Colonial Williamsburg Foundation Research Report Series - 1688
John D. Rockefeller, Jr. Library
Colonial Williamsburg Foundation
Williamsburg, Virginia
2003
The Colonial Williamsburg Foundation
Department of Archaeological Research
P.O. Box 1776
Williamsburg, VA 23187-1776
(757) 220-7330
Mark Kostro
Project Archaeologist
Marley R. Brown III
Principal Investigator
November 2002
Between January 2 and April 1 2001, archaeologists from the Colonial Williamsburg's Department of Archaeological Research (D.A.R.) conducted a large-scale archaeological excavation around the perimeter of Bassett Hall (Block 1, Building 22-A) (Figure 1), situated along the south side of Francis Street in Williamsburg, Virginia (Figure 2). The archaeological excavations were prompted by maintenance plans to waterproof the exterior of the building's foundation walls in order to alleviate moisture problems in the structure's basement. The waterproofing of the foundation walls would require the removal of all soils abutting against the foundations, and thus would destroy any intact archaeological layers and features within the impact area. In an effort to salvage the archaeological information before its imminent destruction, archaeological trenches were excavated along the exterior of the structure in each of the areas to be directly impacted by the waterproofing activities. The recovery of archaeological material from Bassett Hall was particularly important, as the historical record for the property is incomplete due to the destruction of the James City County property records during the Civil War.
The excavations in 2001 consisted of several approximately two-meter-wide trenches along the north elevation, around the two chimneys on the structure's east and west gable ends, and along the dining room wing's east elevation. Along the west elevation of the dining room wing, the excavation was expanded to three and a half
Figure 1. Bassett Hall.
ii
meters in width to correspond with a wider area of impact as indicated by the waterproofing plans. The excavations were conducted following natural stratigraphy until undisturbed subsoil was reached. Each feature was documented and excavated. All soils, with the exception of those from known restoration or post-restoration contexts, were screened through one-quarter-inch hardwire mesh in order to collect any artifacts contained within the soil.
The excavations around Bassett Hall uncovered significant architectural features relating to the construction of, and alterations to, the building over time, as well as cultural layers and features from all phases the building's history. Among the most significant discoveries was evidence that suggests that the original portion of the house was constructed at an earlier date than had been previously thought, possibly as early as the second quarter of the eighteenth century. In addition, the excavations also revealed evidence indicated that the two chimneys located on the gable ends of the original portion of the house were not original to the building's foundations. Other architectural discoveries included a sequence of at least three successive bulkhead entrances into the basement of the house on the east and west sides of the dining room wing, and a brick footing for an early front porch. Non-architectural features that were uncovered included several distinct occupation layers and pathways around the house. Artifacts from the layers and paths formed distinct concentrations and patterns related to the occupants of the house and their activities at Bassett Hall. Among the most unique artifacts recovered was a fragment of window-pane glass, etched with the date commemorating the engagement between Confederate Army officer John W. Lea and Margaret Durfey, the daughter of the then-owner of Bassett Hall.
Figure 2. Location of Bassett Hall.
Overall, the results of the Bassett Hall excavations proved to be an extremely successful example of how limited stratigraphic archaeological excavations can supply valuable new architectural and historical information about a property. Similarly, the excavations have demonstrated that more archaeological, architectural and historical research is necessary in order to understand the property more completely.
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Management Summaryi | |
List of Figures | vii |
List of Tables | viii |
Acknowledgments | ix |
Chapter 1. Historical Context and Development of Bassett Hall | 1 |
The Seventeenth Century | 1 |
The Eighteenth Century | 3 |
The Nineteenth Century | 15 |
The Twentieth Century | 21 |
Chapter 2. Previous Archaeology | 23 |
Chapter 3. Archaeology in 2001 | 29 |
Research Design / Methods | 29 |
Research Results | 30 |
Eighteenth Century | 30 |
Nineteenth Century | 57 |
Twentieth Century | 64 |
Chapter 4. Conclusions and Recommendations | 67 |
Conclusions | 67 |
Suggestions for Further Research68 | |
Bibliography | 69 |
Appendices | |
Appendix A. Master Context List | 73 |
Appendix B. Bassett Hall Garden Irrigation System Archaeology | 75 |
Appendix C. Artifact Inventory | 81 |
01AC - Bassett Hall Waterproofing | 83 |
01AD - Bassett Hall Garden | 136 |
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Figure 1. Bassett Hall | i |
Figure 2. Location of Bassett Hall | ii |
Figure 3. Field crew at work during a winter storm at Bassett Hall | ix |
Figure 4. Bray family genealogy | 2 |
Figure 5. 1699 Theodore Bland survey of Williamsburg | 3 |
Figure 6. 1749 Waller Map | 6 |
Figure 7. Bassett Hall as it appears on the Frenchman's Map (1782) | 11 |
Figure 8. Bassett Hall as it appears on the Desandrouins Map (1782) | 12 |
Figure 9. Circa 1790 "College Map" | 14 |
Figure 10. 1868 plat of Bassett Hall | 18 |
Figure 11. Late nineteenth-century plat of Bassett Hall | 19 |
Figure 12. Late nineteenth-century plat of Bassett Hall | 20 |
Figure 13. Plan of building foundations excavated east of Bassett Hall | 24 |
Figure 14. Plan of archaeological features within the proposed new parking lot | 26 |
Figure 15. Locations of archaeological trenches around Bassett Hall in 2001 | 29 |
Figure 16. Profile of Bassett Hall builder's trench under east gable end chimney base | 31 |
Figure 17. Profile of the north elevation builder's trench, west of the front porch | 32 |
Figure 18. Scaffolding postholes along north elevation | 34 |
Figure 19. Shed postholes along west gable end | 35 |
Figure 20. Plan view of crushed mortar path around the east gable end | 38 |
Figure 21. Comparison of architectural debris vs. domestic refuse from the early occupation layers around Bassett Hall | 40 |
Figure 22. Architectural debris vs. domestic refuse | 41 |
Figure 23. Architectural debris vs. domestic refuse | 41 |
Figure 24. Interface between the west chimney base and the foundation wall | 43 |
Figure 25. Profile of east chimney builder's trench | 43 |
Figure 26. Plan view of the brick wall within the west chimney builder's trench | 44 |
Figure 27. Detail of Frenchman's Map showing "T-shaped" plan of Bassett Hall | 46 |
Figure 28. Photograph of ditch feature (M2) along the west side of Bassett Hall | 47 |
Figure 29. Profile of ditch feature (M2) along the west side of Bassett Hall | 48 |
Figure 30. Profile of the original (east) basement bulkhead entrance | 49 |
Figure 31. Photograph of the west basement bulkhead entrance | 52 |
viii | |
Figure 32. Photograph of a late eighteenth-century repair trench along the north elevation of Bassett Hall | 54 |
Figure 33. Profile of late eighteenth-century repair trench along the south elevation at Bassett Hall | 54 |
Figure 34. Photograph of the early north porch footing | 55 |
Figure 35. Early twentieth-century photograph depicting the two-story north porch | 56 |
Figure 36. Photograph of the plaster-filled repair trench | 58 |
Figure 37. Distribution of ceramic ware types from the nineteenth-century sheet refuse layers | 61 |
Figure 38. Distribution of six different artifacts categories from the nineteenth-century sheet refuse layers | 62 |
Figure 39. Nineteenth-century porch addition | 62 |
Figure 40. Red-clay-filled boxwood planting hole | 64 |
Figure 41. Twentieth-century reconstructed porch footing along the east rear of house | 65 |
Figure 42. Shovel test locations at Bassett Hall garden | 75 |
Figure 43. Brick foundation at N935/E1550 | 78 |
Figure 44. 1932 Archaeological and Key Map showing colonial outbuildings southwest of Bassett Hall | 79 |
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Table 1. Ceramics from the early occupation layers | 37 |
Table 2. Ceramics from Master Context 4 | 51 |
Table 3. Ceramics from Master Context 5 | 53 |
Table 4. Ceramics from nineteenth-century sheet refuse layers west of Bassett Hall | 59 |
The successful completion of the excavation at Bassett Hall was due to the expertise and cooperation of numerous individuals. Marley R. Brown III, the Director of the Department of Archaeological Research, provided general direction and support throughout the project. Staff Archaeologist David Muraca directly supervised the project, and offered his guidance and experience during the course of the excavations and the subsequent analysis. Architectural Historian Michael Bourne lent his considerable expertise on the architectural development of Bassett Hall throughout the duration of the project. Tom Taylor, Architectural Curator, was a frequent visitor, and enthusiastic supporter of the archaeological research, as well as offering his own thoughtful insights on the development of Bassett Hall. The waterproofing crew from Compass Contracting was very accommodating to our excavation schedule, and generous with the use of their excavation equipment in the removal of large quantities of overburden from around the building. Of special note, the successful completion of the fieldwork would not have been possible without the skill and dedication of the hardworking field crew that included: Jason Boroughs, Stacy Mullins, Ryan Remis, Katy Thomason, and Lucie Vinciguerra (Figure 3). All artifacts were processed and inventoried by laboratory technicians Lee Priddy and Isabel Jenkins. Archaeological Collections Curator Bill Pittman and Associate Curator Kelly Ladd assisted with the artifact identification and interpretations. Carrie Alblinger produced the final report graphics.
Figure 3. Field crew at work during a winter storm at Bassett Hall.
The Bassett Hall property was part of a large parcel of land patented by the Bray family in the mid-seventeenth century, prior to the founding of the City of Williamsburg in 1699. The historic house and property are located south of Francis Street, within the eighteenth-century boundaries of James City County. Very few records exist for the Bassett Hall property as a result of the burning of the James City County records during the Civil War. The few existing records indicate that the Bassett Hall house was originally constructed at a heretofore-unknown date prior to 1766. Previous researchers have attributed the construction of the Bassett Hall house to Colonel Philip Johnson, whose wife had inherited the property in 1751 (Blackford et al. 1984:17; Buchanan 1980; Stephenson 1959:4). Although research indicates that the building was constructed in the eighteenth century, Bassett Hall draws its name from its well-known early nineteenth-century owner and occupant, Burwell Bassett. In 1927, Dr. W.A.R. Goodwin, on behalf of the Williamsburg Restoration, purchased Bassett Hall as one of the first properties to be acquired in the effort to recreate Virginia's colonial capital. In 1930, a fire severely damaged much of the original structure. Over the next several years, the building underwent extensive reconstruction, and afterward was maintained as the private Williamsburg residence of Mr. and Mrs. John D. Rockefeller. The Rockefeller family retained possession of Bassett Hall until 1979, at which point they donated the house and property to the Colonial Williamsburg Foundation.
Prior to the establishment of Williamsburg in 1699, the area encompassing Bassett Hall was known as Middle Plantation. Established in 1632/3 by an Act of Assembly, Middle Plantation represented the first interior English settlement on the peninsula (Metz et al. 1998:22). Among Middle Plantation's residents in the second half of the seventeenth century was James Bray I, who had arrived in Virginia from England as early as 1657, and by the following year had brought his wife, Angelica, to the colony as well. James I and Angelica Bray had four children together-Thomas, David, James II, and Ann (Figure 4) (Stephenson 1963:2).
In 1671, Bray purchased 290 acres at Middle Plantation from Henry Wyatt, the son and heir of George Wyatt. The acreage that makes up the Bassett Hall property was once part of this early patent. James I and Angelica Bray and their children were occupying a house on James I's Middle Plantation patent by 1677. Bray rose to prominence in the community, and served as a member of the House of Burgesses between 1670 and 1678, and again in 1688 (Stephenson 1963:2).
In 1676, James Bray I and his wife Angelica had both taken part in the armed rebellion against Governor Berkeley led by Nathaniel Bacon. The rebellion was ultimately suppressed, and many of its participants were severely punished; some were
2
Figure 4. Bray family genealogy.
even executed. Bray and his wife managed to escape execution, although Bray was removed from the House of Burgesses as punishment. Among the less fortunate was William Drummond, a vocal supporter of Bacon, who was hanged for his participation in the rebellion. Drummond's court martial was reportedly held at James Bray I's house at Middle Plantation in 1677 (McCartney 1997:114-122).
James Bray I died in 1691, survived by his wife and four children. James Bray I's eldest son, Thomas Bray I, was the primary heir to his father's estate and received the bulk of the 290-acre patent at Middle Plantation, while his widow, Angelica, received a 60-acre portion of the estate as her dower share of her late husband's property. In 1698, Angelica Bray also purchased an additional 190 acres of land (Stephenson 1963:2). Patent research suggests that Angelica Bray's 190-acre patent may have abutted her husband's property to the south (McCartney 2001).
Thomas Bray I married Sarah Fenn, the daughter of Samuel Fenn of Middle Plantation; however, the couple never had any children. In addition to the land inherited via his father at Middle Plantation, Thomas Bray I also acquired additional lands in New Kent County. Between 1698 and 1700, Thomas Bray I was a Vestryman of St. Peters Parish, also in New Kent County, suggesting that he probably resided in that county, and not on his late father's estate at Middle Plantation (Stephenson 1963:4).
3The fact that Thomas Bray I was likely living in New Kent County, and the fact Angelica Bray was purchasing property adjacent to her late husband's patent in 1698, suggests that, after James I's death, Angelica continued to live in her late husband's Middle Plantation home. However, it is not clear whether the house stood on land included in her dower share, or if the house was on land owned by her son Thomas I.
In the final quarter of the seventeenth century, the community at Middle Plantation grew significantly in both size and political strength (Metz et al. 1998:85). The construction of Bruton Church, and the establishment of the College of William & Mary at Middle Plantation, signified the ever-increasing importance of the former inland outpost. Middle Plantation ultimately eclipsed Jamestown as the colony's center in 1699 when the capital was relocated from Jamestown to Middle Plantation. As part of the capital's relocation, a new 220-acre town, to be named Williamsburg, was planned at Middle Plantation between the heads of Archer's Hope (College) Creek and Queen's Creek, straddling the boundary line between James City County and York County (McCartney 1997:135-138).
As part of the plan for the new capital at Williamsburg, a survey of the town's boundaries was completed by Theodore Bland at the turn of the century (Figure 5). The new town plan was established along a grid, bisected by a one-mile long street (Duke of Gloucester Street) that stretched east from the College of William & Mary to the new Capitol building, with half-acre lots similarly orientated to the new town grid. Trustees of the city purchased land for the new town from the various individuals whose property fell within the newly surveyed town limits. Land was purchased from the estate of
Figure 5. 1699 Theodore Bland survey of Williamsburg.
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John Page, David Bray I, and Thomas Bray I (or his heirs), among others. The portions of the Bray estate which had not been annexed as part of Williamsburg remained as part of James City County, and abutted the southern limits of the town. The following year, Thomas Bray I died, and because he did not possess any children of his own, his nephew, David Bray II, inherited the family's estate. Meanwhile, Thomas Bray I's lands in New Kent County were inherited by his other nephew, Thomas Bray II (Stephenson 1963:3-4).
David Bray II was the only child of Thomas Bray I's younger brother, David Bray I, and his wife Judith. Between 1717 and 1720, David Bray II inherited several hundred additional acres of property following the deaths of his parents. Among the properties were: Angelica Bray's 60-acre dower share of James Bray I's original 290-acre patent, later inherited by David Bray I; 190 acres in James City County originally purchased by David II's grandmother, Angelica Bray in 1698, and also inherited by David Bray I; 300 acres at Tuttey's Neck in James City County originally purchased by Judith Bray; 100 acres in York County, known as Hicks, purchased by David Bray I in 1711; 50 acres in James City County purchased from Thomas Ballard by David Bray I in 1704; 14 acres purchased by David Bray I from Bryan in James City County; and four city lots in Williamsburg (Stephenson 1963:9). As heir to both his father David Bray I's estate and his uncle Thomas Bray I's estate, David Bray II had reunited the majority of his grandfather James Bray I's original 290-acre patent at Middle Plantation (now Williamsburg), with the exception of the land annexed for the founding of the town.
Prior to 1728, David Bray II married Elizabeth Page, the daughter of John Page II of Gloucester. In 1728, following the death of her brother, John Page III, Elizabeth Page Bray was the heir to her family's substantial estate on the north side of Williamsburg (Metz et al. 1997:96). The location of David Bray II and Elizabeth Page Bray's residence is unknown, although it is possible that the couple may have lived in the house formerly occupied by his grandfather, James Bray I, which he had inherited as early as 1700. By 1731, the couple may have been living at "Hicks" in York County, as David Bray II is reported to have died there (Stephenson 1963:9). Elizabeth Page Bray died a few years later in 1734. The couple did not have any children of their own, and thus upon their deaths, the majority of David Bray II's Williamsburg area properties descended to his cousin, Thomas Bray II. Meanwhile, the Page family estate reverted to the heirs of Elizabeth great-uncle, Mathew Page (Metz et al. 1997:96).
Thomas Bray II was the son of James Bray II of Littletown, and Mouring Glen Pettus, the widow of Thomas Pettus. Thomas II's father, James Bray II, owned a large 1280-acre plantation along the James River, southeast of Williamsburg (Kelso 1984:26-27). Thomas Bray II married Elizabeth Meriweather, daughter of Nicholas Meriweather II and Elizabeth Crawford of New Kent County. Thomas Bray II and Elizabeth Meriweather had two children, James III and Elizabeth (Stephenson 1963:10).
In 1725, Thomas Bray II's father, James Bray II, died. In his will, James II stipulated that his daughter, Elizabeth Allen, would have the use of his plantation at Littletown until his grandson, James Bray III, became of legal age. As his inheritance, Thomas Bray II received a plantation along the Chickahominy River, along with some other minor pieces of land. At an unknown date prior to 1732, Thomas Bray II purchased 5 the usage rights to Littletown from his sister, and managed the operations at Littletown until 1736, at which point management of Littletown was transferred to his son, James Bray III, in accordance with the provisions set forth in James Bray II's will (McClure 1977:10-14).
Thomas Bray II's inheritance from David Bray II in 1731 included: the Bray family estate adjoining Williamsburg, originally patented by James Bray I; 190 acres originally patented by Angelica Bray in James City County; 309 acres, known as Grice's, in James City County; 100 acres known as Hicks in York County; 14 acres from Bryan in James City County; 50 acres from Ballard in James City County; four lots in Williamsburg; Black Creek lands in New Kent County; and 1,850 acres, known as Nance's Neck, in Charles City County. Not included as part of Thomas Bray II's inheritance from his cousin was the 300-acre tract of land known as Tuttey's Neck in James City County, which had been originally purchased by Judith Bray. The Tuttey's Neck tract had been bequeathed to David Bray II's business partner John Randolph. A lawsuit ensued, between Randolph and Thomas Bray II over the inheritance of Tuttey's Neck. As a result of the suit, Randolph deeded the Tuttey's Neck property to Thomas Bray II in 1732, in exchange for other Bray family properties, including Grice's, Hicks, and the 14 acres that were originally part of James Bray I's 290-acre tract (Stephenson 1959:2, 1963:9-10, Underwood 1999:24).
The 1749 Waller Map (Figure 6) depicts two of the Williamsburg lots inherited by Thomas Bray II as adjoining Benjamin Waller's lot to the east. The map also identifies "Col. (Thomas) Bray's Land" to the south of "Mr. Benjamin Waller's Pasture." "Col. Bray's Lands" on the Waller Map corresponds with the present-day location of the Bassett Hall property.
In May 1732, Thomas Bray II successfully petitioned the Assembly for the right to sell 60 acres of the 290-acre tract originally patented by James Bray I. The proceeds from the sale of the property were supposed to be reinvested for the benefit of his son, James Bray III. However, an account of the sale was never made, nor are the identities of purchaser(s) of the 60 acres known (Stephenson 1963:10-11).
In 1744, Thomas Bray II's son, James Bray III of Littletown, died without any children of his own. The executors of his estate held a public sale of his personal property (including livestock, household goods, and tools) in October 1744. Littletown and Utopia, however, were reverted back to James III's father, Thomas Bray II. While keeping possession of Littletown, Utopia was given to James III's widow, Francis Thacker Bray, as part of her dower right (McClure 1977:15).1
As the only surviving male Bray heir, Thomas Bray II had amassed a substantial quantity of land in James City County and Williamsburg. Thus, determining where Thomas Bray II lived is a potentially complicated endeavor. It is known that Thomas Bray II's father had built a large mansion at Littletown soon after 1700, and owned a brick town house in Williamsburg (Kelso 1984:37). As a youth, Thomas Bray II most likely lived on his father's Littletown property, while the brick town house in Williamsburg
6
Figure 6. 1749 Waller Map.
7
was likely only used when James Bray II was in Williamsburg serving as a member of the House of Burgesses, or as alderman for the City of Williamsburg. The city lots and the brick house were to be sold upon his death, thus Thomas Bray II likely would not ever have resided there. Shortly after his father's death, Thomas Bray II had obtained the usage rights to Littletown from his sister, Elizabeth Allen. Thus, it remains likely that for the period after his father's death in 1725, Thomas Bray II probably continued to live at Littletown until around 1736, when his son became old enough to take possession. Once his son had taken over managing the operations there, Thomas Bray most likely moved away from Littletown to one of his own properties. Although he managed Littletown's operations until 1736, Thomas Bray II's may have moved to Williamsburg as early as 1731, when he inherited from his cousin, David Bray II, the remainder of 290-acre Bray family estate (present-day Bassett Hall). For the decade of the 1730s it is unclear where Thomas Bray II was living; however, by 1744, letters addressed to Thomas Bray II suggest that he was living in Williamsburg. On December 26, 1744, Carter Burwell executor of James Bray III's will, wrote to Thomas II, addressing the letter to "Col Bray at Williamsburgh" (Stephenson 1963:10).
Thomas Bray II died in 1751, leaving his daughter, Elizabeth Bray Johnson, as the heir to the family estate. Elizabeth was the wife of Colonel Philip Johnson, whom she had married in 1743. The couple had seven children: Thomas B., Elizabeth, Rebecca, Ann, William, Martha, and James B. (Stephenson 1959; 1963:17).
Upon Thomas Bray II's death, a lawsuit ensued concerning the division of his estate. This lawsuit pitted the John sons against William Armistead and his wife, Judith Bray Armistead. The issue was ultimately resolved in 1753, and as part of the settlement, William and Judith Bray Armistead were awarded the Bray family property known as Nance's Neck in Charles City County, and two lots in Williamsburg adjoining the lots of Dudley Digges and James Spiers. Meanwhile, Philip and Elizabeth Bray Johnson were awarded the 290-acre Bray family estate, 300 acres at Tuttey's Neck, and two lots in Williamsburg between Benjamin Harrison and Benjamin Waller (Stephenson 1959:2-3). The lots awarded to Philip and Elizabeth Bray Johnson are the same lots shown as belonging to Thomas Bray II on the 1749 Waller Map (see Figure 6). By 1758, as a condition of Elizabeth Bray Johnson's inheritance from her father, portions of the estate would be vested in trust to John Robinson for the benefit of Elizabeth Bray and Col. Philip Johnson's children. In addition, the will further indicated that Col. Philip Johnson would have a life right to the Bray family estate if Elizabeth should precede him in death (Stephenson 1959:4, 1963:18).
For the decade of the 1750s, there exists no documentary evidence to specify if Elizabeth Bray Johnson and her husband Philip Johnson were living on the property inherited from Elizabeth's father, Thomas Bray II. Separate from Elizabeth's inheritance, Philip Johnson also owned a plantation in King and Queen County. Colonial documents indicate that for the years 1752-1755 and 1756-1758, Johnson is known to have served as a Burgess from King and Queen County. It is very likely that Johnson was maintaining a residence in Williamsburg during this period for use while the Burgesses were in session, in addition to a residence at his King and Queen County plantation (Stephenson 1959:4).
8Although the residence of Col. Philip and Elizabeth Bray Johnson in Williamsburg remains speculative for the decade of the 1750s, records of their use and management of the property do exist. On April 4, 1755, the property is cited in the Virginia Gazette:
NOTICE is hereby given; THAT there is a good Stable and Pasture, with all Sorts Of Provinder for Horses, at the Plantation of Philip Johnson, near the Capitol in Williamsburg; where Gentlemen may depend on having proper Care given of their Horses, Carriages, &c (cited in Stephenson 1959:3).
The identification of Johnson's property as a "plantation" implies that agricultural production was occurring at that location, in addition to stabling horses and carriages. More than likely, agricultural production was the main use of the property, while the service of stabling horses was an attempt by Johnson to develop a supplementary business. The operation of the stable, and the plantation, would likely have required a substantial work force. These tasks were more than likely fulfilled by a contingent of slaves managed by one or more overseers. Several slaves owned by Johnson were baptized in Bruton Parish between 1751 and 1768 (Stephenson 1959:4).
By the middle of the eighteenth century, Williamsburg had grown from a scattered community into a bustling urban center. In addition to being the colony's capital, Williamsburg was increasingly becoming a commercial center. Merchants and craftsmen had established successful businesses at locations throughout the city. Certain enterprises were also known to cluster together within a particular part of the city to take advantage of, as well as compete for, a specific clientele. In particular, businesses such as taverns and stables were commonly established near the area known as "The Exchange," adjacent to the Capitol on the east side of Williamsburg (Reps 1972:179). Although outside the area of the Exchange, Johnson similarly attempted to take advantage of his plantation's close proximity to the colony's capitol, by providing a needed service to those attending to business at the nearby capitol and the Exchange.
One consequence of the city's growth was that living conditions in Williamsburg were becoming increasingly overcrowded. The demand for cheap land within the city was recognized by several individuals as an opportunity to make money. In 1750, Matthew Moody created a new subdivision, on the land west of Capitol Landing Road and north of the city. Similarly, on the east end of Williamsburg, behind the capitol, Benjamin Waller subdivided his property and sold off the individual lots (Richards 2001:21; Metz et al. 1998:99; Reps 1972:183). In 1758, Philip Johnson attempted to replicate the successes of Moody and Waller, and petitioned to acquire a parcel of land controlled by John Robinson, trustee of the Bray family estate, consisting of 19 acres and 26 poles, adjoining to the bounds of Williamsburg to the south. In exchange for these lands, Johnson agreed to transfer 43 acres of his own land into the trust held by Robinson. Johnson's intent was to sub-divide the 19 acres and 26 poles of land into 32 lots to be sold individually, and to be incorporated into the City of Williamsburg. Johnson's petition was approved, and by 1761, the property had been divided into 34 lots.2 Late eighteenth-century maps of Williamsburg depict Johnson's 9 subdivision was located west of the modern-day Bassett Hall, and are numbered as lots 1 through 34 (Reps 1972:183; Stephenson 1959:4).
In 1765, Elizabeth Bray Johnson died, and as previously mentioned, Philip Johnson was entitled to a life right of her property. As early as October 1765, Johnson advertised his late wife's family estate for rent, according to an entry in the Virginia Gazette Day Book. In the summer of 1766, the estate was apparently still without a tenant, and on June 6, 1766 the following advertisement appeared in the Virginia Gazette:
TO BE RENTED
June 6, 1766
THE houses, lots, gardens, stable, and pasture, where I lately lived, adjoining the City of Williamsburg, Any person inclinable to rent them for a year, or term of years, may know the terms by applying to Doctor Hay, or Philip Johnson .(cited Stephenson 1959:5)
From the above notice, it is clear that Johnson had lived on the property inherited from his father-in-law prior to 1766, albeit for an unknown duration. Upon Elizabeth's death, Johnson moved out of Williamsburg, possibly preferring to live on his own plantation, Vaux Hall, along the Chickahominy River. Johnson's advertisement for the rental of the Bray estate indicates that the property included at least one dwelling house, gardens, a stable, and a pasture. The mention of a dwelling house in the notice represents the first documentary reference to a house associated with Johnson's plantation being situated on the property. Because of no specific mention of a dwelling house at Bassett Hall prior to the notice, previous researchers have speculated that the house did not exist until shortly before the advertisement's publication. Accordingly, the construction of the dwelling house has been typically attributed to Philip Johnson and his wife, Elizabeth Bray Johnson, possibly at around 1760 (Blackford et al. 1984:17; Buchanan 1980; Stephenson 1959:4).
In 1769, John Robinson, who had held the Bray estate in trust for the benefit of Elizabeth Bray and Col. Philip Johnson's children, died. Thus, new trustees were appointed to hold the property. In that year the property was described as,
...one messuage, and three hundred and twelve acres of land, adjoining to the city of Williamsburg, except nineteen acres, and twenty-six poles, laid off into lots, and annexed to the city of Williamsburg... also of forty-three acres, purchased by Philip Johnson, gentleman, of John Baskerfield, also of six hundred acres, with the appurtenances, called and known by the name of Tutty's Neck, and also of two lots or half acres of land on Francis street, in the city of Williamsburg.... (cited in Stephenson 1959:6).
Although advertised for rent as early as 1765, no documentary evidence survives that indicates that Johnson succeeded in renting the property until 1771. Who occupied the property between 1765 and 1771 remains unclear. Beginning in 1771, Richard Hunt Singleton was a tenant at the Bray family estate. On March 7, 1771, the following advertisement appeared in the Virginia Gazette:
WILLIAMSBURG, March 7, 177110
THE Subscriber begs Leave to acquaint the Gentlemen Who favoured him with their Custom that he is now Removed to Colonel Johnson's house, behind that of Mr. Waller; where they may depend upon the best Accommodations for themselves, Servant, and Horses.
RICHARD HUNT SINGLETON. (cited in Stephenson 1959:7)
While renting Col. Johnson's house, the advertisement indicates that Singleton operated a boarding house or possibly a tavern at the property, including accommodations for servants and horses. Among Singleton's boarders in 1771 was Francis Russworm, a music teacher. Russworm apparently taught music lessons at the house, and placed the following advertisement in the Virginia Gazette:
BEGS Leave to acquaint the young Gentlemen in and about Williamsburg that he shall open School on Monday the 3d Of June, at Mr. Singleton's Hose, to teach the VIOLIN, GERMAN and COMMON FLUTES...(cited in Stephenson 1959:7)
Financial problems appear to have plagued Johnson in his later years, in spite of (or possibly on account of) his varied entrepreneurial endeavors (e.g., stabling horses, land development, etc.). Johnson's desire to rent the Williamsburg property inherited by his late wife may have been in an attempt to alleviate these financial woes. On April 14, 1768, Johnson posted the following notice in the Virginia Gazette:
THIS is to request the favour of all my Creditors to Meet me at the brick house of Mr. Gabriel Maupin, in Williamsburg, the second day of next month...
Philip Johnson
(cited in Stephenson 1959:6)
In an effort to collect debts owed by Johnson, the trustees of Bray family estate advertised the property for sale in the Virginia Gazette in October 1771. The sale was advertised in spite of the fact that Johnson had succeeded in renting the property to Richard Hunt Singleton in early 1771.
WILLIAMSBURG, OCTOBER 1, 1771.
PURSUANT to a late Act of the General Assembly, which Hath received the royal Assent, we propose to sell to The highest Bidders, on Thursday the 31st Instant, at Four oClock in the Afternoon, before Mr. Southall's Door, in this City, the DWELLING-HOUSE, OUTHOUSES, GARDEN, and PASTURE, where Colonel Philip Johnson formerly lived, now in the Tenure of Mr. Richard Hunt Singleton; also the Remainder of the same Tract of LAND Adjoining the City of Williamsburg, with two LOTS On Francis Street, between the LOTS of Mr. Waller and Doctor Pasteur; the whole to be disposed of together, Or in Parcels, as may best suit the Purchasers...
PEYTON RANDOLPH
(cited in Stephenson 1959:8)
RO. C. NICHOLAS Trustees
LEWIS BURWELL
PHILIP W. CLAIBORNE
For an unknown reason, the Trustees of the estate were unsuccessful in selling the property in Williamsburg. The property was again advertised for sale in April 1773, but continued to remain unsold (Stephenson 1959:10). Singleton continued to rent the property in until 1773. In January of that year, Singleton moved from the Bray estate to the Brick House Tavern on Duke of Gloucester Street in Williamsburg (Stephenson 1959:9).
Johnson's problems with his creditors continued, and in 1777 the Trustees of Johnson's property advertised to meet with Johnson's creditors to attempt to settle his accounts. In that same year, Johnson's own plantation, Vaux Hall, was also listed for sale in the Virginia Gazette (Stephenson 1959:10). Nevertheless, in spite of his financial 11 difficulties, Johnson continued to be active in local politics. Between 1773 and 1776, he served as a Justice of James City County, but had to resign his post on the account of age and infirmities (Stephenson 1959:11; McCartney 1997:215).
The documentary record remains silent as to the identity of the occupants of Bassett Hall for the period after Richard Hunt Singleton moved out. In 1788, new trustees for the property were appointed on behalf of Elizabeth Bray Johnson's husband and their children, because all the previously appointed trustees had died. The appointment of the new trustees suggests that the estate had not been sold during the intervening period. According to a notice in the Virginia Gazette, Philip Johnson died the following year, in 1789 (Stephenson 1959:12).
At the time of the American Revolution, two different maps of Williamsburg and its environs were produced and depict the layout of various buildings on the property as they existed in the early 1780s. Produced by an anonymous cartographer, the Frenchman's Map (1782) depicts a large rectangular structure orientated on an east-west axis with a rear addition, orientated north-south, extending off the center of the main portion of the building, to give the building a "T-shaped" plan, which was located approximately 400 feet to the south of Francis Street on the Bassett Hall property (Figure 7).
The "T-shaped" building on the map is undoubtedly the same building known today as Bassett Hall, and the dwelling referred to in Philip Johnson's 1766 rental notice. Previous architectural research suggests that the original plan of the house was a one-room-deep rectangular structure, with a central hall dividing two rooms on the first floor. It was further suspected that the original house was most likely one-and-a-half
Figure 7. Bassett Hall as it appears on the Frenchman's Map (1782).
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stories, and later raised to two-stories, as indicated by the differences in the window treatment on the first and second floors (Buchanan 1980). By 1782, however, the outline of the building had evolved into a "T-shaped" plan, with the addition of the rear wing. Although it is clear that the rear addition to the original structure had been completed prior to 1782, the actual date of the rear addition's construction remains unknown. The architectural research also suggests that the rear addition was also originally one-and-one-half stories in elevation, but was raised to two stories in the nineteenth century (Buchanan 1980). Finally, in addition to the dwelling house, three outbuildings are depicted immediately south of the main structure on the Frenchman's Map. A fourth outbuilding is shown southeast of the main structure, and a fifth outbuilding is shown to the southeast, approximately 350 feet away from the house.
A second Williamsburg map, produced ca. 1782, was drafted by French engineer Jean Nicholas Desandrouins (Figure 8). Although covering a much greater area than the Frenchman's Map, the Desandrouins map also depicts significant detail about the location of structures around Williamsburg. The map features a large main structure set back from Francis Street approximately 400 feet. The map, however, does not provide any detail about the plan shape of the structure, although as many as eight different outbuildings are also depicted on the map to the south of the main structure. To the west of the main structure, the map illustrates what appears to be a large enclosed garden area.
Figure 8. Bassett Hall as it appears on Desandrouins Map (1782).
Earlier maps (see Figure 6) indicate that the area between the house and the street was within the city limits of Williamsburg, and had been subdivided into two lots. From the documentary record, it remains clear, however, that the lots were included as part of the Bray family estate (Bassett Hall property). According to both maps the lots were not built upon, an important clue to the landscape development of the property and the status of its owners. The unobstructed view from Bassett Hall through the lots would have provided for a park-like vista, extending north from the house's front steps. Following Georgian concepts of architecture and landscape design, popular in eighteenth-century Virginia, expansive vistas were a highly desired landscape feature among the wealthy and elite citizens of Williamsburg (Reps 1972:180).
After the Revolutionary War, the capital was moved west from Williamsburg to Richmond, reflecting the increasing importance of western expansion. The effect of the capital's removal was a virtual stagnation of the growth that had marked Williamsburg's previous eighty years. Williamsburg's slowed economy, after the capital's relocation, is likely to have contributed to Philip Johnson's difficulties in renting or selling his property in Williamsburg.
Prior to 1794, and possibly as early as 1789, Richard Corbin of "Laneville" in King and Queen County became the owner of the Bassett Hall. Corbin's mother, Molly Waller Corbin, was the daughter of Judge Benjamin Waller of Williamsburg. Corbin most likely purchased the property from the trustees who were representing Elizabeth Bray and Philip Johnson's children. Corbin was likely very familiar with the property before he purchased it, as his uncle Robert Hall Waller lived next door in the Benjamin Waller House (Stephenson 1959:12-13; Richards 2001:1).
Corbin carried out extensive repairs to the building between 1794 and 1795, employing various local carpenters, blacksmiths and brick masons in the course of the repairs. The extensiveness of the repairs suggests that the house had fallen into considerable disrepair by the final decade of the eighteenth century. In addition to the repairs made to the house, Corbin also purchased a large quantity of new furnishings and drapery from Williamsburg, Richmond, and Philadelphia merchants for his new home (Stephenson 1959:13-14). Soon after the repairs to the house were complete, Corbin returned to Laneville and negotiated to sell his newly refurbished home to Burwell Bassett of Eltham in New Kent County (Stephenson 1959:15).
Burwell Bassett was born on March 18, 1764, the son of Burwell Bassett and Anna Maria Dandridge, the daughter of John Dandridge, and sister of Martha Washington. The Bassetts were among the most prominent families of the Virginia colony. Burwell Bassett's forbearers for the previous five generations had been Burgesses or members of the Governor's Council. Burwell Bassett continued his family's tradition of involvement in government, as a member of the House of Delegates between 1787 and 1789; as a member of the Senate between 1793 and 1805; as a member of Congress between 1805 and 1813; again as a member of the House of Delegates between 1819 and 1821; and finally again as a member of Congress between 1821 and 1829. On January 10, 1788, Burwell Bassett married Elizabeth McCarty, daughter of Daniel McCarty of Pope's Creek, Westmoreland County. Bassett was later remarried to Anne Claiborne, the daughter of William Dandridge Claiborne of Liberty Hall, King William County, and Euphania Claiborne (Stephenson 1959).
14According to the "College Map," which probably dates to the early to mid 1790s, Bassett owned six lots in the city of Williamsburg (Figure 9). Two of the lots lay on the south side of Francis Street, between the lot owned by Semple to the west and Waller to the east. The Bassett Hall property is located immediately south of these lots within James City County. These are undoubtedly the two lots Elizabeth Bray Johnson had inherited from her father, and were considered as part of the Bassett Hall property to the south. The remaining four lots (lots 16-19) adjoin the Bassett Hall property to the west within the sub-division originally laid out by Col. Philip Johnson and annexed to
Figure 9. Circa 1790 "College Map".
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the city in 1758. Lots 16 and 17 are also identified on the map as belonging to "N. Harrison" along with Burwell Bassett. It is unclear if both owned title to these lots together, or if they had further subdivided these lots between themselves. The map further situates "Col. Philip Johnson's Land" south of the sub-division, within James City County. It is also unclear if this refers to additional Bray family lands used by Johnson, or his own land adjacent to the Bray family estate (Stephenson 1959:12).
