ITS PERSONNEL AND WORK
It should be noted that the execution of the architectural work at this time was in the hands of the architects, Perry, Shaw and Hepburn, since the Colonial Williamsburg Architectural Department was not established until 1934, after the reconstruction of the Capitol was accomplished. In May, 1930 the architects brought Harold R. Shurtleff to Williamsburg to head a new branch of their organization called the Department of Research and Record. This department was placed in charge of the documentary and archaeological research on the Capitol and the other buildings which were being 650 worked on during that period. Shurtleff and his staff, Mrs , Helen Bullock, Leah James and others made important contributions to the information concerning the old Capitol and aided in the interpretation of the documentary and archaeological data relating to it. Mary F. Goodwin did research work for the department both here and in England. It was she who, in December, 1929 discovered in the Bodleian Library at Oxford the old copper plate which carried, among other things, the vitally-important view of the original Capitol building. In March, 1932 Shurtleff issued a two-volume chronologically-arranged compilation of all the available documentary references to the colonial Capitol, an invaluable source-book on the subject, which was assembled from notes first collected by Elizabeth S. Stubbs under the direction of Dr. Swem and additions made by members of the department. During this period, Rutherfoord Goodwin was assistant director of the department. Goodwin, who was at that time in charge of interpretation and publications and of archaeological remains for Colonial Williamsburg, wrote the first guide book and trained the first hostesses for the Capitol and placed artifacts found on the site in the Archaeological Museum, then, as now, in the Courthouse of 1770.
PERSONS WHO CARRIED ON ARCHAEOLOGICAL INVESTIGATION OF THE SITE
Among the persons concerned in the investigation and interpretation of the foundation remains of the old Capitol were Prentice Duell, Herbert Ragland, John T. Zaharov and Shurtleff, under whose direction this work was done. The most active field investigator in this group was Zaharov who measured the eighteenth century foundations, made a scale model of them and drew up the final archaeological plans.
651ARCHITECTS SET UP FIELD OFFICE; A. H. HEPBURN CHIEFLY RESPONSIBLE FOR PROJECT
The work of the architects on the project was divided between their Boston office and a branch office which was established in the now-demolished old Parish House in Williamsburg. The work in the Boston office was under the immediate supervision of the three partners, who were assisted by members of their Boston staff, among whom Robert C. Dean should be mentioned. According to the statement of Thomas Mott Shaw, Andrew H. Hepburn carried the chief responsibility for the Capitol project. It was he who, during the course of the work, set down in a carefully considered paper, after exhaustive study of the existing evidence, the architects' conclusions as to the nature of the first Capitol building and the subsequent changes made to it. This paper, entitled Capitol Notes, sets forth the bases for the reconstruction of the Capitol.
MACOMBER IN CHARGE OF WILLIAMSBURG OFFICE; HIS CHIEF ASSISTANTS
In the Williamsburg office Walter H. Macomber, as resident architect, was local head of the work on the Capitol. He was assisted by Joseph W. Geddes, the office manager and later by Conrad W. Anner who succeeded Geddes in that position. A. Edwin Kendrew who was at that time chief draftsman also shared the responsibility for the work. It should be noted that the members of the firm visited Williamsburg frequently to check on the progress of the work.
FINAL PLANS AND ELEVATIONS DRAWN BY DAVID HAYES; THE LATER MADE CLERK OF WORKS
The final plans and elevations of the building were drawn by David J. Hayes. In November, 1931 he was transferred from the drafting force to the position of clerk of the works (superintendent of construction).
MEN WHO MADE DETAIL DRAWINGS; ARCHITECTURAL RECORD
The architectural detail drawings were made by a number of persons: George S. Campbell, Francis J. Duke, J. Everette Fauber, Jr., Milton L. Grigg, David J. Hayes, Albert F. Hoedke, Joseph E. Kenney, Singleton P. Moorehead, Washington Reed and Thomas T. Waterman. The last-named wrote in 1932 an architectural record 652 giving the precedent for many of the features of the reconstructed building.
SPECIFICATION WRITER
The architectural specifications were written by David J. Hayes. Robert McCreary made out the hardware schedule .
STRUCTURAL ENGINEERS
The structural engineers for the job were Cleverdon, Varney and Pike of Boston and it was they who made the structural drawings.
MECHANICAL ENGINEERS
George A. Wechsler, consulting engineer of Washington, D. C. was in charge of the heating, plumbing and electrical engineering. Among the men of his firm who worked on the mechanical engineering drawings were Julian W. Jamison and George Strothers. George W. Harding, heating engineer of Richmond, did the plans of the heating layout.
GENERAL CONTRACTORS
Todd and Brown, Inc. of New York were the general contractors and erected the building. Elton Holland was their construction superintendent on this project.
LANDSCAPE ARCHITECT
Arthur A. Shurcliff of Boston did the landscaping of the Capitol Square and assisted in the determination of the design of the wall enclosing the Capitol courtyard and in the location of the Necessary House and the A.P.V.A. memorial stone.
CONSULTANT FOR FURNISHINGS AND PAINT COLORS
Mrs. Susan Higginson Nash acted as consultant for furnishings and likewise determined the paint colors used on the exterior and interior of the reconstructed building, in consultation with the architects.