Tax records for the City of Williamsburg indicate that Burwell Bassett lived in James City County and was taxed for two lots in Williamsburg between 1804 and 1811. The total value of the lots was $20 in 1804 and 1806, but the value dropped to $10 between 1807 and 1811. Once again, these are likely the two lots on Francis Street, directly north of the Bassett Hall property. Between 1812 and 1819, Bassett was taxed for four additional lots within the city, for a total of six lots (total tax $30). Based on the "College Map," these lots are likely Williamsburg lots 16 though 19, located west of the Bassett Hall property, within the Johnson sub-division. Between 1820 and 1838, Burwell Bassett was charged for only one lot valued at $75. It is possible that the two lots on Francis Street, situated in front of Bassett Hall, were combined into a single entity. In 1840, Bassett was taxed for one lot valued at $100, but his county of residence changed from James City County to New Kent County. In 1838, Burwell Bassett returned to his ancestral home at Eltham in New Kent County, but continued to own Bassett Hall for another two years. In 1841 and 1842, Burwell Bassett's estate is taxed for one lot in Williamsburg, also at $100 (Stephenson 1959).
Unfortunately, the earliest James City County tax records to survive for the property are not until 1813. In that year, Burwell Bassett was taxed for 335 acres. The following property description is contained in the tax records:
Bounded by Williamsburg Stage Road on N. the Road to King's Mill on the E Tutters Neck Mill Run & Saunders tract on the S & Littleton Tazewells on the W (cited in Stephenson 1959).
The 335 acres listed in the above 1813 description closely matches the 1769 description of the acreage for the property inherited by Elizabeth Bray Johnson and held in trust for Philip Johnson and their children. In 1769, the property was listed as equaling 311 acres, minus the 19 acres and 26 poles subdivided by Philip Johnson in 1758. In exchange for the 19 acres and 26 poles of land, Johnson agreed to place in trust for his children 43 acres of his own land. As a result of the transaction, the total acreage of the property held in trust had increased to approximately 335 acres. Therefore, based on the above-mentioned descriptions, the size of the Bassett Hall property did not change during the 44-year period between 1769 and 1813. Burwell Bassett continued to be taxed for 335 acres for another 21 years until 1834. During that period, the total value of the land and buildings remained constant at $5849.10. In 1835, the size of the property was reduced to 329 acres. The tax records indicate that six acres were taken from the Bassett Hall property, and charged to Richard M. Bucktrout (Stephenson 1959).
16As a son of one of Virginia's wealthiest and prominent families, Burwell Bassett entertained numerous public figures, politicians, and artists at Bassett Hall. Among Bassett's guests at Bassett Hall was the noted Irish poet Thomas Moore (1779-1852). Moore is said to have been a guest at Bassett Hall, when he stopped by en route from Norfolk to Richmond in 1804. Local legend states that Moore was so inspired by the fireflies, which he observed flittering through the gardens at Bassett Hall, that he wrote the following poem (Stephenson 1959:16; Blackford 1984:18; Williamsburg Garden Club 1950:46-47):
To The Firefly
At morning when the earth and sky,
Are glowing with the light of spring,
We see thee not, thou humble fly,
Nor think upon thy gleaming wing.
But when the skies have lost their hue,
And sunny lights no longer play,
Oh then we see and bless thee, too,
For sparkling o'er the dreary way.
Then let me hope, when lost to me
The lights that now my life illume
Some milker joys may come like thee,
To cheer, if not to warm, the gloom.
In 1817, while living at Bassett Hall, Burwell Bassett also rented the neighboring Waller property on behalf of his mother-in-law, Euphania Claiborne. Bassett continued to rent the Waller house, on behalf of his mother-in-law, until 1820 (Richards 2001:8; Stephenson 1959:16)
On May 5, 1840, Judge Abel Parker Upshur purchased Bassett Hall from Burwell Bassett. In October 1841, President John Tyler appointed Upshur to his cabinet as the thirteenth Secretary of the Navy. Two years later, Upshur was appointed as Secretary of State by President Tyler upon the resignation of Daniel Webster. As Upshur's responsibilities increased in Washington, he no longer required his residence in Williamsburg, which he sold to John Coke in 1843.3 John Coke only held the property for only a short while, selling it to Goodrich Durfey on November 18, 1845 (Stephenson 1959:18-19).
By 1857 the size of the Bassett Hall property was listed as including 381 acres. The discrepancy between the size of the property in 1835 (329 acres) and 1857 (381 acres) remains unaccounted for. In that same year, Goodrich Durfey sold a 296-acre portion of the Bassett Hall property to William Lyon. According to later plats of the property, the 296-acre tract sold to Lyon consisted of approximately the eastern three-fourths of the total Bassett Hall property, but did not include an 85-acre strip of land that included the land surrounding the house and outbuildings. Lyon, however, had difficulties making his payments for the purchase of the property, and in 1865 the 296-acre tract was conveyed back to Goodrich Durfey (Stephenson 1959:19-20).
The Durfeys were living at Bassett Hall when the Civil War erupted. On May 5, 1862, the Battle of Williamsburg was fought between the Union and Confederate 17 armies just beyond the Bassett Hall estate, southeast of the city. At nightfall on May 5, after a hard-fought battle, the Confederate army abandoned its positions and retreated up the peninsula to Richmond. While pursuing the retreating Confederate army, the Union forces seized Williamsburg, and the city remained under Union control for the duration of the war (Hastings and Hastings 1997:117). The Durfey family were one of many Williamsburg families to care for the wounded Confederate soldiers in their homes after the battle (Rouse 1989:97).
Goodrich Durfey continued to own Bassett Hall until his death in 1869. According to a deed dated on December 15, 1869, and recorded on January 4, 1870, the executors of Goodrich Durfey's will sold the Bassett Hall property to Isreal Smith for the purchase amount of $8000.00 (Stephenson 1959:20). The deed describes the property as follows:
...that Certain tract or parcel of land Situate partly in the City of Williamsburg and partly in the county of James City, State of Virginia, called "Bassetts Hall," containing about three hundred and eighty one acres, more or less, bounded as follows - Commencing on the north, at the north East Corner of James W. Custis' lot, thence along the Street to the lot Occupied by Dr. Wm S. Morris, thence South to the Corner of said Morris's lot thence east along ditch separating it from said Morris's lot and James Mahone, John Lucas and Charles Lively's lots to the road leading from Wmsburg to York Town, thence along said road to the road Called quarter paths, thence along last mentioned road to the middle of Tutters neck Dam, thence South west to fence separating it from 'Delks', thence north to fence on the farm, thence southwest to corner of Munford's fence Thence North west along said Munford's fence to the Corner of Dr. Camm's land, thence along ditch bank & fence separating it from said Camm's land to the lot formerly owned by R.M. Bucktrout, Decd thence east to the of said Bucktrouts lot and, thence north to the beginning as will appear by reference to the plot of W.I. Morrsett, markd B. and being part of the tract which the said Goodrich Durfey, in his life time purchased of John Coke and Eliza his wife as aforesaid, and the same first mentioned in the will of the said Goodrich Durfey, Decd.... (cited in Stephenson 1959).
In the late nineteenth century, several plats of the Bassett Hall property were produced that have provided important information about the layout, boundaries and buildings located on the Bassett Hall property. The first plat, with the date 1868 written on the back, shows the extent of the property boundaries and a dwelling at the current location of Bassett Hall, with a driveway leading from the house to Francis Street (Figure 10). The plat further delineates the boundaries of the 296-acre tract previously sold to William Lyon in 1857, and returned to Goodrich Durfey in 1865 (Stephenson 1959:19).
The second plat of the property is unfortunately undated, but shows considerable detail about land use, the identities of neighbors, and the locations of structures on the property (Figure 11). The house is shown with a "T-shaped" plan, facing upon a two-acre lawn. A circular driveway is depicted in front of house, as well as numerous farm roads traversing through various parts of the property. The plat also indicates numerous divisions within the property: farmlands, gardens, orchards, barns, an ice house, a hog pen, cow yard, and pastures. Neighboring Bassett Hall are the lands of J.W. Custis to the northwest, Dr. Camm to the west, Col. Mumford to the southwest, and Dr. Morris to the northeast (Stephenson 1959).
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Figure 10. 1868 plat of Bassett Hall (from Stephenson 1959).
Figure 11. Late nineteenth-century plat of Bassett Hall (from Stephenson 1959).
A third plat is also undated, and appears to have been a copy of the second plat, although with considerably less detail (Figure 12). The dwelling house with its circular driveway, outbuildings, gardens and orchards, and farm roads are all shown on the plat. J.W. Custis, Col. Mumford, and Dr. Morris are all indicated as neighboring property owners (Stephenson 1959).
Israel Smith died in 1879, at which point the property was passed to various members of the Smith family. The Smith family retained ownership of Bassett Hall until 1927 when it was acquired by Colonial Williamsburg (Stephenson 1959:20).
Figure 12. Late nineteenth-century plat of Bassett Hall (from Stephenson 1959).
In 1927, Dr. W.A.R. Goodwin, on behalf of the Williamsburg Restoration, purchased Bassett Hall as one of the first properties acquired in the effort to recreate Virginia's colonial capital. Only a few years after Goodwin purchased Bassett Hall, on May 16, 1930, the house was struck by lightning, igniting a devastating fire that severely damaged much of the original structure. Subsequently, the building was restored with additions to the rear of the structure to accommodate a modern kitchen and butler's pantry. Beginning in 1936, after the renovations were completed, the house was maintained as the private Williamsburg residence of Mr. and Mrs. John D. Rockefeller. The Rockefeller family donated Bassett Hall to the Colonial Williamsburg Foundation in 1979 (Blackford et al. 1984).
The earliest archaeological investigation of the Bassett Hall property occurred in the late fall of 1930. A work order, dated December 12, 1930 from the architectural firm of Perry, Shaw and Hepburn authorized "Messrs, Todd & Brown" to excavate the Bassett Hall property without screening. Unfortunately, there exists no documentation of the extent, or results of, Todd & Brown's excavations. Nevertheless, from subsequent correspondence, it is clear that Todd & Brown conducted excavations along the rear or south side of the main dwelling house (Building 22-A); although the extent of their excavations around the remainder of the building remains unknown. It has been speculated that the work conducted by Todd & Brown more likely consisted of the dismantling of the fire-damaged portions of the standing structure, rather than conventional archaeology as it is known today. Ultimately, the results of their excavations had a significant impact on the restoration of the building. According to a correspondence dated February 3, 1931, between the firm of Perry, Shaw and Hepburn and the Williamsburg Holding Corporation, a "Change Order" was submitted altering the original plans for the structure's restoration, recommending, "...an enlargement of the chimney to agree with archaeological evidence discovered upon razing the modern chimney... necessary for an authentic restoration" (Anonymous ca. 1983).
There exists no evidence of any subsequent archaeological work around the dwelling house at Bassett Hall. Archaeological investigations, in the form of cross-trenching, did however take place elsewhere on the Bassett Hall property beginning in 1932 under the supervision of Herbert S. Ragland. The strategy for selecting areas for the cross-trenching was based the locations of structures as indicated on the Frenchman's Map. Further considerations regarding the locations of the excavations were made in order to not disturb, or inconvenience, the tenants living at Bassett Hall (Anonymous ca. 1983). According to The Archaeology and Research Key Map of the Restoration Area, Williamsburg, Va. (1932, Revised 1933), the areas investigated included five variously-sized areas to the east, west and south of the main dwelling house. The results of the cross-trenching were briefly summarized in a two-page report by Ragland in 1932.
Most significant among Ragland's findings was a large two-brick-wide foundation (1-A-1) located 80-feet east of the Bassett Hall main dwelling house (Figure 13). The foundation showed evidence of two periods of construction, using large bricks (9 x 4.5 x 2.5 feet) in English bond with shell mortar. In the northeast corner of the structure, a large (8 feet 10 inches wide x 4 feet 8.5 inches deep) interior chimney was recorded. A second smaller exterior chimney was also recorded along the southern end of the structure, and may have been part of a later addition. A cellar underlies the southern third of the structure, and was evidently excavated after the original foundations were in place. The footings of the original foundation walls were three feet above the floor of the cellar. The plan drawing of the foundations indicates that the floor
24
Figure 13. Plan of building foundations excavated east of Bassett Hall (from Ragland 1932).
25
within the cellar was earthen. Access into the cellar was gained through a bulkhead entrance west of the southern chimney. The bulkhead had also been added after the original foundations had been constructed. Attached to the east side of the original structure was a one-and-a-half-brick-wide foundation for a two-roomed addition. Evidence of brick paving was noted in the southern room, but not in the northern room. The plan drawing also indicates a brick-lined sump along the south wall of the brick-paved room within the addition. Numerous artifacts, including turned window leads and diamond-shaped window glass, were apparently recovered in the course of the excavation of the structure (Ragland 1932). Photographs of the excavations suggest that the interior of the structure was completely excavated in 1932.
In May 1980, a portion of the foundation was re-exposed during the removal of an old oil storage tank, twelve feet north of Bassett Hall Reception Building (Building 22-B). The location of the foundation was recorded and the hole was backfilled (Archaeology Monthly Reports, May 1980).
At the time of the original excavations, based on the large size of the northern chimney, the foundations were thought to represent those of an early colonial kitchen, possibly dating to the seventeenth century (Ragland 1932). Subsequent research has hypothesized that the structure represents a two-roomed, hall-and-parlor structure possibly dating to the seventeenth century (Brown 1998:113). If the structure does date to the seventeenth century, it may represent the Middle Plantation home of James Bray I, who had built a home on the property between 1671 and 1677. In order to more conclusively determine the age and function of the structure, a re-excavation of the foundations and the surrounding area would be required employing the benefits of modern archaeological techniques of stratigraphic excavation, would be required.
Thirty feet east of the foundations, a colonial well (1-A-2) thought to be associated with the structure was identified. A photograph of the well shows evidence of square-shaped brick foundation around the well. The well was apparently excavated to a depth of 27.2 feet below grade, and the water-table within the well shaft was reached at 21.6 feet below grade. Numerous "colonial period" artifacts were reportedly also excavated from the fill within the well, and turned over to Mr. Goodwin in 1932 (Ragland 1932). In 1932, Harold R. Shurtleff, Director of the Research and Record Department at Perry, Shaw, and Hepburn, wrote regarding the well and associated building foundations, "...it looks as if we were dealing with a very old site - I should think the oldest that we have come across in Williamsburg" (Shurtleff 1932).
Other features uncovered during Ragland's cross-trenching were the remains of a double chimney base measuring 10'2" x 8'5", located approximately 330 feet south, and 190 feet east of the northeast corner of the main dwelling house. In the area immediately surrounding the double chimney base, a 34-foot-long concentration of brick fragments, and a small square pit (6' x 4' x 2.6') were identified and may be associated with the double chimney base. To the south of the main dwelling house, 270 feet south and 264 feet west of the northeast corner of the main dwelling house, a small concentration of brick and mortar, 3 feet in diameter, was detected. The location of the feature corresponds with the location of an outbuilding shown on the Frenchman's Map. No other evidence of any structures was located in the yard south of main dwelling house. Finally, the foundations of a colonial-era ice house were located 687 26 feet south and 272 feet east of the northeast corner of the main dwelling house (Ragland 1932). Photographs of the excavations indicate that the ice house was completely excavated.
No archaeological work of any kind was conducted at the Bassett Hall property after 1932 for more than forty years. In April 1973, Colonial Williamsburg archaeologists were advised of, but did not observe directly, the removal of a large boxwood off the southwest corner of the smokehouse in the rear yard. The removal produced a quantity of bottle and carboy fragments dating from the late eighteenth century found within undisturbed stratigraphy (Archaeology Monthly Reports, April 1973).
In the spring of 1980, an area of land was cleared for a new parking lot to be located east of the Bassett Hall Reception Building (Building 22-B). A surface investigation of the proposed parking lot area revealed the existence of a small graveyard containing as many as eighteen individual graves, and possibly enclosed within a post and rail fence (Figure 14). The cemetery is believed to date to prior to 1865. The position of each of the graves was recorded, although none of the graves were excavated. Also within the confines of the proposed parking area, a well was discovered 35 feet east of the Bassett Hall Reception Building. The upper portion of the well was excavated to a depth of 7 feet, revealing a well shaft that measured 9 feet (east-west) by 8 feet (north-south). A layer of dark loam, dating to the second half of the eighteenth century, capped the top of the well. Artifacts from the uppermost fill layers within the well dated to 1745-1750. The remainder of the well shaft was not excavated.
Figure 14. Plan of archaeological features within the proposed new parking lot (1980).
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In addition, a small silt-filled erosion gully dating to the eighteenth century was also discovered, six feet north of the well. Artifacts within the gully showed evidence of having been in a fire (Archaeology Monthly Reports, May 1980).
Monitoring of new utility lines on the Bassett Hall property in the spring of 1980 revealed an additional feature. A trash pit dating to the late eighteenth century was identified 35 feet east of the main dwelling house, during the excavation for a new utility line. No further excavation of the feature was undertaken, the location of the feature was recorded, and the utility trench backfilled (Archaeology Monthly Reports, May 1980).
No other archaeological work has been conducted within the immediate vicinity of the Bassett Hall dwelling house, yard, or gardens. The total extent of the Bassett Hall property, however, consisted of an area extending for several hundred acres beyond the house. Different portions of the extensive Bassett Hall acreage have undergone various phases of archaeological investigation ranging from none at all to complete excavation. As a result of these previous investigations, numerous archaeological sites have been identified and analyzed. For a more detailed account of the findings from these various investigations, the reader is referred to the individual site manuscripts, as their results are beyond the scope of this report (Myzk 1983; Hodges 1988; Steen 1992; Kostro 2000, 2001).
In summary, in comparison to other well-known Williamsburg properties (e.g., the Peyton Randolph House, the Brush-Everard House, Shields Tavern), Bassett Hall has undergone very limited archaeological research prior to 2001. Of the archaeological work that has been completed, the majority of the research has been conducted at the survey (Phase I) or assessment (Phase II) level, with only a limited number of salvage or data recovery projects. In addition, the majority of the previous archaeological emphasis has been on the distant portions of the property well beyond Colonial Williamsburg's Historic Area. The results of these projects has been a substantial quantity of information on the prehistoric occupations, possible slave-related sites, and tenant farm sites all located along the southern perimeter of the property. In contrast, however, very little archaeological research has been initiated on the north end of the property regarding the seventeenth- and early eighteenth-century Bray family occupation, or the late eighteenth- and early nineteenth-century Johnson and Bassett occupations and plantation operations. What little work has been completed prior to 2001 was limited to either cross-trenching in 1932, or monitoring of new parking lot and utility line installations in the 1980s and 1990s.
28In anticipation of the waterproofing project, the Department of Archaeological Research conducted an archaeological investigation of the areas around the exterior of Bassett Hall to be impacted by the waterproofing (Figure 15). As part of the investigation, two-meter-wide trenches were hand excavated along the structure's north elevation, around the chimneys on the structure's east and west gable ends, and along the east of dining room wing addition. Along the west elevation of the dining room wing, a three-and-a-half meter wide trench was excavated to correspond with a larger area of impact as indicated by the waterproofing plans. In areas of extensive disturbance as a result of utility lines, tree plantings, or previous waterproofing, no excavation was undertaken, as it was presumed that that very little archaeological data had survived in these areas. In addition, no investigation was made along modern kitchen wing attached to the rear of structure. No intact archaeological resources were thought to have survived within the area of the kitchen wing due to construction activity in the early 1930s. To further facilitate the excavations, several large boxwoods were removed from around the north and west elevations of the building prior to the start of the fieldwork. In addition, along the west elevation of the dining room wing, a large (9.65 x 3.75 m) brick terrace was also removed.
Figure 15. Locations of archaeological trenches around Bassett Hall in 2001.
Both horizontal and vertical controls were employed over the excavation of the trenches around Bassett Hall. Horizontal control was achieved via a Cartesian grid, placed at one-meter intervals across the site, and aligned with the town grid. Each grid square was identified by the north and east coordinates of the northwest corner of the grid square. For record keeping purposes, each separate soil layer or distinctive feature within the excavation area was assigned its own unique context number by which it could be identified. In order to maintain vertical control over the site, each soil layer or feature was stratigraphically excavated, using shovels and trowels, following the natural contours and boundaries of the layers and features. Differentiation between the different layers and features were recognized by changes in soil type, color or texture. All pre-restoration soils were passed through one-quarter-inch mesh screens to recover any artifacts. In the field, each soil layer or feature was mapped, photographed, and described in detail. Detailed notes were recorded for every context using Hewlett Packard Jornada 680 and Hewlett Packard Jornada 820 handheld computers. All field records were downloaded from the handheld computers into Re:Discovery, the collections management computer database used the by D.A.R.
All of the excavated artifacts were bagged by context and sent to the laboratory for processing and analysis. At the lab, the artifacts were washed, identified, and inventoried according to provenience. The artifacts were inventoried using a standard descriptive typology with all obvious functional and morphological characteristics noted, and entered into Re:Discovery. Based on this, each context was assigned a terminus post quem (TPQ), using the artifact with the most recent first manufacture date. The TPQ date represents the date after which the context was deposited. All of the field documentation, artifacts, and artifact information recovered during the fieldwork, and the subsequent laboratory documentation, are currently stored at the D.A.R. Laboratory.
In spite of extensive ground disturbance around Bassett Hall, resulting from the renovation of the building in the 1930s, and the installation of a myriad of utility lines into and around the building, the archaeological excavations in 2001 proved to be very productive with regard to understanding the age, construction, and development of Bassett Hall. New insights into the structure's chimneys, basement bulkheads, and porches were made as a result of the 2001 fieldwork. In addition, numerous intact cultural layers and features, relating to all phases of the building's occupation were uncovered in the course of the archaeological excavations around the house.
The earliest documentary reference to a house at Bassett Hall is Philip Johnson's 1766 notice to rent the property. But it is unclear how long the house had been standing when the advertisement was placed. The original house was probably a one-and-one-half story, one-room-deep rectangular structure, with a central hall dividing two rooms on the first floor (Buchanan 1980).
In an effort to more specifically date the building, several sections of the Bassett Hall builder's trench were examined. A builder's trench is formed as a result of the excavation of the original cellar hole, corresponding to the dimensions of the building. Once the cellar hole is excavated, the foundation or cellar walls of a structure are seated within the bottom of the hole. After the walls are erected, the narrow gap between the exterior of the foundation wall and the exterior bank of the cellar hole is backfilled. It is this backfilled gap that is known as a builder's trench. Often, during the backfilling process, contemporary artifacts, usually consisting of construction debris, are deposited in within the builder's trench. The analysis and dating of these artifacts can sometimes provide a date for the filling of the builder's trench, and thus a TPQ for the construction of the house.
Portions of the Bassett Hall builder's trench (master context M1) were examined along the north elevation and south elevation of the original portion of the structure. In each of these areas, the uppermost section of the builder's trench had been partially truncated by later repair trenches, utility lines, and landscaping activities. On the east and west gable ends of the building, previous landscaping and utility lines had destroyed almost all evidence of the original builder's trench leaving intact only those sections of the trench that were hidden under the relatively shallow chimney bases (Figure 16).
The archaeological excavation of a builder's trench is a slow and difficult process owing to the depth of the feature, as well as the narrow width of the feature. As a result
Figure 16. Profile of Bassett Hall builder's trench under east gable end chimney base.
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the difficulties associated with the trench's excavation, and the time constraints imposed by the construction schedule, only three sections of the Bassett Hall builder's trench were excavated. On the east side of the north porch a 2 meter (6.56 foot) long section, and on the west side of the north porch a 1.2 meter (4.0 foot) long section, were excavated (Figure 17), while along the rear of Bassett Hall a 1 meter (3.28 feet) long section of the builder's trench was excavated east of the later dining room wing addition. In each section, the narrow width and extreme depth of the builder's trench prevented the full excavation of the lower half of the trench.
Figure 17. Profile of the north elevation builder's trench, west of the front porch.
In each of the excavated sections and in the profiles of the builder's trench under each of the chimney bases, the builder's trench fill consisted of a compact, yellowish-brown (Munsell color 10YR5/6) clay which measured between 25 cm (0.8 feet) and 45 cm (1.47 feet) at grade, and gradually tapered down to only 5 cm (0.16 feet) at the bottom of the cellar foundation wall, at approximately 183 cm (6.0 feet) below grade.
From within the three excavated portions of the builder's trench a total of thirty-three artifacts were recovered. Seventy-six percent of the recovered artifacts were architecturally related materials, consisting of small fragments of window glass and nails. Fragments of brick and plaster were also noted within the builder's trench fill, but not collected. The remaining twenty-four percent of the artifacts were a mix of different types of artifacts including two fragments of ceramics, one case bottle glass fragment, one wine bottle glass fragment, and one tobacco pipestem (with a 5/64th-inch bore diameter), a single lead alloy shot, and a fragment of unidentifiable hardware. The two ceramic fragments included a single sherd of coarse earthenware of undetermined origin and date, and a single sherd of Japanese porcelain.
Ultimately, the excavation of the builder's trench proved to be inconclusive with regard to determining the construction date of the house. Neither of the ceramic fragments could be attributed to a tightly-constrained time period, and the recovery of 33 only a single tobacco pipestem precluded the reliable determination of a viable date for the feature fill based on pipestem analysis, on account of an inadequate sample size.
The builder's trench was not the only construction-related feature encountered at Bassett Hall. Other features included several small postholes along the exterior of the structure, which appear to be the locations of vertical support posts for scaffolding used during the framing and siding of the building. Each of the suspected scaffolding postholes was located 64cm (2.1 feet) north of the house foundation along the house's north elevation. Additionally, each of the postholes was cut into either subsoil or pre-construction soil layers, and was sealed by the earliest occupation layers.
The scaffolding postholes were identified on either side of the front porch, suggesting that it may have extended across the entire north-elevation of the structure (Figure 18). The easternmost scaffolding posthole (01AC-184-186) was roughly square-shaped, measuring 37 cm (1.21 feet) x 40 cm (1.31 feet) with a flat bottom. The feature fill consisted of light olive brown (2.5Y5/4) sandy loam soil. Once the fill was excavated, a 24 (0.79 feet) x 28 cm (0.92 feet) rectangular postmold became evident in the bottom of the posthole. A surprising sixty-nine artifacts, a large number for a posthole, were recovered from both the mold and posthole fill, although none of the artifacts were diagnostic to any specific date range. Similar to the artifacts from the builder's trench, eighty-eight percent were architectural, consisting of window glass and nail fragments. Non-architecturally-related artifacts included porcelain, wine bottle glass, and bone. Brick and plaster fragments were also noted from within the posthole fill.
The next scaffolding posthole (01AC-146-147) was located 2.5 meters (8.2 feet) to the west of the easternmost posthole. The posthole was square-shaped, measuring 30 cm (0.98 feet) across. The bottom of the feature was flat, and similarly showed no evidence of a postmold. The feature fill consisted of light olive brown (2.5Y5/4) sandy loam, and contained only five artifacts, including a fragment of window glass, two nail fragments, and two fragments of unidentifiable iron alloy hardware.
On the west side of the front porch, a third possible scaffolding posthole feature (01AC-227-228) from this line was identified. It was spaced roughly 5 meters (16.4 feet) west of the nearest posthole on the east side of the porch (01AC-146-147). Midway between these two postholes, another posthole may have once also existed, thus making the interval between the scaffolding posts a uniform 2.5-meters (8.2 feet). However, if such a post had once existed, the construction of the north porch in the 1930s has long since destroyed any evidence of it. The surviving posthole, west of the porch, was a small square-shaped feature measuring only 22 cm (0.72 feet) x 26 cm (0.85 feet), with a flat bottom. Once again, no evidence of a postmold was evident. Unfortunately, the majority of the feature had been previously destroyed by boxwood plantings in the twentieth century. The small amount of remaining feature fill consisted of a light olive brown (2.5Y5/4) silt loam with brick inclusions, but contained no artifacts.
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Figure 18. Scaffolding postholes along north elevation.
Similar to the builder's trench, the scaffolding postholes are features relating to the construction of Bassett Hall, and are among the earliest features on the site. Although a date could not be established from the small quantity of artifacts recovered from the posthole fills, the relative age of the postholes is indicated by their stratigraphic position below the site's early occupation layers.
On the west side of the house, two large and deep postholes were identified (Figure 19). Both postholes were sealed by early occupation layers or features, suggesting that they either pre-date or are contemporary with the earliest phase of the house's occupation. The southern posthole (01AC-93-94) measured 65 cm (2.1 feet) x 45 cm (1.48 feet) and was 50 cm (1.64 feet) deep, with straight sides and a flat bottom. The fill consisted of a dark brown (10YR3/3) silty clay with inclusions of brick, but no artifacts. The center of the posthole was located 2.2 meters (7.22 feet) west of the west wall of the house. The northern posthole (01AC-127-128), measured 70 x 55
Figure 19. Shed posthole features along west gable end.
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cm (3.3 x 1.8 feet) and was 43 cm (1.41 feet) deep with straight sides and a flat bottom. The fill was a mottled olive brown (2.5Y4/4) sandy clay with brick inclusions. No artifacts were recovered from the fill. The center of the posthole was 2.4 meters (7.87 feet) west of the west wall of the house, while the interval between the two postholes measured 4.8 meters (15.75 feet).
Although the posts are slightly out of alignment from one another, their comparable size and relative stratigraphic position suggests that they are associated with one another. It is likely that they may have supported the frame of an early post-in-ground shed attached to the west side of the original portion of the house. Their stratigraphic position also indicates that the shed addition was part of the earliest phase in the development of the house. The shed may have been removed in order to install the new larger chimneys. Similar sheds added to the gable ends of houses are common throughout the Tidewater during the colonial era.
In addition to the builder's trench, the scaffolding postholes, and the shed postholes, several occupation layers related to the earliest occupation of Bassett Hall were identified along the west, east, and south elevations of the house. Unfortunately, modern utility installations and landscaping have destroyed these layers along the north elevation. To the west of the west end chimney, a layer of dark brown (10YR3/3) silt loam had accumulated (01AC-75 and 01AC-97) directly over subsoil. Ground disturbance along the foundation walls in this area has destroyed the nature of the relationship of the layer to the structure's builders trench. The depth of the layer measured 19 cm (0.62 feet) to 25 cm (0.82 feet) thick, and contained a total of one hundred fifteen artifacts. A little more than a quarter of the artifacts were architecturally related, consisting of window glass and nails. The remaining artifacts consisted of domestic sheet refuse, including ceramics, glass, animal bone, and casting waste. The majority of the ceramics were fragments of either Chinese porcelain or English delftware. Single sherds of Westerwald stoneware and coarse earthenware were also recovered (Table 1), along with the bowl of an imported tobacco pipe. Wine bottle and case bottle glass accounted for most of the glass from the layer. All the artifacts were typical of those found on late seventeenth- and early eighteenth-century historic sites, but a more precise date range could not be determined.
Located directly south of the southeast corner of the original structure were two early eighteenth-century occupation layers. The layer was deposited directly over subsoil, and consisted of a dark yellowish brown (10YR4/4) loamy sand, with a moderate quantity of charcoal inclusions (01AC-350). The layer covered an area 1.5 x 2 meters (4.92 x 6.56 feet), and sloped from west to east, ranging in depth from 0 to 5 cm (0.16 feet). Similar to the occupation layers on the west side of Bassett Hall, modern ground disturbances have obscured the relationship of the layer to the structure's builder's trench. One hundred ten artifacts were recovered from the layer, forty-five percent of which was architecturally related debris consisting of nail fragments, window glass, and window leads. Domestic sheet refuse artifacts accounted for fifty-five percent of the total, and included ceramics, glass, animal bone, and tobacco pipes.
37East | Rear | West Gable End | East | Gable | End | |||||
---|---|---|---|---|---|---|---|---|---|---|
323 | 350 | 75/97 | 36 | 71 | 158 | 165 | 170 | Total | ||
COARSEWARES: | ||||||||||
N.Midlands | - | - | - | - | 1 | - | - | - | 1 | |
Buckley | - | - | - | 1 | - | - | - | - | 1 | |
Local | - | - | - | 1 | - | - | - | - | 1 | |
Other | - | - | 1 | 1 | - | - | - | 1 | 3 | |
STONEWARES: | ||||||||||
White Salt-Glazed | 1 | 3 | - | 6 | 4 | 1 | 1 | - | 16 | |
Fulham | 2 | - | - | - | - | - | - | 2 | 4 | |
Westerwald | - | - | 1 | 4 | - | - | 1 | - | 6 | |
Yorktown | - | - | - | 1 | - | - | - | 1 | 2 | |
Other | - | 1 | - | - | 1 | - | - | - | 2 | |
PORCELAIN: | ||||||||||
Chinese | 8 | 4 | 19 | - | 16 | 1 | 6 | 1 | 55 | |
TIN-ENAMELED: | ||||||||||
English Delftware | 6 | 2 | 14 | 1 | 12 | 2 | - | 1 | 38 | |
TOTAL CERAMICS | 17 | 10 | 35 | 15 | 34 | 4 | 8 | 6 | 129 |
The small quantity of ceramics (see Table 1) included Chinese porcelain, white salt glazed stoneware (TPQ=1720), English delftware, and Frechen brown stoneware. The glass artifacts included fragments of wine bottle glass, case bottle glass, table glass, and pharmaceutical glass.
Deposited on top of 01AC-350, and covering virtually the same area, was a 6 cm (0.20 feet) thick layer of light yellowish brown (10YR6/4) loamy sand (01AC-323). The types and quantities of artifacts recovered from the layer were very similar to the artifacts from the layer below. Architecturally related artifacts (nails, window glass and one window lead) made up thirty-seven percent of the total 167 artifacts found in this context. The remaining domestic artifacts included ceramics, glass, bone, tobacco pipes, and a small number of copper alloy artifacts. Among the ceramics from the layer, Chinese porcelain was the most common, with English delftware, Fulham stoneware, and white salt-glazed stoneware recovered in lesser quantities (see Table 1). A TPQ of 1720 was attributed to the layer, once again based on the recovery of fragments of white salt-glazed stoneware. Glass fragments from wine bottles, case bottles, and tablewares and pharmaceutical bottles were also found.
On the east side of the house, four distinct early eighteenth-century occupation layers and one pathway were identified. However, as has been the case in each of the early occupation layers around the rest of the house, the relationship between the 38 layers and the house had been obscured by modern disturbances. The earliest of the occupation layers was an 8 cm (0.26 feet) thick layer of light brownish gray (10YR6/2) sandy loam (01AC-170) deposited over subsoil. This layer contained eighty-five artifacts consisting primarily of domestic refuse while the remaining artifacts were composed of architecturally related debris, consisting entirely of nails and nail fragments. The domestic artifacts were made up of ceramics, glass, animal bone and a single piece of unidentifiable iron hardware. The ceramics found in the layer included Fulham stoneware, coarse earthenware, Yorktown-type stoneware, Chinese porcelain, and English delftware (see Table 1). A TPQ of 1725 was attributed to the layer based on the recovery of the Yorktown-type stoneware. All the glass from the layer was from wine bottles, except a single fragment of case bottle glass.
Deposited directly on top 01AC-170 was a 7 cm (0.23 feet) thick linear patch of crushed mortar (01AC-158). The area of the crushed mortar was approximately 150 cm (4.92 feet) wide and was orientated at a roughly 20-degree angle west of grid north, extending through the length of the excavation unit (Figure 20). The dense concentration of the crushed mortar along a distinctly linear course suggests that it was the remnants of a path or walkway situated on the east side of Bassett Hall. The vast
Figure 20. Plan view of crushed mortar path around the east gable end.
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majority of the 139 artifacts recovered were architecturally related, consisting of window glass and nail fragments. The few domestic artifacts included fragments of white salt-glazed stoneware (TPQ=1720), Chinese porcelain, English delftware, wine bottle glass, an unidentifiable piece of iron hardware, and a single fragment of animal bone (see Table 1).
On either side of the pathway, small deposits of soil were identified. The deposits were clearly deposited after the crushed mortar path had been laid down, and were probably contemporary with the use of the path. Situated to the east of the pathway, and overlapping the path's eastern edge, was a thin (5 cm/.16 feet) layer of pinkish colored (2.5YR6/2) ash and sand (01AC-36). The ash and sand fill may have been deposited in order to fill in a depression or "pothole" along the edge of the crushed mortar path. The majority of the one hundred twenty-eight total artifacts were architectural. Nails and nail fragments made up the majority of these artifacts, and window glass fragments composed the remainder. The domestic artifacts included local and imported coarse earthenwares, white salt-glazed stoneware, Westerwald stoneware, Yorktown-type stoneware, English delftware, tobacco pipestems, wine bottle glass, colored and leaded glass fragments, unidentifiable iron hardware, and animal bone. One of the white salt-glazed stoneware fragments had a dot/diaper/basket press-molded decoration along the edge of the plate, a pattern not produced until after 1740.
Along the western edge of the pathway, and also slightly overlapping the path's margin, was a small deposit of light olive brown (2.5Y5/3) loamy sand (01AC-165), ranging in depth from 2 (0.065 feet) to 8 cm (0.26 feet). In comparison to the path (01AC-158) and the ash and sand deposit (01AC-36), far fewer artifacts were recovered, totaling only forty-two. Architectural artifacts accounted for forty percent of the total, included nail fragments, window glass, and window leads. Domestic refuse accounted for sixty percent of the artifacts from the layer, and included ceramics, glass, animal bone, and unidentifiable hardware fragments. Ceramics represented in the layer included white salt-glazed stoneware, Westerwald stoneware, and Chinese porcelain. All the non-architectural glass from the deposit was wine bottle glass. A single fragment of an iron alloy horseshoe was also recovered from the deposit. The layer had a TPQ of 1720, once again based on a fragment of white salt-glazed stoneware.
The final early eighteenth-century occupation layer (01AC-71) extended to the east and to the south away from the east gable chimney, and sealed the mortar path (01AC-158) and the two contemporary soil deposits along side the path (01AC-36 and 01AC-165). The layer consisted of a brown (10YR4/3) sandy loam soil and a large quantity of burned oyster shell. Other evidence of burning included several concretions of melted glass and dirt. Architectural debris accounted for thirty-three percent of the one hundred nine total artifacts recovered from the layer, and included nails, fragments of window glass, and a window lead. Domestic refuse accounted for the other sixty-seven percent of the artifacts and included ceramics, glass, animal bone, and miscellaneous other artifacts. The ceramics were North Midlands slipware, white salt-glazed stoneware, an unknown variety of stoneware, Chinese porcelain and English delftware. Six fragments of wine bottle glass and five case bottle glass fragments 40 were also recovered. Among the miscellaneous artifacts were a straight pin and a fragment of worked bone that may have been part of a musical instrument. Although the latest artifact from the layer was white salt-glazed stoneware (TPQ=1720), the stratigraphic relationships point to a post-1740 deposition of the layer.
Analysis of the artifacts from these early occupation layers has revealed several interesting insights into the earliest occupation of Bassett Hall. The most important characteristic of the layers is that they all date to the second quarter of the eighteenth century. Remarkably, only a single artifact (molded white salt-glazed stoneware fragment), out of a total of 898 finds from the early occupation layers, definitely post-dates 1740. The remaining contexts all have TPQ's of either 1720 or 1725, or did not contain any datable artifacts. The proximity of the layers so close to the house strongly suggests that they are related to the occupation of the house. Accordingly, the archaeological evidence suggests an occupation of the house dating to as early as the second quarter of the eighteenth century.
Further analysis of the artifacts can help to identify the activities that took place on the site as the layers were accumulating. Architectural artifacts (nails, window glass and window leads) were compared to domestic artifacts (ceramics, vessel glass, animal bone, and personal effects) from each of the early occupation layers around Bassett Hall (Figure 21). The architectural artifacts most likely would have accumulated during periods of construction or renovation. Alternatively, the domestic artifacts most likely accumulated during the occupation of the house. Their accumulation was the result of the disposal of household trash as sheet refuse in the yard of the dwelling house, often accumulating over an extended period of time.
From six of the eight early occupation layers, domestic artifacts accounted for a larger percentage of the total assemblage. On average, the ratio of domestic artifacts to architectural artifacts favored domestic by a ratio of 2:1. Expressed in a different way, the percentage of artifacts related to domestic refuse averaged sixty-six percent
Figure 21. Comparison of architectural debris vs. domestic refuse from the early occupation layers around Bassett Hall.
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from these six contexts, compared to thirty-four percent for architectural debris (Figure 22), suggesting that domestic refuse disposal was the primary agent influencing the accumulation of artifacts within the early occupation layers. Accordingly, the artifacts suggest that the house already existed and was occupied while the layers were forming.
Figure 22. Architectural debris vs. domestic refuse.
In contrast, artifacts from the remaining two contexts exhibited the opposite pattern. In both of these contexts, the percentage of architectural debris significantly exceeded domestic refuse. On average domestic refuse accounted for nineteen percent of the assemblage, while architectural debris accounted for an average of eighty-one percent (Figure 23). Contexts with the highest percentage of architectural material included the crushed mortar pathway (01AC-158) and the deposit of ash and sand
Figure 23. Architectural debris vs. domestic refuse.
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(01AC-36) that was contemporary with pathway. The high percentage of architectural material from these two contexts suggests that they may have been formed during a period of either construction or renovation to the dwelling house. The contexts were deposited over a layer of domestic sheet refuse, indicating that the two contexts were deposited after the house had already been occupied, suggesting that the accumulation of architectural debris was probably not part of the initial construction of the house, but rather from a repair or renovation to it.
As already discussed, previous researchers have speculated Philip Johnson originally constructed that Bassett Hall around 1760. However, the results from the waterproofing excavations suggests that the original portion of Bassett Hall was constructed and occupied in either the 1730s or 1740s, which predates Johnson's acquisition on the property. Alternatively, the archaeological evidence for the houses construction and early occupation coincides with Thomas Bray II's ownership of the property, after he inherited the property from his cousin David Bray II in 1731.
The 2001 archaeological excavations also revealed significant information regarding the construction of Bassett Hall's two large exterior chimneys. Once the various soil layers around the east and west end chimneys were removed, it became immediately evident the chimneys were not part of the building's original construction. The excavations revealed that the construction of the chimney bases, and the construction of the cellar walls, were clearly two distinct and unrelated events. The chimney base brickwork and the cellar foundation wall brickwork are clearly not tied into one another (Figure 24). Examination of the brickwork indicates that the cellar foundation walls were already in place when construction of the chimney bases began, and in order to accommodate the new hearths, holes in the brickwork of the cellar foundation walls had to be made. Once the cellar foundations walls had been breached, the chimney bases were constructed matching the width of the openings into the building. The remaining gaps between the chimney base and the cellar foundation were filled with mortar. Because no hearth was planned for the basement, the chimney base was not extended down to the bottom of the cellar foundation wall. Instead, the new chimneys were set relatively shallow into the ground, extending only 60 cm (approximately 2 feet) below grade, and as previously mentioned, the chimney bases were built over the builder's trench for the cellar foundation wall. The brickwork for the chimney was laid in English bond with rubbed brick corners, on both the inner and outer corners, and bonded with a shell-based mortar. According to Colonial Williamsburg architectural historian Michael Bourne, the quality of the chimneys may be characterized as "superior" (Bourne, 2001, personal communication).
An intact builder's trench (01AC-76, -78, -109, -77) related to the construction of the chimneys was located for the east chimney (Figure 25). Although a nineteenth-century repair trench (01AC-32-33) had destroyed the upper portion of the chimney builder's trench, the bottom portion of the builder's trench had survived intact. The trench width varied from 20 cm (0.66 feet) along the south face of the chimney base to 48 cm (1.57 feet) along its east face. The trench had vertical sides and a flat bottom, and a fill that consisted of three overlapping lenses of yellowish brown (10YR5/6)
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Figure 24. Interface between the west chimney base and the foundation wall.
Figure 25. Profile of east chimney builder's trench.
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sandy clay loam with inclusions of brick and mortar. A total of twenty-two artifacts were recovered from the trench fill, primarily consisting of nail fragments. Glass, animal bone, and a small fragment of English delftware were also recovered from the fill, but none of the artifacts were considered datable. The only clue to the age of the chimney was based on the recognition that the original excavation of the chimney builder's trench was cut through a post-1740 stratum of burned oyster shell and sand (01AC-71). Because the layer cut by the builder's trench post-dates 1740, so must the east gable end chimney.
Presumably, the two gable end chimneys were constructed at around the same time. Unfortunately, however, landscaping around the building during the restoration of Bassett Hall in the 1930s had destroyed almost all evidence of the builder's trench for the west chimney, except for the very bottom 15 cm (0.53 feet) to 20 cm (0.66 feet) section of its builder's trench (01AC-85-86). The remnants of this feature only cut subsoil, and not any early cultural layers. The fill consisted of a single lens of dark yellowish brown (10YR4/6) clay with fragments of brick and mortar. The only artifact recovered was a single non-diagnostic nail fragment. Assuming, however, that the two gable end chimneys were built around the same time, it may be assumed that the chimney was erected after 1740.
Although the excavation of the west chimney builder's trench turned out to be inconclusive with regard to ascertaining an age for the chimney's construction, its excavation did reveal an interesting additional feature. The removal of the builder's trench fill exposed a curious line of bricks in course (01AC-87), apparently forming a brick wall, seated on subsoil within the builder's trench cut (Figure 26). The extant line of
Figure 26. Plan view of the brick wall within the west chimney builder's trench.
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bricks was made up of both whole bricks and brick bats, but with no evidence of any mortar between them. The line of brick was located 33 cm (1.1 feet) west of the existing west chimney base and was oriented parallel to the existing chimney base. The northern extent of the line coincided with the northern edge of the chimney builder's trench, and extended south from that point for 140 cm (4.6 feet). The southern extent of the line was destroyed by boxwood plantings. Deposited between the chimney base and the line of bricks, and also within the chimney builder's trench cut, was a pile of brick and mortar rubble (01AC-90). Unfortunately, no artifacts were found in association with the brick rubble, and the function of the small stretch of bricks within the builder's trench remains unknown.
The two gable end chimneys appear identical, but during the excavations to underpin the chimneys, at least one major difference was identified. On the east end, the base is formed by a large solid rectangular brick pad. The west side contained no such pad; instead the chimney base was U-shaped with the open portion of the "U" facing into the building. The area within the interior of the "U" was filled with loose brick and mortar rubble, and capped with a solid brick pad at the level of the fireplace hearth on the first floor. The reason for the difference between the chimneys is unclear. One possible explanation may be that the construction of the "U-shaped" chimney base was an effort to save on expensive building materials.
Archaeology has clearly demonstrated that the two end chimneys were not constructed as part of the original foundation, and also that they were not added to the building until an unknown date after 1740. The fact the existing chimneys are not original to the building foundation ultimately raised new questions regarding the earliest phases of Bassett Hall's architectural history. In particular: where were the original chimneys? And why were they replaced?
Chimneys in colonial Virginia were typically located on the gable ends of houses, usually with at least one chimney on either end. End chimneys were constructed on either interior or exterior of the building's foundation walls. Alternatively, in some colonial examples, a building may have had only one large central chimney. In order to determine what type of chimneys were originally part of Bassett Hall, Colonial Williamsburg architectural historians examined Bassett Hall's cellar walls and ground level floor joists. The examination, however, did not locate any evidence to indicate the former presence of an interior central chimney or interior end chimneys (Bourne, 2001, personal communication). The implication of the architectural evidence is that the structure's original chimneys most likely would have been located on the exteriors of the building's gable ends. However, the archaeological traces of these early chimneys were non-existent. Most likely, the original chimneys were in the same location as the existing chimneys and were completely demolished in order to build the new ones. In the process of demolition and the subsequent construction of the existing chimneys, all evidence of the original chimneys was eradicated.
The archaeological record is similarly silent on the explanation as to why the new chimneys were constructed. Nevertheless, a possible explanation, can be inferred from an architectural study of the existing structure. As already discussed, the limited architectural evidence suggests that the original structure was only one-and-a-half stories tall, and was later raised to two stories (Buchanan 1980). Assuming that the 46 original structure was only one-and-a-half stories, the original chimneys would have been servicing a much smaller structure, and thus the original chimneys were likely to have been proportionally smaller as well. However, once the building was raised to two stories, the original chimneys would have been inadequate for heating the larger building. As part of the house's expansion, the original chimneys would have been dismantled, and the larger existing chimneys would have been built in their place. Given this set of circumstances, it is not unbelievable to imagine that any part of original smaller chimneys would have been entirely concealed by the construction of the larger second set of chimneys in their place.
By 1782, the year in which the Frenchman's Map of Williamsburg was produced, a dining room had been added to the south (rear) of Bassett Hall, giving the building a "T-shaped" plan (Figure 27). Architectural evidence suggests that the dining room was originally 1½-stories, with an A-framed roof. Regrettably, the original date for the construction of the dining room wing has escaped comment in the records pertaining to Bassett Hall. Through archaeology, however, it was hoped that it would be possible to determine a date for the dining room addition. Unfortunately, a 1930s waterproofing of the dining room's cellar walls destroyed all remnants of the wing's builder's trench along its east wall. On the west side, the dining room was expanded two feet (61 cm) to the west as part of the restoration, and as a result, access to the west wall builder's trench was not possible without undermining the existing structure. Consequently, no determination based on the builder's trench could be made regarding the construction date for the dining room.
Figure 27. Detail of the Frenchman's Map showing the T-shaped plan of Bassett Hall.
Although the builder's trench for the dining room had not survived, or was inaccessible, its age could be inferred from indirect evidence. In particular, a long ditch (M2), oriented parallel to the dining room, was identified 180 cm (5.9 feet) west of the dining room's west wall (Figure 28). As the ditch approached the house, the ditch made a sharp and distinct ninety-degree turn to the west around the house. From there, the ditch followed along the exterior of the house and turned ninety-degrees back to the north, and continued around the southwest corner of the house. Unfortunately, the total extent of the ditch could not be traced, as the northern end of the ditch feature had been destroyed by nineteenth- and twentieth-century landscaping, and the southern end extended out beyond the bounds of the project area. Nevertheless, it was clear that the ditch clearly snaked around the house, rather than continuing through it, thus post-dating the house's construction.
Figure 28. Photograph of the ditch feature (M2) along the west side of Bassett Hall.
The ditch was 50 cm (1.64 feet) to 60 cm (1.96 feet) wide, and 13 cm (0.43 feet) to 25 cm (0.82 feet) deep. The ditch had a flat bottom and sloped sidewalls. The walls may have once been straight sided, but have subsequently eroded (Figure 29). The ditch feature may have served as an open drain around the perimeter of the house to draw water away from the house. No drainage ditch was located along the east side of the house, suggesting that the water problem was been limited to the west side.
48
Figure 29. Profile of early ditch feature (M2) along the west side of Bassett Hall.
The ditch contained two distinct soil layers overlaying one another. The bottom fill (M2) consisted of an accumulation of dark grayish brown (10YR3/2) silt loam. One hundred one artifacts were recovered from the fill, the vast majority of which were fragments of window glass. The percentage of architecturally related artifacts (window glass and nails) accounted for ninety-one percent of the artifacts from the lower fill. The high proportion of architecturally related material in contrast to the low quantity of domestic material suggests that the fill was accumulating during a construction/renovation period - possibly the construction of the dining room wing. The remaining artifacts consisted of a small quantity of ceramics and glass. All the ceramics from the ditch feature were fragments of English delftware, which does not have a meaningful TPQ.
The upper layer (M3) of fill in the ditch feature was a layer of brown (10YR5/3) silt loam with a heavy quantity of brick fragments. Three hundred fourteen artifacts were recovered from the layer. Architectural and domestic artifacts were found in nearly equal proportions. The dramatic decrease in architectural material in the upper fill suggests that this layer was formed while the dining room was in use. The architectural material from the upper fill was primarily window glass, followed by nails and a small number of window leads. The domestic artifacts include proportionately large quantities of wine and case bottle glass fragments and a small number of ceramic artifacts. The ceramic ware-types from the layer included molded white salt-glazed stoneware teapot fragments, Chinese porcelain, English delftware, and Westerwald stoneware. Based on several fragments of a molded white salt-glazed stoneware, a TPQ of 1740 was established for the ditch fill.
In summary, the location and orientation of the ditch suggests that it had been excavated after the construction of the original portion of the house, and probably after the addition of the dining room. The ditch functioned as an open drain in order to draw water away from the house foundations during which time soil accumulated within the open ditch, eventually filling it completely. The artifacts from the ditch indicate 49 that it was filled around 1750. Accordingly, the construction of the dining room occurred around mid-century as well, possibly coinciding with Elizabeth Bray Johnson's inheritance of the property in 1753.
The original entrance into the basement located under the dining room was gained through a bulkhead located along the east side of the addition. The archaeological excavations exposed the badly damaged ruins of the original bulkhead, the majority of which had been destroyed during the 1930s waterproofing of the dining room foundation, and the construction of a modern bulkhead entrance. The original bulkhead sustained further damage from the installation of several modern utility lines, and a recent backhoe excavation along the modern bulkhead footing. Consequently, only a very small section of the original bulkhead's north wall had survived intact (Figure 30). The archaeological excavations exposed a portion of the bulkhead's original builder's trench (01AC-296-297), which cut into subsoil and was backfilled with yellowish brown (10YR5/6) clay. No artifacts, save for a few mortar fragments were recovered from the builder's trench.
The bulkhead's brickwork clearly exhibited two periods of construction. The original portion of the bulkhead consisted of several courses of bright orange bricks bonded together with shell mortar, and set directly onto subsoil. The second area of brick was mortared into place directly on top of the original brickwork. These bricks were brownish-red in color, and also held together with a shell mortar. The second layer of brickwork
Figure 30. Profile of the original (east) bulkhead entrance.
50
may represent either a repair or modification to the original bulkhead. Eventually, the bulkhead entrance in the east wall was relocated to the west side of the dining room, and the east bulkhead entrance was filled in. The TPQ of the fill over the east bulkhead is 1762, based on the presence of a fragment of creamware.
Several occupation layers dating to the second half of the eighteenth century were identified to the east of the east chimney. An 8 cm (0.26 feet) thick layer of dark brown (10YR3/3) sandy clay with plaster (01AC-68) was uncovered that sealed the thin stratum of burned oyster shell and sand (01AC-71) previously discussed. The 60 artifacts from the layer included both architecturally related material and domestic refuse, and in virtually equal proportion. The architectural material included window glass, nail fragments, a window lead, and a door pintle. Domestic refuse included English delftware, black-glazed redware, Whieldon-type refined earthenware, white salt-glazed stoneware, Westerwald stoneware, a tobacco pipe stem, wine bottle glass, case bottle glass, animal bone, and a buckle. The TPQ for the layer is 1760, based on the recovery of the Whieldon-type refined earthenware fragments. A mean ceramic date for the layer was calculated at 1749.
On the west side of the dining room wing, a layer of brown (10YR4/3) silt loam (M4) was evident across the excavation area, and sealed the two layers of ditch fill (M2 and M3). The layer was highly dissected by a number of late nineteenth- and early twentieth-century utility lines. The layer ranged in thickness from 5 cm (0.16 feet) to 20 cm (0.66 feet) deep across the west rear excavation area. The layer was formed through the natural accumulation of soil and the deposition of household sheet refuse into the rear yard of house over a lengthy period of time-probably lasting throughout the eighteenth century. The long duration of the of the layer's formation is reflected in the quantity and diversity of artifacts recovered from the layer.
The layer (M4) contains the highest concentration of eighteenth-century artifacts found at the site. Some 1541 artifacts were recovered from the layer, with architectural finds accounting for forty-seven percent of the total artifact assemblage, while domestic refuse accounted for fifty-three percent. Most of the architectural artifacts were window glass fragments, with nails and window leads accounting for the rest.
Among the domestic refuse, glass accounted for the majority of the domestic refuse, and over third of the total assemblage. Wine bottle glass, case bottle glass, pharmaceutical glass, table glass were all represented in the assemblage. One hundred ninety-one ceramic fragments were found, and included thirteen different ware types. White salt-glazed stoneware fragments were by far the most common, accounting for forty-five percent of all the ceramics from the layer. Creamware, Chinese porcelain, and English delftware, were all also found in substantial quantities. A variety of other ceramic ware types were recovered in lesser quantities, and are individually listed in Table 2.
Standard archaeological dating techniques resulted in a variety of dates for M4. The TPQ for the layer was 1820, based on the presence of a small number of porcellaneous ceramic fragments. More than likely these were intrusive artifacts, and thus have skewed the TPQ date for the layer much later than actual date of the layer's 51
REFINED EARTHENWARES: | ||
---|---|---|
Whiteware | 2 | |
Pearlware | 5 | |
Creamware | 31 | |
COARSEWARES: | ||
N.Midlands | 4 | |
Iberian | 5 | |
Colonoware | 2 | |
Other | 5 | |
STONEWARES: | ||
White Salt-Glazed | 87 | |
Westerwald | 6 | |
PORCELAIN: | ||
Porcellaneous | 7 | |
Chinese | 18 | |
English Bone China | 1 | |
TIN-ENAMELED: | ||
English Delftware | 18 | |
TOTAL CERAMICS | 191 |
Using the techniques pioneered by J.C. Harrington (1954) and Lewis Binford (1962), the imported tobacco pipe stem fragments were employed as an additional method of determining the occupation dates for the layer. The bore diameter of each of the pipestems was measured using a set of graduated drill bits. Fifteen out of sixteen of the tobacco pipestems from the layer had bore diameters of 5/64ths of an inch. Using Harrington's method, based on histogram chart that assembles the different sized pipestem bore diameters into temporal groupings, the distribution of pipestems from M4 most closely matches the period of 1710 to 1750. Alternatively, the application of Lewis Binford's straight-line regression formula to determine a mean date for the layer's occupation results in a date of 1732.
Of the four suggested dates calculated above, the mean ceramic date (1766) is probably the most accurate as a mean date for the accumulation of the layer. A date of 1766 is supported by the relative abundance of popular third-quarter eighteenth-century ceramics in the layer. White salt-glazed stoneware was a popular ware type in the second and third quarters of the eighteenth century, and was overwhelmingly abundant in comparison to other ceramic ware types in the layer. Creamware was another very popular ware type, but not produced before 1762, and was also fairly abundant in the layer. The combination of white salt-glaze stoneware and creamware accounts for sixty-two percent of all the ceramic artifacts. Although M4 was building up throughout 52 the second half of the eighteenth century, the high percentage of these two ware types compared to other ware types strongly suggests that the layer was forming primarily in the 1760s and 1770s.
At the end of the eighteenth century, the bulkhead entrance into the basement of the dining room was relocated from the east side to the west side. The partial remains of the west bulkhead were examined in 2001 (Figure 31). The builder's trench for the west bulkhead was cut through the layer of sheet refuse (M4), indicating that the bulkhead was installed after the layer had formed. Excavation of the builder's trench unearthed wine bottle glass, window glass, nails, and a window lead, but failed to recover any datable artifacts to further delineate a construction date for the west bulkhead. A description of Bassett Hall indicates that the west bulkhead was still in service into the twentieth century (Campbell 1933:8), however, during Bassett Hall's restoration, the entrance into the basement was relocated back to the east side. In 2001, approximately 50 percent of the west bulkhead had survived intact, while the other 50 percent had been previously demolished during the building's 1930's restoration. The west bulkhead had also undergone significant repair in the nineteenth century, masking most of its original masonry.
Sealing both the west bulkhead's builder's trench and the layer of brown silt loam (M4) was a layer of brown (10YR4/3) silt loam with brick rubble (M5). The brick rubble consisted of small to medium sized fragments of brick, but no whole bricks were recovered. A total of eight hundred fifty-six artifacts were also recovered from the layer. Architecturally-related finds accounted for sixty-six percent of the total number of artifacts, and consisted of fragments of window glass and nails. The increase of architectural debris over domestic refuse may be related to repairs or modifications to Bassett Hall (i.e., the relocation of the basement bulkhead). Domestic refuse once again included a variety of glass fragments from wine bottles, case bottles, pharmaceutical containers, and table glasses. The domestic refuse also included a number of fragments from different ceramic ware types (Table 3). Sixty-four percent of the ceramics were creamware. The remaining ware types included small numbers of Chinese porcelain, pearlware, white salt-glazed stoneware, Westerwald stoneware, German stoneware, Buckley coarse earthenware, and English delftware. A TPQ of 1775 was attributed to the layer based on the presence of the pearlware fragments, while the mean ceramic date was 1774.
REFINED EARTHENWARES: | ||
---|---|---|
Pearlware | 3 | |
Creamware | 43 | |
COARSEWARES: | ||
Buckley | 1 | |
STONEWARES: | ||
White Salt-Glazed | 2 | |
Westerwald | 1 | |
Other | 1 | |
PORCELAIN: | ||
Chinese | 15 | |
TIN-ENAMELED: | ||
English Delftware | 1 | |
TOTAL CERAMICS | 67 |
A discontinuous narrow trench (M6) along the building's foundation was located the north and south elevations of the building's original section (Figure 32). The trench was only 40 cm (1.31 feet) wide and 18 cm (0.59 feet) deep, and cut the building's original builder's trench. Excavation of the trench may have been in order to gain
54
Figure 32. Photograph of the late eighteenth-century repair trench along the north elevation of Bassett Hall.
access to the exterior of the foundation walls for repairs to the brickwork. After the repairs were completed, the trench was backfilled. The archaeological re-excavation of the trench revealed several distinct thin lenses of different fills within the trench fill (Figure 33). Included within each of the fills of the repair trench were substantial quantities of both brick and mortar. Four hundred forty-six artifacts were recovered
Figure 33. Profile of the repair trench along the south elevation of Bassett Hall.
55
from the repair trench fills, eighty-three percent of which was architecturally related material. The architectural finds consisted of a large quantity of window glass and nails. Domestic refuse comprised the remainder of the artifacts from the repair trench. The domestic refuse included ceramics, glass, animal bone, tobacco pipestems, unidentifiable iron hardware, one button, and a scrap of lead. In spite of a single sherd of whiteware (TPQ=1805), thought to be intrusive, the rest of the artifacts, and the stratigraphic position of the trench, suggests that trench was filled in the late eighteenth century.
The final eighteenth-century feature is a footing (01AC-152) along the north elevation of Bassett Hall for a small porch (Figure 34). The footing was orientated perpendicular to the foundation wall of the house, and located 5.6 meters (18.37 feet) west from the northeast corner of the house. Only the bottom course of the footing remained, extending 70 cm (2.3 feet) out from the house, the remainder had been demolished during the installation of a water drain-pipe that ran parallel to the front of the house. No evidence of the companion footing for the west side of the porch was located. Most likely any remnants of the west footing were demolished beyond recognition as a result of landscaping and utility line installations. The small surviving portion of the east footing was 35 cm (1.15 feet) wide (1½ bricks) and bonded with shell mortar. A
Figure 34. Photograph of the north porch footing.
56
sand and clay filled builder's trench (01AC-148-149) was located along the east side of the footing, but the only artifacts from the builder's trench fill were six non-diagnostic nail fragments. Because of the lack of datable artifacts, the age of the footing is somewhat speculative. It clearly post-dates the late eighteenth-century repair trench (M6) along the north elevation of the house, and was bonded with shell mortar, indicating that the likely construction date for the footing was ca. 1800. Early twentieth-century photographs of Bassett Hall depict a large two-story porch attached to the front of Bassett Hall (Figure 35). The dimensions of the porch in the photograph appear to match the dimensions of the footing discovered archaeologically. However, the two-story porch in the photograph is believed to be a late nineteenth-century addition, according to a description of the house made in 1933 (Campbell 1933:2). It is possible, however, that the porch shown in the photograph replaced an earlier porch, and had been built on the earlier porches footings.
Abundant archaeological evidence of substantial repair and renovation to Bassett Hall in the late eighteenth-century was recovered in all areas around the house. Among the repairs and renovations included, the repairs to the cellar foundation walls, the construction of a new basement bulkhead, and the construction of a front porch were all completed at this time. The late eighteenth-century date of these repairs coincides with the ownership of the Bassett Hall by Richard Corbin. Not surprisingly, the account books of several area merchants and craftsmen indicate that Corbin was spending a lot of money on building repairs and new furnishings between 1795 and 1796.
Figure 35. Early twentieth-century photograph of the two-story north porch.
The succession of nineteenth-century owners of Bassett Hall includes some of the most prominent families in Virginia. Unfortunately, the archaeological record corresponding to these well-known nineteenth-century owners of, and visitors to, Bassett Hall has been significantly impacted by the installation of utility lines around the turn of the twentieth century, the renovation of the structure in the 1930s, and extensive landscaping around the house throughout the twentieth century. The degree of preservation of the nineteenth-century layers and features varied substantially around the house. In particular, along the north elevation, and the east and west gable ends of the original portion of the house, the nineteenth-century layers and features were nearly wiped out. However, to the south of the original structure, on either side of the dining room, several nineteenth-century features and layers have survived intact.
Among the nineteenth-century features were the heavily disturbed traces of a marl pathway or apron (M8) on the west side of the dining room. Large patches of marl were located around the foot of the west bulkhead entrance, suggesting that the marl may have formed a path leading to and away from the bulkhead which is thought to be of late eighteenth-century origin. Accordingly, the marl path would have probably been laid down soon after the bulkhead was completed. The marl lining the path varied from 5 cm (0.16 feet) to 12 cm (0.39 feet) in depth, but the extent and direction of the path is impossible to determine because of the heavy amount disturbance. A TPQ of 1850 was determined on the basis of presence of cut nails imbedded into the path, suggesting that marl path was still in use at mid-century. A total of two hundred five artifacts were recovered from contexts identified as part of the path. Architectural debris and domestic refuse were recovered in equal numbers. Among the ceramic fragments, creamware was particularly abundant, accounting for thirty out of the forty-eight ceramics. In spite of a TPQ of 1850, the high percentage of creamware (TPQ=1762) from the path contexts suggests that it was probably originally put down at a much earlier date. A likely scenario is that the path and the west bulkhead are roughly contemporary with one another, most likely dating to the turn of the century. Meanwhile, the recovery of the small number of mid-nineteenth-century artifacts (i.e., whiteware, porcellaneous ceramics, and cut nail fragments) suggests that the use of the path continued to be used until around the middle of the nineteenth century. An occupation date range spanning the first half of the nineteenth century for the marl path corresponds with the ownership and occupation of the house by Burwell Bassett.
Limited archaeological evidence of building maintenance and repair during the nineteenth century was also unearthed during the excavations. A repair trench (M7) was found along the cellar foundation walls of the original portion of the house (Figure 36). The trench measured 45 cm (1.48 feet) wide but was relatively shallow, extending to a depth of only 16 cm (0.52 feet). The trench was completely filled with large chunks of building plaster, suggesting that not only exterior, but interior work was being undertaken.
58
Figure 36. Photograph of the plaster-filled repair trench.
The excavation of the extant portions of the trench yielded over three hundred artifacts, ninety percent of which was architectural debris consisting of nail fragments and window glass. The remaining ten percent included as small quantity of domestic refuse, including ceramics, vessel glass, animal bone, unidentifiable hardware, a straight pin, and a bone handle. The TPQ for the trench fill was 1820, based on a fragment of porcellaneous ceramic. Similar to the marl path, the repair trench appears to coincide Burwell Bassett's ownership and occupation of the house.
Although heavily dissected by utility lines, several layers of nineteenth-century sheet refuse were excavated along the rear of the original house, on either side of the dining room. On the west side, of dining room, two distinct layers of sheet refuse were evident. The lower level (M9) measured approximately 8 cm (0.26 feet) thick and appears to have been contemporary with the marl path during the first half of the nineteenth century. A TPQ of 1820 was attributed to the layer based on fragments of whiteware. The soil matrix of the layer consisted of a dark gray (2.5Y4/1) silt loam with substantial quantities of charcoal and brick inclusions, suggesting that a fire may have occurred during the layer's accumulation. A total of one hundred seventy-one artifacts were recovered from the layer. Architectural debris consisting of window glass and nail fragments composed sixty-five percent of the artifacts from the layer. The domestic artifacts accounted for thirty-five percent and included primarily ceramics and glass, as well as a small quantity of animal bone, a single tobacco pipe fragment, and some unidentifiable iron hardware fragments.
The second layer of sheet refuse (M10) accumulated directly on top of M9. The soil matrix consisted of a 10 cm (0.33 feet) thick layer of dark yellowish brown 59 (10YR4/4) silt loam, and with many fewer inclusions than the earlier layer. The percentage of architectural to domestic refuse from M10 was nearly identical to the earlier (M9) layer. Once again, sixty-eight percent of the artifacts found were window glass and nail fragments, and domestic refuse accounted for thirty-two percent. Although the percentage of architectural debris versus domestic refuse was very similar between the two layers, the upper layer of sheet refuse consisted of a substantially larger quantity of artifacts. The upper layer yielded 1799 artifacts, as compared to only 171 from the lower layer. Among the artifacts was a relatively large number of late eighteenth and nineteenth-century ceramic ware types (see Table 4). A TPQ of 1864 was designated for the upper layer, based on the recovery of Leighton's patent
M9 | West M10 | M11 | East M12 | |
---|---|---|---|---|
REFINED EARTHENWARE: | ||||
Bennington | 1 | 1 | - | - |
Yellow ware | 2 | - | - | - |
Whiteware | 5 | 43 | 11 | 4 |
Pearlware | 6 | 50 | 13 | 11 |
Creamware | 2 | 66 | 2 | 32 |
Other | - | 2 | 1 | 8 |
COARSEWARE: | ||||
Colono-ware | - | - | 1 | - |
N.Devon Gravel-tempered | 1 | - | - | - |
Other | - | 8 | 1 | 10 |
STONEWARE: | ||||
American Stoneware | - | - | 1 | - |
Black Basalt | - | - | - | 2 |
White Salt-Glazed | 1 | 16 | 12 | 9 |
Yorktown-type | - | - | - | 1 |
Westerwald | - | 2 | - | 3 |
Fulham | - | - | 1 | 1 |
Other | - | - | - | 2 |
PORCELAIN: | ||||
Porcellaneous | 8 | 2 | 10 | 6 |
English Bone China | 4 | 4 | 6 | 1 |
Chinese | 2 | 39 | 4 | 8 |
TIN-ENAMELLED: | ||||
English Delftware | - | 6 | 12 | 18 |
TOTAL | 32 | 239 | 74 | 117 |
TPQ | 1830 | 1864 | 1864 | 1864 |
More nineteenth-century sheet refuse (M11) was found along the west gable end chimney. Although only a small area of sheet refuse remained intact, a relatively substantial quantity of artifacts was recovered. Architectural debris accounted for fifty-seven percent of the artifacts, while domestic refuse accounted for the remaining forty-three percent. The soil matrix for the layer was a dark brown (10YR3/3) silt loam. The soil color and consistency closely resembled that of upper layer of sheet refuse west of the dining room, as did the artifacts. Late eighteenth- and nineteenth-century ceramics (see Table 4), window and bottle glass, nails, and animal bone were all recovered from the layer. Similar to M10, a TPQ of 1864, based on Leighton's patent glass, was established for the layer. M11 is likely the same layer as M10, only located further to the north and west.
On the east side of the dining room, additional nineteenth-century sheet refuse was unearthed. The sheet refuse consisted of several overlapping lenses of brown silt loam and brown sandy loam. In the field, each lens was excavated and recorded separately. Artifact analysis, however, revealed no temporal or spatial distinctions between the lenses. In order to facilitate comparison with the sheet refuse from the west side of the dining room wing, the individual lenses were combined into a single master context (M12). The combined depth of the lenses was 10 cm (0.33 feet), and contained artifacts very similar to the west side. The array of artifacts consisted of a large quantity of late eighteenth and nineteenth-century ceramics, window and bottle glass, nails, and animal bone (see Table 4). Architectural debris accounted for fifty-four percent of the artifacts, and domestic refuse accounted for the remaining forty-six percent. Similar to M10 and M11, a TPQ of 1864, based on Leighton's patent glass, was attributed to the sheet refuse on the east side. The artifacts and stratigraphic position of the layers suggest that the accumulation was likely forming throughout the first three quarters of the nineteenth century, and possibly even the fourth quarter.
All three nineteenth-century west side sheet refuse layers were grouped together, and considered together as a single accumulation spanning for most, if not all, of the nineteenth century. The artifacts from the east side sheet refuse layers were then compared to those from the west side. The comparison of the artifacts revealed some interesting differences in the nature of the artifacts from the east and west sides of the building. Although sheet refuse on either side of the house date to approximately the same time period (ca. 1800-1875), distinct differences in the distribution of ceramic ware types were evident. In particular, among the sixteen different ware types present within the east side sheet refuse, creamware accounted for twenty-seven percent, followed by English delftware at fifteen percent, and pearlware at ten percent. The remaining thirteen ware types composed the rest of the ceramic assemblage, but none accounted for more than eight percent of the total. The relatively high concentration of creamware, English delftware, and pearlware suggests that the majority of the layer's ceramics probably accumulated closer to the turn of the nineteenth century. In contrast, the distribution of ceramic ware types on the west side of the house which were more evenly distributed between different ware types representing successive periods 61 of production in the late eighteenth and nineteenth centuries. Of the variety of different ware types, creamware and pearlware each accounted for twenty percent of the total number of ceramics from west side, and whiteware and Chinese porcelain accounted for seventeen percent and thirteen percent respectively. None of the twelve different remaining ware-types accounted for more than six percent (Figure 37). This pattern is suggestive of a gradual accumulation of ceramics in the layer over time, at a relatively even rate throughout the layer's buildup. Additional comparison of six general artifact categories indicates only slight variation in the types of artifacts deposited on either side of the building (Figure 38). In particular, only domestic glass (bottles and tableware) measured any significant variation (>5%) from one side of the dining room wing to the other.
Figure 37. Distribution of ceramic ware types from the nineteenth-century sheet refuse layers.
The analysis of the sheet refuse artifact patterning suggests that changes occurred in the land use around the rear of the house in nineteenth century. At the beginning of the nineteenth century, domestic refuse was being deposited in the rear yard, on either side of the dining room. However, as the years passed, less domestic refuse was thrown out on the east side, although it continued to be regularly deposited in the rear yard to the west of the dining room. The reason for this change may be linked to the changing architecture of Bassett Hall during this period. In the nineteenth century, a porch was added to the rear of the original house on the east side of the dining room (Figure 39), although no archaeological features relating to the original porch were
62
Figure 38. Distribution of artifacts categories from the nineteenth-century sheet refuse layers.
Figure 39. Photograph of the nineteenth-century porch addition along the east rear.
63
found in 2001. The construction of the porch may indicate a more formal use and conception of the east rear yard. Accordingly, trash disposal would likely have decreased in this new formal space. The west rear yard did not share the same degree of formality, as indicated by the continued disposal of domestic refuse in the yard for much of the nineteenth century. The architecture of the building also suggests that the west side was becoming more of a utilitarian space. In particular, the rear west yard contained two service entrances into the house in the nineteenth-century.
Based on the preceding analysis, it is possible to link the refuse disposal practices to specific owners and occupants of Bassett Hall. During Burwell Bassett's ownership, household refuse disposal does not seem to have been limited to either side of the rear yard. Significant quantities of household refuse, dating to Bassett's occupation, were recovered in both portions of the rear yard. However, during the Durfey and Smith families' ownership periods later in the century household refuse disposal was definitely concentrated in the west rear yard.
Finally, among the most unique artifacts recovered from the entire excavation was a single fragment of etched window pane glass that was found in a shallow charcoal deposit adjacent to the north porch. Inscribed into the glass was, "2 Friday." Most likely, the etching was made to commemorate the engagement of Confederate Army Captain John W. Lea and Margaret Durfey, the daughter of Bassett Hall's owner Goodrich Durfey. Captain Lea was among the Confederate wounded captured by the advancing Union Army after the Battle of Williamsburg in May 1862. Captain Lea was taken to Bassett Hall after the battle to recuperate from his injuries. While recuperating at Bassett Hall, Captain Lea fell in love with Margaret Durfey, and shortly thereafter, the two were engaged to be married on Friday, May 23, 1862. To commemorate the event, the date was etched into several window panes of Bassett Hall. Several of the etched panes have remained intact in the ground floor windows of Bassett Hall to the present day (Williamsburg Garden Club 1950:47-52; Blackford et al. 1984:19-20; Rouse 1989:97-99; Taylor 1981).