The Journals of the House of Burgesses of Virginia in 13 volumes published in Richmond between 1905-1915. The volumes covering the sessions from that of 1619 through that of April 10, 1761, were edited by H. R. McIlwane. Those starting with the session beginning November 3, 1761, and ending with the last meeting of the House on May 6, 1776, were edited by John Pendleton Kennedy. The Journals are records kept by the House itself. They contain many acts and resolutions passed by the House but many of the acts are not given in their entirety. For a compilation of all the acts given in full one must consult William Waller Hening's The Statutes at Large, published in Philadelphia in 1823, in 13 volumes. The Statutes contain only the acts passed by the Assembly, not supplementary legislation, such as resolutions, etc. which are recorded, as was said, in the Journals of the House of Burgesses and also in The Journals of the Council of Colonial Virginia. A compilation of these, running down to 1775, was published in Richmond in three volumes in 1918 and 1919 under the editorship of H. R. McIlwane. The latter also edited The Minutes of the Council and General Court of Colonial Virginia, published in one volume in Richmond in 1924. This covers only the periods between 1622-1632 and 1670-1676, the remainder having been lost.
The Executive Journals of the Council of Colonial Virginia, which are in part printed and in part still in manuscript form, are a further source of material. The work of publication was undertaken in 1925 by the Virginia State Library with Wilmer L. Hall as editor. Five volumes have thus far appeared which cover the period from June, 1680 to May, 1754. These are a record of the work of the Council when it was acting in its executive capacity. It, thus, contains material related to but also different from that of the Legislative Journals of the Council since the latter are a record of the actions of the Council when it was sitting as a law-making body.
Included in the series of copies of documents which follows are the legislative measures which were most useful to the architects engaged in reconstructing the building, in furnishing them with information concerning its architectural features. These documents do not, however, embrace all of the regulations passed by the Assembly which contain such information. The entire body of legislative measures relating to the building of the first Capitol is found in a compilation entitled Notes which was assembled under the supervision of Harold R. Shurtleff, the one-time director of the Colonial Williamsburg Department of Research, and may be consulted in the library of the Department.
WHEREAS the State house where the generall assemblys and generall Courts for this his Maties Colony & dominion of Virginia were kept and held hath been unhappily burnt downe and it being of absolute necessity that another building be erected with all the expedition possible for the convenient siting and holding of the generall Assemblyes and Courts at a healthy proper & comodius place suitable for the reception of a considerable number and concourse of people that of necessity must resort to the place where the generall assemblys will be convened and where the Councill and Supream Courts of Justice of this his Maties Colony and Dominion will be held and kept and forasmuch as the place commonly called and knowne by the name of Middleplantation hath been found by Const experience to be healthy and agreeable to the Constitutions of the inhabitants of this his Majestyes Colony and Dominion haveing the naturall advantage of a Serene and temperate aire dry and champaign land and plentifully stored with wholesome Springs and the conveniency of two navigable and Pleast Creeks that Run out of James and York River's necessary for the supplying the place with privisions and other things of necessity Be it therefore enacted by the Governor Councill and Burgesses of this prest Generall Assembly and the authority thereof and it is hereby enacted that four hundd & seventy five foot square of land lying and being at the sd Middleplantation wch hath been already agreed upon by his Excellency the Governor Councill and Burgesses of this prest generall Assembly to be taken up and surveyed at a convenient place for such uses be the ground appropriated to the onely and sole use of a building for the generall Assemblys and Courts to be held and kept in and that the sd building shall for ever hereafter be caled and knowne by the name of the Capitoll of this his Maties colony and Dominion of Virga and that the Space of two hundd foot of Ground every way from the sd Capitol shall not be built upon planted or occupyed for ever but shall be wholy and solely appropriated and kept for the sd use and to no other use or purpose wtsoever and be it further enacted by the authority aforesd and it is hereby enacted that the sd Capitoll shall be erected and built in manner and forme according to the rules and 659 dimentions following (viz) that the sd building shall be made in the forme and figure H that the foundation of the sd building shall be four Bricks thick up to or near the surface of the ground and that the walls of the sd building from thence shall be three bricks and a halfe brick thick to the water table and from the water table to the top of the first story three bricks thick and from thence to the top of the second story two bricks and halfe brick thick the length of each side or parte of wch building shall be seventy five foot from inside to inside the breadth thereof twenty five foot from inside to inside and the first story or each part or side shall be fifteen foot pitch one end of each pt or side of wch shall be semicircular and the lower rooms at the sd end fifty foot long and shall be parted by a wall from the rest of the building on each side or part wch other part shall be divided into four divisions whereof one to be for a large and handsome staire Case that the midle of the front on each side of the sd building shall have a Circular Porch wth an Iron Balcony upon the first floor over it & great folding gates to each Porch of Six foot breadth both and that four Galleryes shall be in the room below that shall be caled the generall Court house the upper Story of each Side to be tenn foot pitch and be divided as shall be directed by the Comitees appointed to revise the laws that the two parts of the building shall be joyned by a Cross Gallery of thirty foot long and fifteen foot wide each way according to the figure herein before speecified raised upon Piazzas and built as high as the other parts of the building and in the Middle thereof a Cupulo to surmount the rest of the building Wch shall have a Clock placed in it and on the top of the sd Cupulo shall be put a flag upon occasion that the windows to each story of the sd building shall be sash windows and that roofe shall be a hip roof with Dormand windows and shall be well shingled with Cypress shingles and that the great roomes below of each building shall be laid with flag stone one part or side of which building shall be and is hereby appropriated to the use of the Generall Court & Councill for the holding and keeping of the sd generall Court and Councill therein and the severall offices thereto belonging the other part or side of the sd building shall be and is hereby appropriated to the use of the house of Burgesses and the offices thereof and to no other use or uses wtsoever and be it further Enacted by the authority aforesd and it is hereby Enacted that the Comitee appointed for the revisall of the Laws are hereby impowered and required from time to time to inspect and oversee the sd building untill it Shall be finished and to Covenant and agree with such and so many undertakers or overseer's of the sd building as they shall think fitt and to give such necessary orders and directions therein from time to time as they shall see cause for the Carrying on furtherance and finishing of the sd work according to the aforesd rules and dimensions and that the sd Comitee be likewise impowered by virtue of this act on the Publick account and Risque to send for out of England Iron Work Glass Paint Stone and all other materialls as they shall think necessary for and towards the Carrying on and finishing of the sd building and be it further 660 enacted by the authority aforesd and it is hereby enacted that the sd Comitee as often as they shall have occasion for money for the uses aforesd shall from time to time apply themselves to the Governor or Commander in Chief for the time being to issue out his Warrant to the treasurer of this his Majestyes Colony and Dominion requireing him to pay soe much money as they shall have occasion for not exceeding the sume of two thousand pds Ster. who is hereby impowered and required to deliver and pay the same to the sd Comitee upon such Warrt wch sd sume or sumes the sd Comitee shall account for to the next meeting of Assembly and also make report of their proceedings in the building the sd Capitoll and forasmuch as the generall Assembly and generall Courts of this his Maties Colony and Dominion cannot possibly be held and kept at the sd Capitoll unless a good towne be bbuilt and Settled adjacent to the sd Capitoll suitable for teh accomodation and entertainment of a Considerable number of persons that of necessity…
AN ACT GIVEING FURTHER DIRECTIONS IN BUILDING THE CAPITOLL AND FOR BUILDING A PUBLIC PRISON.