The wedding took place at Bassett Hall later that summer. Attending the wedding, and serving best man, was Lea's former West Point classmate, and now a Captain in McClellan's Union Army, George A. Custer. The wedding reportedly turned out to be gala affair, and the contrast in Lea's and Custer's uniforms standing beside one another was undoubtedly an extraordinary sight to behold (Bullock 1950:47-52; Blackford et al. 1984:19-20; Rouse 1989:97-99). Custer later described the wedding in a letter to sister:
I was at the residence of the bride long before the appointed hour. Both (the bride and her cousin, Maggie, the bridesmaid) were dressed in white with a simple wreath of flowers upon their heads. I never saw two prettier girls. (John) Lea was dressed in a bright new rebel uniform trimmed with gold lace; I wore my full uniform of blue.(cited in Williamsburg Garden Club 1950:48)
After the wedding, Custer remained as a guest at Bassett Hall for two weeks, while visiting with is former classmate and his new bride. In describing his visit, Custer once again wrote to his sister: 64
I remained with Lea, or rather, at his father-in-law's house, for two weeks, and never had so pleasant a visit among strangers. Cousin Maggie would regale me by singing and playing on the piano, "My Maryland," "Dixie," "For Southern Rights, Hurrah,", etc. We were all fond of cards and would play for the Southern Confederacy. When doing so Lea and I were the only players, while the ladies were spectators. He won, every time, when playing for the Confederacy, he represented the South, I the North. Lea has since been exchanged and is now fighting for what he supposes are his rights.(cited in Williamsburg Garden Club 1950:51)
As Custer described, Captain Lea returned to fight with the Confederate Army after the wedding, and served until the end of the war. After the war, Lea became an Episcopal clergyman in West Virginia. Custer, on the other hand, was quickly promoted through the ranks, becoming a brigadier general with the Union Army at age twenty-three (Williamsburg Garden Club 1950:47-52; Blackford et al. 1984:19-20; Rouse 1989:97-99).
The twentieth-century features at Bassett Hall included utility lines, planting holes, and Restoration-period construction layers. Late nineteenth and early twentieth-century utility lines crisscrossed each other on all sides of Bassett Hall, and in many areas virtually destroyed all evidence of prior occupation. Artifacts dating from the seventeenth century through the twentieth century were commonly found mixed together within the utility trench fills. One previously abandoned utility trench was inexplicably filled in with concrete.
Planting holes for both trees and boxwoods planted during the restoration of the house in the 1930s were encountered along the north elevation and gable ends of Bassett Hall. Evidence that many of boxwoods were imported from outside the Williamsburg area was immediately apparent from the distinctive red-colored dense clay of the planting fill (Figure 40). Not found anywhere within the Tidewater, similar
Figure 40. Red-clay-filled boxwood planting hole.
65
red clays are found in the Piedmont sections of Virginia and North Carolina. Evidently, the boxwoods originated in the Piedmont and were transplanted to Bassett Hall. Finally, the restoration and expansion of Bassett Hall in the 1930s left a significant archaeological imprint.
To the south of the dining room, a new kitchen wing was constructed, replacing an existing late nineteenth/early twentieth-century kitchen addition.4 The two-story north porch was also removed, and replaced with a new colonial-style porch. The nineteenth-century porch addition on the east rear section of the original house was removed, rebuilt, but then removed again during the restoration. Although no evidence of the original east rear porch was discovered, the footings for the reconstructed porch remained intact (Figure 41). Finally, on the west side of the dining room wing, the west bulkhead was demolished and relocated back to the east side of the dining room wing in order to accommodate a large brick terrace. Underpinning the brick terrace was a 20 cm (0.66 feet) thick layer of dense clay containing numerous artifacts dating from the seventeenth through twentieth century.
66The archaeological excavations around Bassett Hall in 2001 proved to be extremely successful, producing a significant amount of information about the house that was previously unknown. Archaeologists uncovered significant architectural features relating to the age, construction, and development of the building over time, as well as cultural layers and features dating to all phases of the building's occupation. The quality and quantity of the information gained through the archaeological investigation of the house was particularly important, as the historical record for the property is sparse.
Among the new architectural insights, the archaeological data suggests that the original portion of the house was constructed at an earlier date than had previously been suspected. Several different sources of data suggested the original portion of Bassett Hall was constructed and occupied in the second quarter of the eighteenth century. Evidence of a post-in-ground shed on the west side of the house dating to this time period was also discovered. The suspected construction date for the house coincides with Thomas Bray II's ownership of the Bassett Hall property, which spanned between 1731 and 1751.
The archaeological excavations also revealed significant additional information regarding the construction and age of Bassett Hall's two large exterior chimneys. Excavations around the chimneys have clearly demonstrated that the construction of the two gable end chimneys post-dated the construction of the house. Accordingly, the archaeological evidence suggests that the chimneys were constructed not until after the 1740s. The construction of the chimneys may have been part of a general expansion of the original house that included the raising of the house from one and a half stories to a full two stories. In addition, along the front of the house, the brick footings of a late eighteenth or early nineteenth-century porch were also identified.
On the south side of the original portion of the house, the archaeological excavations unearthed information regarding the construction of the dining room wing located at the rear of the original structure. Because the dining room appears on the Frenchman's Map, it was known that the addition predated the early 1780s, while the archaeological evidence suggests the construction of the dining room wing may be as early as the 1750s or 1760s, and possibly coinciding with the inheritance of the property in 1753 by Elizabeth Bray Johnson from her father, Thomas Bray II. Archaeologists also uncovered evidence of a sequence of at least three successive bulkhead entrances into the basement of the house.
Finally, various occupation and sheet refuse layers dating to the eighteenth and nineteenth-centuries were located all around the house, which included numerous artifacts. Each of the layers has helped to provide a better understanding of the people who lived at Bassett Hall and the patterns of their daily activities.
Overall, the Bassett Hall excavation proved to be an extremely successful example of how limited stratigraphic archaeological study can supply valuable new architectural and historical information about a property. Similarly the excavations have demonstrated how more archaeological, architectural, and historical research is necessary in order to understand the history of the property more completely.
Among the most significant results of the 2001 archaeological excavations has been the determination that the construction of the house is earlier than previously suspected. A complement to the archaeological results would be a dendrochronological study of the wooden timbers used in the frame of the house. Such an analysis would help to further pinpoint the actual date of construction. Another complementary study includes the analysis of the window lead fragments recovered from around the house. A total of twenty-nine window lead fragments were recovered in 2001, sixteen of which came from eighteenth-century contexts. The high number of leads from eighteenth-century contexts suggests that the original structure may have initially had casement rather than sash windows. Further architectural examination of the window frames may help to sort this out, while inspection of the window leads for manufacturing dates may help to date the construction of the structure. Unfortunately, at the time of this writing, the conservation of the window leads has yet to be completed.
Finally, the house known today as Bassett Hall was part of a large tract of land owned by the Bray family from the seventeenth century into the late eighteenth century. Several significant archaeological features relating Bray family ownership of the property, including a supposed seventeenth-century house foundation, have been located on the property grounds. An examination of these features using modern archaeological techniques would be useful for chronological landscape reconstructions, enhanced understanding of Middle Plantation-era architecture and lifeways, and inter- and intra-site comparisons.
Master Context | Description | Contexts |
---|---|---|
M1 | Bassett Hall Builder's Trench | 01AC-102-103, 113-114, 193-194, 221-223, 226, 233, 319-320, 363-366, 395 |
M2 | Ditch Feature-Lower Fill | 01AC-91-92, 381-382, 393-394, 399-400 |
M3 | Ditch Feature-Upper Fill | 01AC-371, 379-380, 383 |
M4 | Brown Silt Loam | 01AC-346, 354, 360-362, 370, 372-373 377-378, 389 |
M5 | Brown Silt Loam with Brick | 01AC-345, 351, 367-369, 386 |
M6 | Repair Trench | 01AC-159, 164, 166, 179-180, 183, 197, 281, 298, 304, 311-312, 382 |
M7 | Plaster Filled Repair Trench | 01AC-32-33, 155-156, 279-280 |
M8 | Marl Path | 01AC-332-333, 336-337, 341-344 |
M9 | 19th-Century Sheet Refuse I ( West Rear) | 01AC-327-329, 331, 334 |
M10 | 19th-Century Sheet Refuse II (West Rear) | 01AC-330, 347-349 |
M11 | 19th-Century Sheet Refuse (West Gable End) | 01AC-69-70 |
M12 | 19th-Century Sheet Refuse (East Rear + Bulkhead Area) | 01AC-285-286, 303, 307, 321-322 |
Between April 8 and 11, 2002, the Colonial Williamsburg Foundation's Department of Archaeological Research (D.A.R.) conducted a close interval archaeological shovel test survey of the garden area located to the west and southwest of the Bassett Hall dwelling house (Figure 42). The house and garden are both located on Block 1, on the south side of Francis Street, within Colonial Williamsburg's Historic Area. The purpose of the survey was in order to identify the nature and extent of any potential archaeological resources within the garden that may be impacted by the installation of a new garden irrigation/sprinkler system.
Figure 42. Shovel test locations at Bassett Hall garden.
The archaeological survey consisted of the excavation of a total of 121 round shovel test pits (STPs) systematically placed at five-meter intervals across the area of the garden. The garden was bounded to the north by the orangery and a fenceline extending to the east and west from the orangery; to the east by the main dwelling house and the three outbuildings extending south from the house; to the south by an east-west fenceline; and to the west by a north-south fenceline. The total area of the garden measured 65 x 55 meters or approximately 0.88 acres. Each shovel test pit was excavated to undisturbed subsoil, and detailed descriptions of the stratigraphy were recorded, including soil thickness, soil type, and soil color. All excavated soils were passed through ¼-inch mesh screens to recover artifacts for laboratory analysis. At the laboratory, all the artifacts were washed, numbered, and inventoried. All of the field and laboratory documentation, in addition to the artifacts recovered during the survey, are stored at the Colonial Williamsburg Foundation's Department of Archaeological Research Lab.
In the seventeenth century, prior to the founding of Williamsburg, the area encompassing Bassett Hall was part of a 290-acre tract of land purchased by James Bray in 1671. At the time of Bray's purchase, the tract was part of a small inland community known as Middle Plantation that had been established in 1632/33. After Bray's death in 1691, his wife and children inherited the property (Stephenson 1963:2-4). Several years later, in 1699, the colony's capital was moved from Jamestown to Middle Plantation, and the area was renamed Williamsburg. As part of the establishment of Williamsburg, a portion of the Bray estate was annexed for the new capital.
In the first half of the eighteenth century, the remaining portion of the Bray estate descended through several generations of male Bray heirs, until Elizabeth Bray Johnson inherited the estate from her father, Thomas Bray II in 1751 (Stephenson 1963:17). Recent archaeological investigations of the Bassett Hall dwelling house suggest that the original portion of the house may have been constructed during Thomas Bray II's ownership of the property (Kostro 2002:42). Elizabeth Bray Johnson died in 1765, and the estate was then held in trust for the benefit of her children, although her husband, Philip Johnson, was entitled to a life right of her property. After his wife's death, Johnson evidently did not live in the house, and instead rented it out to tenants. Johnson died in 1789, at which time the property was probably placed up for sale (Stephenson 1959:4-12).
By 1794, the estate was sold to Richard Corbin of "Laneville," who carried out extensive repairs to the main dwelling house between 1794 and 1795. Soon after the repairs were completed, Corbin sold the house and property to Burwell Bassett of Eltham, from whom the property eventually would draw its name from. Following a long-standing family tradition, Burwell Bassett was actively involved in government, serving variously as a member of the House of Delegates, as a Congressman, and as a Senator. Bassett lived at Bassett Hall until 1840, when it sold to another politician, Judge Abel Parker Upshur, who served as Secretary of the Navy and Secretary of State under President John Tyler. Upshur, however, only held the property only briefly, 77 selling it to John Coke in 1843. Coke in turn sold it to Goodrich Durfey in 1845 (Stephenson 1959:12-19).
Goodrich Durfey and his family lived at Bassett Hall from 1845 until his death in 1869. In 1870, Isreal Smith purchased Bassett Hall from the executors of Durfey's estate. Smith died in 1879, at which point the property was passed to various members of the Smith family. The Smith family retained ownership of Bassett Hall until 1927, when it was acquired by Colonial Williamsburg (Stephenson 1959:19-20). Renovations to the main dwelling house were completed in 1936, after which the house was maintained as the private Williamsburg residence of Mr. and Mrs. John D. Rockefeller Jr. The Rockefeller family donated Bassett Hall to the Colonial Williamsburg Foundation in 1979 (Blackford et al. 1984).
The shovel test survey of the Bassett Hall garden revealed a relatively uniform soil stratigraphy across the project area, reflecting a profile resulting from the agricultural plowing and landscaping of the area encompassing the garden. In general, the soil profile consisted of a 10 to 20-cm thick silt loam topsoil, over a 20 to 30-cm thick sandy silt loam plowzone, over sandy clay subsoil. In some cases, a 10-cm layer of silty clay loam fill was also identified between the topsoil and plowzone layers-likely the result of landscaping across the garden in order to level the grade. In addition, shovel tests in the northwest portion of the project area, and closer to the orangery, tended to be deeper in depth.
Although the majority of the shovel tests within the garden area followed the above-described stratigraphic profile, significant ground disturbance was identified along the parallel rows of boxwood planting beds that extend south from the orangery and through the center of the garden. Shovel testing within the planting beds revealed that the planting holes for the boxwoods were wide and deep, displacing the plowzone and extending deep into the subsoil to accommodate the large root balls of the boxwoods. Evidently, the boxwoods were grown outside of the Williamsburg area, as attested to by the distinctive red-colored dense clay of the planting fill. Most likely, the boxwoods were grown in a nursery and were subsequently transplanted to Bassett Hall once they reached a desired age or size. Not found anywhere within the Tidewater, similar red clays are found in the Piedmont sections of Virginia and North Carolina, suggesting that the boxwoods were grown in that region. Boxwood planting holes with red-clay fill were also noted around the perimeter of the Bassett Hall dwelling house during archaeological excavations of the house in 2001 (Kostro 2002:64). The significance of the boxwood plantings is the total destruction of the archaeological record within these planting beds.
With the exception of the boxwood planting beds, most of the rest of the project area is undisturbed in modern times, save for a few narrow utility trenches through the garden for the existing garden irrigation system. Eighteenth- and nineteenth-century artifacts were recovered from almost every shovel test across the garden. Artifacts recovered during the survey included domestic or household refuse such as various ceramics, wine bottle glass, and animal bone. Architectural debris was also recovered 78 from the vast majority of the shovel tests, consisting primarily of nails and nail fragments. Window glass was also recovered, but in a substantially lesser quantity. The presence or absence of brick fragments was also recorded for each test, the vast majority of which did contain some brick.
Interestingly, distinct concentrations of whole bricks and brick bats were noted in two distinct locations. At N950/E1530, directly south of the orangery, four large handmade brick bats were recovered from the plowzone at depths exceeding 50 cm. In addition, the brick bats were found in association with a heavy concentration of nails, as well as, a concentration of flat iron fragments. The concentration of bricks and artifacts may suggest that a structure may have been located at this location. Alternatively, this concentration of bricks and artifacts may indicate that this was an area of trash disposal.
A second brick concentration was noted at N930/E1550, where the excavation of the topsoil and a layer of fill exposed a pile of brick rubble located at 30 cm below modern grade. A large quantity of eighteenth- and nineteenth-century artifacts including ceramics, glass, nails, and animal bone was also recovered from the layer of fill above the bricks. Directly to the north of the shovel test with the brick rubble, the excavation of the shovel test at N935/E1550 exposed a small intact brick foundation located at a depth of only 20 cm below modern grade, buried under a layer of fill containing a large quantity of eighteenth- and nineteenth-century artifacts (Figure 43). The bricks appear to have been handmade, and are typical of those found on eighteenth-century archaeological sites throughout Williamsburg. Significantly, the location of the brick foundation corresponds with the locations of several small "colonial outbuildings" located southwest of the main dwelling house as indicated on the 1932
Figure 43. Brick foundations at N935/E1550.
79
Archaeological & Research Key Map of the Restoration Area, Williamsburg, Virginia (Figure 44). These buildings, which include a smokehouse, dairy, and kitchen, which were evidently moved from the garden area to their present location to the rear (south) of the main dwelling house in 1931 (Whiffen 1987:260). Most likely, the brick rubble found to the south of the foundation represents additional architectural debris associated with the removal of these structures. These structures, however, do not appear on the Desandrouins Map (ca. 1781) or the Frenchman's Map (ca. 1781), suggesting that they were constructed at a date after the maps were produced.
Figure 44. 1932 Archaeological and Key Map showing colonial outbuildings southwest of Bassett Hall.
The systematic close interval archaeological shovel testing of the Bassett Hall garden yielded significant results regarding the use and occupation of the garden. A distinct plowzone layer was found across most of the garden area, indicating that the area was at one time a plowed agricultural field. In addition, the layer of fill between the plowzone and topsoil layers identified in some of the tests suggests that the ground surface may have been deliberately built up as part of the landscaping of the garden. Significantly, a wide scatter of domestic and architectural debris, dating to the eighteenth and nineteenth centuries, was recovered from the plowzone and subsequent fill layer from a 80 large majority of the shovel tests extending all across the garden. The only significant ground disturbances detected was along the existing boxwood planting beds. Shovel tests within the planting beds indicate that the planting and replanting of the boxwoods, among other trees and bushes, along these beds has completed disrupted any intact subsurface archaeological features or deposits.
The survey also identified an intact portion of a small brick foundation, probably associated with one of the outbuildings that were relocated from the garden during the restoration of Bassett Hall. The foundation bricks, and the artifacts found in association with the foundation, suggest that the foundation probably dates to the eighteenth century.
A map of the property further corroborates this conclusion. A concentration of brick rubble south of the foundation may be additional debris associated with the removal of the building, and a second concentration of brick near the orangery may indicate the location of yet another building, or possibly that the area was used as an area for refuse disposal.
In conclusion, the results of the archaeological survey clearly indicate that intact archaeological features remain preserved within the area of the garden, and would likely significantly contribute to the understanding of the historical development of the Bassett Hall garden and house lot. As a result, the plans for the new garden irrigation/sprinkler system should be designed in order to avoid any known archaeological features, in particular, the brick foundation. In addition, any excavations required for the installation of a new garden irrigation/sprinkler system should be monitored by an archaeologist in order to document any additional, as yet undetected features, that may be exist within the garden.
Note: Inventory is printed from the Re:discovery cataloguing program used by Colonial Williamsburg, manufactured and sold by Re:discovery Software, Charlottesville, Virginia. Brief explanation of terms:
Context No. | Arbitrary designation for a particular deposit (layer or feature), consisting of a four-digit "site/area" designation and a five-digit context designation. The site/area for the Bassett Hall waterproofing project is "01AC" and for the garden irrigation system testing is "01AD." |
---|---|
TPQ | "Date after which" the layer or feature was deposited, based on the artifact with the latest initial manufacture date. Deposits without a diagnostic artifact have the designation "NDA," or no date available. |
Listing | The individual artifact listing includes the catalog "line designation," followed by the number of fragments or pieces, followed by the description. |
AA | 1 | BONE, BRUSH, TOOTH, INCISED, FRAGMENT |
AA | 1 | EARTHENWARE, TIN ENAMELLED, FRAGMENT, WHEEL THROWN, MISSING GLAZE |
AB | 1 | COARSE EARTHEN, COARSEWARE, FRAGMENT, INCISED, LEAD GLAZE, WHEEL THROWN |
AC | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, INCISED, PAINTED UNDER, WHEEL THROWN, BLUE |
AD | 1 | STONEWARE, WESTERWALD, FRAGMENT, WHEEL THROWN |
AE | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 4/64 INCHES |
AF | 5 | GLASS, CLRLESS LEAD, FRAGMENT |
AG | 1 | GLASS, CLRLESS LEAD, FRAGMENT, HANDLE |
AH | 2 | GLASS, COLORED GLASS, FRAGMENT, GREEN |
AI | 18 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AJ | 1 | GLASS, FRAGMENT, FLAT, DEVITRIFIED, POSSIBLY CASE BOTTLE |
AK | 33 | GLASS, FRAGMENT, WINDOW GLASS |
AL | 3 | SHELL, OYSTER |
AM | 1 | MORTAR |
AN | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AO | 6 | IRON ALLOY, NAIL, FRAGMENT |
AP | 1 | IRON ALLOY, UNID HARDWARE |
AA | 19 | PLASTER, FRAGMENT |
AA | 1 | COARSE EARTHEN, COARSEWARE, FRAGMENT, LEAD GLAZE, WHEEL THROWN |
AB | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AB | 2 | GLASS, FRAGMENT, MOLD BLOWN, DEVITRIFIED, POSSIBLY CASE BOTTLE |
AC | 5 | MORTAR, MORTAR |
AC | 6 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AD | 19 | GLASS, FRAGMENT, WINDOW GLASS |
AE | 2 | BONE, FAUNAL SPECIMEN |
AF | 1 | SHELL, OYSTER |
AG | 19 | PLASTER |
AH | 5 | MORTAR |
AI | 1 | COPPER ALLOY, PIN, STRAIGHT, HAND-HEADED, FRAGMENT |
AJ | 1 | IRON ALLOY, NAIL, 2 TO 4 IN, WROUGHT/FORGED |
AK | 19 | IRON ALLOY, NAIL, 2 TO 4 IN |
AL | 16 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AM | 47 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | COPPER ALLOY, THIMBLE, PUNCTATE, ROLLED/SHEET, COMPLETE, FOLDED FOOT |
AB | 1 | IRON ALLOY, OTHER HARDWARE, LIGHTENING ROD FRAGMENT |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AB | 1 | EARTHENWARE, BUCKLEY WARE, FRAGMENT, LEAD GLAZE, WHEEL THROWN |
AC | 1 | COARSE EARTHEN, SLIPWARE, FRAGMENT, SLIP DECORATED, WHEEL THROWN, POLYCHROME, POSSIBLY LOCAL |
AD | 1 | COARSE EARTHEN, COARSEWARE, FRAGMENT, WHEEL THROWN, MISSING GLAZE |
84 | ||
AE | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, DOT/DIAPER/BASK, PRESS MOLDED |
AF | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, INCISED, WHEEL THROWN |
AG | 4 | STONEWARE, WH SALT-GLAZED, FRAGMENT, WHEEL THROWN |
AH | 1 | STONEWARE, WESTERWALD, FRAGMENT, CORDONED, WHEEL THROWN, CHAMBERPOT RIM |
AI | 1 | STONEWARE, WESTERWALD, FRAGMENT, INCISED, WHEEL THROWN |
AJ | 2 | STONEWARE, WESTERWALD, FRAGMENT, WHEEL THROWN |
AK | 1 | STONEWARE, YORKTOWN-TYPE, FRAGMENT, WHEEL THROWN |
AL | 1 | GLASS, COLORED GLASS, FRAGMENT, WHITE, DEVITRIFIED |
AM | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES |
AN | 1 | GLASS, CLRLESS LEAD, FRAGMENT |
AO | 1 | GLASS, COLORED GLASS, FRAGMENT, GREEN |
AP | 5 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AQ | 17 | GLASS, FRAGMENT, WINDOW GLASS |
AR | 14 | BONE, FAUNAL SPECIMEN |
AS | 3 | SHELL, OYSTER |
AT | 1 | PLASTER |
AU | 6 | IRON ALLOY, NAIL, 2 TO 4 IN, WROUGHT/FORGED |
AV | 7 | IRON ALLOY, NAIL, 2 TO 4 IN |
AW | 35 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AX | 24 | IRON ALLOY, NAIL, FRAGMENT |
AY | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AB | 1 | GLASS, COLORED GLASS, FRAGMENT, AQUA |
AC | 2 | IRON ALLOY, NAIL, 2 TO 4 IN |
AD | 4 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AE | 1 | IRON ALLOY, UNID HARDWARE |
AA | 4 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AA | 1 | SHELL, OYSTER |
AB | 1 | IRON ALLOY, NAIL, 2 TO 4 IN |
AC | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AB | 1 | GLASS, COLORED GLASS, FRAGMENT, AQUA |
AC | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 3 | BONE, FAUNAL SPECIMEN |
AE | 2 | SHELL, OYSTER |
AF | 10 | PLASTER |
AG | 1 | IRON ALLOY, NAIL, 2 TO 4 IN |
AH | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AI | 5 | IRON ALLOY, NAIL, FRAGMENT |
AA | 3 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
85 | ||
AB | 1 | COARSE EARTHEN, BK-GZ REDWARE, FRAGMENT, LEAD GLAZE, WHEEL THROWN |
AC | 2 | REFINED EARTHEN, CAULIFLOWER, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AD | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, WHEEL THROWN |
AE | 1 | STONEWARE, WESTERWALD, FRAGMENT, INCISED, WHEEL THROWN |
AF | 1 | STONEWARE, WESTERWALD, FRAGMENT, WHEEL THROWN |
AG | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 4/64 INCHES |
AH | 1 | GLASS, CLRLESS LEAD, FRAGMENT |
AI | 3 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AJ | 5 | GLASS, FRAGMENT, FLAT, MOLD BLOWN, DEVITRIFIED, POSSIBLY CASE BOTTLE |
AK | 8 | GLASS, FRAGMENT, WINDOW GLASS |
AL | 10 | BONE, FAUNAL SPECIMEN |
AM | 18 | SHELL, OYSTER |
AN | 3 | PLASTER |
AO | 2 | MORTAR |
AP | 1 | LEAD ALLOY, WINDOW LEAD, DRAWN |
AQ | 1 | IRON ALLOY, NAIL, 2 TO 4 IN, WROUGHT/FORGED |
AR | 10 | IRON ALLOY, NAIL, 2 TO 4 IN |
AS | 3 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AT | 7 | IRON ALLOY, NAIL, FRAGMENT |
AU | 1 | IRON ALLOY, BUCKLE, HARNESS, COMPLETE |
AV | 1 | IRON ALLOY, PINTLE, GATE PINTLE |
AA | 6 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AB | 4 | EARTHENWARE, TIN ENAMELLED, FRAGMENT, WHEEL THROWN, MISSING GLAZE |
AC | 23 | DETACHED GLAZE, DELFTWARE ENG, FRAGMENT |
AD | 2 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, BLUE |
AE | 4 | REFINED EARTHEN, PEARLWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AF | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, WHEEL THROWN, BROWN |
AG | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, BLUE |
AH | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED, EXHIBITS A HANDLE ATTACHMENT |
AI | 1 | STONEWARE, FULHAM SW, FRAGMENT, WHEEL THROWN |
AJ | 7 | STONEWARE, WH SALT-GLAZED, FRAGMENT, WHEEL THROWN |
AK | 2 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AL | 1 | PORCELAIN, ENG BONE CHINA, FRAGMENT, PRESS MOLDED |
AM | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES, SMALL FLAT FOOT |
AN | 1 | GLASS, CLRLESS LEAD, FRAGMENT |
AO | 1 | GLASS, CLRLESS NON-LD, FRAGMENT |
AP | 11 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AQ | 32 | GLASS, FRAGMENT, WINDOW GLASS |
AR | 10 | BONE, FAUNAL SPECIMEN |
AS | 2 | COAL |
AT | 1 | BRICK, BRICKETAGE, GLAZED |
AU | 1 | PLASTER |
AV | 4 | MORTAR |
AW | 1 | IRON ALLOY, NAIL, 2 TO 4 IN, WROUGHT/FORGED |
AX | 4 | IRON ALLOY, NAIL, 2 TO 4 IN |
86 | ||
AY | 8 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AZ | 30 | IRON ALLOY, NAIL, FRAGMENT |
BA | 1 | IRON ALLOY, UNID HARDWARE |
BB | 1 | IRON ALLOY, UNID HARDWARE |
BC | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | EARTHENWARE, TIN ENAMELLED, FRAGMENT, WHEEL THROWN, MISSING GLAZE |
AB | 1 | DETACHED GLAZE, DELFTWARE ENG, FRAGMENT |
AC | 1 | COARSE EARTHEN, COARSEWARE, FRAGMENT, LEAD GLAZE, WHEEL THROWN |
AD | 2 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AE | 4 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, RED |
AF | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PAINTED UNDER, PRESS MOLDED, BLUE |
AG | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, BLUE |
AH | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AI | 4 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, BROWN |
AJ | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PAINTED UNDER, PRESS MOLDED, BLUE |
AK | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PAINTED OVER, PRESS MOLDED, GREEN |
AL | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, ANNULAR, PRESS MOLDED, BLUE |
AM | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, ALKALINE GLAZE, PRESS MOLDED |
AN | 1 | REFINED EARTHEN, REFINED EW, FRAGMENT, PAINTED UNDER, PRESS MOLDED, BROWN |
AO | 1 | STONEWARE, AMER STONEWARE, FRAGMENT, WHEEL THROWN |
AP | 5 | STONEWARE, WH SALT-GLAZED, FRAGMENT, WHEEL THROWN |
AQ | 2 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AR | 4 | PORCELAIN, ENG BONE CHINA, FRAGMENT |
AS | 1 | PORCELAIN, ENG BONE CHINA, FRAGMENT, PRINTED UNDER, PRESS MOLDED, BLUE |
AT | 3 | PORCELAIN, PORCELLANEOUS, FRAGMENT, PAINTED OVER, PRESS MOLDED, BLACK |
AU | 2 | PORCELAIN, PORCELLANEOUS, FRAGMENT, GILDED, PRESS MOLDED |
AV | 5 | PORCELAIN, PORCELLANEOUS, FRAGMENT, PRESS MOLDED |
AW | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES |
AX | 1 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS, MOLD BLN/NON-EM |
AY | 5 | GLASS, CLRLESS LEAD, FRAGMENT |
AZ | 1 | GLASS, CLRLESS LEAD, FRAGMENT, AQUA |
BA | 1 | GLASS, CLRLESS NON-LD, FRAGMENT, CONTAINER, MOLD BLN/NON-EM, BASE, DEVITRIFIED |
BB | 2 | GLASS, CLRLESS NON-LD, FRAGMENT, MOLD BLN/NON-EM, DEVITRIFIED |
BC | 2 | GLASS, CLRLESS NON-LD, FRAGMENT, FLAT, LEIGHTON'S PATENT GLASS |
BD | 2 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED, POSSIBLE CASE BOTTLE |
87 | ||
BE | 17 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
BF | 31 | GLASS, FRAGMENT, WINDOW GLASS |
BG | 9 | BONE, FAUNAL SPECIMEN |
BH | 3 | SHELL, OYSTER |
BI | 3 | PLASTER |
BJ | 9 | MORTAR |
BK | 1 | COAL |
BL | 3 | BRICK, BRICKETAGE, GLAZED |
BM | 1 | STONE, DEBITAGE |
BN | 1 | LEAD ALLOY, SCRAP |
BO | 1 | IRON ALLOY, NAIL, 2 TO 4 IN, WROUGHT/FORGED |
BP | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN, WROUGHT/FORGED |
BQ | 3 | IRON ALLOY, NAIL, 2 TO 4 IN, CUT |
BR | 14 | IRON ALLOY, NAIL, 2 TO 4 IN |
BS | 7 | IRON ALLOY, NAIL, LESS THAN 2 IN |
BT | 71 | IRON ALLOY, NAIL, FRAGMENT |
BU | 1 | IRON ALLOY, UNID HARDWARE |
BV | 1 | IRON ALLOY, UNID HARDWARE |
AA | 3 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AB | 2 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AC | 1 | EARTHENWARE, TIN ENAMELLED, FRAGMENT, WHEEL THROWN, MISSING GLAZE |
AD | 1 | DETACHED GLAZE, DELFTWARE ENG, FRAGMENT, PAINTED UNDER, WHEEL THROWN, RED |
AE | 5 | EARTHENWARE, TIN ENAMELLED, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AF | 1 | COARSE EARTHEN, N MIDLAND SLIP, FRAGMENT, SLIP/SGRAFFITO, LEAD GLAZE, POLYCHROME, INTERIOR EXHIBITS BIRD FEET |
AG | 4 | STONEWARE, WH SALT-GLAZED, FRAGMENT, WHEEL THROWN |
AH | 1 | STONEWARE, OTHER STONEW, FRAGMENT, WHEEL THROWN |
AI | 6 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AJ | 6 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED OVER, WHEEL THROWN, RED |
AK | 4 | PORCELAIN, CH PORCELAIN, FRAGMENT, WHEEL THROWN |
AL | 5 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED |
AM | 6 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AN | 6 | GLASS, FRAGMENT, WINDOW GLASS |
AO | 1 | BONE, UNID HARDWARE, INCISED, WORKED, POSSIBLY PART OF A MUSICAL INSTRUMENT |
AP | 14 | BONE, FAUNAL SPECIMEN |
AQ | 8 | SHELL, OYSTER |
AR | 1 | QUARTZ, DEBITAGE, FLAKE FRAG/SHAT |
AS | 6 | OTHER ORGANIC, ORGANIC SUBST, CONCRETION OF MELTED GLASS AND DIRT |
AT | 1 | LEAD ALLOY, WINDOW LEAD |
AU | 1 | COPPER ALLOY, PIN, STRAIGHT, HAND TOOLED FIN, COMPLETE, ATTACHED TO A NAIL FRAGMENT |
AV | 2 | IRON ALLOY, NAIL, LESS THAN 2 IN, WROUGHT/FORGED |
AW | 2 | IRON ALLOY, NAIL, 2 TO 4 IN |
AX | 11 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AY | 15 | IRON ALLOY, NAIL, FRAGMENT |
AZ | 1 | IRON ALLOY, UNID HARDWARE |
BA | 1 | IRON ALLOY, UNID HARDWARE |
BB | 1 | IRON ALLOY, UNID HARDWARE |
88 | ||
BC | 1 | IRON ALLOY, UNID HARDWARE |
BD | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | GLASS, FRAGMENT, FLAT, GREEN |
AB | 1 | GLASS, FRAGMENT, WINE BOTTLE |
AC | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 1 | IRON ALLOY, NAIL, 2 TO 4 IN, WROUGHT/FORGED |
AE | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 5 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN, CONTEXT 74 ALSO CONTAINS CONTEXT 75 DUE TO MISTAKE IN WASH ROOM |
AB | 3 | EARTHENWARE, TIN ENAMELLED, FRAGMENT, WHEEL THROWN, MISSING GLAZE |
AC | 6 | DETACHED GLAZE, DELFTWARE ENG, FRAGMENT |
AD | 1 | STONEWARE, WESTERWALD, FRAGMENT, WHEEL THROWN |
AE | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, BOWL |
AF | 2 | GLASS, CLRLESS LEAD, FRAGMENT |
AG | 10 | GLASS, FRAGMENT, FLAT, DEVITRIFIED |
AH | 11 | GLASS, FRAGMENT, WINE BOTTLE |
AI | 16 | GLASS, FRAGMENT, WINDOW GLASS |
AJ | 3 | BONE, FAUNAL SPECIMEN |
AK | 1 | SLAG/CLINKER |
AL | 1 | MORTAR |
AM | 2 | LEAD ALLOY, CASTING WASTE |
AN | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AO | 12 | IRON ALLOY, NAIL, FRAGMENT |
AP | 1 | IRON ALLOY, UNID HARDWARE |
AQ | 16 | IRON ALLOY, UNID HARDWARE |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AB | 1 | GLASS, CLRLESS LEAD, FRAGMENT |
AC | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 1 | BONE, FAUNAL SPECIMEN |
AE | 3 | PLASTER |
AF | 15 | IRON ALLOY, NAIL, FRAGMENT |
AG | 1 | BRICK, BRICKETAGE |
AA | 2 | PLASTER |
AB | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, BLUE |
AB | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, PINK |
AC | 1 | GLASS, CLRLESS NON-LD, FRAGMENT, LEIGHTON'S PATENT GLASS |
AD | 8 | GLASS, FRAGMENT, WINE BOTTLE |
AE | 4 | GLASS, FRAGMENT, WINDOW GLASS |
AF | 1 | IRON ALLOY, NAIL, 2 TO 4 IN |
AA | 1 | STONEWARE, YORKTOWN-TYPE, FRAGMENT, WHEEL THROWN |
AB | 1 | GLASS, FRAGMENT, FLAT, MOLD BLOWN, DEVITRIFIED, POSSIBLE CASE BOTTLE |
AC | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 2 | BRICK, BRICKETAGE, GLAZED |
AA | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, GREEN |
AB | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AC | 2 | IRON ALLOY, NAIL, FRAGMENT |
AA | 2 | MORTAR |
AB | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 2 | BRICK, BRICK, COMPLETE |
AB | 5 | BRICK, BRICK BAT |
AC | 2 | BRICK, BRICK BAT, GLAZED |
AA | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AB | 1 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED |
AC | 5 | GLASS, FRAGMENT, WINDOW GLASS |
AC | 1 | GLASS, FRAGMENT, WINE BOTTLE, MORTAR ATTACHED |
AD | 1 | BONE, FAUNAL SPECIMEN |
AD | 5 | GLASS, FRAGMENT, WINDOW GLASS |
AE | 1 | BONE, FAUNAL SPECIMEN |
AF | 6 | MORTAR |
AG | 1 | IRON ALLOY, NAIL, 2 TO 4 IN |
AH | 6 | IRON ALLOY, NAIL, FRAGMENT |
AI | 3 | IRON ALLOY, UNID HARDWARE |
AJ | 1 | IRON ALLOY, UNID HARDWARE |
AK | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AB | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, BOWL |
AC | 2 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 1 | BRICK, BRICKETAGE, GLAZED |
AE | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | COARSE EARTHEN, COARSEWARE, FRAGMENT, LEAD GLAZE |
AB | 19 | PORCELAIN, CH PORCELAIN, FRAGMENT, WHEEL THROWN |
AC | 2 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AD | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AE | 2 | IRON ALLOY, NAIL, FRAGMENT |
AA | 2 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AB | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, INCISED, WHEEL THROWN |
AC | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, WHEEL THROWN |
AD | 4 | GLASS, CLRLESS LEAD, FRAGMENT |
AE | 2 | GLASS, FRAGMENT, FLAT, GREEN, THIN |
AF | 2 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AG | 13 | GLASS, FRAGMENT, WINDOW GLASS |
AH | 4 | PLASTER |
AI | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AJ | 7 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | BRICK, BRICKETAGE, GLAZED |
AA | 2 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AB | 1 | GLASS, COLORED GLASS, FRAGMENT, AQUA |
AC | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AA | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 5 | PLASTER |
AB | 7 | MORTAR |
AC | 3 | BRICK, BRICKETAGE, GLAZED |
AD | 2 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | SHELL, OYSTER |
AB | 1 | PLASTER |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AB | 4 | GLASS, CLRLESS LEAD, FRAGMENT |
AC | 1 | GLASS, COLORED GLASS, FRAGMENT, GREEN |
AD | 2 | GLASS, COLORED GLASS, FRAGMENT, BOTTLE, MOLD BLOWN, AQUA, LETTERING/NUMB, "M" on exterior, "B" on exterior |
AE | 1 | GLASS, FRAGMENT, WINE BOTTLE |
AF | 1 | GLASS, FRAGMENT, FLAT, MOLD BLOWN, GREEN, DEVITRIFIED |
AG | 16 | GLASS, FRAGMENT, WINDOW GLASS |
AH | 1 | MORTAR |
AI | 1 | IRON ALLOY, NAIL, 2 TO 4 IN, WROUGHT/FORGED |
AJ | 7 | IRON ALLOY, NAIL, FRAGMENT |
AK | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED, GLAZE SPALLING |
AB | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, PRESS MOLDED |
91 | ||
AC | 2 | IRON ALLOY, NAIL, 2 TO 4 IN, LARGE HEADS |
AD | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, PRESS MOLDED |
AB | 1 | GLASS, CLRLESS LEAD, FRAGMENT, PRESSED, SQUARE DESIGN ON EXTERIOR |
AC | 1 | GLASS, CLRLESS NON-LD, FRAGMENT, PRESSED, LEIGHTON'S PATENT GLASS |
AD | 1 | GLASS, FRAGMENT, WINE BOTTLE, MOLD BLOWN |
AE | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AF | 2 | COAL |
AG | 1 | SLATE, TILE, ROOFING |
AH | 1 | LEAD ALLOY, WEIGHT, STAMPED METAL, CLIPPED |
AI | 15 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AB | 4 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AC | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, WHEEL THROWN |
AD | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED OVER, WHEEL THROWN, RED |
AE | 2 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AF | 7 | GLASS, CLRLESS LEAD, FRAGMENT |
AG | 3 | GLASS, FRAGMENT, WINE BOTTLE |
AH | 22 | GLASS, FRAGMENT, WINDOW GLASS |
AI | 15 | BONE, FAUNAL SPECIMEN |
AJ | 1 | SLAG/CLINKER |
AK | 1 | BRICK, BRICKETAGE, GLAZED |
AL | 11 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, PAINTED UNDER, WHEEL THROWN, POLYCHROME |
AB | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, INCISED, PAINTED UNDER, BLUE, PULLED HANDLE FRAGMENT |
AC | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AD | 1 | DETACHED GLAZE, TIN ENAMELLED, FRAGMENT |
AE | 1 | COARSE EARTHEN, COARSEWARE, FRAGMENT, LEAD GLAZE, WHEEL THROWN |
AF | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AG | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PAINTED UNDER, PRESS MOLDED, BLUE |
AH | 1 | STONEWARE, WESTERWALD, FRAGMENT, INCISED, WHEEL THROWN |
AI | 4 | STONEWARE, ENGLISH SW, FRAGMENT, INCISED, WHEEL THROWN |
AJ | 2 | STONEWARE, WH SALT-GLAZED, FRAGMENT, INCISED, PAINTED UNDER, WHEEL THROWN, BLUE |
AK | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AL | 2 | STONEWARE, WH SALT-GLAZED, FRAGMENT, WHEEL THROWN |
AM | 2 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AN | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, WHEEL THROWN |
92 | ||
AO | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, BOWL |
AP | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES |
AQ | 8 | GLASS, CLRLESS LEAD, FRAGMENT |
AR | 15 | GLASS, FRAGMENT, WINE BOTTLE, MOLD BLOWN |
AS | 60 | GLASS, FRAGMENT, WINDOW GLASS |
AT | 1 | BONE, FAUNAL SPECIMEN |
AU | 3 | SHELL, OYSTER |
AV | 1 | COPPER ALLOY/FE, BUTTON, ONE PIECE, MISSING IRON EYE |
AW | 2 | IRON ALLOY, NAIL, 2 TO 4 IN |
AX | 5 | IRON ALLOY, NAIL, FRAGMENT |
AY | 1 | IRON ALLOY, UNID HARDWARE |
AZ | 1 | IRON ALLOY, UNID HARDWARE |
BA | 2 | IRON ALLOY, UNID HARDWARE |
AA | 8 | GLASS, FRAGMENT, WINDOW GLASS |
AB | 2 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, PINK |
AB | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED, "YELLOW GLAZED OR CANARY WARE" |
AC | 3 | GLASS, CLRLESS LEAD, FRAGMENT |
AD | 1 | GLASS, COLORED GLASS, FRAGMENT, GREEN |
AE | 2 | GLASS, FRAGMENT, WINE BOTTLE, MOLD BLOWN |
AF | 64 | GLASS, FRAGMENT, WINDOW GLASS |
AG | 2 | SLAG/CLINKER |
AH | 10 | IRON ALLOY, NAIL, FRAGMENT |
AI | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED, "YELLOW GLAZED OR CANARY WARE" |
AB | 1 | GLASS, FRAGMENT, WINDOW GLASS, LETTERING/NUMB, "2 Friday" etched in glass |
AC | 3 | IRON ALLOY, NAIL, FRAGMENT |
AD | 3 | IRON ALLOY, UNID HARDWARE |
AE | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AB | 1 | IRON ALLOY, NAIL, FRAGMENT |
AC | 1 | IRON ALLOY, UNID HARDWARE |
AD | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | IRON ALLOY, NAIL, 2 TO 4 IN |
AB | 5 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | STONEWARE, GERMAN STONEW, FRAGMENT, WHEEL THROWN |
AB | 1 | STONEWARE, OTHER STONEW, FRAGMENT, WHEEL THROWN |
AC | 2 | GLASS, CLRLESS LEAD, FRAGMENT |
AD | 1 | GLASS, CLRLESS NON-LD, FRAGMENT |
AE | 1 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
93 | ||
AF | 27 | GLASS, FRAGMENT, WINDOW GLASS |
AG | 4 | BONE, FAUNAL SPECIMEN |
AH | 1 | PLASTER |
AI | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 4 | GLASS, FRAGMENT, WINDOW GLASS |
AB | 1 | BONE, HANDLE, WORKED, FRAGMENT |
AC | 1 | BONE, FAUNAL SPECIMEN |
AD | 13 | PLASTER |
AE | 2 | PLASTER, CURVED |
AF | 11 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AG | 23 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AB | 1 | EARTHENWARE, TIN ENAMELLED, FRAGMENT, WHEEL THROWN, MISSING GLAZE |
AC | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT |
AD | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AE | 4 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AF | 59 | GLASS, FRAGMENT, WINDOW GLASS, DEVITRIFIED |
AG | 1 | BONE, FAUNAL SPECIMEN |
AH | 1 | SHELL, OYSTER |
AI | 12 | PLASTER |
AJ | 1 | BRICK, COMPLETE |
AK | 14 | IRON ALLOY, NAIL, 2 TO 4 IN |
AL | 24 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AM | 32 | IRON ALLOY, NAIL, FRAGMENT |
AN | 1 | IRON ALLOY, UNID HARDWARE |
AO | 1 | BRICK, BRICK BAT |
AP | 1 | BRICK, BRICKETAGE |
AA | 2 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED |
AB | 1 | GLASS, COLORED GLASS, FRAGMENT, GREEN |
AC | 9 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 1 | BRICK, BRICKETAGE, BRICK |
AE | 1 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS, FOLDED FOOT |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AB | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AC | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, BLACK |
AD | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, GILDED, PRESS MOLDED |
AE | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, PRESS MOLDED |
AF | 3 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES |
AG | 1 | GLASS, CLRLESS NON-LD, FRAGMENT, LEIGHTON'S PATENT GLASS |
AH | 4 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED, POSSIBLE CASE BOTTLE |
AI | 1 | GLASS, FRAGMENT, WINE BOTTLE |
94 | ||
AJ | 2 | GLASS, FRAGMENT, WINDOW GLASS |
AK | 1 | COPPER ALLOY, RING, HAND, BEADED, CAST, COMPLETE, DECORATIVE LIFTING RING |
AL | 1 | LEAD ALLOY, SCRAP |
AM | 10 | IRON ALLOY, NAIL, FRAGMENT |
AN | 1 | IRON ALLOY, OTHER HARDWARE, LIGHTENING ROD |
AO | 1 | IRON ALLOY, UNID HARDWARE |
AP | 1 | IRON ALLOY, OTHER HARDWARE, LIGHTENING ROD |
AQ | 1 | IRON ALLOY, UNID HARDWARE |
AR | 1 | IRON ALLOY, UNID HARDWARE |
AS | 1 | IRON ALLOY, UNID HARDWARE |
AT | 1 | IRON ALLOY, UNID HARDWARE |
AA | 2 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 6/64 INCHES |
AB | 3 | GLASS, CLRLESS LEAD, FRAGMENT |
AB | 1 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS, FOLDED FOOT |
AC | 3 | GLASS, CLRLESS LEAD, FRAGMENT |
AD | 1 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AE | 25 | GLASS, FRAGMENT, WINDOW GLASS |
AF | 1 | BRICK, BRICKETAGE, GLAZED |
AG | 7 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, WHEEL THROWN |
AB | 1 | STONEWARE, WESTERWALD, FRAGMENT, SPRIG MOLDED, WHEEL THROWN |
AC | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED OVER, WHEEL THROWN, RED |
AD | 3 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AE | 2 | PORCELAIN, CH PORCELAIN, FRAGMENT, WHEEL THROWN |
AF | 10 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AG | 5 | GLASS, FRAGMENT, WINDOW GLASS |
AH | 4 | BONE, FAUNAL SPECIMEN |
AI | 9 | SHELL, OYSTER |
AJ | 10 | PLASTER |
AK | 3 | MORTAR |
AL | 2 | LEAD ALLOY, WINDOW LEAD |
AM | 2 | IRON ALLOY, NAIL, 2 TO 4 IN |
AN | 7 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AO | 1 | IRON ALLOY, HORSESHOE, FRAGMENT |
AP | 3 | IRON ALLOY, UNID HARDWARE |
AA | 3 | PLASTER |
AB | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | PLASTER |
AB | 1 | MORTAR |
AC | 1 | BRICK, BRICKETAGE, GLAZED |
AD | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
95 | ||
AB | 1 | COARSE EARTHEN, COARSEWARE, FRAGMENT, LEAD GLAZE, WHEEL THROWN |
AC | 2 | STONEWARE, FULHAM SW, FRAGMENT, WHEEL THROWN |
AD | 1 | STONEWARE, YORKTOWN-TYPE, FRAGMENT, WHEEL THROWN |
AE | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AF | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM |
AG | 1 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED |
AH | 43 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AI | 14 | BONE, FAUNAL SPECIMEN |
AJ | 2 | SHELL, OYSTER |
AK | 5 | PLASTER |
AL | 3 | SLAG/CLINKER |
AM | 4 | IRON ALLOY, NAIL, 2 TO 4 IN |
AN | 15 | IRON ALLOY, NAIL, FRAGMENT |
AO | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | MORTAR |
AB | 5 | BRICK, BRICKETAGE, GLAZED |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AB | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AC | 1 | PLASTER |
AD | 2 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, INCISED, EXTRUDED |
AB | 2 | SHELL, OYSTER |
AC | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AD | 6 | IRON ALLOY, NAIL, FRAGMENT |
AE | 1 | IRON ALLOY, ELEC HARDWARE |
AA | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AB | 1 | GLASS, COLORED GLASS, FRAGMENT, FLAT, DEVITRIFIED, THIN |
AC | 1 | GLASS, FRAGMENT, FLAT, MOLD BLOWN, GREEN, DEVITRIFIED, POSSIBLE CASE BOTTLE |
AD | 7 | GLASS, FRAGMENT, WINDOW GLASS |
AE | 1 | PLASTER |
AF | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 5 | PLASTER |
AB | 2 | IRON ALLOY, NAIL, FRAGMENT |
AA | 9 | GLASS, FRAGMENT, WINDOW GLASS |
AB | 6 | PLASTER |
AC | 1 | SLAG/CLINKER |
AD | 2 | IRON ALLOY, NAIL, 2 TO 4 IN |
AE | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AB | 1 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AC | 9 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 1 | SHELL, OYSTER |
AE | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AF | 3 | IRON ALLOY, NAIL, FRAGMENT |
AA | 2 | GLASS, CLRLESS LEAD, FRAGMENT |
AB | 1 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AC | 29 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 1 | BONE, FAUNAL SPECIMEN |
AE | 2 | PLASTER |
AF | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AG | 18 | IRON ALLOY, NAIL, FRAGMENT |
AH | 1 | IRON ALLOY, UNID HARDWARE |
AI | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | GLASS, CLRLESS LEAD, FRAGMENT |
AB | 1 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AC | 5 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 2 | SLAG/CLINKER |
AE | 1 | BRICK, BRICKETAGE, GLAZED |
AF | 4 | IRON ALLOY, NAIL, FRAGMENT |
AG | 1 | IRON ALLOY, UNID HARDWARE |
AA | 2 | GLASS, CLRLESS LEAD, FRAGMENT |
AB | 3 | GLASS, CLRLESS NON-LD, FRAGMENT, LEIGHTON'S PATENT GLASS |
AC | 1 | GLASS, FRAGMENT, FLAT, MOLD BLOWN, GREEN, DEVITRIFIED |
AD | 25 | GLASS, FRAGMENT, WINDOW GLASS |
AE | 1 | PLASTER |
AF | 2 | BRICK, BRICKETAGE, GLAZED |
AG | 2 | OTHER SYNTHETIC, OTHER HARDWARE, CONCRETE PAD |
AH | 3 | IRON ALLOY, NAIL, 2 TO 4 IN |
AI | 3 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AJ | 9 | IRON ALLOY, NAIL, FRAGMENT |
AK | 1 | IRON ALLOY, UNID HARDWARE, AND COPPER ALLOY |
AL | 1 | IRON ALLOY, UNID HARDWARE |
AM | 1 | IRON ALLOY, UNID HARDWARE, POSSIBLE HORSE FURNITURE |
AA | 3 | GLASS, CLRLESS LEAD, FRAGMENT |
AB | 24 | GLASS, FRAGMENT, WINDOW GLASS |
AA | 1 | REFINED EARTHEN, CAULIFLOWER, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AB | 1 | GLASS, FRAGMENT, FLAT, GREEN, THIN |
AC | 9 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 1 | SLAG/CLINKER |
AE | 2 | BRICK, BRICKETAGE, GLAZED |
AA | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 8 | GLASS, FRAGMENT, WINDOW GLASS |
AB | 1 | PLASTER |
AC | 1 | BRICK, BRICKETAGE, GLAZED |
AD | 1 | LEAD ALLOY, SHOT |
AE | 3 | IRON ALLOY, NAIL, FRAGMENT |
AF | 1 | PORCELAIN, OTHER PORC, FRAGMENT, PAINT OVER/UNDR, WHEEL THROWN, POLYCHROME, POSSIBLY JAPANESE. PAINTED UNDER BLUE MOTIF AND PAINTED OVER RED OVERGLAZE ON INTERIOR. BROWN LINE ON RIM. |
AA | 1 | GLASS, CLRLESS LEAD, FRAGMENT |
AB | 1 | GLASS, CLRLESS LEAD, FRAGMENT, AQUA |
AC | 16 | GLASS, FRAGMENT, WINDOW GLASS |
AC | 1 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED, POSSIBLE CASE BOTTLE |
AD | 1 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AE | 16 | GLASS, FRAGMENT, WINDOW GLASS |
AF | 1 | BONE, FAUNAL SPECIMEN |
AG | 1 | SHELL, OYSTER |
AH | 6 | PLASTER |
AI | 5 | BRICK, BRICKETAGE, GLAZED |
AJ | 1 | IRON ALLOY, NAIL, 2 TO 4 IN |
AK | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AL | 10 | IRON ALLOY, NAIL, FRAGMENT |
AM | 1 | IRON ALLOY, UNID HARDWARE |
AN | 1 | IRON ALLOY, UNID HARDWARE |
AO | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AA | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, TRAILED, PRESS MOLDED, BROWN, ALKALINE GLAZE |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AB | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, INCISED, WHEEL THROWN |
AC | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, WHEEL THROWN |
AD | 1 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS, FOLDED FOOT |
AE | 2 | GLASS, CLRLESS LEAD, FRAGMENT, WHITE |
AF | 2 | GLASS, CLRLESS LEAD, FRAGMENT |
AG | 27 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED, POSSIBLE CASE BOTTLE |
AH | 2 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AI | 37 | GLASS, FRAGMENT, WINDOW GLASS |
AJ | 2 | IRON ALLOY, NAIL |
AK | 4 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AB | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, INCISED, WHEEL THROWN |
AC | 5 | GLASS, CLRLESS LEAD, FRAGMENT |
AD | 4 | GLASS, COLORED GLASS, FRAGMENT, AQUA |
AE | 2 | GLASS, FRAGMENT, FLAT, DEVITRIFIED |
AF | 6 | GLASS, COLORED GLASS, FRAGMENT, BOTTLE, MOLD BLOWN, GREEN |
AG | 22 | GLASS, COLORED GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED, POSSIBLY CASE BOTTLE |
AH | 44 | GLASS, FRAGMENT, WINDOW GLASS |
AI | 1 | BRICK, BRICKETAGE |
AJ | 1 | IRON ALLOY, NAIL, 2 TO 4 IN |
AK | 2 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AB | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AC | 2 | SLAG/CLINKER |
AA | 1 | GLASS, FRAGMENT, WINE BOTTLE |
AB | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AC | 1 | MORTAR |
AD | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | COARSE EARTHEN, COARSEWARE, FRAGMENT, LEAD GLAZE, WHEEL THROWN |
AB | 1 | GLASS, FRAGMENT, CASE BOTTLE, MOLD BLOWN, DEVITRIFIED |
AC | 8 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 1 | BRICK, BRICKETAGE, GLAZED |
AE | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AF | 2 | IRON ALLOY, NAIL, FRAGMENT |
AA | 4 | BRICK, BRICKETAGE, GLAZED |
AB | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED |
AB | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AC | 1 | BRICK, BRICKETAGE |
AD | 2 | IRON ALLOY, NAIL, FRAGMENT |
AA | 4 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED, POSSIBLE CASE BOTTLE |
AB | 1 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AC | 13 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AE | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AB | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AC | 1 | GLASS, CLRLESS NON-LD, FRAGMENT, INTERNAL CRIZZLING |
AD | 6 | GLASS, FRAGMENT, WINDOW GLASS |
AE | 5 | LEAD ALLOY, UNID HARDWARE |
AF | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AG | 1 | IRON ALLOY, UNID HARDWARE |
AH | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AB | 7 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AC | 1 | EARTHENWARE, TIN ENAMELLED, FRAGMENT, WHEEL THROWN, MISSING GLAZE |
AD | 3 | DETACHED GLAZE, DELFTWARE ENG, FRAGMENT |
AE | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AF | 2 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PAINTED UNDER, PRESS MOLDED, BLUE |
AG | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, BEAD AND REEL, PAINTED UNDER, PRESS MOLDED, BLUE |
AH | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, RED |
AI | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AJ | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, ALKALINE GLAZE, PRESS MOLDED |
AK | 1 | STONEWARE, OTHER STONEW, FRAGMENT, WHEEL THROWN |
AL | 1 | STONEWARE, WESTERWALD, FRAGMENT, CORDONED, WHEEL THROWN, CHAMBERPOT RIM |
AM | 1 | STONEWARE, WESTERWALD, FRAGMENT, INCISED, WHEEL THROWN |
AN | 1 | STONEWARE, WESTERWALD, FRAGMENT, WHEEL THROWN |
AO | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, ROULETTED, WHEEL THROWN |
AP | 2 | STONEWARE, WH SALT-GLAZED, FRAGMENT |
AQ | 1 | STONEWARE, OTHER STONEW, FRAGMENT, INCISED, WHEEL THROWN |
AR | 3 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AS | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, WHEEL THROWN |
AT | 2 | PORCELAIN, ENG BONE CHINA, FRAGMENT |
AU | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT |
AV | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, BOWL |
AW | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 4/64 INCHES |
AX | 2 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS |
AY | 1 | GLASS, CLRLESS LEAD, FRAGMENT |
AZ | 1 | GLASS, CLRLESS LEAD, FRAGMENT, AQUA |
BA | 4 | GLASS, COLORED GLASS, FRAGMENT, AQUA |
BB | 2 | GLASS, FRAGMENT, WINE BOTTLE, NECK, DEVITRIFIED |
BC | 55 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
100 | ||
BD | 4 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED, POSSIBLY CASE BOTTLE |
BE | 12 | GLASS, FRAGMENT, WINDOW GLASS |
BF | 4 | BONE, FAUNAL SPECIMEN |
BG | 1 | PLASTER |
BH | 1 | SLAG/CLINKER |
BI | 1 | ASBESTOS, TILE, ROOFING |
BJ | 2 | COPPER ALLOY, UNID HARDWARE, ROLLED/SHEET |
BK | 9 | ALUMINUM, NAIL, LESS THAN 2 IN, WIRE |
BL | 1 | IRON ALLOY, NAIL, OVER 4 IN, WIRE |
BM | 5 | IRON ALLOY, NAIL, 2 TO 4 IN, WIRE |
BN | 9 | IRON ALLOY, NAIL, 2 TO 4 IN |
BO | 2 | IRON ALLOY, NAIL, LESS THAN 2 IN |
BP | 36 | IRON ALLOY, NAIL, FRAGMENT |
BQ | 1 | IRON ALLOY, UNID HARDWARE |
BR | 1 | IRON ALLOY, UNID HARDWARE |
BS | 3 | IRON ALLOY, UNID HARDWARE |
BT | 1 | IRON ALLOY, UNID HARDWARE |
BU | 1 | IRON ALLOY, UNID HARDWARE |
BV | 1 | IRON ALLOY, UNID HARDWARE |
BW | 1 | IRON ALLOY, UNID HARDWARE |
BX | 1 | IRON ALLOY, UNID HARDWARE |
BY | 1 | IRON ALLOY, UNID HARDWARE |
BZ | 1 | IRON ALLOY, UNID HARDWARE |
CA | 1 | IRON ALLOY, UNID HARDWARE |
CB | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AB | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AC | 1 | STONEWARE, NOTTINGHAM SW, FRAGMENT, CORDONED, WHEEL THROWN |
AD | 1 | STONEWARE, NOTTINGHAM SW, FRAGMENT, INCISED, WHEEL THROWN |
AE | 1 | STONEWARE, FULHAM SW, FRAGMENT, WHEEL THROWN |
AF | 1 | REFINED EARTHEN, REFINED EW, FRAGMENT, PAINTED OVER, BROWN, MACHINE-MADE. EITHER A LID OF BASE FRAGMENT. PAINTED BROWN. |
AG | 1 | GLASS, CLRLESS LEAD, FRAGMENT |
AH | 6 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AI | 27 | GLASS, FRAGMENT, WINDOW GLASS |
AJ | 1 | BONE, BUTTON, INCISED, WORKED, COMPLETE |
AK | 1 | SHELL, OYSTER |
AL | 4 | PLASTER |
AM | 1 | COPPER ALLOY, WIRE, DRAWN |
AN | 1 | IRON ALLOY, NAIL, OVER 4 IN, WIRE |
AO | 2 | IRON ALLOY, NAIL, LESS THAN 2 IN, WIRE |
AP | 3 | IRON ALLOY, NAIL, LESS THAN 2 IN, MACHINE-HEADED |
AQ | 1 | IRON ALLOY, NAIL, 2 TO 4 IN |
AR | 10 | IRON ALLOY, NAIL, FRAGMENT |
AS | 1 | IRON ALLOY, UNID HARDWARE, POSSIBLE BUCKLE |
AT | 1 | IRON ALLOY, UNID HARDWARE |
AA | 2 | REFINED EARTHEN, PEARLWARE, FRAGMENT, FEATHER EDGE, PAINTED UNDER, PRESS MOLDED, BLUE |
101 | ||
AB | 2 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, BLUE |
AC | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, ROULETTED, ANNULAR, POLYCHROME, ALKALINE GLAZE |
AD | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, ALKALINE GLAZE, PRESS MOLDED |
AE | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, UNID DECORATION, PRESS MOLDED |
AF | 1 | STONEWARE, WESTERWALD, FRAGMENT, INCISED, WHEEL THROWN |
AG | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE, CANTON |
AH | 1 | OTHER INORGANIC, BRICK, MAKER'S MARK, "MOUNT SAVAGE", CEMENT |
AI | 1 | COPPER ALLOY, OTHER HARDWARE, AXLE BUSHING |
AJ | 1 | COPPER ALLOY, UNID HARDWARE, ROLLED/SHEET |
AK | 1 | IRON ALLOY, NAIL, 2 TO 4 IN |
AL | 1 | IRON ALLOY, NAIL, FRAGMENT |
AM | 1 | IRON ALLOY, HINGE |
AN | 1 | IRON ALLOY, UNID HARDWARE |
AO | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AB | 3 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AC | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PAINTED UNDER, PRESS MOLDED, BLUE |
AD | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AE | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AF | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, BEAD AND REEL, PRESS MOLDED |
AG | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, DOT/DIAPER/BASK, PRESS MOLDED |
AH | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT |
AI | 1 | STONEWARE, WESTERWALD, FRAGMENT, WHEEL THROWN |
AJ | 1 | STONEWARE, GERMAN STONEW, FRAGMENT, WHEEL THROWN |
AK | 1 | STONEWARE, AMER STONEWARE, FRAGMENT, WHEEL THROWN |
AL | 2 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AM | 2 | PORCELAIN, ENG BONE CHINA, FRAGMENT |
AN | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 4/64 INCHES |
AO | 1 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS, CUT, FACETED STEM |
AP | 7 | GLASS, FRAGMENT, WINE BOTTLE, MOLD BLN/EMPONT, DEVITRIFIED |
AQ | 1 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED |
AR | 2 | GLASS, FRAGMENT, WINDOW GLASS |
AS | 1 | BONE, FAUNAL SPECIMEN |
AT | 2 | SHELL, OYSTER |
AU | 2 | SLAG/CLINKER |
AV | 3 | CERAMIC, PIPE, DRAINAGE PIPE |
AW | 1 | ALUMINUM, NAIL, LESS THAN 2 IN, WIRE |
AX | 2 | IRON ALLOY, NAIL, 2 TO 4 IN, WIRE |
AY | 1 | IRON ALLOY, NAIL, 2 TO 4 IN |
AZ | 3 | IRON ALLOY, NAIL, FRAGMENT |
BA | 1 | IRON ALLOY, UNID HARDWARE |
102 | ||
BB | 1 | IRON ALLOY, UNID HARDWARE |
BC | 1 | IRON ALLOY, UNID HARDWARE |
BD | 1 | IRON ALLOY, KNIFE, CUTLERY, TABLE KNIFE |
AA | 3 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AB | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AC | 1 | GLASS, COLORED GLASS, FRAGMENT, WHITE |
AD | 1 | GLASS, COLORED GLASS, FRAGMENT, AQUA |
AE | 4 | GLASS, FRAGMENT, WINE BOTTLE, MOLD BLOWN |
AF | 10 | GLASS, FRAGMENT, WINDOW GLASS |
AG | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN, WROUGHT/FORGED |
AH | 2 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AI | 3 | IRON ALLOY, NAIL, FRAGMENT |
AA | 2 | MORTAR |
AB | 2 | BRICK, BRICKETAGE, EXHIBIT MORTAR ATTACHMENTS |
AA | 1 | STONEWARE, WESTERWALD, FRAGMENT, INCISED, WHEEL THROWN, PURPLE |
AB | 1 | STONEWARE, FULHAM SW, FRAGMENT, INCISED, WHEEL THROWN |
AC | 1 | STONEWARE, AMER BROWN, FRAGMENT, WHEEL THROWN |
AD | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AE | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, WHEEL THROWN |
AF | 3 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AG | 4 | GLASS, FRAGMENT, WINDOW GLASS |
AH | 1 | SLATE, OTHER HARDWARE, SLATE PENCIL FRAGMENT |
AI | 1 | SLAG/CLINKER |
AJ | 2 | IRON ALLOY, NAIL, 2 TO 4 IN |
AK | 3 | IRON ALLOY, NAIL, FRAGMENT |
AL | 1 | IRON ALLOY, WASHER |
AM | 1 | IRON ALLOY, UNID HARDWARE |
AN | 1 | IRON ALLOY, UNID HARDWARE |
AO | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AB | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AC | 1 | STONEWARE, WESTERWALD, FRAGMENT, INCISED, PAINTED UNDER, WHEEL THROWN, POLYCHROME |
AD | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, BLUE |
AE | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED OVER, WHEEL THROWN, RED |
AF | 2 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 6/64 INCHES |
AG | 1 | GLASS, CLRLESS LEAD, FRAGMENT |
AH | 2 | GLASS, FRAGMENT, WINDOW GLASS |
AH | 4 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AI | 2 | GLASS, FRAGMENT, WINDOW GLASS |
AJ | 1 | BONE, FAUNAL SPECIMEN |
AK | 1 | SHELL, OYSTER |
103 | ||
AL | 1 | PLASTER |
AM | 2 | IRON ALLOY, NAIL, 2 TO 4 IN, WIRE |
AN | 2 | IRON ALLOY, NAIL, FRAGMENT |
AO | 1 | IRON ALLOY, UNID HARDWARE |
AP | 1 | IRON ALLOY, UNID HARDWARE |
AQ | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | COARSE EARTHEN, COARSEWARE, FRAGMENT, LEAD GLAZE, WHEEL THROWN |
AB | 2 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AC | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, SHELL EDGE, PAINTED UNDER, PRESS MOLDED, BLUE |
AD | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT |
AE | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, PAINTED OVER, BLACK |
AF | 2 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AG | 4 | GLASS, CLRLESS LEAD, FRAGMENT |
AH | 1 | GLASS, CLRLESS LEAD, FRAGMENT, SMOKY |
AI | 3 | GLASS, CLRLESS NON-LD, FRAGMENT |
AJ | 1 | GLASS, COLORED GLASS, FRAGMENT, GREEN, DEVITRIFIED |
AK | 100 | GLASS, FRAGMENT, WINDOW GLASS |
AK | 4 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AL | 2 | GLASS, FRAGMENT, CASE BOTTLE, MOLD BLN/EMPONT, DEVITRIFIED |
AM | 5 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED, POSSIBLE CASE BOTTLE |