[This act was passed by the General Assembly during the session which terminated on August 6, 1701. It is copied here from Hening, Statutes at Large, Vol. III,pp. 213-214].
WHEREAS it is concluded to be more suitable and comodius for the Uniforms carrying on and finishing the Capitoll now erecting in the City of Williamsburgh that some alterations be made in the modell of the said Capitoll laid downe and expressed in an act of assembly made at James City the 27th day of Aprill Anno Domini 1699,
Be it therefore enacted by the governour, councell and burgesses of this present generall assembly and the authority thereof, and it is hereby enacted, That the following directions be observed, vizt.
That the porches of the said Capitoll be built circular fifteen foot in breadth from outside to outside, and that they stand upon Cedar columns (if to be had) if not the same to be sett upon other good, lasting and substanciall wood; that the cross building betwixt the two main buildings be of the same breadth with the maine buildings that all the great doors be arched, and that it be left to the comitee which now is or hereafter shall be appointed to oversee the building of the capitoll to direct what other doors shall be made therein, that the placeing the four galleryes be left to the committee which now is or hereafter shall be appointed to oversee the building of the Capitoll, and that they have liberty to take so much room out of the adjacent rooms as in their discretion they shall think fit for the carrying up a suitable pair of staires.
661That the windows in the lower story be arched, and that the lower floors be raised two foot from the ground and that the comittee appointed to oversee the building of the said Capitoll have power and they are hereby impowered to send to England for all such materialls as are yet wanting to finish the said worke.
…(Directions about prison)
And whereas the former law for building the capitoll gave power to the comitee to make use only of two thousand pounds sterling, which sume is well nigh expended,
Be it therefore enacted by the authority aforesaid, and it is hereby enacted, That the said comitee as often as they shall have occasion for money for the uses of the capitoll or prison, shall from time to time apply themselves to the governor or commander in chiefe for the time being, to issue out his warrant to the treasurer of this his majestyes colony and dominion, requireing him to pay so much money as they shall have occasion for; any former law to the contrary in any wise notwithstanding.
Mr. Cary from the Comtee appointed to Joine with a Comtee of the Council to consider of the appropriateing the Roomes in the Capitol for the use of the several Offices &c reported the proceedings of the said Comtee which he read in his place and then delivered in at the Table where the Same being again read weere agreed to by the house, and were as followeth Vizt:
That the building to the Westward next the College be appropriated to the use of the genll Court and offices thereto belonging to wit
The great Roome below for the Genll Court to Sit in and the other part of the building below for the Stare case and Secretarys office.
The great roome above stairs over the great Hall for the Council Chamber.
The Roomes at the other End of the house on that floor for the Council office
That the building to the Eastward be appropriated to the use of the house of Burgesses and the offices thereto belonging to wit
The great Roome below for the house of Burgesses to Sit in
The other part of the building below for the Stair case and the Clerk of the house of Burgesses office
The great Roome above Staires over the great Hall and the Roomes over the Clerks office for Comtee Roomes to be divided as shall be hereafter directed
That the Chamber between the two great buildings over the Pe'ach [Porch?] be for a Conference Room for the Council and Burgesses and a place for their Sitting when they shall be appointed a Comtee
That the Roomes in the Roofe of all the Buildings be appropriated to Such Uses as hereafter Shall be found necessary to apply them to
That the whole building be paled in twenty four foot distance from the Sides and Ends with Sawed plank good Locust or Cedar posts with good railes
663That the Square of 475 foot Set apart by the Law for the Capitol to be built upon be meated out and that no building whatsoever be Erected thereon
That the Rules of the prison be the Lot that the said Prison stands upon and the said Square of 475 feet.
A message from the Councill by Mr. Robertson bringing in the Report of the Comittee of Councill and Burgesses appointed to inspect the building of the Capitoll and prison agreed to with some Amendments by the Councill was read and agreed to by the House of Burgesses, as follows.
Agreed That the Overseer of the works of the Capitoll and prison take care and see that the same be forthwith done and finished according to the following directions (vizt.)
That the ffootsteps of the Generall Court house be rais'd two feet from the ffloor, and the seats of benches Whereon the Court is to sit rais'd a convenient highth above that.
That the Circular part thereof be rais'd from the Seat up to the Windows
That there be a Seat rais'd one Step above the Bench in the middle of the Circular end of the Court made Chairwise
That the Queens Arm's be provided to Set over it
That the rest of the Court be fitted with a table for the Clerk and such Barrs and benches as shall be found requisite and necessary.
That there be two Galeries made one at the Lower end of the Room, and the other on the East side.
That the fitting and furnishing the room appropriated for the Secretaries Office with partitions boxes &c for keeping and preserving the records thereto belonging be left to the direction of Mr. Secretary.
That there be provided to be set in the Councill Chamber one Oval table fourteen foot long and six foot broad with two doz: arm'd Cain Chairs one larger ditto, twenty five green Cushions for the said Chairs stuft with hair, and a large Turkey work Carpet for the taple
That the Room appropriated for the Councill Office be fitted and furnished with boxes or presses for preserving and keeping the Records and papers thereto belonging according to the direction of the Clerk of the Councill.
That the Barr of the Burgesses room be Set off even with the Jamns of the Wall next door.
That that part of the ffloor without the Barr and from the ffootsteps wthin be pav'd with Stone, and from the Barr to the Setting off of the Circle on each side of the House a platform a foot from the ffloor four foot and a half broad with a Seat next the Wall of a Suteable highth, and the Wall to be wainscotted three foot above that, and one other seat within the Barr round the room of a Suitable hight above the ffloor, and that a break to pass through next the barr, and in the middle of the Lower Side Seats, be left open, and that the Queens Arm's be provided to be Set up in the Assembly room.
That the back part of that Seat within the Circle be on the wall above the Seat, and the Circle two foot above that.
That the Circular end be raised one step above the outward ffloor and laid with plank.
That the room be furnished with a large Armed Chair for the Speaker to sit in, and a cushion stuft with hair Suitable to it, and a table eight foot long and five foot broad.
That the room appropriated for the Assembly Office be fitted and furnished with boxes &c for keeping and preserving the records and papers thereto belonging and according to the direction of the Clerk of the House of Burgesses.
That the room over the Burgesses room be divided by a partition wall to be Studded lathed and plaister'd.
That the room over the Clerk of the House of Burgesses office be furnished with a long square table Eight foot long and four foot broad
That the Conference room be furnished with an Oval table fourteen foot long and Six foot broad
That the two rooms over the Burgesses room be furnished with three Oval tables each nine foot long and Six foot broad.
That a sufficient quantity of green Cloth be provided to make Carpets off for all the tables.
That Seven doz: of Russia leather Chairs be provided for furnishing the rooms above stairs, and one doz: of large high brass Candlesticks one doz: of fflatt ditto one doz of brass snuffers & half a doz: snuffdishes, four doz: large strong brass sconces.
That all the Seats in the Generall Court and Assembly room be cover'd with Green Serge and Stuft with hair, and that there be provided Serge hair red tape and brass burnished nails sufficient for doing the same (to wit ) One hundred yards of three yrs wide green Serge, twelve peices of fine narrow red tape five thousand brass burnished nailes and Seventy yards of strong green cloth for carpets
That the roomes in the roofe of the building not being yet appropriated to any particular use, the ffurnishing the same be referr'd till there shall be occasion of them.
That the records and papers in the Secretaries Office remain where they now are till the place in the Capitoll, appropriated for the Secretaries Office be ffurnished and made sufficient to secure them from danger.
That John Redwood is the most fit person of the severall petitioners to be imployed to look after and take care of the Capitol & the furniture and to be Goaler of the Country prison when they shall be ffinished.
That thirty pounds per annu be the allowance given to those that shall hereafter be imployed therein, first Entering into Bond with good security for the due and faithfull performance of what shall be thought reasonable to enjoyn and oblige them to.
Resolved That the House doth agree to his Excells Proposition in his message to this House on the 27th of April in these words.
That each of the Garretts of the East and West ffronts of the Capitol be divided into four roomes and thus appropriated vizt
One for the Auditor, One for the Secretary, One for the Judg of the Vice admiralty, One for my Lord Bishopp of Londons Commissary, One to keep all the Collectors Accounts and Papers which are to be returned every eighteen months, and One for the Navall Officers to be imployed for the same use, One for the Attorny Generall and One for the Sherriff attending the Genll Court.
That the Garrett over the Conference room be divided into four closetts to be thus appropriated vizt
One for the Clerk of the Genll Assembly, One for the Clerk of the House of Burgesses and One for each of the two Clerks of the Committees
That the Garretts in the Roof be boarded and so be made capable of holding severall necessary things and other uses.
Resolved That it be left to his Excelly the Governr to make his choice whether he will buy or lease the houses built for the Workmen at the Capitol-
Ordered that Mr. Bird, Mr. Hayne, Mr. ffossraker Mr. Smith, Mr. Henry Ashton, and Mr. Hoe carrye the said Resolves to the Council and desire their Concurrence thereto-
[The Council passed the above resolution and the govrnor signed it on the following day.]
The House took the same into imediate consideration and after some time spent therein came to these resolutions following-
Resolved and accordingly Ordered.
That the Committee for publick Claimes view the bounds of the Square markt out belonging to the Capitol.- and report their proceedings therein to the House to morrow morning.