AN | 100 | GLASS, FRAGMENT, WINDOW GLASS |
AO | 6 | BONE, FAUNAL SPECIMEN |
AP | 1 | SHELL, OYSTER |
AQ | 11 | PLASTER |
AR | 3 | MORTAR |
AS | 1 | COAL |
AT | 1 | COPPER ALLOY, BUTTON, ONE PIECE, COMPLETE, POSSIBLY A COAT BUTTON, COPPER EYE |
AU | 3 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AV | 24 | IRON ALLOY, NAIL, FRAGMENT |
AW | 1 | IRON ALLOY, UNID HARDWARE |
AX | 1 | IRON ALLOY, UNID HARDWARE |
AY | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AB | 2 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AC | 9 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 1 | BONE, FAUNAL SPECIMEN |
AE | 5 | PLASTER |
AF | 3 | OTHER SYNTHETIC, TILE, ROOFING, ASPHALT SHINGLES |
AG | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AH | 4 | IRON ALLOY, NAIL, FRAGMENT |
AA | 2 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AB | 1 | GLASS, FRAGMENT, WINE BOTTLE |
104 | ||
AC | 9 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 2 | BONE, FAUNAL SPECIMEN |
AE | 1 | SHELL, OYSTER |
AF | 3 | MORTAR |
AG | 1 | BRICK, BRICKETAGE |
AH | 1 | BRICK, BRICKETAGE, GLAZED |
AI | 7 | IRON ALLOY, NAIL, FRAGMENT |
AA | 4 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AB | 2 | DETACHED GLAZE, DELFTWARE ENG, FRAGMENT |
AC | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AD | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, WHEEL THROWN |
AE | 1 | STONEWARE, WESTERWALD, FRAGMENT, INCISED, WHEEL THROWN |
AF | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, PRESS MOLDED |
AG | 1 | GLASS, COLORED GLASS, FRAGMENT, MOLD BLOWN, AQUA |
AH | 1 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AI | 95 | GLASS, FRAGMENT, WINDOW GLASS |
AJ | 4 | BONE, FAUNAL SPECIMEN |
AK | 3 | SHELL, OYSTER |
AL | 4 | PLASTER |
AM | 1 | SHELL, SCALLOP, FRAGMENT |
AN | 4 | IRON ALLOY, NAIL, 2 TO 4 IN |
AO | 5 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AP | 32 | IRON ALLOY, NAIL, FRAGMENT |
AQ | 1 | IRON ALLOY, UNID HARDWARE |
AR | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINT OVER/UNDR, BLUE, GHOST SHADOW |
AB | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT |
AC | 1 | GLASS, CLRLESS LEAD, FRAGMENT |
AD | 10 | GLASS, FRAGMENT, WINDOW GLASS |
AE | 1 | BONE, FAUNAL SPECIMEN |
AF | 2 | PLASTER |
AG | 1 | BRICK, BRICKETAGE, GLAZED, ATTACHED TO A NAIL FRAGMENT. |
AH | 1 | COPPER ALLOY, BUTTON, ONE PIECE, POSSIBLE TINNED |
AI | 5 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | COPPER ALLOY, BUTTON, TWO PIECE, CAST, COMPLETE, LETTERING/NUMB, "SIC EMEER TYRANNIS", SILVERED. BUTTON FACE EXHIBITS A MAN WITH SWORD STANDING OVER A BODY WITH A CROWN. LETTERING WITHIN A THREE SECTION FLAG SURROUNDING THE MAN. COPPER EYE. VIRGINIA MILITIA BUTTON. CIVIL WAR ERA. |
AB | 1 | COPPER ALLOY, BUTTON, ONE PIECE, GILDED, COMPLETE, FLAT OBVERSE. COPPER EYE. |
AC | 4 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AD | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AE | 6 | EARTHENWARE, TIN ENAMELLED, FRAGMENT, WHEEL THROWN, MISSING GLAZE |
AF | 1 | COARSE EARTHEN, COLONO WARE, FRAGMENT, BURNISHED, COIL BUILT |
105 | ||
AG | 4 | COARSE EARTHEN, COARSEWARE, FRAGMENT, LEAD GLAZE, WHEEL THROWN |
AH | 2 | COARSE EARTHEN, COARSEWARE, FRAGMENT, LEAD GLAZE, WHEEL THROWN, POSSIBLY LOCAL |
AI | 1 | COARSE EARTHEN, COARSEWARE, FRAGMENT, FLOWERPOT, UNGLAZED, WHEEL THROWN |
AJ | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, BEADED, LEAD GLAZE, PRESS MOLDED |
AK | 2 | REFINED EARTHEN, CREAMWARE, FRAGMENT, FEATHER EDGE, LEAD GLAZE, PRESS MOLDED |
AL | 5 | REFINED EARTHEN, CREAMWARE, FRAGMENT, OTHER MOLD DEC, LEAD GLAZE, PRESS MOLDED |
AM | 20 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AN | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, SHELL EDGE, PAINTED UNDER, PRESS MOLDED, GREEN |
AO | 2 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PAINTED UNDER, PRESS MOLDED, BLUE |
AP | 6 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, BLUE |
AQ | 2 | REFINED EARTHEN, PEARLWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AR | 3 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, PINK |
AS | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AT | 8 | REFINED EARTHEN, REFINED EW, FRAGMENT, PAINTED OVER, PRESS MOLDED, BROWN |
AU | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, PRESS MOLDED, SCALLOPED RIM |
AV | 8 | STONEWARE, WH SALT-GLAZED, FRAGMENT |
AW | 2 | STONEWARE, BLACK BASALT, FRAGMENT, ENGINE-TURNED |
AX | 1 | STONEWARE, WESTERWALD, FRAGMENT, INCISED, WHEEL THROWN |
AY | 1 | STONEWARE, WESTERWALD, FRAGMENT, WHEEL THROWN |
AZ | 1 | STONEWARE, GERMAN STONEW, FRAGMENT, WHEEL THROWN, INK BOTTLE RIM |
BA | 1 | STONEWARE, YORKTOWN-TYPE, FRAGMENT, WHEEL THROWN |
BB | 8 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
BC | 3 | PORCELAIN, PORCELLANEOUS, FRAGMENT |
BD | 3 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES |
BE | 2 | CERAMIC, TOBACCO PIPE, IMPORTED, BOWL |
BF | 1 | CERAMIC, TOBACCO PIPE, REED STEM, BROWN, INDIAN HEAD ON BOWL. |
BG | 1 | GLASS, CLRLESS LEAD, FRAGMENT, PHARM BOTTLE, AIR BUBBLE, BARE PONTIL |
BH | 1 | GLASS, CLRLESS LEAD, FRAGMENT, DECANTER/CARAFE, MOLDED CRUCIFORM |
BI | 2 | GLASS, CLRLESS LEAD, FRAGMENT, MOLDED STEM, WATER CARAFE FRAGMENT |
BJ | 1 | GLASS, CLRLESS LEAD, FRAGMENT, HANDLE |
BK | 25 | GLASS, CLRLESS LEAD, FRAGMENT |
BL | 3 | GLASS, CLRLESS LEAD, FRAGMENT, SMOKY |
BM | 7 | GLASS, CLRLESS LEAD, FRAGMENT, AQUA |
BN | 2 | GLASS, CLRLESS NON-LD, FRAGMENT, COPPER WHL ENGR |
BO | 3 | GLASS, CLRLESS NON-LD, FRAGMENT, INTERNAL CRIZZLING |
BP | 17 | GLASS, CLRLESS NON-LD, FRAGMENT, LEIGHTON'S PATENT GLASS |
BQ | 3 | GLASS, COLORED GLASS, FRAGMENT, WHITE |
106 | ||
BR | 12 | GLASS, COLORED GLASS, FRAGMENT, AQUA |
BS | 1 | GLASS, COLORED GLASS, FRAGMENT, GREEN |
BT | 109 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
BU | 2 | GLASS, FRAGMENT, CASE BOTTLE, MOLD BLN/EMPONT, GREEN, DEVITRIFIED |
BV | 53 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED |
BW | 229 | GLASS, FRAGMENT, WINDOW GLASS |
BX | 36 | BONE, FAUNAL SPECIMEN |
BY | 9 | SHELL, OYSTER |
BZ | 7 | SHELL, SCALLOP, FRAGMENT, BURNED |
CA | 1 | MORTAR |
CB | 4 | COAL |
CC | 2 | PORCELAIN, TILE, BATHROOM TILE |
CD | 1 | LEAD ALLOY, BULLET, CAST, COMPLETE |
CE | 1 | COPPER ALLOY, NUT, COMPLETE, RECTANGULAR |
CF | 9 | LEAD ALLOY, WINDOW LEAD |
CG | 1 | LEAD ALLOY, UNID HARDWARE |
CH | 1 | IRON ALLOY, NAIL, 2 TO 4 IN, MACHINE-HEADED |
CI | 2 | IRON ALLOY, NAIL, LESS THAN 2 IN, MACHINE-HEADED |
CJ | 9 | IRON ALLOY, NAIL, 2 TO 4 IN |
CK | 5 | IRON ALLOY, NAIL, LESS THAN 2 IN |
CL | 154 | IRON ALLOY, NAIL, FRAGMENT |
CM | 1 | IRON ALLOY, UNID HARDWARE |
CN | 1 | IRON ALLOY, UNID HARDWARE |
CO | 1 | IRON ALLOY, UNID HARDWARE |
CP | 1 | IRON ALLOY, UNID HARDWARE |
CQ | 1 | IRON ALLOY, UNID HARDWARE |
CR | 1 | IRON ALLOY, UNID HARDWARE |
CS | 1 | IRON ALLOY, UNID HARDWARE |
CT | 1 | IRON ALLOY, UNID HARDWARE |
CU | 1 | IRON ALLOY, UNID HARDWARE |
CV | 1 | IRON ALLOY, UNID HARDWARE |
CW | 1 | IRON ALLOY, UNID HARDWARE |
CX | 1 | IRON ALLOY, UNID HARDWARE |
CY | 1 | IRON ALLOY, UNID HARDWARE |
CZ | 1 | IRON ALLOY, UNID HARDWARE |
DA | 1 | IRON ALLOY, UNID HARDWARE |
DB | 1 | IRON ALLOY, UNID HARDWARE |
DC | 1 | IRON ALLOY, UNID HARDWARE |
DD | 1 | SLAG/CLINKER |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AB | 1 | EARTHENWARE, TIN ENAMELLED, FRAGMENT, WHEEL THROWN, MISSING GLAZE |
AC | 1 | DETACHED GLAZE, DELFTWARE ENG, FRAGMENT |
AD | 1 | COARSE EARTHEN, COARSEWARE, FRAGMENT, LEAD GLAZE, WHEEL THROWN |
AE | 1 | STONEWARE, FULHAM SW, FRAGMENT, WHEEL THROWN |
AF | 1 | STONEWARE, GERMAN STONEW, FRAGMENT, WHEEL THROWN |
AG | 1 | PORCELAIN, ENG BONE CHINA, FRAGMENT |
AH | 3 | GLASS, CLRLESS LEAD, FRAGMENT |
AI | 1 | GLASS, CLRLESS LEAD, FRAGMENT, BURNED |
AJ | 2 | GLASS, CLRLESS LEAD, FRAGMENT, AQUA |
AK | 2 | GLASS, CLRLESS NON-LD, FRAGMENT, LEIGHTON'S PATENT GLASS |
AL | 12 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AM | 4 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED |
107 | ||
AN | 22 | GLASS, FRAGMENT, WINDOW GLASS |
AO | 4 | BONE, FAUNAL SPECIMEN |
AP | 1 | COPPER ALLOY, FURNITURE ELE, TACK |
AQ | 17 | IRON ALLOY, NAIL, FRAGMENT |
AR | 1 | COPPER ALLOY, UNID HARDWARE, CAST, POSSIBLY RIM OR BASE OF FIGURINE. |
AA | 3 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AB | 4 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AC | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PAINTED UNDER, PRESS MOLDED, POLYCHROME |
AD | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PAINTED UNDER, PRESS MOLDED, BLUE |
AE | 4 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, BLUE |
AF | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED, MAKER'S MARK, Stamped "B" on base |
AG | 3 | REFINED EARTHEN, PEARLWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AH | 3 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, BLUE |
AI | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, BROWN |
AJ | 4 | REFINED EARTHEN, WHITEWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AK | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, INCISED, WHEEL THROWN |
AL | 2 | STONEWARE, WH SALT-GLAZED, FRAGMENT, WHEEL THROWN |
AM | 1 | STONEWARE, WESTERWALD, FRAGMENT, EXTRUDED |
AN | 1 | STONEWARE, WESTERWALD, FRAGMENT, WHEEL THROWN |
AO | 1 | STONEWARE, AMER STONEWARE, FRAGMENT, WHEEL THROWN |
AP | 7 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AQ | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, WHEEL THROWN |
AR | 2 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES |
AS | 1 | GLASS, CLRLESS LEAD, FRAGMENT |
AT | 1 | GLASS, CLRLESS NON-LD, FRAGMENT |
AU | 2 | GLASS, COLORED GLASS, FRAGMENT, AQUA |
AV | 2 | GLASS, FRAGMENT, WINE BOTTLE, NECK, DEVITRIFIED |
AW | 13 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AX | 1 | GLASS, FRAGMENT, WINDOW GLASS, DEVITRIFIED, LETTERING/NUMB, Undistinguishable |
AY | 14 | GLASS, FRAGMENT, WINDOW GLASS |
AZ | 15 | BONE, FAUNAL SPECIMEN |
BA | 1 | CHARCOAL |
BB | 1 | SHELL, SCALLOP, FRAGMENT |
BC | 2 | SLAG/CLINKER |
BD | 1 | MORTAR |
BE | 2 | ASBESTOS, TILE, ROOFING |
BF | 2 | CERAMIC, PIPE, DRAINAGE PIPE |
BG | 2 | COPPER ALLOY, OTHER HARDWARE, COPPER SHEATHING |
BH | 3 | LEAD ALLOY, UNID HARDWARE |
BI | 3 | ALUMINUM, NAIL, 2 TO 4 IN, WIRE |
BJ | 3 | ALUMINUM, NAIL, LESS THAN 2 IN, WIRE |
BK | 6 | IRON ALLOY, NAIL, OVER 4 IN, WIRE |
BL | 12 | IRON ALLOY, NAIL, 2 TO 4 IN, WIRE |
BM | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN, WIRE |
108 | ||
BN | 23 | IRON ALLOY, NAIL, FRAGMENT |
BO | 1 | IRON ALLOY, ELEC HARDWARE |
BP | 1 | IRON ALLOY, UNID HARDWARE |
BQ | 1 | IRON ALLOY, UNID HARDWARE |
BR | 1 | IRON ALLOY, UNID HARDWARE |
BS | 1 | STEEL, UNID HARDWARE |
BT | 1 | COARSE EARTHEN, COARSEWARE, FRAGMENT, LEAD GLAZE, WHEEL THROWN |
BU | 1 | PORCELAIN, JAPANESE PORC, FRAGMENT, PAINTED UNDER, BLUE |
AA | 4 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AB | 2 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES |
AC | 1 | GLASS, CLRLESS NON-LD, BOTTLE, PHARM BOTTLE, OWEN'S SCAR, COMPLETE, LETTERING/NUMB, "10/20/30/40/50" up side for measurement, "AGW" on base, CORK STILL IN PLACE. AMERICAN GLASS WORKS IN RICHMOND, VIRGINIA FROM 1908-1935. BALTIMORE OR PHILADELPHIA OVAL. |
AD | 1 | GLASS, CLRLESS LEAD, FRAGMENT |
AE | 1 | GLASS, FRAGMENT, WINE BOTTLE, EMPONTILLED, BASE, DEVITRIFIED |
AF | 10 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AG | 9 | GLASS, FRAGMENT, WINDOW GLASS |
AH | 22 | BONE, FAUNAL SPECIMEN |
AI | 1 | SHELL, OYSTER |
AJ | 1 | LEAD ALLOY, OTHER HARDWARE, ROLLED/SHEET, LEAD SHEATHING |
AK | 3 | ALUMINUM, NAIL, 2 TO 4 IN, WIRE |
AL | 4 | ALUMINUM, NAIL, LESS THAN 2 IN, WIRE |
AM | 1 | IRON ALLOY, NAIL, OVER 4 IN, WIRE |
AN | 12 | IRON ALLOY, NAIL, 2 TO 4 IN, WIRE |
AO | 11 | IRON ALLOY, NAIL, FRAGMENT |
AP | 1 | STEEL, OTHER HARDWARE, OCTAGONAL IN SECTION. POSSIBLY PART OF AN AXLE. |
AQ | 1 | IRON ALLOY, UNID HARDWARE, CAST, POSSIBLY DROP-FORGED. |
AR | 1 | IRON ALLOY, UNID HARDWARE |
AS | 1 | IRON ALLOY, UNID HARDWARE |
AT | 1 | IRON ALLOY, UNID HARDWARE |
AU | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AV | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, BLUE |
AW | 3 | REFINED EARTHEN, PEARLWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AX | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, BLUE |
AY | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, PAINTED OVER, POLYCHROME, FLORAL DESIGN |
AZ | 14 | ASBESTOS, TILE, ROOFING |
BA | 1 | IRON ALLOY, UNID HARDWARE |
BB | 1 | IRON ALLOY, UNID HARDWARE |
BC | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AB | 6 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PAINTED UNDER, PRESS MOLDED, BLUE, POSSIBLE GRAVY BOAT |
109 | ||
AC | 1 | PORCELAIN, ENG BONE CHINA, FRAGMENT, PRESS MOLDED |
AD | 1 | GLASS, CLRLESS LEAD, FRAGMENT |
AE | 1 | GLASS, FRAGMENT, FLAT, GREEN |
AF | 3 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AG | 2 | GLASS, FRAGMENT, WINDOW GLASS |
AH | 5 | BONE, FAUNAL SPECIMEN |
AI | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN, WIRE, NAIL FRAGMENT ALSO ATTACHED |
AJ | 2 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AK | 32 | IRON ALLOY, NAIL, FRAGMENT |
AL | 1 | IRON ALLOY, UNID HARDWARE |
AA | 9 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AB | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PAINTED UNDER, PRESS MOLDED, BLUE |
AC | 3 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, BLUE |
AD | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AE | 7 | STONEWARE, WH SALT-GLAZED, FRAGMENT, WHEEL THROWN |
AF | 1 | STONEWARE, FULHAM SW, FRAGMENT, WHEEL THROWN |
AG | 2 | STONEWARE, WESTERWALD, FRAGMENT, CORDONED, WHEEL THROWN |
AH | 1 | STONEWARE, AMER BLUE/GREY, FRAGMENT, WHEEL THROWN |
AI | 3 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AJ | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, BLUE, HANDLE, TEAPOT HANDLE |
AK | 2 | PORCELAIN, CH PORCELAIN, FRAGMENT, WHEEL THROWN |
AL | 1 | PORCELAIN, ENG BONE CHINA, FRAGMENT, PRESS MOLDED |
AM | 2 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES |
AN | 3 | GLASS, CLRLESS LEAD, FRAGMENT |
AO | 1 | GLASS, CLRLESS LEAD, FRAGMENT, MOLD BLOWN, LETTERING/NUMB, "E" embossed on exterior |
AP | 1 | GLASS, CLRLESS NON-LD, FRAGMENT, MACHINE-MADE, NECK |
AQ | 1 | GLASS, CLRLESS NON-LD, FRAGMENT |
AR | 2 | GLASS, COLORED GLASS, FRAGMENT, AQUA |
AS | 7 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AT | 1 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED, POSSIBLE CASE BOTTLE |
AU | 117 | GLASS, FRAGMENT, WINDOW GLASS |
AV | 11 | BONE, FAUNAL SPECIMEN |
AW | 1 | SHELL, BUTTON |
AX | 1 | COPPER ALLOY, OTHER HARDWARE, ROLLED/SHEET, FLASHING |
AY | 1 | COPPER ALLOY, UNID HARDWARE |
AZ | 4 | IRON ALLOY, NAIL, OVER 4 IN, WIRE |
BA | 80 | IRON ALLOY, NAIL, 2 TO 4 IN, WIRE |
BB | 2 | IRON ALLOY, NAIL, LESS THAN 2 IN, WIRE |
BC | 212 | IRON ALLOY, NAIL, FRAGMENT |
BD | 1 | IRON ALLOY, UNID HARDWARE |
BE | 1 | IRON ALLOY, UNID HARDWARE |
BF | 1 | IRON ALLOY, LID |
BG | 1 | IRON ALLOY, UNID HARDWARE |
BH | 1 | IRON ALLOY, UNID HARDWARE |
BI | 1 | IRON ALLOY, UNID HARDWARE, BURNED |
BJ | 1 | IRON ALLOY, UNID HARDWARE |
BK | 1 | IRON ALLOY, UNID HARDWARE |
110 | ||
BL | 1 | IRON ALLOY, UNID HARDWARE |
BM | 1 | IRON ALLOY, UNID HARDWARE |
BN | 1 | IRON ALLOY, UNID HARDWARE |
BO | 1 | IRON ALLOY, UNID HARDWARE |
BP | 1 | IRON ALLOY, UNID HARDWARE |
BQ | 1 | IRON ALLOY, UNID HARDWARE |
BR | 1 | IRON ALLOY, UNID HARDWARE |
BS | 1 | IRON ALLOY, UNID HARDWARE |
BT | 1 | IRON ALLOY, UNID HARDWARE |
BU | 1 | IRON ALLOY, UNID HARDWARE |
BV | 1 | IRON ALLOY, UNID HARDWARE |
BW | 1 | IRON ALLOY, UNID HARDWARE |
BX | 1 | IRON ALLOY, UNID HARDWARE |
BY | 1 | IRON ALLOY, HOOK |
BZ | 1 | IRON ALLOY, UNID HARDWARE |
CA | 1 | IRON ALLOY, UNID HARDWARE |
CB | 1 | IRON ALLOY, UNID HARDWARE |
CC | 1 | IRON ALLOY, UNID HARDWARE |
CD | 1 | IRON ALLOY, UNID HARDWARE |
CE | 1 | IRON ALLOY, UNID HARDWARE |
CF | 1 | IRON ALLOY, UNID HARDWARE |
CG | 1 | IRON ALLOY, UNID HARDWARE |
CH | 1 | IRON ALLOY, UNID HARDWARE |
CI | 1 | IRON ALLOY, UNID HARDWARE |
AA | 4 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, PIERCED, PAINTED UNDER, WHEEL THROWN, BLUE, FLOWER FROG |
AB | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AC | 1 | EARTHENWARE, TIN ENAMELLED, FRAGMENT, WHEEL THROWN, MISSING GLAZE |
AD | 2 | DETACHED GLAZE, DELFTWARE ENG, FRAGMENT |
AE | 5 | COARSE EARTHEN, BUCKLEY WARE, FRAGMENT, LEAD GLAZE, WHEEL THROWN |
AF | 1 | COARSE EARTHEN, COARSEWARE, FRAGMENT, LEAD GLAZE, WHEEL THROWN |
AG | 1 | COARSE EARTHEN, COARSEWARE, FRAGMENT, UNDECORATED, WHEEL THROWN, POSSIBLE FLOWERPOT |
AH | 2 | REFINED EARTHEN, CREAMWARE, FRAGMENT, MOCHA/DENDRITIC, PRESS MOLDED, POLYCHROME |
AI | 8 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AJ | 2 | REFINED EARTHEN, PEARLWARE, FRAGMENT, ANNULAR, PRESS MOLDED, POLYCHROME |
AK | 2 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PAINTED UNDER, PRESS MOLDED, BLUE |
AL | 3 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, BLUE |
AM | 2 | REFINED EARTHEN, PEARLWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AN | 4 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, PINK |
AO | 3 | REFINED EARTHEN, WHITEWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AP | 4 | STONEWARE, WH SALT-GLAZED, FRAGMENT, WHEEL THROWN |
AQ | 1 | STONEWARE, AMER STONEWARE, FRAGMENT, WHEEL THROWN |
AR | 1 | STONEWARE, WESTERWALD, FRAGMENT, INCISED, WHEEL THROWN |
111 | ||
AS | 3 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AT | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, WHEEL THROWN |
AU | 1 | PORCELAIN, JAPANESE PORC, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AV | 1 | PORCELAIN, JAPANESE PORC, FRAGMENT, PRINTED UNDER, BLUE |
AW | 1 | GLASS, CLRLESS LEAD, FRAGMENT |
AX | 1 | GLASS, CLRLESS LEAD, FRAGMENT, AQUA |
AY | 1 | GLASS, COLORED GLASS, FRAGMENT, PHARM BOTTLE, FR BLOWN/EMPONT, GREEN, NECK |
AZ | 1 | GLASS, COLORED GLASS, FRAGMENT, MACHINE-MADE, AQUA |
BA | 2 | GLASS, FRAGMENT, WINE BOTTLE, NECK |
BB | 4 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
BC | 1 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED, POSSIBLE CASE BOTTLE |
BD | 5 | GLASS, FRAGMENT, WINDOW GLASS |
BE | 2 | BONE, FAUNAL SPECIMEN |
BF | 2 | PLASTER |
BG | 1 | PLASTIC, TOBACCO PIPE, COMPLETE, MOUTHPIECE FOR A PIPE |
BH | 1 | PLASTIC, UNID HARDWARE |
BI | 1 | LEAD ALLOY, OTHER HARDWARE, ROOF SHEETING |
BJ | 1 | COPPER ALLOY, OTHER HARDWARE, BUSHING |
BK | 3 | IRON ALLOY, NAIL, OVER 4 IN, WIRE |
BL | 6 | IRON ALLOY, NAIL, 2 TO 4 IN, WIRE |
BM | 9 | IRON ALLOY, NAIL, FRAGMENT |
BN | 1 | IRON ALLOY, OTHER HARDWARE, END OF CABLE FOR GARDENING |
BO | 1 | IRON ALLOY, OTHER HARDWARE, WINDOW BAR |
BP | 1 | IRON ALLOY, UNID HARDWARE |
BQ | 1 | IRON ALLOY, UNID HARDWARE, POSSIBLY WIRE |
BR | 1 | IRON ALLOY, UNID HARDWARE |
BS | 1 | IRON ALLOY, SAW BLADE |
AA | 1 | PORCELAIN, JAPANESE PORC, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AB | 2 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES |
AC | 1 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS, AIR TWIST, STRAIGHT STEM DECORATED WITH OPAQUE-WHITE RIBBON TWIST |
AD | 4 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 1 | GLASS, COLORED GLASS, BOTTLE, PHARM BOTTLE, MULT PC/NON-EM, AQUA, COMPLETE, LETTERING/NUMB, "ANGLER'S/PETROLEUM/EMULSION, HAND FINISH |
AE | 4 | GLASS, FRAGMENT, WINDOW GLASS |
AF | 1 | PLASTER |
AG | 5 | SLAG/CLINKER, EXHIBIT NAIL FRAGMENT ATTACHMENTS |
AH | 2 | IRON ALLOY, NAIL, 2 TO 4 IN, WIRE |
AI | 6 | IRON ALLOY, NAIL, FRAGMENT |
AJ | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AB | 1 | REFINED EARTHEN, REFINED EW, FRAGMENT, LEAD GLAZE, PRESS MOLDED, BURNED |
AC | 2 | GLASS, COLORED GLASS, FRAGMENT, MOLD BLOWN, AQUA |
AD | 1 | GLASS, COLORED GLASS, FRAGMENT, GREEN, DEVITRIFIED |
112 | ||
AE | 1 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED |
AF | 1 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AG | 40 | GLASS, FRAGMENT, WINDOW GLASS |
AH | 1 | BONE, FAUNAL SPECIMEN |
AI | 1 | PLASTER |
AJ | 20 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AB | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, PRESS MOLDED |
AC | 1 | GLASS, CLRLESS LEAD, FRAGMENT |
AD | 1 | GLASS, CLRLESS LEAD, FRAGMENT, AQUA |
AE | 2 | GLASS, FRAGMENT, WINE BOTTLE |
AF | 3 | GLASS, FRAGMENT, CASE BOTTLE, MOLD BLN/EMPONT, BASE, DEVITRIFIED, ALL MEND, POSSIBLE PAINT RESIDUE IN INTERIOR, SENT TO CONSERVATION |
AG | 2 | GLASS, FRAGMENT, CASE BOTTLE, MOLD BLN/EMPONT, DEVITRIFIED |
AH | 13 | GLASS, FRAGMENT, WINDOW GLASS, MENDS TO FORM PART OF A WINDOW PANE |
AI | 44 | GLASS, FRAGMENT, WINDOW GLASS |
AJ | 4 | BONE, FAUNAL SPECIMEN |
AK | 2 | SHELL, OYSTER |
AL | 5 | PLASTER |
AM | 1 | BRICK, BRICKETAGE, GLAZED |
AN | 2 | COPPER ALLOY, PIN, STRAIGHT, FRAGMENT |
AO | 9 | IRON ALLOY, NAIL, FRAGMENT |
AA | 6 | MORTAR |
AA | 3 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AB | 1 | COARSE EARTHEN, COARSEWARE, FRAGMENT, WHEEL THROWN, MISSING GLAZE |
AC | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, OTHER MOLD DEC, LEAD GLAZE, PRESS MOLDED |
AD | 3 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AE | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT |
AF | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES |
AG | 2 | GLASS, CLRLESS LEAD, FRAGMENT |
AH | 2 | GLASS, COLORED GLASS, FRAGMENT |
AI | 4 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AJ | 80 | GLASS, FRAGMENT, WINDOW GLASS |
AK | 14 | BONE, FAUNAL SPECIMEN |
AL | 1 | SHELL, OYSTER |
AM | 1 | SHELL, SCALLOP, FRAGMENT |
AN | 2 | COPPER ALLOY, PIN, STRAIGHT, FRAGMENT |
AO | 1 | COPPER ALLOY, FURNITURE ELE, TACK |
AP | 1 | COPPER ALLOY, BUCKLE, CAST |
AQ | 1 | COPPER ALLOY, BUTTON, ONE PIECE, POSSIBLY TINNED, MISSING EYE |
AR | 1 | IRON ALLOY, NAIL, 2 TO 4 IN, CUT |
AS | 3 | IRON ALLOY, NAIL, 2 TO 4 IN |
AT | 8 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AU | 35 | IRON ALLOY, NAIL, FRAGMENT |
113 | ||
AV | 1 | IRON ALLOY, UNID HARDWARE |
AW | 1 | IRON ALLOY, UNID HARDWARE |
AA | 2 | GLASS, CLRLESS LEAD, FRAGMENT |
AB | 1 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AC | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN, CUT, HAND HEAD, BURNED |
AE | 4 | IRON ALLOY, NAIL, FRAGMENT |
AF | 1 | OTHER ORGANIC, ORGANIC SUBST |
AA | 3 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, PIERCED, PAINTED UNDER, WHEEL THROWN, BLUE, FLOWER FROG FRAGMENTS |
AB | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE, FLOWER FROG FRAGMENTS |
AC | 3 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN, FLOWER FROG FRAGMENTS |
AD | 2 | DETACHED GLAZE, TIN ENAMELLED, FRAGMENT |
AE | 1 | COARSE EARTHEN, COARSEWARE, FRAGMENT, LEAD GLAZE, WHEEL THROWN, MILKPAN RIM |
AF | 1 | COARSE EARTHEN, COARSEWARE, FRAGMENT, FLOWERPOT, UNGLAZED, WHEEL THROWN |
AG | 1 | REFINED EARTHEN, CAULIFLOWER, FRAGMENT, LEAD GLAZE, PRESS MOLDED, GREEN |
AH | 2 | REFINED EARTHEN, CREAMWARE, FRAGMENT, FEATHER EDGE, LEAD GLAZE, PRESS MOLDED |
AI | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, MOCHA/DENDRITIC, PRESS MOLDED, POLYCHROME |
AJ | 14 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AK | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, INCISED, PAINTED UNDER, PRESS MOLDED, POLYCHROME |
AL | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PAINTED UNDER, PRESS MOLDED, POLYCHROME |
AM | 3 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PAINTED UNDER, PRESS MOLDED, BLUE |
AN | 3 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, PINK |
AO | 5 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, GREEN |
AP | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, BROWN |
AQ | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRESS MOLDED, LID |
AR | 6 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRESS MOLDED |
AS | 1 | REFINED EARTHEN, REFINED EW, FRAGMENT, PAINTED OVER, PRESS MOLDED, BROWN |
AT | 2 | STONEWARE, WH SALT-GLAZED, FRAGMENT |
AU | 2 | STONEWARE, WESTERWALD, FRAGMENT, WHEEL THROWN |
AV | 2 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AW | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, PAINTED OVER, PRESS MOLDED, RED, GILDED |
AX | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, PAINTED OVER, PRESS MOLDED, RED |
AY | 3 | PORCELAIN, PORCELLANEOUS, FRAGMENT, PAINTED OVER, PRESS MOLDED, OTHER COLOR, SEE GHOST SHADOW |
114 | ||
AZ | 3 | PORCELAIN, CH PORCELAIN, FRAGMENT |
BA | 2 | PORCELAIN, PORCELLANEOUS, FRAGMENT, PRESS MOLDED |
BB | 1 | PORCELAIN, ENG BONE CHINA, FRAGMENT |
BC | 2 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES |
BD | 2 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS, FOLDED FOOT |
BE | 8 | GLASS, CLRLESS LEAD, FRAGMENT |
BF | 1 | GLASS, CLRLESS NON-LD, FRAGMENT, FLAT |
BG | 13 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
BH | 5 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED, POSSIBLY CASE BOTTLE |
BI | 61 | GLASS, FRAGMENT, WINDOW GLASS |
BJ | 9 | BONE, FAUNAL SPECIMEN |
BK | 1 | SHELL, OYSTER |
BL | 1 | COPPER ALLOY, BUTTON, ONE PIECE, COMPLETE, POSSIBLE TINNED. COPPER EYE. |
BM | 1 | IRON ALLOY, NAIL, 2 TO 4 IN, WIRE |
BN | 1 | IRON ALLOY, NAIL, 2 TO 4 IN |
BO | 3 | IRON ALLOY, NAIL, LESS THAN 2 IN |
BP | 48 | IRON ALLOY, NAIL, FRAGMENT |
BQ | 1 | IRON ALLOY, UNID HARDWARE |
BR | 1 | IRON ALLOY, UNID HARDWARE |
BS | 1 | IRON ALLOY, UNID HARDWARE |
BT | 1 | IRON ALLOY, UNID HARDWARE |
BU | 1 | IRON ALLOY, UNID HARDWARE |
BV | 1 | IRON ALLOY, UNID HARDWARE |
BW | 1 | IRON ALLOY, UNID HARDWARE |
BX | 1 | IRON ALLOY, UNID HARDWARE |
BY | 1 | IRON ALLOY, UNID HARDWARE |
BZ | 1 | IRON ALLOY, UNID HARDWARE |
CA | 1 | IRON ALLOY, UNID HARDWARE |
CB | 2 | IRON ALLOY, UNID HARDWARE |
AA | 2 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AB | 1 | COARSE EARTHEN, N MIDLAND SLIP, FRAGMENT, LEAD GLAZE, WHEEL THROWN |
AC | 2 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS, FOLDED FOOT |
AD | 1 | GLASS, CLRLESS LEAD, FRAGMENT |
AE | 2 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AF | 1 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED |
AG | 10 | GLASS, FRAGMENT, WINDOW GLASS |
AH | 5 | BONE, FAUNAL SPECIMEN |
AI | 9 | PLASTER |
AJ | 2 | BRICK, BRICKETAGE |
AK | 3 | COPPER ALLOY, PIN, STRAIGHT, HAND-HEADED, TWO COMPLETE AND ONE FRAGMENTARY |
AL | 3 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AM | 21 | IRON ALLOY, NAIL, FRAGMENT |
AN | 1 | IRON ALLOY, UNID HARDWARE |
AO | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AB | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AC | 1 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS, CUT, STEM, STRAIGHT STEM CUT WITH HEXAGONAL FACETING |
115 | ||
AD | 3 | GLASS, FRAGMENT, GREEN, DEVITRIFIED, POSSIBLE CASE BOTTLE |
AE | 1 | GLASS, FRAGMENT, WINE BOTTLE |
AF | 5 | GLASS, FRAGMENT, WINDOW GLASS |
AG | 2 | BONE, FAUNAL SPECIMEN |
AH | 9 | IRON ALLOY, NAIL, FRAGMENT |
AI | 1 | IRON ALLOY, UNID HARDWARE |
AJ | 1 | IRON ALLOY, UNID HARDWARE |
AA | 2 | COARSE EARTHEN, COARSEWARE, FRAGMENT, LEAD GLAZE, WHEEL THROWN |
AB | 1 | STONEWARE, WESTERWALD, FRAGMENT, HANDLE, PULLED |
AC | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AD | 2 | PORCELAIN, CH PORCELAIN, FRAGMENT, WHEEL THROWN |
AE | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES |
AF | 1 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS, FOLDED FOOT |
AG | 1 | GLASS, CLRLESS LEAD, FRAGMENT, PHARM BOTTLE, FR BLOWN/EMPONT |
AH | 4 | GLASS, CLRLESS LEAD, FRAGMENT |
AI | 3 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AJ | 115 | GLASS, FRAGMENT, WINDOW GLASS |
AK | 10 | BONE, FAUNAL SPECIMEN |
AL | 2 | SHELL, OYSTER |
AM | 3 | PLASTER |
AN | 1 | LEAD ALLOY, SCRAP |
AO | 46 | IRON ALLOY, NAIL, FRAGMENT |
AP | 1 | IRON ALLOY, UNID HARDWARE |
AQ | 1 | IRON ALLOY, UNID HARDWARE |
AR | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AB | 3 | GLASS, CLRLESS LEAD, FRAGMENT |
AC | 1 | GLASS, COLORED GLASS, FRAGMENT, GREEN, DEVITRIFIED |
AD | 1 | GLASS, FRAGMENT, FLAT, DEVITRIFIED |
AE | 39 | GLASS, FRAGMENT, WINDOW GLASS |
AF | 5 | BONE, FAUNAL SPECIMEN |
AG | 2 | SHELL, OYSTER |
AH | 2 | PLASTER |
AI | 1 | IRON ALLOY, NAIL, 2 TO 4 IN |
AJ | 9 | IRON ALLOY, NAIL, FRAGMENT |
AK | 1 | IRON ALLOY, UNID HARDWARE |
AL | 1 | IRON ALLOY, UNID HARDWARE |
AM | 1 | IRON ALLOY, UNID HARDWARE |
AA | 2 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AB | 1 | EARTHENWARE, TIN ENAMELLED, FRAGMENT, WHEEL THROWN, MISSING GLAZE |
AC | 1 | EARTHENWARE, N MIDLAND SLIP, FRAGMENT, LEAD GLAZE, WHEEL THROWN |
AD | 1 | COARSE EARTHEN, COARSEWARE, FRAGMENT, LEAD GLAZE, WHEEL THROWN |
AE | 1 | STONEWARE, DIPPED WSG, FRAGMENT, ENGOBE, WHEEL THROWN |
116 | ||
AF | 3 | STONEWARE, WH SALT-GLAZED, FRAGMENT, WHEEL THROWN |
AG | 1 | STONEWARE, WESTERWALD, FRAGMENT, WHEEL THROWN |
AH | 1 | STONEWARE, AMER BROWN, FRAGMENT, WHEEL THROWN |
AI | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, PAINTED OVER, OTHER COLOR, GOLD |
AJ | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT |
AK | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 4/64 INCHES |
AL | 1 | GLASS, CLRLESS LEAD, FRAGMENT |
AM | 3 | GLASS, COLORED GLASS, FRAGMENT, AQUA |
AN | 6 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AO | 2 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED |
AP | 91 | GLASS, FRAGMENT, WINDOW GLASS |
AQ | 15 | BONE, FAUNAL SPECIMEN |
AR | 3 | SHELL, OYSTER |
AS | 1 | MARBLE, STONE, ARCHITECTURAL |
AT | 3 | COPPER ALLOY, PIN, STRAIGHT, HAND-HEADED |
AU | 1 | LEAD ALLOY, WINDOW LEAD, DRAWN |
AV | 4 | IRON ALLOY, NAIL, 2 TO 4 IN |
AW | 8 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AX | 25 | IRON ALLOY, NAIL, FRAGMENT |
AA | 3 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AB | 4 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PAINTED UNDER, PRESS MOLDED, BLUE |
AC | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, GREEN |
AD | 1 | REFINED EARTHEN, REFINED EW, FRAGMENT, ALKALINE GLAZE |
AE | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, CORDONED, WHEEL THROWN |
AF | 1 | STONEWARE, AMER STONEWARE, FRAGMENT, INCISED, WHEEL THROWN, LETTERING/NUMB, "H" incised on exterior |
AG | 2 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AH | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, PAINTED OVER, PRESS MOLDED, BLACK |
AI | 5 | GLASS, CLRLESS LEAD, FRAGMENT |
AJ | 1 | GLASS, COLORED GLASS, FRAGMENT, BOTTLE, MACHINE-MADE, LETTERING/NUMB, "HILLIPS" EMBOSSED ON EXTERIOR |
AK | 2 | GLASS, COLORED GLASS, FRAGMENT, MOLD BLOWN, GREEN |
AL | 1 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AM | 2 | GLASS, FRAGMENT, FLAT, DEVITRIFIED |
AN | 19 | GLASS, FRAGMENT, WINDOW GLASS |
AO | 25 | BONE, FAUNAL SPECIMEN |
AP | 1 | SHELL, OYSTER |
AQ | 1 | PORCELAIN, ELEC HARDWARE, INSULATOR |
AR | 1 | ASBESTOS, TILE, ROOFING |
AS | 1 | LEAD ALLOY, SHOT, CAST |
AT | 1 | COPPER ALLOY, PIN, STRAIGHT, MACHINE-HEADED, FRAGMENT |
AU | 2 | COPPER ALLOY, PIN, STRAIGHT, DRAWN |
AV | 12 | IRON ALLOY, NAIL, 2 TO 4 IN, WIRE |
AW | 21 | IRON ALLOY, NAIL, FRAGMENT |
AX | 1 | IRON ALLOY, BOLT, LESS THAN 2 IN, MACHINE-HEADED, SQUARE-HEADED |
AY | 1 | IRON ALLOY, UNID HARDWARE |
AZ | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, PAINTED UNDER, WHEEL THROWN, POLYCHROME |
AB | 1 | COARSE EARTHEN, N MIDLAND SLIP, FRAGMENT, LEAD GLAZE, WHEEL THROWN |
AC | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, TRAILED, PRESS MOLDED, BLUE |
AD | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AE | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, PRESS MOLDED |
AF | 4 | GLASS, CLRLESS LEAD, FRAGMENT |
AG | 1 | GLASS, COLORED GLASS, FRAGMENT, MOLD BLOWN, GREEN |
AH | 1 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AI | 13 | GLASS, FRAGMENT, WINDOW GLASS |
AJ | 9 | BONE, FAUNAL SPECIMEN |
AK | 2 | SHELL, OYSTER |
AL | 1 | BRICK, BRICKETAGE, GLAZED |
AM | 1 | PORCELAIN, ELEC HARDWARE, INSULATOR |
AN | 1 | ASBESTOS, TILE, ROOFING |
AO | 1 | LEAD ALLOY, SHOT |
AP | 1 | IRON ALLOY, NAIL, OVER 4 IN, WIRE |
AQ | 1 | IRON ALLOY, NAIL, 2 TO 4 IN, WIRE |
AR | 4 | IRON ALLOY, NAIL, LESS THAN 2 IN, WIRE |
AS | 2 | IRON ALLOY, NAIL, 2 TO 4 IN, CUT |
AT | 15 | IRON ALLOY, NAIL, FRAGMENT |
AU | 1 | IRON ALLOY, OTHER HARDWARE, ROD IRON |