Resolved and accordingly Ordered
That ten acres of land be laid out for the bounds and rules of the Prison
That Stones be sent for and sett up to distinguish the bounds of the Square markt out for the Capitol and the bounds and rules of the prison
Resolved and accordingly Ordered
That the Dyal plates sent in for the Clock be disposed of by the Committee appointed to inspect & Oversee the building of the Capitol as they shall think fit
Resolved and accordingly Ordered
That Dyal plates for the Clock be drawn on the Square of the Cupula
Resolved That the Overseers appointed to oversee the building of the Capitol hath mistaken the Directions of this House And therefore
Ordered That he cause the partitions on the second floore over the rooms where the Burgesses sitt to be pulled downe and that he pursue the former Resolves of the House concerning the same-
Resolved That it is not convenient to send for the Queens Armes in Glass for the great window in the room where the Burgesses sit nor for any Ornaments for the Oval windowes in the said Room
Resolved That the Virginia Armes be sent for, and that they be sett up in the room where the House of Burgesses Sitt-
Resolved and accordingly Ordered That the Clerk of the House of Burgesses remove the Records and papers belonging to the Assembly Office to the Capitol when there shall be a room fitted for them-
Mr. Cary from the Comittee Appointed to Inspect what Directions have been given about the Capitoll and Likewise to Consider what is further necessary to be Done to it Reported That the Said Comittee had Taken the Same into Consideration and Therein had agreed upon Several Matters Which he read in his place and Then Deliverred in at The Table where being again Read the House proceeded to the Imediate Consideration Thereof and Thereupon Came to these Resolutions ffollowing
Resolved That the Roofs of The Capitol & prison be Tarred again This Summer as often as the Overseer of the Building Shall Think ffitt
That the wanscote and other Wooden Work on the first and Second ffloor in that part of the Building where the General Court is to be painted Like Marble and the wanscote and other wooden work on The two first floors in the other part of the Building shall be painted Like Wanscote, and the Doors and other wooden work in The Roof shall be painted white & the Cupulo to be painted in Such manner as Shall be Directed by the Overseer of the Building That There be Six Large Sundialls painted upon The Cupulo
That Twelve hundred ffoot of fflag Stone to pave the walks that Leads to the Capitol be Sent for to England
That the Spring be Laid Round with the peices of the broken fflagg Stones to keep it from filling up.
That there be a Privy house built Convenient to the Capitol upon The hill Side Eight ffoot wide & Sixteen foot Long with a Lock upon Every Door
That a pair of Stocks Pillory & Whipping post be built neer the Capitol
Ordered That The Said Resolves be Sent to the Council for their Concurrence.
The decisions which led to the substitution of carved wooden arms for the stained glass arms in the Court Room of the Capitol were judge by the fairly extensive correspondence relating to the matter, after lengthy consideration of the question on the part of the architects and Department of Research and Record. They were also made in conjunction with decisions respecting the coat of arms to be placed in the House of Burgesses Chamber. Though some of the correspondence is apparently missing, so that we don't get from the files a full statement of their viewpoint, the architects evidently believed that the House of Burgesses had originally had stained glass windows bearing the coat of arms of Queen Anne but that the General Court Room had not had these. The basis for their belief that the House had had such stained glass windows was the following recommendation made by Governor Nicholson to the House of Burgesses on May 3, 1704: "And for beautifying the room where yor House Sitt I propose for you to send for the Queens Arms in Glass for the Great window, the Armes of Virginia for One of the Ovall windowes and what other Ornament you may please for the other of the said Ovall windowes… ." (Journals of the House, 1702-1712, p. 64-65)
Believing this recommendation to have been carried into execution, the architects, working through J. D. Heaton-Armstrong, Chester Herald of the College of Arms, London, had stained glass "transparencies" bearing the coat of arms of Queen Anne, the cypher (monogram) of the Queen and the Virginia coat of arms executed to the exact size of the round window and the two oval windows, respectively, of the House of Burgesses Chamber. Included in the correspondence relating to the subject of the stained glass windows, old and new, in the Colonial Williamsburg Archives are the designs for the windows which were submitted by Heaton-Armstrong to the architects for their approval prior to the execution of the work. These, evidently, were intended to represent the stained glass windows which Governor Nicholson sought to induce the Burgesses to install in their room. There is, on the other hand, no evidence that the architects ever considered having stained glass windows prepared for the General Court Room.
In a letter of May 1, 1934 to J. D. Heaton-Armstrong, William G. Perry approved the sketches for the three stained glass windows. Over a year later (July 16, 1935), after the actual stained glass had arrived in this country, apparently, we find Harold R. Shurtleff writing to Andrew H. Hepburn expressing his doubts that stained glass windows had ever been placed in the original House of Burgesses Chamber and, in an attached memorandum dated July 15, 1933 and other appended documents, analyzing the eighteenth-century evidence for and against the existence of stained glass windows in both the House and the General Court Room.
Shurtleff points out that though Governor Nicholson had proposed that the stained glass windows be prepared for the round and oval windows of the House of Burgesses Chamber, the Burgesses, who enjoyed the privilege of determining what should or should not be placed in their Chamber, had refused to follow his suggestion. Indeed, on the very day the governor made his proposal, the Burgesses passed the following resolution, among several others "Resolved that it is not convenient to send for the Queens Arms in Glass for the great window in the room where the Burgesses sit nor for any Ornaments for the Oval windowes in the said Room" (same source as Nicholson quotation, above). As Shurtleff points out, this is the last reference in the old records to stained glass windows for the House of Burgesses Chamber, so that we are justified in assuming that they were never installed there. The next and, in fact, last mention, altogether, of stained glass windows for the Capitol is the one quoted on p. 334 concerning the petition of Edmund Jenings to be reimbursed for money laid out by him in England "for the Queens arms stained in Glass and other Ornaments for use of the General Court house…" It was Shurtleff's belief that when the Burgesses refused to order the Queen's arms in stained glass for their Chamber, Nicholson proceeded to have them executed and installed in the General Court Room.
Mr. Shurtleff, evidently, was able to convince the architects that no stained glass windows had ever existed in the House of Burgesses Chamber but he, apparently, was unable to bring them to an acceptance of the second part of his thesis, viz., that the stained glass arms had actually been installed in the General Court Room. So the three windows were installed in neither room and since they had been brought through the customs taxfree on condition that they be used in an exhibition building of a tax exempt organization, the customs officials who had admitted them required that they be destroyed. A photograph (Niveson 6334) made of the stained glass panel of the Queen's arms on April 4, 1940 shortly before its destruction, may be seen in Capitol Progress Photo Book #7.
From the evidence at present available to us, it appears that Harold Shurtleff was in the right on both counts, viz., that stained glass windows should not have been placed in the House of Burgesses Chamber and that they (at least the Queen's arms which are specifically mentioned in the Jenings petition) should have been installed in the General Court Room.
In a letter, dated January 6, 1932, to William G. Perry, Mary F. Goodwin discusses the possibility that the sun, moon and planet Jupiter are Masonic symbols: "I have looked into the history of the Order of Masons as it existed at the beginning of the eighteenth century and find that while there were no Grand Lodges, as they are constituted to-day either in America or England at that time, the building Guilds of those days were permeated with the traditions and principles of the Order. Palladio, Inigo Jones and Wren are all counted as members of the Fraternity, and their works show their intimate knowledge of such principles. Palladio was studied by all scholars, and the builders in Virginia were thoroughly familiar with his writings. By builders I mean the gentlemen who had the planning and oversight of the churches, court houses and large homes which were erected throughout the colony. I have been told by the Rev. J.J. Lanier, one of the leading historians of Masonry in this country, that the record of the laying of the foundations of the capitol point strongly to the influence of the Masons. And the craftsmen sent from England also must have been familiar with the traditions as practised in that country. Several Masons have told me that the Masonic symbols of the sun, moon and a star which surmounted the legend would never have been placed on the north of a building. [Early in course of reconstruction of Capitol it was thought that cut brick shield should be placed on north face of building.] While the orientation of a building may not be obligatory, certainly it is customary to face public buildings in any other direction than the north if it is possible to do so. And the gentlemen who planned the Capitol in Williamsburg would not have made so obvious an error, as they were familiar with similar buildings in England and elsewhere." Above, of course, does not prove that celestial symbols on shield are of Masonic origin.
In an effort to test validity of Miss Goodwin's theory as to Masonic significance of sun, moon and planet Jupiter, several works on Freemasonry were consulted. Following facts having some bearing on question were consulted. "They were designated as 'freemasons' in a statute of 1495… in 1450 a code of laws, said to have been approved by Henry VI, was drawn up for the government of the Fraternity, thus clearly establishing the fact that at that time some sort of common bond united the separate units or working lodges." (A History of Freemasonry by H. L. Haywood and James E. Craig, New York, 1927, pp. 10, 11) "Jonathan Belcher, who later became Governor of Massachusetts and New Hampshire and still later Governor of New Jersey, was made a Mason in an English lodge in 1704… Belcher may properly be regarded as the Senior Freemason of America… Speculative Freemasonry undoubtedly made its appearance in the American colonies soon after the formation of the first Grand Lodge [1717]. At first it was represented only by individual Masons --
Englishmen who had emigrated to the New World and colonists who had been initiated into the Fraternity when sojourning in England… The oldest regularly established lodges of which there is record are St. John's of Boston, constituted in 1733; Solomon's in Savannah, Georgia, and Soloman's in Charleston, South Carolina, both constituted in 1735. There is every reason to believe, however, that other lodges still older were in existence… Nothing could be more natural than for colonial Masons, far removed from the seat of Masonic regularity, to foregather in fraternal association for the practice of their beloved mysteries. Their course of life had taught them to contrive innumerable expedients designed to supply in the new World advantages enjoyed by their kinsmen in the Old. What they could not always import they could almost always devise for themselves." (Ibid., pp. 303, 304) "the vices are Seven, like the virtues; and the latter were anciently symbolized by the Seven Celestial bodies then known as planets. FAITH, as the converse of arrogant Confidence, was represented by the Sun; HOPE, enemy of Avarice, by the Moon…and JUSTICE, the opposite of Envy, by Jupiter." (Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry, Charleston, 1906, p. 727)
In this connection it is of interest that Carl H. Claudy, executive secretary of the Masonic Service Association of the United States, in a letter of April 14, 1955, to Mrs. Carolyn Hume, states that he is not familiar with the sun, moon and the planet Jupiter as Masonic symbols. He does, however, indicate that the combination of the sun, moon and stars is used in the Masonic ritual.
Following quotation from a statement made by Governor Nicholson to House of Burgesses on April 21, 1704, may or may not have bearing on the question of meaning of symbols in cut brick shield: "In this her Majesty Queen Anne her Royall Capitol which being appoynted by Law for holding General Assemblys and Generall Courts, my hopes likewise are that they may continue to be held in this place …So long as the Sun and Moon endure."(Journals of the House, 1702-1712, pp. 43 ,44)
By installing lighting fixtures in the reconstructed Capitol and providing it with candlesticks, the architects indicated their belief that the original Capitol had had artificial illumination, There is, indeed, plenty of evidence to prove that it did and we will adduce this evidence here.
In its resolution of April 9, 1703 Journals of the House, 1702-1712, pp. 29, 30--see Appendix), the General Assembly ordered
This occurred about two weeks after the General Assembly, which had met at the Wren Building from December 5, 1700 onward, held its first meeting in the new Capitol (April 21, 1704).That Seven doz: of Russia leather chairs be provided for furnishing the rooms above-stairs, and on doz: of large high brass Candlesticks one doz: of fflatt ditto one doz. of brass snuffers & half a doz: snuffdishes, four doz: large strong brass sconces.
On May 5, 1704, the Council
Ordered that Mr. Audr Byrd send for these following goods for the use of the Council Chamber six brass Candlesticks & two pair of Snuffers & Snuff dishes, two Chamber Potts, 4 Standishes, 6 brass Sconces each to hold two candles…
[Executive Journals of the Council of Colonial Virginia, Vol. II, pp. 365, 366]
The Journals of the House, 1702-1712 carry, under date of May 4, 1705, the following solitary entry:
Then a Motion being made andIt is possible that at that time, due to the fear that this building might snuffer the fate of the fourth and third State Houses at Jamestown, both of which fell victim to fire, the use of candles on any occasion had to be sanctioned by a special resolution. 677 This is, however, the only resolution of the sort which appears in the records of the Capitol.