AV | 1 | IRON ALLOY, UNID HARDWARE |
AW | 1 | IRON ALLOY, UNID HARDWARE |
AX | 1 | COARSE EARTHEN, COLONO WARE, FRAGMENT, BURNISHED, COIL BUILT |
AA | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES |
AB | 1 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AC | 2 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 1 | BONE, FAUNAL SPECIMEN |
AE | 1 | PLASTER |
AF | 4 | IRON ALLOY, NAIL, FRAGMENT |
AG | 1 | IRON ALLOY, UNID HARDWARE |
AA | 2 | PORCELAIN, PORCELLANEOUS, FRAGMENT |
AB | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES |
AC | 5 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 4/64 INCHES |
AD | 1 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS, FOLDED FOOT |
AE | 1 | GLASS, CLRLESS LEAD, FRAGMENT |
AF | 9 | GLASS, COLORED GLASS, FRAGMENT, PHARM BOTTLE, MOLD BLOWN, AQUA |
AG | 1 | GLASS, COLORED GLASS, FRAGMENT, AQUA, DEVITRIFIED |
AH | 4 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED, POSSIBLE CASE BOTTLE |
AI | 1 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AJ | 14 | GLASS, FRAGMENT, WINDOW GLASS |
AK | 8 | BONE, FAUNAL SPECIMEN |
AL | 2 | SHELL, OYSTER |
AM | 1 | PLASTER |
AN | 1 | CHARCOAL |
AO | 1 | LEAD ALLOY, WINDOW LEAD, DRAWN |
118 | ||
AP | 2 | IRON ALLOY, NAIL, LESS THAN 2 IN, WIRE |
AQ | 3 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AR | 21 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | STONEWARE, WESTERWALD, FRAGMENT, INCISED, WHEEL THROWN |
AB | 1 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AC | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 2 | BONE, FAUNAL SPECIMEN |
AE | 1 | SHELL, OYSTER |
AF | 1 | PLASTER |
AG | 2 | BRICK, BRICKETAGE |
AH | 1 | LEAD ALLOY, WINDOW LEAD, DRAWN |
AI | 7 | IRON ALLOY, NAIL, FRAGMENT |
AA | 4 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AB | 2 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AC | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT |
AD | 2 | STONEWARE, FULHAM SW, FRAGMENT, WHEEL THROWN |
AE | 2 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED OVER, WHEEL THROWN, OTHER COLOR |
AF | 4 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AG | 2 | PORCELAIN, CH PORCELAIN, FRAGMENT, WHEEL THROWN |
AH | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 6/64 INCHES |
AI | 2 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES |
AJ | 1 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS, KNOP ON STEM |
AK | 4 | GLASS, CLRLESS LEAD, FRAGMENT |
AL | 16 | GLASS, COLORED GLASS, FRAGMENT, MOLD BLOWN, AQUA |
AM | 9 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AN | 18 | GLASS, FRAGMENT, FLAT, DEVITRIFIED |
AO | 1 | GLASS, FRAGMENT, CASE BOTTLE |
AP | 15 | GLASS, FRAGMENT, WINDOW GLASS |
AQ | 30 | BONE, FAUNAL SPECIMEN |
AR | 5 | SHELL, OYSTER |
AS | 1 | PLASTER |
AT | 1 | MORTAR |
AU | 3 | BRICK, BRICKETAGE |
AV | 1 | COPPER ALLOY, BUCKLE, CAST, FRAGMENT |
AW | 1 | COPPER ALLOY, FURNITURE ELE, TACK |
AX | 1 | COPPER ALLOY, UNID HARDWARE, ENGRAVED, POSSIBLE CLASP, IRON RIVET |
AY | 1 | LEAD ALLOY, WINDOW LEAD, DRAWN |
AZ | 2 | IRON ALLOY, NAIL, 2 TO 4 IN, WROUGHT/FORGED |
BA | 2 | IRON ALLOY, NAIL, LESS THAN 2 IN, WROUGHT/FORGED |
BB | 6 | IRON ALLOY, NAIL, 2 TO 4 IN |
BC | 8 | IRON ALLOY, NAIL, LESS THAN 2 IN |
BD | 28 | IRON ALLOY, NAIL, FRAGMENT |
BE | 1 | IRON ALLOY, UNID HARDWARE |
BF | 1 | IRON ALLOY, UNID HARDWARE |
BG | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
119 | ||
AB | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AC | 4 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AB | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINT OVER/UNDR, WHEEL THROWN, BLUE, GHOST SHADOW ON EXTERIOR |
AC | 4 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 1 | BONE, FAUNAL SPECIMEN |
AE | 2 | MORTAR |
AF | 9 | IRON ALLOY, NAIL, FRAGMENT |
AA | 3 | REFINED EARTHEN, PEARLWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AB | 1 | REFINED EARTHEN, BENNINGTON, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AC | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, PAINTED OVER, PRESS MOLDED, PINK |
AD | 3 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 2 | GLASS, FRAGMENT, WINE BOTTLE |
AE | 3 | GLASS, FRAGMENT, WINDOW GLASS |
AF | 2 | BONE, FAUNAL SPECIMEN |
AG | 1 | COAL |
AH | 1 | SLAG/CLINKER |
AI | 1 | IRON ALLOY, NAIL, 2 TO 4 IN, MACHINE-HEADED |
AJ | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AK | 5 | IRON ALLOY, NAIL, FRAGMENT |
AL | 1 | IRON ALLOY, UNID HARDWARE |
AM | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, RED |
AB | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AC | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, PRESS MOLDED, HANDLE |
AD | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, PRESS MOLDED |
AE | 1 | GLASS, CLRLESS LEAD, FRAGMENT |
AF | 1 | GLASS, COLORED GLASS, FRAGMENT, AQUA |
AG | 2 | GLASS, FRAGMENT, WINE BOTTLE, MOLD BLOWN |
AH | 3 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AI | 19 | GLASS, FRAGMENT, WINDOW GLASS |
AJ | 1 | BONE, FAUNAL SPECIMEN |
AK | 3 | PLASTER |
AL | 1 | COAL |
AM | 1 | SHELL, FRAGMENT, BURNED, POSSIBLE SCALLOP SHELL |
AN | 22 | IRON ALLOY, NAIL, FRAGMENT |
AO | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AB | 1 | COARSE EARTHEN, BK-GZ REDWARE, FRAGMENT, LEAD GLAZE, WHEEL THROWN |
120 | ||
AC | 1 | COARSE EARTHEN, N MIDLAND SLIP, FRAGMENT, LEAD GLAZE, WHEEL THROWN |
AD | 31 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AE | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PAINTED UNDER, PRESS MOLDED, BLUE |
AF | 18 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, BLUE |
AG | 9 | REFINED EARTHEN, PEARLWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AH | 2 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, RED |
AI | 1 | EARTHENWARE, OTHER EW, FRAGMENT, LEAD GLAZE, BURNED |
AJ | 13 | STONEWARE, WH SALT-GLAZED, FRAGMENT |
AK | 1 | STONEWARE, WESTERWALD, FRAGMENT, INCISED, WHEEL THROWN |
AL | 1 | STONEWARE, WESTERWALD, FRAGMENT, WHEEL THROWN |
AM | 3 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AN | 2 | PORCELAIN, CH PORCELAIN, FRAGMENT, WHEEL THROWN |
AO | 2 | PORCELAIN, ENG BONE CHINA, FRAGMENT |
AP | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 4/64 INCHES |
AQ | 1 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS, FOLDED, PART OF A PLATTER |
AR | 1 | GLASS, CLRLESS LEAD, FRAGMENT, COPPER WHL ENGR |
AS | 10 | GLASS, CLRLESS LEAD, FRAGMENT |
AT | 4 | GLASS, CLRLESS LEAD, FRAGMENT, GREEN |
AU | 2 | GLASS, CLRLESS NON-LD, FRAGMENT, LEIGHTON'S PATENT GLASS |
AV | 6 | GLASS, CLRLESS NON-LD, FRAGMENT |
AW | 5 | GLASS, COLORED GLASS, FRAGMENT, AQUA |
AX | 32 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AY | 13 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED, POSSIBLE CASE BOTTLE |
AZ | 4 | GLASS, CLRLESS NON-LD, FRAGMENT, FLAT, DEVITRIFIED |
BA | 316 | GLASS, FRAGMENT, WINDOW GLASS |
BB | 34 | BONE, FAUNAL SPECIMEN |
BC | 2 | PLASTER |
BD | 1 | COPPER ALLOY, BUTTON, ONE PIECE, TIN WASHED, UNIDENTIFIED DESIGN ON FACE, EYE MISSING |
BE | 1 | COPPER ALLOY, BUTTON, TWO PIECE, PIERCED, GILDED, COMPLETE, ANCHOR ON FACE, FOUR HOLES ON EXTERIOR FOR ATTACHMENT |
BF | 1 | COPPER ALLOY, HINGE, PIERCED, BUTT HINGE OR POSSIBLE CARRIAGE DOOR HINGE |
BG | 1 | LEAD ALLOY, WINDOW LEAD, DRAWN |
BH | 1 | TIN ALLOY, SCRAP, ROLLED/SHEET |
BI | 1 | IRON ALLOY, NAIL, OVER 4 IN, CUT |
BJ | 6 | IRON ALLOY, NAIL, 2 TO 4 IN, WIRE |
BK | 5 | IRON ALLOY, NAIL, 2 TO 4 IN |
BL | 6 | IRON ALLOY, NAIL, LESS THAN 2 IN |
BM | 142 | IRON ALLOY, NAIL, FRAGMENT |
BN | 1 | IRON ALLOY, UNID HARDWARE |
BO | 1 | IRON ALLOY, UNID HARDWARE |
BP | 1 | IRON ALLOY, UNID HARDWARE |
BQ | 1 | IRON ALLOY, UNID HARDWARE |
BR | 1 | IRON ALLOY, UNID HARDWARE |
BS | 1 | IRON ALLOY, UNID HARDWARE |
BT | 1 | IRON ALLOY, UNID HARDWARE |
BU | 1 | IRON ALLOY, UNID HARDWARE |
121 | ||
BV | 2 | IRON ALLOY, CAN, CRIMPED EDGE |
BW | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | COARSE EARTHEN, N DEVON, GRAV, FRAGMENT, LEAD GLAZE, WHEEL THROWN |
AB | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AC | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, SHELL EDGE, PAINTED UNDER, PRESS MOLDED, BLUE |
AD | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, ANNULAR, PRESS MOLDED, BLUE |
AE | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AF | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, WHEEL THROWN, FOLDED RIM OF A CHAMBERPOT |
AG | 3 | PORCELAIN, PORCELLANEOUS, FRAGMENT, PRESS MOLDED |
AH | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES |
AI | 3 | GLASS, COLORED GLASS, FRAGMENT, WHITE |
AJ | 1 | GLASS, FRAGMENT, WINE BOTTLE, MOLD BLN/EMPONT |
AK | 1 | GLASS, FRAGMENT, DEVITRIFIED, POSSIBLE CASE BOTTLE |
AL | 6 | GLASS, FRAGMENT, WINDOW GLASS |
AM | 1 | BONE, FAUNAL SPECIMEN |
AN | 1 | SHELL, OYSTER |
AO | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN, PROTECTIVE COVERING |
AP | 13 | IRON ALLOY, NAIL, FRAGMENT |
AQ | 1 | IRON ALLOY, UNID HARDWARE |
AR | 1 | IRON ALLOY, UNID HARDWARE |
AA | 3 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AB | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, PINK |
AC | 2 | PORCELAIN, PORCELLANEOUS, FRAGMENT, PRESS MOLDED |
AD | 2 | GLASS, CLRLESS LEAD, FRAGMENT, AQUA |
AE | 18 | GLASS, FRAGMENT, WINDOW GLASS |
AF | 3 | BONE, FAUNAL SPECIMEN |
AG | 1 | SHELL, OYSTER |
AH | 1 | IRON ALLOY, NAIL, 2 TO 4 IN, WIRE |
AI | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN, WIRE |
AJ | 10 | IRON ALLOY, NAIL, FRAGMENT |
AK | 7 | IRON ALLOY, CAN, FRAGMENT |
AL | 1 | IRON ALLOY, UNID HARDWARE |
AM | 1 | IRON ALLOY, UNID HARDWARE |
AN | 1 | IRON ALLOY, UNID HARDWARE |
AA | 2 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AB | 2 | REFINED EARTHEN, PEARLWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AC | 1 | REFINED EARTHEN, REFINED EW, FRAGMENT, LEAD GLAZE, PRESS MOLDED, BURNED |
AD | 6 | GLASS, FRAGMENT, WINDOW GLASS |
AE | 1 | BONE, FAUNAL SPECIMEN |
AF | 5 | IRON ALLOY, NAIL, FRAGMENT |
122 | ||
AG | 1 | IRON ALLOY, UNID HARDWARE |
AH | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AB | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PAINTED UNDER, PRESS MOLDED, BLUE |
AC | 2 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, PINK |
AD | 2 | REFINED EARTHEN, YELLOW WARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AE | 3 | PORCELAIN, ENG BONE CHINA, FRAGMENT, PRESS MOLDED |
AF | 1 | PORCELAIN, ENG BONE CHINA, FRAGMENT, PAINTED OVER, PRESS MOLDED, POLYCHROME, BLACK LINES AND PINK CIRCLES |
AG | 2 | PORCELAIN, PORCELLANEOUS, FRAGMENT |
AH | 2 | GLASS, CLRLESS LEAD, FRAGMENT |
AI | 17 | GLASS, FRAGMENT, WINDOW GLASS |
AJ | 2 | PLASTER |
AK | 1 | IRON ALLOY, NAIL, 2 TO 4 IN |
AL | 10 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, WHEEL THROWN |
AB | 2 | PORCELAIN, PORCELLANEOUS, FRAGMENT |
AC | 2 | GLASS, CLRLESS LEAD, FRAGMENT |
AD | 1 | GLASS, CLRLESS NON-LD, FRAGMENT |
AE | 12 | GLASS, FRAGMENT, WINDOW GLASS |
AF | 3 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | COARSE EARTHEN, COARSEWARE, FRAGMENT, FLOWERPOT, UNGLAZED, WHEEL THROWN |
AB | 2 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AC | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, BLUE |
AD | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AE | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT |
AF | 1 | GLASS, CLRLESS LEAD, FRAGMENT |
AG | 1 | GLASS, CLRLESS NON-LD, FRAGMENT |
AH | 1 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AI | 9 | GLASS, FRAGMENT, WINDOW GLASS |
AJ | 1 | BONE, FAUNAL SPECIMEN |
AK | 1 | COAL |
AL | 1 | COPPER ALLOY, STAPLE |
AM | 8 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | COARSE EARTHEN, COARSEWARE, FRAGMENT, UNGLAZED, WHEEL THROWN |
AB | 3 | COARSE EARTHEN, N MIDLAND SLIP, FRAGMENT, TRAILED, WHEEL THROWN |
AC | 1 | COARSE EARTHEN, N MIDLAND SLIP, FRAGMENT, LEAD GLAZE, WHEEL THROWN |
123 | ||
AD | 23 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AE | 3 | REFINED EARTHEN, WHITEWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AF | 1 | GLASS, CLRLESS LEAD, FRAGMENT |
AG | 6 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AH | 4 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED |
AI | 9 | GLASS, FRAGMENT, WINDOW GLASS |
AJ | 1 | BONE, FAUNAL SPECIMEN |
AK | 3 | SHELL, CLAM, FRAGMENT |
AL | 1 | SLATE, SLATE PENCIL |
AM | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AN | 2 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, PINK |
AB | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, WHEEL THROWN |
AC | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, PRINTED UNDER, PRESS MOLDED, POLYCHROME, FLORAL DESIGN ON EXTERIOR |
AD | 1 | PORCELAIN, IRONST/WH GRAN, FRAGMENT, EXTRUDED, HANDLE |
AE | 2 | GLASS, CLRLESS LEAD, FRAGMENT |
AF | 2 | GLASS, CLRLESS LEAD, FRAGMENT, AQUA |
AG | 4 | GLASS, CLRLESS NON-LD, FRAGMENT |
AH | 1 | GLASS, COLORED GLASS, FRAGMENT, MOLD BLOWN, AQUA, NECK |
AI | 3 | GLASS, COLORED GLASS, FRAGMENT, AQUA |
AJ | 1 | GLASS, FRAGMENT, WINE BOTTLE, MOLD BLN/EMPONT |
AK | 5 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED |
AL | 20 | GLASS, FRAGMENT, WINDOW GLASS |
AM | 3 | BONE, FAUNAL SPECIMEN |
AN | 1 | PLASTER, POSSIBLE PAINT RESIDUE |
AO | 1 | IRON ALLOY, NAIL, 2 TO 4 IN, WIRE |
AP | 2 | IRON ALLOY, NAIL, LESS THAN 2 IN, WIRE |
AQ | 4 | IRON ALLOY, NAIL, FRAGMENT |
AA | 2 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED |
AB | 4 | GLASS, FRAGMENT, WINE BOTTLE |
AC | 13 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AE | 12 | IRON ALLOY, NAIL, FRAGMENT |
AF | 1 | IRON ALLOY, UNID HARDWARE |
AG | 1 | IRON ALLOY, UNID HARDWARE |
AH | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS, STEM |
AB | 5 | GLASS, CLRLESS LEAD, FRAGMENT |
AC | 1 | GLASS, FRAGMENT, WINE BOTTLE |
AD | 6 | GLASS, FRAGMENT, WINDOW GLASS |
AE | 1 | BONE, FAUNAL SPECIMEN |
AF | 2 | IRON ALLOY, NAIL, FRAGMENT |
AA | 23 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
124 | ||
AB | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AC | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, WHEEL THROWN |
AD | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AE | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT |
AF | 1 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS, STEM |
AG | 9 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS, FOLDED FOOT |
AH | 25 | GLASS, CLRLESS LEAD, FRAGMENT |
AI | 3 | GLASS, CLRLESS NON-LD, FRAGMENT |
AJ | 1 | GLASS, COLORED GLASS, FRAGMENT, GREEN |
AK | 3 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AL | 1 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED |
AM | 10 | GLASS, FRAGMENT, WINDOW GLASS |
AN | 25 | BONE, FAUNAL SPECIMEN |
AO | 1 | SHELL, BUTTON, ONE PIECE, PIERCED, COMPLETE, TWO PIERCED HOLES, VERY THIN |
AP | 1 | FLINT, DEBITAGE, GREY |
AQ | 1 | SLAG/CLINKER |
AR | 1 | COPPER ALLOY, BUTTON, ONE PIECE, TIN WASHED, CAST, COMPLETE, COPPER EYE |
AS | 1 | COPPER ALLOY, FURNITURE ELE, TACK, COMPLETE |
AT | 1 | IRON ALLOY, NAIL, 2 TO 4 IN |
AU | 15 | IRON ALLOY, NAIL, FRAGMENT |
AV | 1 | IRON ALLOY, UNID HARDWARE |
AA | 2 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AB | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AC | 2 | BONE, FAUNAL SPECIMEN |
AD | 1 | SHELL, OYSTER |
AE | 5 | IRON ALLOY, NAIL, FRAGMENT |
AF | 1 | IRON ALLOY, UNID HARDWARE |
AA | 4 | COARSE EARTHEN, COARSEWARE, FRAGMENT, LEAD GLAZE, WHEEL THROWN |
AB | 1 | COARSE EARTHEN, COARSEWARE, FRAGMENT, FLOWERPOT, UNGLAZED, WHEEL THROWN |
AC | 2 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AD | 2 | REFINED EARTHEN, CREAMWARE, FRAGMENT, MOCHA/DENDRITIC, PRESS MOLDED, POLYCHROME |
AE | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, BLUE |
AF | 2 | REFINED EARTHEN, PEARLWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AG | 7 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, PINK |
AH | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, GREEN |
AI | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, TRAILED, PRESS MOLDED, BLUE |
AJ | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, BEAD AND REEL, LEAD GLAZE, PRESS MOLDED |
AK | 8 | REFINED EARTHEN, WHITEWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AL | 1 | REFINED EARTHEN, REFINED EW, FRAGMENT, MISSING GLAZE |
125 | ||
AM | 5 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AN | 3 | PORCELAIN, CH PORCELAIN, FRAGMENT, PRESS MOLDED, PRESSED HANDLE FRAGMENTS |
AO | 3 | PORCELAIN, CH PORCELAIN, FRAGMENT, WHEEL THROWN |
AP | 2 | PORCELAIN, PORCELLANEOUS, FRAGMENT, PRESS MOLDED |
AQ | 1 | CERAMIC, TOBACCO PIPE, REED STEM, BOWL |
AR | 11 | GLASS, CLRLESS LEAD, FRAGMENT |
AS | 1 | GLASS, COLORED GLASS, FRAGMENT, AQUA |
AT | 2 | GLASS, CLRLESS NON-LD, FRAGMENT, LEIGHTON'S PATENT GLASS |
AU | 25 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AV | 3 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED |
AW | 77 | GLASS, FRAGMENT, WINDOW GLASS |
AX | 6 | BONE, FAUNAL SPECIMEN |
AY | 1 | SHELL, OYSTER |
AZ | 1 | PLASTER |
BA | 3 | COAL |
BB | 1 | BONE, BUTTON, PIERCED, WORKED, COMPLETE, FLAT DISC WITH A CENTRAL HOLE |
BC | 1 | LEAD ALLOY, SCRAP |
BD | 1 | IRON ALLOY, NAIL, 2 TO 4 IN, WROUGHT/FORGED |
BE | 2 | IRON ALLOY, NAIL, 2 TO 4 IN |
BF | 2 | IRON ALLOY, NAIL, LESS THAN 2 IN |
BG | 117 | IRON ALLOY, NAIL, FRAGMENT |
BH | 1 | IRON ALLOY, UNID HARDWARE |
BI | 1 | IRON ALLOY, UNID HARDWARE |
BJ | 1 | IRON ALLOY, UNID HARDWARE |
BK | 1 | IRON ALLOY, UNID HARDWARE |
BL | 1 | IRON ALLOY, UNID HARDWARE |
BM | 1 | IRON ALLOY, UNID HARDWARE |
BN | 1 | IRON ALLOY, UNID HARDWARE |
BO | 1 | IRON ALLOY, UNID HARDWARE |
AA | 6 | REFINED EARTHEN, WHITEWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AB | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT |
AC | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AD | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, WHEEL THROWN |
AE | 2 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS, FOLDED FOOT |
AF | 11 | GLASS, CLRLESS LEAD, FRAGMENT |
AG | 6 | GLASS, CLRLESS NON-LD, FRAGMENT, MOLD BLOWN, LEIGHTON'S PATENT GLASS |
AH | 1 | GLASS, COLORED GLASS, FRAGMENT, MOLD BLOWN, AQUA |
AI | 1 | GLASS, FRAGMENT, WINE BOTTLE |
AJ | 90 | GLASS, FRAGMENT, WINDOW GLASS |
AK | 4 | BONE, GAMING PIECE, PIERCED, WORKED, POSSIBLE GAMING PIECE |
AL | 5 | BONE, FAUNAL SPECIMEN |
AM | 1 | SHELL, OYSTER |
AN | 1 | PLASTER |
AO | 1 | COAL |
AP | 31 | IRON ALLOY, NAIL, FRAGMENT |
AQ | 1 | IRON ALLOY, KNIFE, CUTLERY |
AA | 1 | COPPER ALLOY, COIN, VIRGINIA, STAMPED METAL, LETTERING/NUMB, "GEORGIVS III REX" ON OBVERSE; "1773" AND "VIRGINIA" ON REVERSE., VIRGINIA HALFPENNY. IMAGE OF GEORGE III ON THE OBVERSE FACING RIGHT WITH LAUREL WREATH ADORNING HIS HEAD. THE OBVERSE BEARS A CROWN ATOP THE KING'S COAT OF ARMS. |
AB | 2 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AC | 3 | EARTHENWARE, TIN ENAMELLED, FRAGMENT, WHEEL THROWN, MISSING GLAZE |
AD | 1 | COARSE EARTHEN, COARSEWARE, FRAGMENT, FLOWERPOT, UNGLAZED, WHEEL THROWN |
AE | 31 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AF | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, SHELL EDGE, PAINTED UNDER, PRESS MOLDED, BLUE |
AG | 2 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PAINTED UNDER, EXTRUDED, BLUE, MENDS |
AH | 3 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PAINTED UNDER, PRESS MOLDED, BLUE |
AI | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, BLUE |
AJ | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, TRAILED, PRESS MOLDED, POLYCHROME, YELLOW AND BROWN LINES |
AK | 2 | REFINED EARTHEN, PEARLWARE, FRAGMENT, ANNULAR, PRESS MOLDED, POLYCHROME, JOGGLED DECORATION |
AL | 2 | REFINED EARTHEN, PEARLWARE, FRAGMENT, REEDED, PAINTED UNDER, PRESS MOLDED, GREEN |
AM | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AN | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, PINK |
AN | 6 | REFINED EARTHEN, PEARLWARE, FRAGMENT, COMMON CABLE, PRESS MOLDED, POLYCHROME |
AO | 3 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, GREEN |
AO | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, PINK |
AP | 3 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, GREEN |
AQ | 4 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, BLUE |
AR | 9 | REFINED EARTHEN, WHITEWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AS | 1 | REFINED EARTHEN, BENNINGTON, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AT | 2 | STONEWARE, WH SALT-GLAZED, FRAGMENT |
AU | 3 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AV | 16 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED OVER, SEE GHOST SHADOW |
AW | 2 | PORCELAIN, CH PORCELAIN, FRAGMENT, WHEEL THROWN |
AX | 2 | PORCELAIN, ENG BONE CHINA, FRAGMENT, PRESS MOLDED |
AY | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, BOWL |
AZ | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES |
BA | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM |
BB | 3 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS, PART OF A TABLE PYRAMID |
BC | 1 | GLASS, CLRLESS LEAD, FRAGMENT, PHARM BOTTLE |
127 | ||
BD | 44 | GLASS, CLRLESS LEAD, FRAGMENT |
BE | 2 | GLASS, CLRLESS LEAD, FRAGMENT, WHITE |
BF | 1 | GLASS, CLRLESS LEAD, FRAGMENT, MIRROR, GREY |
BG | 1 | GLASS, COLORED GLASS, FRAGMENT, MOLD BLOWN, AQUA, NECK |
BH | 2 | GLASS, COLORED GLASS, FRAGMENT, GREEN |
BI | 2 | GLASS, COLORED GLASS, FRAGMENT, AQUA |
BJ | 2 | GLASS, CLRLESS NON-LD, FRAGMENT, MOLD BLOWN, LEIGHTON'S PATENT GLASS |
BK | 2 | GLASS, CLRLESS NON-LD, FRAGMENT |
BL | 30 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
BM | 9 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED |
BN | 288 | GLASS, FRAGMENT, WINDOW GLASS |
BO | 11 | BONE, FAUNAL SPECIMEN |
BP | 1 | SHELL, OYSTER |
BQ | 4 | SLAG/CLINKER |
BR | 1 | COAL |
BS | 4 | IRON ALLOY, NAIL, 2 TO 4 IN |
BT | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN |
BU | 136 | IRON ALLOY, NAIL, FRAGMENT |
BV | 1 | IRON ALLOY, UNID HARDWARE |
BW | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, PAINTED UNDER, BLUE |
AB | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, MISSING GLAZE |
AC | 2 | STONEWARE, WH SALT-GLAZED, FRAGMENT, CORDONED, WHEEL THROWN |
AD | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT |
AE | 1 | STONEWARE, FRECHEN BROWN, FRAGMENT |
AF | 4 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, BLUE |
AG | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 4/64 INCHES |
AH | 3 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES |
AI | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, BOWL |
AJ | 2 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS |
AK | 3 | GLASS, CLRLESS LEAD, FRAGMENT |
AL | 4 | GLASS, COLORED GLASS, FRAGMENT, AQUA |
AM | 6 | GLASS, FRAGMENT, WINDOW GLASS |
AN | 1 | GLASS, COLORED GLASS, FRAGMENT, GREEN |
AO | 12 | GLASS, FRAGMENT, WINE BOTTLE |
AP | 7 | GLASS, COLORED GLASS, FRAGMENT, FLAT, GREEN, POSSIBLE CASE BOTTLE. |
AQ | 1 | BRICK, BRICKETAGE |
AR | 2 | MORTAR, SHELL |
AS | 15 | BONE, FAUNAL SPECIMEN |
AT | 6 | SHELL, OYSTER |
AU | 2 | LEAD ALLOY, WINDOW LEAD |
AV | 1 | IRON ALLOY, NAIL, 2 TO 4 IN, WROUGHT/FORGED |
AW | 5 | IRON ALLOY, NAIL, LESS THAN 2 IN, WROUGHT/FORGED |
AX | 6 | IRON ALLOY, NAIL, TACK |
AY | 1 | IRON ALLOY, NAIL, 2 TO 4 IN |
AZ | 29 | IRON ALLOY, NAIL, FRAGMENT |
BA | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT |
AB | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT |
AC | 3 | GLASS, CLRLESS LEAD, FRAGMENT |
128 | ||
AD | 2 | GLASS, FRAGMENT, CASE BOTTLE |
AE | 2 | GLASS, FRAGMENT, WINE BOTTLE |
AF | 14 | GLASS, FRAGMENT, WINDOW GLASS |
AG | 1 | BONE, FAUNAL SPECIMEN |
AH | 2 | PLASTER, LIME |
AI | 2 | IRON ALLOY, NAIL, 2 TO 4 IN |
AJ | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AK | 6 | IRON ALLOY, NAIL, FRAGMENT |
AA | 2 | GLASS, FRAGMENT, WINE BOTTLE |
AB | 2 | GLASS, FRAGMENT, WINDOW GLASS |
AC | 1 | LEAD ALLOY, WINDOW LEAD |
AD | 2 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | DETACHED GLAZE, DELFTWARE ENG, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AB | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AC | 22 | STONEWARE, WH SALT-GLAZED, FRAGMENT |
AD | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AE | 2 | PORCELAIN, CH PORCELAIN, FRAGMENT, WHEEL THROWN |
AF | 3 | GLASS, CLRLESS LEAD, FRAGMENT, FOLDED FOOT |
AG | 24 | GLASS, CLRLESS LEAD, FRAGMENT |
AH | 11 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AI | 1 | GLASS, FRAGMENT, CASE BOTTLE, MOLD BLOWN |
AJ | 40 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED, POSSIBLE CASE BOTTLE |
AK | 56 | GLASS, FRAGMENT, WINDOW GLASS |
AL | 2 | BONE, FAUNAL SPECIMEN |
AM | 1 | SHELL, OYSTER |
AN | 3 | LEAD ALLOY, WINDOW LEAD, DRAWN |
AO | 2 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AP | 23 | IRON ALLOY, NAIL, FRAGMENT |
AQ | 1 | IRON ALLOY, UNID HARDWARE |
AR | 1 | IRON ALLOY, UNID HARDWARE |
AS | 1 | IRON ALLOY, UNID HARDWARE |
AT | 1 | IRON ALLOY, UNID HARDWARE |
AU | 1 | STONEWARE, WESTERWALD, FRAGMENT, INCISED, WHEEL THROWN |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AB | 2 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AC | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AD | 1 | STONEWARE, FULHAM SW, FRAGMENT, WHEEL THROWN |
AE | 1 | GLASS, CLRLESS LEAD, FRAGMENT, FOLDED RIM. PART OF TABLE PYRAMID. |
AF | 3 | GLASS, CLRLESS LEAD, FRAGMENT |
AG | 2 | GLASS, FRAGMENT, FLAT, DEVITRIFIED |
AH | 3 | GLASS, FRAGMENT, WINE BOTTLE |
AI | 16 | GLASS, FRAGMENT, WINDOW GLASS |
AJ | 7 | IRON ALLOY, NAIL, FRAGMENT |
AK | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT |
AA | 2 | MORTAR, SHELL |
AB | 3 | SHELL, SHELL, OYSTER |
AA | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT |
AB | 2 | GLASS, FRAGMENT, WINDOW GLASS |
AC | 3 | IRON ALLOY, NAIL, FRAGMENT |
AD | 1 | IRON ALLOY, UNID HARDWARE |
AA | 11 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED, POSSIBLE CASE BOTTLE |
AB | 3 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AB | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AC | 5 | COARSE EARTHEN, IBERIAN WARE, FRAGMENT, WHEEL THROWN, THIN WASH ON INTERIOR |
AD | 1 | COARSE EARTHEN, YORKTOWN-TYPE, FRAGMENT, UNGLAZED, WHEEL THROWN |
AE | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PAINTED UNDER, PRESS MOLDED, BLUE |
AF | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AG | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, WHEEL THROWN, BASE, BASE TO A TEA BOWL |
AH | 2 | STONEWARE, WH SALT-GLAZED, FRAGMENT, WHEEL THROWN |
AI | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, PRESS MOLDED |
AJ | 1 | STONEWARE, OTHER STONEW, FRAGMENT, WHEEL THROWN |
AK | 1 | PORCELAIN, ENG BONE CHINA, FRAGMENT, PRESS MOLDED |
AL | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, BOWL, 5/64 INCHES, COMPLETE BOWL, SMALL FLAT FOOT |
AM | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, BOWL |
AN | 7 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES |
AO | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 4/64 INCHES |
AP | 11 | GLASS, CLRLESS LEAD, FRAGMENT |
AQ | 1 | GLASS, CLRLESS LEAD, FRAGMENT, MIRROR, GREY |
AR | 1 | GLASS, CLRLESS NON-LD, FRAGMENT, MOLD BLOWN, LEIGHTON'S PATENT GLASS |
AS | 1 | GLASS, COLORED GLASS, FRAGMENT, MOLD BLOWN, AQUA |
AT | 46 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AU | 40 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED |
AV | 92 | GLASS, FRAGMENT, WINDOW GLASS |
AW | 25 | BONE, FAUNAL SPECIMEN |
AX | 3 | SHELL, OYSTER |
AY | 1 | LIMESTONE, FRAGMENT |
AZ | 1 | COAL |
BA | 1 | BRICK, BRICKETAGE, GLAZED |
BB | 1 | LEAD ALLOY, SCRAP |
BC | 4 | IRON ALLOY, NAIL, 2 TO 4 IN |
BD | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN |
BE | 45 | IRON ALLOY, NAIL, FRAGMENT |
BF | 1 | IRON ALLOY, UNID HARDWARE |
BG | 1 | IRON ALLOY, UNID HARDWARE |
130 | ||
BH | 1 | IRON ALLOY, UNID HARDWARE |
BI | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | BRICK BAT |
AB | 1 | BRICKETAGE |
AC | 2 | MORTAR, SHELL |
AA | 10 | REFINED EARTHEN, CREAMWARE, FRAGMENT |
AB | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, SHELL EDGE, PAINTED UNDER, GREEN |
AC | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PAINTED UNDER, BLUE |
AD | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, BLUE |
AE | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED OV'R, RED |
AF | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT |
AG | 1 | STONEWARE, WESTERWALD, FRAGMENT |
AH | 7 | GLASS, CLRLESS LEAD, FRAGMENT, STEMMED GLASS |
AI | 1 | GLASS, CLRLESS LEAD, FRAGMENT, MOLD BLOWN, LETTERING/NUMB, "...[N]..." |
AJ | 1 | GLASS, CLRLESS LEAD, FRAGMENT, CONTAINER, MOLD BLOWN, CHAMFORD CORNERS |
AK | 27 | GLASS, CLRLESS LEAD, FRAGMENT |
AL | 1 | GLASS, CLRLESS NON-LD, FRAGMENT, TABLE GLASS |
AM | 164 | GLASS, FRAGMENT, WINDOW GLASS |
AN | 3 | GLASS, FRAGMENT, CASE BOTTLE |
AO | 3 | GLASS, FRAGMENT, WINE BOTTLE |
AP | 1 | GLASS, TOY MARBLE, MACHINE-MADE, POLYCHROME |
AQ | 1 | MORTAR, SHELL |
AR | 1 | SHELL, SHELL, SCALLOP |
AS | 5 | BONE, FAUNAL SPECIMEN |
AT | 4 | SLAG/CLINKER |
AU | 1 | LEAD ALLOY, SCRAP |
AV | 1 | IRON ALLOY, NAIL, 2 TO 4 IN, WROUGHT/FORGED |
AW | 2 | IRON ALLOY, NAIL, LESS THAN 2 IN, WROUGHT/FORGED |
AX | 1 | IRON ALLOY, NAIL, FRAGMENT |
AY | 2 | IRON ALLOY, NAIL, 2 TO 4 IN |
AZ | 9 | IRON ALLOY, NAIL, LESS THAN 2 IN |
BA | 39 | IRON ALLOY, NAIL, FRAGMENT |
AA | 2 | REFINED EARTHEN, CREAMWARE, FRAGMENT, ENGINE-TURNED |
AB | 2 | REFINED EARTHEN, CREAMWARE, FRAGMENT |
AC | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, BLUE |
AD | 1 | GLASS, COLORED GLASS, FRAGMENT, GREEN, FLAT |
AE | 2 | GLASS, FRAGMENT, WINE BOTTLE |
AF | 21 | GLASS, FRAGMENT, WINDOW GLASS |
AG | 2 | PLASTER, LIME |
AH | 3 | BONE, FAUNAL SPECIMEN |
AI | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT |
AJ | 1 | STONEWARE, GERMAN STONEW, FRAGMENT |
AK | 8 | SHELL, SHELL, OYSTER |
AL | 1 | IRON ALLOY, UNID HARDWARE |
AM | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN, WROUGHT/FORGED |
AN | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AO | 1 | IRON ALLOY, NAIL, 2 TO 4 IN |
AP | 9 | IRON ALLOY, NAIL, FRAGMENT |
AA | 2 | REFINED EARTHEN, CREAMWARE, FRAGMENT |
AB | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT |
AC | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, BLUE |
AD | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM |
AE | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, BOWL |
AF | 2 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS |
AG | 7 | GLASS, CLRLESS LEAD, FRAGMENT |
AH | 1 | GLASS, COLORED GLASS, FRAGMENT, AQUA |
AI | 2 | GLASS, COLORED GLASS, FRAGMENT, GREEN |
AJ | 26 | GLASS, FRAGMENT, WINDOW GLASS |
AK | 4 | GLASS, FRAGMENT, WINE BOTTLE |
AL | 4 | BONE, FAUNAL SPECIMEN |
AM | 1 | COPPER ALLOY, BOSS, CAST |
AN | 3 | IRON ALLOY, NAIL, 2 TO 4 IN, WROUGHT/FORGED |
AO | 6 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AP | 5 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AB | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, TRAILED, PRESS MOLDED, POLYCHROME |
AC | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT |
AD | 1 | GLASS, CLRLESS LEAD, FRAGMENT |
AE | 6 | GLASS, FRAGMENT, WINE BOTTLE, MOLD BLN/EMPONT |
AF | 1 | GLASS, FRAGMENT, CASE BOTTLE, MOLD BLN/EMPONT |
AG | 1 | GLASS, FRAGMENT, FLAT, GREEN, POSSIBLE CASE BOTTLE |
AH | 5 | GLASS, FRAGMENT, WINDOW GLASS |
AI | 1 | BONE, FAUNAL SPECIMEN |
AJ | 1 | BRICK, BRICKETAGE, GLAZED |
AK | 10 | IRON ALLOY, NAIL, FRAGMENT |
AA | 2 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AB | 2 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AC | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, RED, STIPPLE PRINT |
AD | 2 | STONEWARE, WH SALT-GLAZED, FRAGMENT |
AE | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, PAINTED OVER, POLYCHROME, RED AND BLACK |
AF | 5 | PORCELAIN, PORCELLANEOUS, FRAGMENT, PAINTED OVER, RED |
AG | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT |
AH | 9 | GLASS, CLRLESS LEAD, FRAGMENT |
AI | 1 | GLASS, CLRLESS NON-LD, FRAGMENT |
AJ | 4 | GLASS, FRAGMENT, CASE BOTTLE, MOLD BLN/EMPONT, EXHIBITS CORNER |
AK | 29 | GLASS, FRAGMENT, FLAT, GREEN, POSSIBLE CASE BOTTLE |
AL | 12 | GLASS, FRAGMENT, WINE BOTTLE |
AM | 20 | GLASS, FRAGMENT, WINDOW GLASS |
AN | 5 | BONE, FAUNAL SPECIMEN |
AO | 2 | SHELL, SCALLOP, FRAGMENT |
AP | 1 | SLATE, FRAGMENT |