The Question Put
That the Candles be brought in
Resolved in the Affirmative.
The next reference which we have to candles in the Capitol is the following one of October 26, 1710 (Executive Journals of the Council of Colonial Virginia, Vol. III, p. 260):
And it is accordingly ordered by the Governor with the unanimous advice of the Council that the said William Robertson be paid the Salary of One hundred pounds Sterling per annum… during his continuance in the said Office of Clerk of the Council… he being obliged to provide at his own proper charge, paper, pends, Ink, Wax, Wafers and all other necessarys for the said Office and Candles for the Council Chamber….
Thereafter our records contain nothing bearing upon artificial illumination in the Capitol until November 28, 1718 when this entry, part of a message of Governor Spotswood to the Burgesses, occurs:
… and some who know how you have employed your sitting this Session, will say that the tenth part of the time Which you Spent in enquiring after a few Leather Chairs and brass Sconces, might have served for compleating the Bills you had begun upon…[Journals of the House, 1712=1726, p. 239]The Capitol, it appears, had been broken into and the articles mentioned had been stolen.
On June 6, 1722, the Journals of the House record, on p. 351, a resolution ordering the provision of the following articles for the use of the Council and the General Court:
A Gown for the Clerk of the General AssemblyThe Legislative Journals of the Council record that the Council 678 concurred in this resolution the same day it was passed by the House.
A Lustre for the Council Chamber
A Lustre of Less Size
A large glass Lanthorn and four glass branches for the General Court and thirteen Cushions of green Cloth
Though it deals with heating rather than lighting the following proposal made on June 14, 1723 by the Governor and Council to the Burgesses has patience here:
That Mr. John Holloway Mr. John Clayton and Archibald Blair be Impowered to agree with workmen to build stacks of chimneys with two Fire places in each Chimney at the North end of the Capitol…[Journals of the House, 1712-1726, p. 390] Five days later the Council passed a resolution implementing this proposal (Legislative Journals of the Council, Vol. II, p. 703). It will be recalled that the Capitol, as originally built, had no chimneys and that until their erection, presumably in 1723, the building was without heat (see Part 1, p. 36). It should be added that thereafter, beginning with 1727, references to the supplying of wood for use in the building appear from time to time in the Capitol records.
The next reference, chronologically, to either illumination or heat appears not in the Capitol records but in a book written during that period, viz., The Present State of Virginia… by Hugh Jones, published in London in 1724. This has to do with the use in the building of fire in various forms. In the course of a description of the Capitol, Jones says:
Because the State House, James Town, and the College have been burnt down, therefore is prohibited in the Capitol the use of Fire, Candles, and Tobacco.Were it not for the impressive chain of references, beginning with that of 1703 and continuing down to that of June 6, 1722, 679 which seems to constitute irrefutable proof that artificial illumination was employed at the Capitol from its beginning and without interruption over the span of years mentioned, we might be inclined to credit the statement of Hugh Jones concerning the banning of fire and candles in the Capitol. Before Jones wrote his book he had been in an excellent position to observe what obtained there. A minister of the Gospel, born in England, he became chaplain to the House of Burgesses on April 24, 1718 (Journals of the House, 1712-1726, p. 175). In this capacity he read divine service in the Conference Room of the Capitol at 8:00 o'clock each morning during the periods the Assembly was in session. He retained that position, presumably, until 1721 when, late in the year, he returned to England.
Hugh Jones wrote his book in England after his return there so that it is very unlikely he would have known before publication of his work of the building of the Capitol chimneys. He was correct, as is evident from what was said above concerning the chimneys, in stating that the Capitol, as he knew it, had no provision for heating ("Fire") but for some reason which we are at a loss to explain, he was mistaken in saying that candles were not used in the building. It is barely possible that the use of candles was banned for a short period in the interval between our reference of November, 1718 and that of June, 1722 and, if this were the case, this could have furnished Jones the basis for his statement. Or, as Dr. Richard L. Horton, who, at this writing, has in preparation a new edition of The Present State 680 of Virginia, suggests, the use of candles may have been prohibited officially, but the regulation may have been winked at and never carried into effect. Dr. Morton says, incidentally, that in the course of his years of study of this work of Hugh Jones, he has found that writer to be inaccurate only in minor details. This matter of the candles in the Capitol may, of course, be another of these minor inaccuracies.
The flag which flies over the Capitol is an obsolete British flag known as the Union Flag or Great Union Flag. It was created in 1606 by combining the English flag, which consisted at that time of the red cross of St. George (a horizontal and a vertical bar) on a white ground, with the flag of Scotland, which was composed of the white cross (saltire) of St. Andrew (two crossed diagonals) on a blue ground. The Union Flag was devised, for sea use only, by James I of England who, the reigning monarch of Scotland (James VI), had ascended the English throne in 1603. When, by the Act of Union of 1707, the parliaments of England and Scotland were merged, the conjoined crosses were designated for use "in all flags, banners, standards and ensigns on sea and on land."
Meanwhile a variant of the Union Flag had been developed for use on merchant ships to which a royal decree had denied the right to fly the Union Flag. This marine flag had the union (the crosses of St. George and St. Andrew) in the upper canton or rectangle next to the flagstaff and a red field. This red ensign, sometimes called the Meteor Flag of Great Britain, continued in use after the parliamentary union, along with the Union Flag.
The flags of Great Britain remained unchanged from 1707 until 1801 when the cross of St. Patrick (two crossed red diagonals) was superimposed upon the white cross of St. Andrew. This brought into being the British flags (Union Jack and red ensign) which have come down to us today. The Union Flag atop the Capitol is obsolete, of course, because it lacks the cross of St. Patrick.
Having carried the story of the flags this far, it seems reasonable to complete it by giving briefly some facts concerning the development of the American flag, since this grew out of the British red ensign of 683 the period before 1801. The America colonists fashioned many different flags in the period directly preceding the Revolution and they sometimes used the red ensign with a device or motto in the field but these banners were flown only locally. The first flag which came to represent all of the colonies was known as the Continental or Grand Union Flag (see color plate, Part 1, p. 79). This was simply the red ensign of Great Britain with six white stripes superimposed on its red field, producing 13 alternating red and white stripes. The crosses of St. George and St. Andrew remained in the upper canton and it thus expressed the continued loyalty of the colonists to Britain. It is not known who created this flag, though some believe it to have been a copy of the East India Company's house flag which was similar to it.
According to Hugh F. Rankin*, the first naval use of the Grand Union Flag occurred when John Paul Jones, on December 3, 1775, hoisted it over the Alfred, lying in the Delaware River off Philadelphia. It was first raised on land, so far as we know, on the day, January 1, 1776, that George Washington assumed command of the continental army in Somerville, near Cambridge, Massachusetts. It was seen in Williamsburg in the same year on the occasion of the passing, by the Virginia Convention, of the resolution to instruct its delegates to the Continental Congress to propose to that body that it declare the United Colonies free and independent states. On the day following, May 16, a mass-meeting of soldiery and townspeople was held in Waller's grove at the eastern end of the city to celebrate the passage of the resolution. "The UNION FLAG of the American states waved upon the Capitol during the whole of this ceremony…"**
684The Grand Union Flag was soon to be replaced by another and better-known flag, the Stars and Stripes, which was adopted as the official flag of the United States by a resolution of the Continental Congress passed on June 14, 1777. The resolution runs as follows: "RESOLVED that the flag of the United States be 13 stripes alternate red and white, that the Union be 13 stars white in a blue field representing a new constellation." There is evidence which indicates that the designer of this flag was Francis Hopkinson, delegate from New Jersey to the Continental Congress, and not Betsy Ross.* The myth that Betsy Ross made it has been pretty completely exploded, as well as the belief that the stars in this first version of the American flag were arranged in a circle. Rankin thinks that the stars were placed in five horizontal rows of three, two, three, two and three stars. He discovered that this arrangement permits one to connect them with the straight lines which form the crosses of St. George and St. Andrew and he concludes from this that the designer, in placing them in this fashion, intended to recall the two crosses.
There is, thus, an unbroken progression from the British red ensign of colonial times to the Stars and Stripes. The sequence, red ensign to Grand Union Flag to Stars and Stripes suggests the intriguing thought that the ensign might have been the flag which flew over the Capitol before the Revolution. It cannot be demonstrated that it didn't but the likelihood is much greater that it was the Union Flag which waved from the Capitol flagstaff.
The British red ensign, apparently, was first and foremost a naval flag which, on occasion, was also used on land. The English flew both the Union Flag and the red ensign on ships and undoubtedly the vessels which carried the first settlers to Jamestown sailed under them. But it was the 685 Union Flag, it seems, which was most often used on land. We have pictorial evidence of this stemming from the eighteenth century. A view of Yorktown dated 1755, which is in the possession of the Mariners Museum in Newport News, shows the Union Flag flying from a fort. Preble, on p. 200 of his book on the American flag*, reproduces an engraving by Paul Revere of Boston harbor during the British occupation of 1775 in which a battery is seen flying the Union Flag while a ship at anchor is "wearing" the red ensign. A similar use of the two flags is found in a color plate, p. 125 of Vol. II of Frank C. Bowen's The Sea/Its History and Romance, London, no date. This picture, from an engraving made by Carwiham about 1750, is a view of Fort Orange and the City of New York. Once more the fort flies the Union Flag and a ship the red ensign. One further example may be cited, which is found in Vol. I, p. 108 of Marshall B. Davidson's Life in America, Boston, 1951. This is a picture entitled "Colonel Bouquet's Conference with the Indians," and it is reproduced from an engraving by Henry Dawkins which appeared originally in William Smith's An Historical Account of the Expedition…under the Command of Henry Bouquet, Philadelphia, 1765. The illustration depicts a military camp with the Union Flag flying from a flagpole beside the conference tent. On the basis of these examples and other information, it appears that we must relinquish the thought that it was the direct ancestor of the Stars and Stripes which waved over the Williamsburg Capitol in colonial times and conclude that it was the flag which now flies there.
Excerpt from John Timbs' Curiosities of London (p. 448), London, 1855, for drawing by Rowlandson and Pugin showing this court in session, see Part II, section on General Court Room. Apparently the arrangement of the court room changed little in the forty-odd years which intervened between the making of the drawing and the writing of the description of the room, since the description seems to fit the drawing.——
"The Old Court is a square hall, with a gallery for visitors; below is a dock for the prisoners, with stairs descending to the covered passage by which they are conveyed to and from Newgate; opposite is the bench, with the chief seat, above it a gilded sheathed sword upon the crimson wall; and a canopy overhead, surmounted with the royal arms. To the left of the dock is the witness-box, and further left is the jury-box; which arrangement enables the jury to see, without turning, the faces of the witnesses and prisoners; the witnesses to identify the prisoner; and lastly, the judges on the bench, and the counsel in the centre of the Court below; keeping jury, witnesses and prisoners all at once within nearly the same line of view."
NOTE: Architectural features appearing in this index, unless otherwise identified, are features of the Capitol.
The underlining of a page number signifies that the item referred to on that page is an illustration.
The abbreviation, q.v. (quod vide - "which see"), placed after the title of a book or article, signifies that the reader will find the title treated in its proper alphabetic position in the index.
[Index ends abruptly at this point]