AQ | 14 | IRON ALLOY, NAIL, FRAGMENT |
AR | 1 | IRON ALLOY, UNID HARDWARE |
AA | 2 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AB | 1 | DETACHED GLAZE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AC | 4 | COARSE EARTHEN, COARSEWARE, FRAGMENT, LEAD GLAZE, WHEEL THROWN |
AD | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, FEATHER EDGE, LEAD GLAZE, PRESS MOLDED |
AE | 18 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AF | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, PINK |
AG | 2 | STONEWARE, WH SALT-GLAZED, FRAGMENT, PRESS MOLDED |
AH | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, WHEEL THROWN |
AI | 3 | STONEWARE, ENGLISH SW, FRAGMENT, WHEEL THROWN |
AJ | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AK | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINT OVER/UNDR, WHEEL THROWN, BLUE, SEE GHOST SHADOW ON INTERIOR |
AL | 2 | PORCELAIN, CH PORCELAIN, FRAGMENT, WHEEL THROWN |
AM | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES |
AN | 12 | GLASS, CLRLESS LEAD, FRAGMENT, FOLDED SECTION OF A TABLE PYRAMID |
AO | 1 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS, FOLDED FOOT |
AP | 87 | GLASS, CLRLESS LEAD, FRAGMENT |
AQ | 1 | GLASS, CLRLESS LEAD, FRAGMENT, AQUA |
AR | 1 | GLASS, CLRLESS NON-LD, FRAGMENT |
AS | 5 | GLASS, CLRLESS NON-LD, FRAGMENT, MOLD BLOWN, LEIGHTON'S PATENT GLASS |
AT | 2 | GLASS, COLORED GLASS, FRAGMENT, PHARM BOTTLE, MOLD BLOWN, AQUA |
AU | 22 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AV | 15 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED |
AW | 2 | GLASS, COLORED GLASS, FRAGMENT, GREEN |
AX | 93 | GLASS, FRAGMENT, WINDOW GLASS |
AY | 6 | BONE, FAUNAL SPECIMEN |
AZ | 5 | IRON ALLOY, NAIL, 2 TO 4 IN |
BA | 2 | IRON ALLOY, NAIL, LESS THAN 2 IN |
BB | 45 | IRON ALLOY, NAIL, FRAGMENT |
BC | 1 | IRON ALLOY, UNID HARDWARE |
BD | 1 | IRON ALLOY, UNID HARDWARE |
BE | 1 | IRON ALLOY, UNID HARDWARE |
BF | 1 | IRON ALLOY, UNID HARDWARE |
AA | 1 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS, FOLDED FOOT |
AB | 1 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED, POSSIBLE CASE BOTTLE |
AC | 2 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 2 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AB | 1 | BRICK, BRICKETAGE |
AA | 2 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
133 | ||
AB | 6 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AC | 6 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AD | 2 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, PRESS MOLDED, BLUE |
AE | 54 | STONEWARE, WH SALT-GLAZED, FRAGMENT, WHEEL THROWN |
AF | 1 | STONEWARE, WESTERWALD, FRAGMENT, INCISED, WHEEL THROWN |
AG | 3 | STONEWARE, WESTERWALD, FRAGMENT, WHEEL THROWN |
AH | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINT OVER/UNDR, WHEEL THROWN, BLUE, GHOST SHADOW ON EXTERIOR |
AI | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED OVER, WHEEL THROWN, GHOST SHADOW ON INTERIOR |
AJ | 5 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AK | 2 | PORCELAIN, CH PORCELAIN, FRAGMENT, WHEEL THROWN |
AL | 4 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES |
AM | 3 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS, FOLDED FOOT |
AN | 14 | GLASS, CLRLESS LEAD, FRAGMENT |
AO | 3 | GLASS, CLRLESS LEAD, FRAGMENT, MIRROR, GREY |
AP | 8 | GLASS, CLRLESS LEAD, FRAGMENT, MOLD BLOWN, AQUA |
AQ | 1 | GLASS, CLRLESS NON-LD, FRAGMENT, MOLD BLOWN, LEIGHTON'S PATENT GLASS |
AR | 1 | GLASS, COLORED GLASS, FRAGMENT, MOLD BLOWN, AQUA |
AS | 4 | GLASS, COLORED GLASS, FRAGMENT, MOLD BLOWN, GREEN |
AT | 19 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AU | 60 | GLASS, FRAGMENT, FLAT, DEVITRIFIED |
AV | 119 | GLASS, FRAGMENT, WINDOW GLASS |
AW | 1 | BONE, FAUNAL SPECIMEN |
AX | 2 | COPPER ALLOY, BUCKLE, SHOE, CAST, FRAGMENT |
AY | 2 | LEAD ALLOY, WINDOW LEAD, DRAWN |
AZ | 3 | IRON ALLOY, NAIL, 2 TO 4 IN |
BA | 2 | IRON ALLOY, NAIL, LESS THAN 2 IN |
BB | 62 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AB | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AC | 1 | STONEWARE, WESTERWALD, FRAGMENT, WHEEL THROWN |
AC | 0 | FRAGMENT |
AD | 2 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AE | 2 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES |
AF | 2 | GLASS, CLRLESS LEAD, FRAGMENT |
AG | 7 | GLASS, FRAGMENT, FLAT, GREEN, DEVITRIFIED, POSSIBLE CASE BOTTLE |
AH | 6 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AI | 9 | GLASS, FRAGMENT, WINDOW GLASS |
AJ | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | GLASS, CLRLESS LEAD, FRAGMENT |
AB | 12 | GLASS, FRAGMENT, FLAT, DEVITRIFIED |
AC | 5 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 1 | IRON ALLOY, NAIL, FRAGMENT |
AE | 1 | IRON ALLOY, UNID HARDWARE |
AF | 1 | IRON ALLOY, UNID HARDWARE |
AG | 1 | IRON ALLOY, UNID HARDWARE |
AA | 2 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, PIERCED, PAINTED UNDER, WHEEL THROWN, BLUE, FLOWER FROG FRAGMENT |
AB | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINT OVER/UNDR, WHEEL THROWN, POLYCHROME, BLUE UNDERPAINTING AS CENTER OF FLOWER. RED OVERPAINTING FOR PETALS. |
AC | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 6/64 INCHES |
AD | 2 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES |
AE | 1 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AF | 34 | GLASS, FRAGMENT, FLAT, DEVITRIFIED |
AG | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AH | 3 | BONE, FAUNAL SPECIMEN |
AI | 1 | QUARTZ, DEBITAGE, FLAKE FRAG/SHAT |
AJ | 6 | IRON ALLOY, NAIL, FRAGMENT |
AA | 2 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, PIERCED, PAINTED UNDER, WHEEL THROWN, BLUE, FLOWER FROG FRAGMENT |
AB | 2 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AC | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, PIERCED, PRESS MOLDED, SPOUT, FRAGMENTS FROM A TEAPOT |
AD | 3 | STONEWARE, WH SALT-GLAZED, FRAGMENT, EXTRUDED, HANDLE, FRAGMENTS FROM A TEAPOT |
AE | 9 | STONEWARE, WH SALT-GLAZED, FRAGMENT, PRESS MOLDED, FRAGMENTS FROM A TEAPOT |
AF | 1 | STONEWARE, WESTERWALD, FRAGMENT, SPRIG MOLDED, WHEEL THROWN, POLYCHROME, INCISED DECORATION |
AG | 2 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE, TEA BOWL |
AH | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, WHEEL THROWN, TEA BOWL |
AI | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, BOWL |
AJ | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES |
AK | 1 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS, KNOPPED STEM, STEM |
AL | 1 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS, MOLDED STEM, STEM, FACETED |
AM | 1 | GLASS, CLRLESS LEAD, FRAGMENT, PHARM BOTTLE |
AN | 18 | GLASS, CLRLESS LEAD, FRAGMENT |
AO | 1 | GLASS, COLORED GLASS, FRAGMENT, AQUA |
AP | 2 | GLASS, FRAGMENT, WINE BOTTLE, FR BLOWN/EMPONT, NECK, DEVITRIFIED |
AQ | 1 | GLASS, FRAGMENT, WINE BOTTLE, FR BLOWN/EMPONT, BASE, SAND PONTIL |
AR | 50 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AS | 3 | GLASS, FRAGMENT, FLAT, GREEN, THIN |
AT | 105 | GLASS, FRAGMENT, FLAT, DEVITRIFIED, POSSIBLY WINDOW GLASS |
AU | 5 | GLASS, FRAGMENT, WINDOW GLASS |
AV | 1 | BONE, FAUNAL SPECIMEN |
AW | 2 | LEAD ALLOY, WINDOW LEAD, DRAWN |
AX | 26 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | COARSE EARTHEN, BUCKLEY WARE, FRAGMENT |
AB | 3 | REFINED EARTHEN, CREAMWARE, FRAGMENT |
AC | 4 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, BLUE |
135 | ||
AD | 3 | PORCELAIN, CH PORCELAIN, FRAGMENT |
AE | 7 | GLASS, FRAGMENT, WINE BOTTLE |
AF | 163 | GLASS, FRAGMENT, WINDOW GLASS |
AG | 9 | GLASS, COLORED GLASS, FRAGMENT, AQUA |
AH | 16 | GLASS, CLRLESS LEAD, FRAGMENT |
AI | 7 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS |
AJ | 1 | GLASS, CLRLESS LEAD, FRAGMENT, CONTAINER, LETTERING/NUMB, "[O]..." |
AK | 4 | GLASS, CLRLESS NON-LD, FRAGMENT, TABLE GLASS |
AL | 1 | GLASS, CLRLESS NON-LD, FRAGMENT |
AM | 2 | COAL |
AN | 17 | BONE, FAUNAL SPECIMEN |
AO | 1 | COPPER ALLOY, ESCUTCHEON, CAST |
AP | 1 | COPPER ALLOY, DRAWER PULL, CAST |
AQ | 11 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AR | 6 | IRON ALLOY, NAIL, 2 TO 4 IN |
AS | 43 | IRON ALLOY, NAIL |
AT | 1 | IRON ALLOY, UNID HARDWARE |
AA | 9 | GLASS, FRAGMENT, WINDOW GLASS |
AB | 1 | GLASS, FRAGMENT, WINE BOTTLE |
AC | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 2 | COARSE EARTHEN, COLONO WARE, FRAGMENT, BURNISHED, COIL BUILT |
AB | 2 | REFINED EARTHEN, CREAMWARE, FRAGMENT, LEAD GLAZE, PRESS MOLDED |
AC | 2 | GLASS, CLRLESS LEAD, FRAGMENT |
AD | 3 | GLASS, COLORED GLASS, FRAGMENT, AQUA |
AE | 7 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AF | 5 | GLASS, FRAGMENT, FLAT, DEVITRIFIED, POSSIBLE CASE BOTTLE |
AG | 76 | GLASS, FRAGMENT, WINDOW GLASS |
AH | 2 | BONE, FAUNAL SPECIMEN |
AI | 1 | SHELL, BARNACLE |
AJ | 1 | PLASTER |
AK | 1 | COPPER ALLOY, FURNITURE ELE, TACK |
AL | 1 | IRON ALLOY, NAIL, 2 TO 4 IN |
AM | 13 | IRON ALLOY, NAIL, FRAGMENT |
AN | 1 | IRON ALLOY, UNID HARDWARE |
AA | 2 | EARTHENWARE, DELFTWARE ENG, FRAGMENT |
AB | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, PAINTED OVER, POLYCHROME |
AC | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, PRESS MOLDED |
AD | 2 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, BLUE |
AE | 25 | GLASS, FRAGMENT, WINDOW GLASS |
AF | 1 | GLASS, CLRLESS LEAD, FRAGMENT |
AG | 4 | IRON ALLOY, NAIL, FRAGMENT |
AA | 4 | REFINED EARTHEN, CREAMWARE, FRAGMENT |
AB | 2 | REFINED EARTHEN, CREAMWARE, FRAGMENT, FEATHER EDGE, PRESS MOLDED |
AC | 4 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, BLUE |
136 | ||
AD | 63 | GLASS, FRAGMENT, WINDOW GLASS |
AE | 13 | GLASS, COLORED GLASS, FRAGMENT, FLAT, GREEN, POSSIBLE CASE BOTTLE. |
AF | 7 | GLASS, FRAGMENT, WINE BOTTLE |
AG | 1 | GLASS, COLORED GLASS, FRAGMENT, PHARM BOTTLE, GREEN |
AH | 3 | GLASS, COLORED GLASS, FRAGMENT, GREEN |
AI | 3 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS |
AJ | 1 | GLASS, CLRLESS LEAD, FRAGMENT, TABLE GLASS, COPPER WHL ENGR |
AK | 7 | GLASS, CLRLESS LEAD, FRAGMENT |
AL | 1 | BRICKETAGE |
AM | 4 | BONE, FAUNAL SPECIMEN |
AN | 1 | COPPER ALLOY, UPHOLSTERY TACK |
AO | 1 | LEAD ALLOY, WINDOW LEAD |
AP | 1 | IRON ALLOY, DOG, SHUTTER |
AQ | 8 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AR | 1 | IRON ALLOY, NAIL, 2 TO 4 IN |
AS | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN, WROUGHT/FORGED |
AT | 15 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AB | 1 | GLASS, CLRLESS NON-LD, FRAGMENT, MOLD BLOWN, LEIGHTON'S PATENT GLASS |
AC | 2 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 1 | BRICK, BRICKETAGE |
AA | 5 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, WHEEL THROWN |
AB | 2 | GLASS, COLORED GLASS, FRAGMENT, AQUA |
AC | 1 | GLASS, FRAGMENT, WINE BOTTLE, DEVITRIFIED |
AD | 76 | GLASS, FRAGMENT, WINDOW GLASS, DEVITRIFIED |
AE | 1 | BRICK, BRICKETAGE |
AF | 14 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, CORDONED |
AB | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, PAINTED UNDER, BLUE |
AC | 2 | COARSE EARTHEN, RED SANDY WARE, FRAGMENT |
AD | 1 | COARSE EARTHEN, N MIDLAND SLIP, FRAGMENT, ROULETTED |
AE | 7 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, BLUE |
AF | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, WHEEL THROWN |
AG | 7 | STONEWARE, WESTERWALD, FRAGMENT, INCISED |
AH | 25 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, BLUE |
AI | 1 | EARTHENWARE, TOBACCO PIPE, IMPORTED, STEM, 4/64 INCHES |
AJ | 1 | EARTHENWARE, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES |
AK | 1 | EARTHENWARE, TOBACCO PIPE, IMPORTED, STEM, 6/64 INCHES |
AL | 1 | GLASS, FRAGMENT, WINE BOTTLE |
AM | 1 | IRON ALLOY, AXE, BLADE |
AA | 1 | IRON ALLOY, NAIL, 2 TO 4 IN, WROUGHT/FORGED |
AB | 2 | IRON ALLOY, NAIL, FRAGMENT |
AA | 6 | IRON ALLOY, NAIL, FRAGMENT |
AB | 1 | IRON ALLOY, UNID HARDWARE, CAST, CIRCULAR OBJECT WITH RECESSED CENTER AND FLANGED EDGE. A COLLAR APPEARS TO PROJECT FROM THE REVERSE SIDE. |
AA | 1 | STONEWARE, YORKTOWN-TYPE, FRAGMENT, WHEEL THROWN |
AB | 1 | GLASS, FRAGMENT, WINDOW GLASS, LEIGHTON'S PATENT |
AC | 1 | GLASS, FRAGMENT, WINE BOTTLE |
AD | 7 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, BLUE, STIPPLED |
AB | 1 | GLASS, COLORED GLASS, FRAGMENT, CONTAINER, WHITE |
AC | 1 | GLASS, COLORED GLASS, FRAGMENT, GREEN |
AD | 1 | SANDSTONE, WHETSTONE |
AE | 2 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | GLASS, FRAGMENT, WINE BOTTLE |
AB | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AC | 2 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN, WROUGHT/FORGED |
AB | 5 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, UNDECORATED |
AB | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, SHELL EDGE, PAINTED UNDER, PRESS MOLDED, BLUE |
AC | 1 | STONEWARE, FULHAM SW, FRAGMENT, WHEEL THROWN |
AD | 4 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | PLASTIC, FRAGMENT, WHITE |
AA | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, UNDECORATED |
AA | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PAINTED UNDER, BLUE |
AB | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, UNDECORATED |
AC | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, UNDECORATED |
AA | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, UNDECORATED |
AA | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AB | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, PRINTED UNDER, BLACK, STIPPLING |
AB | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, OTHER COLOR, STIPPLED. VIOLET |
AC | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, BLUE |
AD | 1 | STONEWARE, AMER STONEWARE, FRAGMENT, ALBANY SLIP, WHEEL THROWN |
AE | 1 | GLASS, FRAGMENT, WINE BOTTLE |
AF | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN |
AG | 1 | IRON ALLOY, NAIL, FRAGMENT |
AH | 1 | IRON ALLOY, UNID HARDWARE |
AI | 7 | FAUNAL SPECIMEN |
AA | 1 | GLASS, CLRLESS NON-LD, FRAGMENT, CONTAINER, MOLD BLOWN, LEIGHTON'S PATENT |
AB | 1 | GLASS, FRAGMENT, WINE BOTTLE |
AC | 1 | IRON ALLOY, UNID HARDWARE, CAST |
AD | 1 | IRON ALLOY, UNID HARDWARE |
AE | 4 | IRON ALLOY, NAIL, FRAGMENT |
AF | 3 | FAUNAL SPECIMEN |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AB | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, SHELL EDGE, PAINTED UNDER, PRESS MOLDED, GREEN |
AC | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AD | 1 | GLASS, FRAGMENT, WINE BOTTLE |
AA | 2 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AB | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, UNDECORATED |
AC | 1 | STONEWARE, FULHAM SW, FRAGMENT, WHEEL THROWN |
AD | 2 | IRON ALLOY, NAIL, FRAGMENT |
AE | 1 | WHITE METAL, BUTTON, ONE PIECE, STAMPED METAL |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, UNDECORATED, WHEEL THROWN |
AB | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, UNDECORATED |
AC | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, UNDECORATED |
AD | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, SCRATCH/FILL, WHEEL THROWN, BLUE |
AE | 1 | GLASS, FRAGMENT, WINE BOTTLE, MOLD BLOWN |
AF | 1 | GLASS, FRAGMENT, WINDOW GLASS |
139 | ||
AG | 5 | IRON ALLOY, NAIL, FRAGMENT |
AH | 1 | SLAG/CLINKER |
AA | 1 | GLASS, CLRLESS LEAD, FRAGMENT, CONTAINER |
AA | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PAINTED UNDER, PRESS MOLDED, BLUE, GLAZE SPALLING, COBALT BLUE GLAZE IS EVIDENT ON THE RIM |
AB | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, UNDECORATED |
AC | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, BLUE |
AB | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, UNDECORATED |
AC | 1 | GLASS, CLRLESS NON-LD, FRAGMENT, CONTAINER, MOLD BLOWN, LEIGHTON'S PATENT |
AD | 1 | GLASS, COLORED GLASS, FRAGMENT, CONTAINER, MULTI-PC MOLD, GREEN |
AE | 3 | GLASS, FRAGMENT, WINE BOTTLE |
AF | 5 | IRON ALLOY, NAIL, FRAGMENT |
AA | 3 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PAINTED UNDER, BROWN |
AB | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 4/64 INCHES |
AC | 1 | GLASS, COLORED GLASS, FRAGMENT, CONTAINER, MOLD BLOWN, AQUA |
AD | 1 | GLASS, FRAGMENT, WINE BOTTLE |
AE | 1 | IRON ALLOY, NAIL, 2 TO 4 IN, WROUGHT/FORGED |
AF | 1 | SHELL, OYSTER |
AA | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, UNDECORATED |
AB | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, UNDECORATED |
AC | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 1 | IRON ALLOY, NAIL, OVER 4 IN, WIRE |
AE | 1 | IRON ALLOY, NAIL, FRAGMENT |
AF | 1 | FAUNAL SPECIMEN |
AA | 1 | GLASS, FRAGMENT, WINE BOTTLE |
AB | 1 | IRON ALLOY, NAIL, 2 TO 4 IN, WIRE |
AC | 2 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AB | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, PURPLE |
140 | ||
AC | 2 | REFINED EARTHEN, PEARLWARE, FRAGMENT, UNDECORATED |
AD | 7 | GLASS, CLRLESS LEAD, FRAGMENT, CONTAINER |
AE | 4 | GLASS, COLORED GLASS, FRAGMENT, CONTAINER, MULTI-PC MOLD, AQUA |
AF | 1 | GLASS, CLRLESS LEAD, FRAGMENT, FLAT GLASS |
AG | 2 | GLASS, FRAGMENT, WINE BOTTLE |
AH | 1 | PORCELAIN, BUTTON, ONE PIECE, WHITE |
AI | 3 | IRON ALLOY, NAIL, 2 TO 4 IN, WROUGHT/FORGED |
AJ | 2 | IRON ALLOY, NAIL, LESS THAN 2 IN, CUT |
AK | 10 | IRON ALLOY, NAIL, FRAGMENT |
AL | 1 | IRON ALLOY, NAIL, OVER 4 IN, WIRE |
AM | 22 | FAUNAL SPECIMEN |
AN | 3 | SHELL, OYSTER |
AA | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PAINTED UNDER, BLACK |
AB | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, CORDONED, WHEEL THROWN |
AC | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 2 | IRON ALLOY, NAIL, LESS THAN 2 IN, WROUGHT/FORGED |
AE | 2 | IRON ALLOY, NAIL, 2 TO 4 IN, CUT |
AF | 1 | IRON ALLOY, NAIL, 2 TO 4 IN, WIRE |
AG | 5 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, BLUE |
AB | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, PURPLE, STIPPLED |
AC | 3 | REFINED EARTHEN, PEARLWARE, FRAGMENT, UNDECORATED |
AD | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, PRINTED UNDER, BLACK, MAKER'S MARK, "JOHN" |
AE | 3 | REFINED EARTHEN, WHITEWARE, FRAGMENT, UNDECORATED |
AF | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, POWDERED GROUND, WHEEL THROWN, PURPLE |
AG | 1 | REFINED EARTHEN, RED-BOD SLIP, FRAGMENT, WHEEL THROWN, BLUE, WHITE SLIP ON THE INTERIOR. BLUE FLINT ENAMEL GLAZE ON THE EXTERIOR. |
AH | 1 | PORCELAIN, ENG BONE CHINA, FRAGMENT, UNDECORATED |
AI | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PRINTED UNDER, WHEEL THROWN, BLUE |
AJ | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AK | 1 | PORCELAIN, PORCELLANEOUS, TOY, UNDECORATED, PRESS MOLDED, TOY DISH |
AL | 1 | GLASS, COLORED GLASS, FRAGMENT, CONTAINER, MOLD BLOWN, WHITE |
AM | 2 | GLASS, CLRLESS LEAD, FRAGMENT, CONTAINER |
AN | 1 | GLASS, COLORED GLASS, FRAGMENT, CONTAINER, AQUA |
AO | 7 | GLASS, FRAGMENT, WINDOW GLASS |
AP | 1 | LEAD ALLOY, CASTING WASTE |
AQ | 4 | IRON ALLOY, NAIL, LESS THAN 2 IN, WROUGHT/FORGED |
AR | 8 | IRON ALLOY, NAIL, LESS THAN 2 IN, CUT |
AS | 4 | IRON ALLOY, NAIL, 2 TO 4 IN, CUT |
AT | 15 | IRON ALLOY, NAIL, FRAGMENT |
AU | 1 | IRON ALLOY, UNID HARDWARE, CAST |
AV | 1 | IRON ALLOY, UNID HARDWARE |
141 | ||
AW | 1 | IRON ALLOY, BUTTON, TWO PIECE |
AX | 1 | BONE, BRUSH, TOOTH, WORKED |
AY | 14 | FAUNAL SPECIMEN |
AZ | 1 | SHELL, OYSTER |
BA | 2 | CHARCOAL |
AA | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, UNDECORATED |
AB | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, BLUE |
AC | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, UNDECORATED |
AD | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AE | 2 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, UNDECORATED |
AB | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, UNDECORATED |
AC | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, GILDED, OTHER COLOR, GOLD GILDING |
AA | 1 | GLASS, COLORED GLASS, FRAGMENT, CONTAINER, WHITE |
AB | 2 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, UNDECORATED |
AB | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 4 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, BLUE, STIPPLED |
AB | 1 | COARSE EARTHEN, COARSEWARE, FRAGMENT, WHEEL THROWN |
AA | 1 | CERAMIC, FLOWERPOT |
AA | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PAINTED UNDER, BLUE |
AB | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, UNDECORATED |
AC | 1 | GLASS, COLORED GLASS, FRAGMENT, BEER/POP BOTTLE, MACHINE-MADE, AMBER |
AD | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN, WROUGHT/FORGED |
AA | 1 | COARSE EARTHEN, N MIDLAND SLIP, FRAGMENT, WHEEL THROWN |
AB | 1 | GLASS, FRAGMENT, WINE BOTTLE |
AC | 1 | GLASS, COLORED GLASS, FRAGMENT, BEER/POP BOTTLE, MACHINE-MADE, AMBER |
AA | 1 | GLASS, COLORED GLASS, FRAGMENT, CONTAINER, MOLD BLOWN, WHITE |
AB | 1 | GLASS, FRAGMENT, WINE BOTTLE |
AC | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AA | 2 | REFINED EARTHEN, PEARLWARE, FRAGMENT, SHELL EDGE, PAINTED UNDER, PRESS MOLDED, BLUE, FRAGMENTS MEND |
AB | 1 | GLASS, FRAGMENT, WINE BOTTLE |
AC | 2 | PLASTIC, UNID HARDWARE, WHITE |
AA | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, UNDECORATED |
AB | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AC | 1 | GLASS, COLORED GLASS, FRAGMENT, CONTAINER, AQUA |
AA | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT |
AB | 2 | IRON ALLOY, UNID HARDWARE, WROUGHT/FORGED |
AA | 2 | REFINED EARTHEN, CREAMWARE, FRAGMENT, UNDECORATED |
AA | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, BLUE |
AB | 1 | REFINED EARTHEN, RED-BOD SLIP, FRAGMENT, WHEEL THROWN, BLUE, WHITE SLIP ON INTERIOR. BLUE FLINT ENAMEL GLAZE ON THE EXTERIOR. |
AA | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, UNDECORATED |
AB | 1 | COARSE EARTHEN, N MIDLAND SLIP, FRAGMENT, MARBLIZED |
AC | 1 | STONEWARE, WESTERWALD, FRAGMENT, CORDONED, WHEEL THROWN |
AD | 1 | GLASS, CLRLESS LEAD, FRAGMENT, CONTAINER |
143 | ||
AE | 1 | GLASS, COLORED GLASS, FRAGMENT, PHARM BOTTLE, AQUA |
AF | 2 | GLASS, FRAGMENT, WINDOW GLASS |
AG | 4 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, PRINTED UNDER, OTHER COLOR |
AB | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, UNDECORATED |
AC | 1 | GLASS, FRAGMENT, WINE BOTTLE |
AD | 2 | GLASS, FRAGMENT, WINDOW GLASS |
AA | 1 | REFINED EARTHEN, WHIELDON TYPE, FRAGMENT, BROWN, CLOUDED |
AB | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, BLUE, STIPPLED |
AC | 2 | PORCELAIN, PORCELLANEOUS, FRAGMENT, UNDECORATED |
AD | 1 | GLASS, CLRLESS NON-LD, FRAGMENT, CONTAINER, MOLD BLOWN, LIEGHTON'S PATENT |
AE | 3 | IRON ALLOY, NAIL, FRAGMENT |
AA | 2 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PAINTED UNDER, POLYCHROME |
AB | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, SHELL EDGE, PAINTED UNDER, PRESS MOLDED, BLUE |
AC | 4 | REFINED EARTHEN, PEARLWARE, FRAGMENT, UNDECORATED |
AD | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, UNDECORATED |
AE | 3 | GLASS, CLRLESS NON-LD, FRAGMENT, MOLD BLOWN, LEIGHTON'S PATENT |
AF | 1 | GLASS, COLORED GLASS, FRAGMENT, FLAT GLASS, GREEN |
AG | 2 | GLASS, FRAGMENT, WINDOW GLASS |
AH | 1 | SLAG/CLINKER |
AA | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, BLUE |
AB | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, RED |
AC | 2 | PORCELAIN, PORCELLANEOUS, FRAGMENT, UNDECORATED |
AD | 1 | GLASS, CLRLESS LEAD, FRAGMENT, CONTAINER |
AE | 2 | COPPER ALLOY, UNID HARDWARE, ROLLED/SHEET, POSSIBLE CANNING JAR LINER |
AF | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN, WIRE |
AA | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, UNDECORATED |
AB | 1 | GLASS, CLRLESS LEAD, FRAGMENT, CONTAINER |
AC | 4 | GLASS, FRAGMENT, WINDOW GLASS |
AD | 1 | IRON ALLOY, NAIL, FRAGMENT |
AE | 1 | SHELL, OYSTER |
AA | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AB | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, UNDECORATED |
AA | 1 | GLASS, CLRLESS NON-LD, FRAGMENT, CONTAINER |
AB | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AA | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AB | 4 | IRON ALLOY, NAIL, FRAGMENT |
AA | 2 | GLASS, FRAGMENT, WINE BOTTLE, DIP MOLDED |
AA | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, BLACK, STIPPLED |
AB | 2 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, BLUE |
AC | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, UNDECORATED |
AD | 1 | GLASS, COLORED GLASS, FRAGMENT, CONTAINER, MOLD BLOWN, AQUA |
AE | 1 | GLASS, COLORED GLASS, FRAGMENT, CONTAINER, BROWN |
AF | 1 | GLASS, FRAGMENT, CONTAINER, GREEN, DARK GREEN |
AG | 5 | IRON ALLOY, NAIL, FRAGMENT |
AH | 1 | FAUNAL SPECIMEN |
AA | 1 | GLASS, CLRLESS NON-LD, FRAGMENT, CONTAINER, LEIGHTON'S PATENT |
AA | 1 | GLASS, COLORED GLASS, FRAGMENT, CONTAINER, GREEN |
AB | 2 | IRON ALLOY, NAIL, FRAGMENT |
AA | 2 | REFINED EARTHEN, CREAMWARE, FRAGMENT, UNDECORATED |
AB | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, CORDONED |
AC | 1 | STONEWARE, AMER BLUE/GREY, FRAGMENT, WHEEL THROWN |
AD | 5 | GLASS, CLRLESS NON-LD, FRAGMENT, CONTAINER, LEIGHTON'S PATENT |
AE | 1 | GLASS, FRAGMENT, WINE BOTTLE |
AF | 24 | IRON ALLOY, NAIL, FRAGMENT |
AG | 29 | IRON ALLOY, FRAGMENT, CONTAINER, ROLLED/SHEET, SOLDERED SEAM |
AA | 4 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, UNDECORATED, PRESS MOLDED, MAKER'S MARK, ..."STA".... ..."TAC"..., MAKER'S MARK IMPRESSED |
AB | 2 | REFINED EARTHEN, PEARLWARE, FRAGMENT, UNDECORATED |
AC | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, UNDECORATED |
AD | 3 | GLASS, FRAGMENT, WINDOW GLASS |
AE | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN, WROUGHT/FORGED |
AF | 18 | IRON ALLOY, NAIL, FRAGMENT |
AG | 7 | IRON ALLOY, FRAGMENT, CONTAINER, ROLLED/SHEET, SOLDERED SEAM. SAME CONTAINER AS 01AD00081AG |
AH | 1 | IRON ALLOY, UNID HARDWARE, WROUGHT/FORGED |
AA | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, UNDECORATED |
AB | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, PAINTED OVER, POLYCHROME |
145 | ||
AC | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, UNDECORATED |
AD | 1 | STONEWARE, OTHER STONEW, FRAGMENT, PAINTED UNDER, BLUE, SURF DEGRADED |
AE | 1 | PORCELAIN, OTHER PORC, FRAGMENT, UNDECORATED |
AF | 1 | PORCELAIN, TOY, TOY DISH FRAGMENT |
AG | 2 | GLASS, CLRLESS NON-LD, FRAGMENT, CONTAINER, MOLD BLOWN, LEIGHTON'S PATENT |
AH | 2 | GLASS, CLRLESS LEAD, FRAGMENT, CONTAINER |
AI | 1 | GLASS, COLORED GLASS, FRAGMENT, BOTTLE, MULTI-PC MOLD, AQUA, BASE, LETTERING/NUMB, PARTIAL LETTER OR NUMBER ZERO |
AJ | 2 | GLASS, COLORED GLASS, FRAGMENT, CONTAINER, MOLD BLOWN, AQUA |
AK | 1 | GLASS, COLORED GLASS, FRAGMENT, CONTAINER, MOLD BLOWN, GREEN |
AL | 3 | GLASS, FRAGMENT, WINE BOTTLE |
AM | 6 | GLASS, FRAGMENT, WINDOW GLASS |
AN | 9 | IRON ALLOY, NAIL, FRAGMENT |
AO | 3 | IRON ALLOY, SCRAP |
AP | 1 | OTHER INORGANIC, OTHER HARDWARE, BURNED, CARBON POLE TO A BATTERY |
AQ | 1 | BOG IRON |
AR | 1 | FAUNAL SPECIMEN |
AA | 1 | DETACHED GLAZE, TIN ENAMELLED, FRAGMENT, UNDECORATED |
AB | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, UNDECORATED |
AC | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, PRINTED UNDER, BLUE |
AD | 1 | REFINED EARTHEN, BENNINGTON, FRAGMENT |
AE | 1 | PORCELAIN, PORCELLANEOUS, FRAGMENT, UNDECORATED |
AF | 1 | CERAMIC, TOBACCO PIPE, IMPORTED, STEM, 5/64 INCHES |
AG | 1 | GLASS, CLRLESS NON-LD, FRAGMENT, CONTAINER, LEIGHTON'S PATENT |
AH | 1 | GLASS, MANG SOLARIZED, FRAGMENT, CONTAINER, MULTI-PC MOLD, PURPLE |
AI | 1 | GLASS, COLORED GLASS, FRAGMENT, CONTAINER, MOLD BLOWN, WHITE |
AJ | 2 | GLASS, COLORED GLASS, FRAGMENT, CONTAINER, MULTI-PC MOLD, AQUA |
AK | 2 | GLASS, COLORED GLASS, FRAGMENT, CONTAINER, MOLD BLOWN, GREEN |
AL | 1 | IRON ALLOY, NAIL, OVER 4 IN, WROUGHT/FORGED |
AM | 10 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AB | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | REFINED EARTHEN, WHITEWARE, FRAGMENT, UNDECORATED |
AB | 3 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN, WROUGHT/FORGED |
AB | 5 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | IRON ALLOY, UNID HARDWARE |
AB | 1 | FAUNAL SPECIMEN |
AA | 1 | GLASS, FRAGMENT, WINE BOTTLE |
AA | 1 | GLASS, CLRLESS NON-LD, FRAGMENT, CONTAINER, LEIGHTON'S PATENT |
AB | 1 | GLASS, FRAGMENT, FLAT GLASS, AQUA |
AC | 1 | GLASS, FRAGMENT, WINE BOTTLE, MOLD BLOWN |
AD | 1 | IRON ALLOY, UNID HARDWARE, HANDLE-LIKE FORM WITH A TEARDROP LOOP AT ONE TERMINUS. THE OPPOSING TERMINUS BEARS WHAT COULD BE A BOLSTER OR COLLAR. |
AE | 5 | IRON ALLOY, NAIL, FRAGMENT |
AF | 1 | SLAG/CLINKER |
AA | 6 | PORCELAIN, PORCELLANEOUS, FRAGMENT, UNDECORATED |
AB | 1 | GLASS, CLRLESS LEAD, FRAGMENT, CONTAINER |
AC | 1 | GLASS, CLRLESS NON-LD, FRAGMENT, CONTAINER, MOLD BLOWN |
AD | 1 | GLASS, COLORED GLASS, FRAGMENT, BOTTLE, MOLD BLOWN, GREEN, POSSIBLE CHAMPAGNE BOTTLE AND SAME BOTTLE AS 01AD00097AG AND AH |
AE | 1 | GLASS, FRAGMENT, WINE BOTTLE, MOLD BLOWN |
AF | 4 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINT AND PAINT, POLYCHROME |
AB | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PRINTED UNDER, BROWN |
AC | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, PAINTED OVER, RED |
AD | 4 | REFINED EARTHEN, PEARLWARE, FRAGMENT, UNDECORATED |
AE | 1 | GLASS, COLORED GLASS, FRAGMENT, FLAT GLASS, OTHER COLOR, BLUISH-GREEN |
AF | 2 | GLASS, COLORED GLASS, FRAGMENT, CONTAINER, BLUE |
AG | 1 | GLASS, COLORED GLASS, FRAGMENT, BOTTLE, MOLD BLOWN, GREEN, BASE, POSSIBLE CHAMPAGNE BOTTLE BASE WITH LARGE MAMELON. POSSIBLY SAME BOTTLE AS 01AD00096AD. |
AH | 1 | GLASS, COLORED GLASS, FRAGMENT, BOTTLE, MOLD BLOWN, GREEN, FRAGMENT FROM A CHAMPAGNE BOTTLE REPRESENTED BY THE BASE IN RECORD 01AD00097AG. |
AI | 5 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, UNDECORATED |
AB | 1 | STONEWARE, AMER BLUE/GREY, FRAGMENT, WHEEL THROWN |
AC | 1 | GLASS, CLRLESS LEAD, FRAGMENT, CONTAINER |
AD | 4 | GLASS, COLORED GLASS, FRAGMENT, CONTAINER, MOLD BLOWN, GREEN |
AE | 1 | GLASS, FRAGMENT, WINE BOTTLE, MOLD BLOWN |
AF | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | REFINED EARTHEN, PEARLWARE, FRAGMENT, BANDED, BLUE |
AB | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, UNDECORATED, WHEEL THROWN |
AA | 1 | IRON ALLOY, NAIL, 2 TO 4 IN, WROUGHT/FORGED |
AB | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, UNDECORATED, WHEEL THROWN |
AA | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 3 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AB | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, UNDECORATED, WHEEL THROWN |
AC | 2 | GLASS, FRAGMENT, WINE BOTTLE |
AD | 1 | IRON ALLOY, NAIL, LESS THAN 2 IN, WROUGHT/FORGED |
AE | 1 | IRON ALLOY, NAIL, 2 TO 4 IN, WROUGHT/FORGED |
AF | 1 | IRON ALLOY, NAIL, FRAGMENT |
AG | 1 | IRON ALLOY, UNID HARDWARE, WROUGHT/FORGED |
AA | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | GLASS, COLORED GLASS, FRAGMENT, CONTAINER, MOLD BLOWN, GREEN |
AB | 5 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AB | 2 | IRON ALLOY, NAIL, FRAGMENT |
AC | 2 | FAUNAL SPECIMEN |
AA | 1 | GLASS, COLORED GLASS, FRAGMENT, CONTAINER, MOLD BLOWN, GREEN |
AB | 3 | IRON ALLOY, NAIL, FRAGMENT |
AA | 3 | IRON ALLOY, NAIL, FRAGMENT |
AA | 2 | PORCELAIN, OTHER PORC, FRAGMENT, UNDECORATED, PARIAN PORCELAIN |
AB | 2 | IRON ALLOY, NAIL, FRAGMENT |
AC | 1 | SHELL, OYSTER |
AA | 1 | STONEWARE, AMER STONEWARE, FRAGMENT, WHEEL THROWN |
AA | 2 | REFINED EARTHEN, CREAMWARE, FRAGMENT, UNDECORATED |
AB | 3 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, UNDECORATED |
AB | 1 | GLASS, FRAGMENT, WINE BOTTLE |
AC | 1 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | EARTHENWARE, DELFTWARE ENG, FRAGMENT, UNDECORATED, WHEEL THROWN |
AB | 1 | STONEWARE, WH SALT-GLAZED, FRAGMENT, SCRATCH/FILL, WHEEL THROWN, BLUE |
AC | 3 | GLASS, CLRLESS LEAD, FRAGMENT, CONTAINER |
AD | 11 | GLASS, COLORED GLASS, FRAGMENT, CANNING JAR, MULTI-PC MOLD, AQUA, MAKER'S MARK, ..."E GEM"..., BELOW THE BOTTLE NAME IS A PARTIAL MAKER'S MARK REPRESENTING THE LETTERS "C", "F" AND "J" THAT STAND FOR THE CONSOLIDATED FRUIT JAR CO. THE COMPANY WAS FORMED IN 1871 BY JOHN MASON AND LEWIS R. BOYD. THE NAME "THE GEM" WAS EMBOSSED ON MASON FRUIT JARS AND OTHERS UNTIL 1920. |
AE | 1 | GLASS, FRAGMENT, WINDOW GLASS |
AA | 1 | PORCELAIN, OTHER PORC, FRAGMENT, UNDECORATED, BURNED |
AB | 1 | PORCELAIN, CH PORCELAIN, FRAGMENT, PAINTED UNDER, WHEEL THROWN, BLUE |
AC | 2 | IRON ALLOY, NAIL, FRAGMENT |
AA | 1 | REFINED EARTHEN, CREAMWARE, FRAGMENT, UNDECORATED |
AB | 1 | IRON ALLOY, NAIL, FRAGMENT |